This is Red Bowl, an installation piece put on by Cao | Perrot studio (L.A./Paris) in Beauvais, France. The work draws its inspiration from hardship and pain (biblical lepers) but is actually quite pensive, complete with a small pond “covered with a veil of water lentils to create a soft green proliferating surface.” The concept of renewal comes forth pretty strongly as Red Bowl “recalls man’s moral dimensions and the belief in being able to purify the body of diseases by a bath of blood.” A couple more images after the jump but definitely take a look at what else is coming from this really nice landscape architecture studio. (via)
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Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the lush paintings of Virginia Broersma.
The work of Los Angeles artist Virginia Broersma explores the concept of allure within the human form. Built of brash and intuitive marks that congeal into something very precise, her paintings have an intensity that is formed not only from the image, but from the intuitive action of painting itself. Though it deviates from the human form, Broersma’s imagery is complicated by associations one may have with the body such as attraction, repulsion, embarrassment or pride. Her work explores how even a distant representation of a person can be conflated with measurements of perfection, beauty and the ideal.
About her process and influences she states:
“I begin with something vague that I am interested in portraying – a gesture of the head, an interesting form, a location or a mood – and as I work it develops on the canvas. I am drawn to other painters working within abstract figuration that similarly use the paint to really create, push, manipulate, and determine the form, such as Frank Auerbach, Willem deKooning, Chaim Soutine, to name a few of my favorites. “
Mernet Larsen’s geometric paintings are at once an affectionate parody and critique of Renaissance narrative painting, a longing for something lost, and a desire for a sense of space and narrative unity more in accord with contemporary concepts of reality.Read her full artist statement after the jump.
If you’ve spent any time looking at Google Earth, you’ll notice that the photography isn’t always perfect; sometimes things appear a little weird. Brooklyn-based artist Clement Valla looks for these oddities, scouring the site and viewing places from different vantage points. At certain angles, highways appear as if they’re melting, dipping into ravines and rivers. It’s trippy. He collects these images and calls them Postcards From Google Earth.
These scenes aren’t the result of glitches or of errors in the algorithm, but are the logical result of the system. Valla explains, “They are an edge condition—an anomaly within the system, a nonstandard, an outlier, even, but not an error. These jarring moments expose how Google Earth works, focusing our attention on the software.” 3D images like we see here are generated through texture mapping, where the flat satellite image of earth is applied over 3D terrain. Most of the time this is seamless, but sometimes, when the spaces are so different, things look wrong. Valla goes on to remark:
Google Earth is a database disguised as a photographic representation. These uncanny images focus our attention on that process itself, and the network of algorithms, computers, storage systems, automated cameras, maps, pilots, engineers, photographers, surveyors and map-makers that generate them. (Via Amusing Planet)
Markus Hofer creates sculptures that which holds plenty of narrative energy. I would believe it if you told me even his business cards held concept behind them. Markus intervenes on the structure of basic objects, and transform them to become the representations of an idea. Though they wouldn’t look too different from their original form, they are tweaked just enough to get the point across.