Kim Joon utilizes the human body in ways you never thought possible. Marvel at the wonders he creates through body art! After the jump, check out some work from his latest show, “Tatoo & Taboo” at Sundaram Tagore gallery in Hong Kong.
Japanese artist Yoshihiko Satoh’s takes mass produced musical instruments and stretches, enlarges, manipulates, and contorts them into objects that unleash the energey residing in their function and shape.
Nathalie Lagacé renders hybrid creatures that are both beautiful and hideous, half human and half beast. Her beautifully rendered drawings display tenderness and anguish, as she lovingly creates these intriguing creatures. However, they are stuck somewhere in limbo, between two beings as they cry out. Highly skilled at drawing, Nathalie Lagacé forms very believable creatures, which make them all the more disturbing. These seemingly cute babies become alarming with their pig heads and rat-tails. Perhaps the most shocking image is Lagacé’s drawing of a baby with bird legs, but they appear to be cooked, ready for you to pick right off the body. Lagacé has created a series that will not soon leave your mind, as the strange images of these bizarre creatures are unlike any that you will ever see.
This series, titled Legacy, points a stern finger at the way we impact the world around us. Much of her work is strongly environmental, displaying what our actions could possibly cause in the future. These crossbreeds of animals like zebras, pigs, and rabbits with humans represent our “legacy,” what we leave behind. The artist’s work reflects upon nature and our relationship with it, the positive and negative. Her art is full of harsh contrasts, whether it is between two conflicting creatures or the dark graphite against the stark white background. Make sure to check out her other black and white, graphite drawings, which have a similar environmental message. (via Hi-Fructose)
Whether through painting, illustration, sculpture, or installation, Kenny Scharf displays an aesthetic saturated with bright colors and playful figures. Think: Pee Wee’s Playhouse + Keith Haring on acid. With his work, Scharf seamlessly integrates pop culture into fun and fluid forms. With his pop culture appeal, it’s no surprise that Scharf has been commissioned to do commercial work by companies such as Kiehl’s, Vans, and Swatch. While other artists might have a different viewpoint on commercial work, for Scharf, the opportunity to bring his playful forms into everyday products is of significant cultural value, “One very important and guiding principle to my work is to reach out beyond the elitist boundaries of fine art and connect to popular culture through my art,” Scharf writes in his artist statement.
Photographer Jonathan May reveals a poignant narrative of the lives of former Mexican gang members now united through a love of art and tattoos. This series, titled Desert Ink, explores a compelling story of eight men now leading honest lives away from the troubles of their past. Coming from a background filled with gangs, violence, drugs, and death, the men have set out for a new life to change their fate and future. Now living in Indio, California, these once criminals are bonded together in a different kind of brotherhood, one that is connected through their passion for tattoo art.
The men, Chip, Dreamer, Sinner, Lazz, Assault, Case 1, Angel, and G-Money, all began tattooing due to unforeseen circumstances. Those of them who spent time in prison began tattooing themselves and other fellow inmates. The others were also self-taught, creating homemade tattoo guns to pursue their newfound artistic talent. The eight of them, now working in their own shop, find redemption and purpose in focusing on something as positive and meaningful as tattoo art. It is a chance to make a permanent imprint on someone, almost literally. By rechanneling their efforts and talents into a constructive outlet, these men have found a shared talent that has united them for life. Jonathan May sheds a warm light on men who by no means have had it easy, but have found a way to change their lives for the better. (via FeatureShoot)
Building on the metaphor of the “dome of heaven” as a visual container holding what we know, Carol Prusa creates work consisting of acrylic hemispheres ranging from bowl-sized to six feet in diameter. Initiated in silverpoint drawing on the convex surface and completed with fiber optics, programmed LED’s and videos housed within, these domes are a visual embodiment – a download of sorts – of what it feels like to be alive while in conversation with contested cosmologies.
“My constructed domes are provocative symbols that invoke the idea of the universe and physical objects that allude to real-life structures. In my “canopies,” I explore a number of mathematical models that physicists developed to explain our universe. The mathematics of my expressed geometries offer a spiritual force that organizes structures from the microscopic to the political. Here, geometry isn’t simply abstract but creates a real world, sustained by its own logic.
To realize the startling phenomena that shape our everyday world, I incorporate digital projection and video technology. Like scientists and mathematicians who model emergent behavior, I too yearn to create a radical vision, one that takes into account the chaotic interactions that are central to formation of the universe.
As artists and scientists seek to explain our place, I join the most advanced daydreamers – those who imaginatively visualize a creative matrix and explore otherworldly possibilities – those who embrace indeterminacy and the fundamentally unstable boundaries between infinitesimal and immeasurable realms.”
Surreal photography by Khan & Selesnick.
Artist Lauren Gallaspy creates unique and dynamic ceramic sculptures that play with notions of fantasy and duality. Her work, beautiful, adventurous, and full of a sense of wonder, invokes magical moments of nonsensical, yet somehow perfected, chaos. Her intention lies in finding balance in seemingly irrational binaries. She explains, “the things that I love and the things that I fear refuse to balance out. They scrap like cats, cloak and conceal like kudzu, terrify and delight, like a large, shaky lake or a dog swimming hard towards a floating ball.” The artist uses this tension to create creative and inventive ceramic sculptures, which are not only experimental by nature, but break boundaries of traditionalist methods of pottery. Experiencing Gallaspy’s work is like an investigation. Each color, each angle, each new treatment of material is expressive and fascinating. Her work screams out for a quiet attention, being open ended yet intimate. Her work emphasizes the complexity of humanity, the ups and downs of just simply being. She explains;
“My work is about that imbalance: the vulnerability of living things and the sometimes violent, sometimes pleasurable, almost always complex consequences that occur when bodies and objects in the world come into contact with one another. I use ornamentation, obsessive mark-making, and decorative imagery as a kind of devotional or transformational act, a way to render interior spaces and intense psychological experiences physically.”