Originally from Stockholm, Sweden artist Sebastian Wahl currently resides in the Bronx where he creates psychedelically inspired resin collages. You can catch some of his work at the Gallery Hijinks exhibit Kaleidoscope Eyes.
Paul Graves’ work is lewd and provocative, but is really clean and “editorial” at the same time. When browsing his portfolio you’ll notice the often usage of a couple things: balloons, nudity as a costume, and mannequins. It seems he likes exploring human vice, which always makes for a good concept…and zentai (Youtube is currently down, but the video should be good so check back later to see it, haha)!
British artist Jenny Aryton creates “miniature wonderlands captured in molten glass.” Almost like snow globe depictions of every day life, Jenny Aryton’s work physically encapsulates intimate depictions of her private world. Gaining inspiration from her young daughter, she aims to gather excitement from the mundane. Her work tends to have a “domestic twist” as she allows her surrounding of her home and family guide the way as her source imagery. Her process begins by creating small metal wire figurines. She fashions tiny sweaters, chairs, trees, shovels, and other objects found in an everyday family home. She then organizes a simplistic scene, almost like a child playing with a dollhouse. After everything has been arranged, Aryton then encases it between two layers of molten hot glass which is poured at 1100ºC (2012ºF). She uses what is called sandcasting. She molds the overall shape of the piece in sand — just as a plaster sculptor would do with clay or wax. One the first layer is poured, she has one brief moment, while the glass is still fluid, to manipulate the aspects of the piece. The second layer is then poured and the whole piece is placed to set in a kiln for two days where it will take its final form. The glass, as a fragile and volatile material, will solidify differently each time, creating a one of a kind piece. The delicate and cloudy imperfection of each piece almost seems to mimic the memory of a child. The have a solemn charm that is nostalgic yet innocent. Each piece is quiet, quaint and unique. (via iGNANT)
Jennifer Sanchez makes some nice paintings. The style might be a bit too reminiscent of Beatriz Milhazes work but still worth taking a look at.
Interesting take on the female form from Floti. Grainy neon colors flow through the figures as though you were looking at them through an infrared camera (except with more interesting color variation). With a glitchy, electronic vibe, these digital works nicely illustrate some of the darker, more ambiguous aspects of the Digital Age. I don’t want to say too much about this project, which seems to be in its infancy, but the source images are altered so heavily that it’s hard to contextualize all of the pictures, which allows for a nice exercise in attaching one’s own narratives and ideas to the works. Hope to see more of these mysterious ladies in the future. (via)
Olga Ziemska’s artistic statement appears as a poem on her website. And one of her lines, “The body is nothing without that which surrounds it” is especially important when it comes to art. The Ohio based sculptor has been refocusing her energy into fully serving it too – seeing as how most of her work in the last couple years has involved outdoor installations, which can incorporate a lot more people encompassing them than the few invited into collector’s homes. However, what I like most about her recent work, other than its ability to be shared, is that it’s made up of mainly organic materials sourced from nature. (via)
Daniel Davidson makes some sweet drawings. These mirror image eye feasts walk a fine line, and feel like the characters could either be bugging out or eerily still.
New York multi-media painter/sculptor Nichole van Beek’s gouache paintings are like Magic Eye images for grown-ups!