Do you stay awake at night dreaming of the day when you can interact with artists and designers from around the world? Do you get a warm & fuzzy feeling every time you walk by a bookstore or magazine stand? Have you always wanted to work side by side with the an elite group of creative minds who only use the finest office supplies such as golden staples? Do you enjoy nothing more than resizing and cropping a pile of photographs as tall as a 3 story building? If you answered yes to any of these (or none of these questions) then this just may be the internship for you!
Now that you feel excited about our internship opening read the fine detail after the jump!
Kim Winderman is a California based photographer, capturing delicate subtleties is her forte. While it’s easy to say that all photography is a vehicle for nostalgia, Winderman’s photos actually embody the feelings that are attached to remembrance. There is a subdued feeling of sadness in all of her photos, especially from the “Immediate Growing Anamnesis” project, where overlay images act out her perpetual attempt to cling to fading memories.
For many people, eating gluten-free is a way of life. But, what happens when you not only remove wheat products from your diet, but from art history, too? The amusing Tumblr called Gluten Free Museum shows us just what that’d look like. It strips the offending protein from paintings, advertisements, and Chief Wiggum’s hands.
There’s a “before” and “after” element to each Gluten Free Museum post. The before, of course, is the original artwork, and the after is it sans grain. You don’t necessarily realize how integral gluten is in artistic compositions throughout history. Suddenly, though, things look bare. There’s no bread on the table, and the peasants are just picking at the ground without purpose. It demonstrates just how large of a role gluten plays in the art world, and sometimes, it’s at the center of it.
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Jorge Rodriguez Gerada and the people from the Delta del Ebro region in Spain have joined to form a giant representation of a girl named Gal·la. This installation is meant to bring attention to how future generations will have to pay the price for our inability to act on climate change now.
This piece is one of several major public art installations in over a dozen locations across the planet that will be photographed by satellites 400 miles above the Earth’s surface this November 20-27 as part of a planetary scale art project, 350 EARTH, led by author Bill McKibben and international climate campaign 350.org.
The multitalented, Berlin-based artist James Reka uses striking colors and organic shapes to create his unique style of painting. Known as “REKA” as a street artist, his large-scale murals steal the spotlight in any setting, whether it be the railway lines of Melbourne, where he is originally, from, or the alleyways of Berlin. Heavily influenced by pop-culture, cartoons, and illustration, his work possesses a pulsating rhythm that brings the streets alive. His abstracted figures take on new shape and form in psychedelic waves that weave back and forth. With a palette reminiscent of the 70’s, Reka’s curved lines swirl around his compositions, creating a sense of depth that is both flattened and rounded, forming incredibly unique aesthetics.
Reka uses influence from his logo design background, integrating a pop-surrealist style into his murals and paintings. The sharp style of shapes and design used in his work creates a harsh contrast to the gritty walls and abandon buildings where his artwork often lives. His smaller paintings can be found in a more traditional environment, like on gallery walls, or in an even more unconventional place, on discarded, found objects. Reka’s newest body of work can be found at Avant Garden Gallery, located in Milan, Italy. The solo exhibition of the artist’s work, titled Olympus, exhibits paintings of Reka’s that pulls inspiration from ancient Greece. While still using his signature style, Reka renders scenes of bathhouses and Greek columns. This exhibition is on view now until July 10th.
Self-portrait as woman in Les Demoiselles d’Avignon by Pablo Picasso
Self-portrait as Yoda in L’admiration by William-Adolphe Bouguereau
Selfies are a ubiquitous mode of self-expression. Photographer and performance artist Jaimie Warren integrates pop culture. humor, and a bright color palette to create visually striking self-portraits that are absurd, humorous, and campy. In one photo series, Warren becomes celebrity-food characters, fusing their names into an offbeat expression. In another, she re-creates images from art history, embellishing them with her signature pop culture camp style. Warren’s selfies subvert the form of traditional portraiture by using absurdity and grotesqueness to supplant the selfie’s identification with vanity. In addition to her individual projects, Warren also co-directs an internationally touring “faux-cable access show” called Whoop Dee Doo, a nonprofit that partners with youth organizations to introduce kids to wonderfully strange art that is meaningful, fun, and compelling. (via la monda and vice)
Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the paintings of Julia Schwartz.
Julia Schwartz’s paintings are inspired by anything and everything around her. Flooded studios, homes in various cities, disappearing icebergs, california light and relationships all are put through her (mostly) abstract painting process to create work that is intuitive and contemplative all at once. Our favorite pieces in her “State Of Being” series has to be the brutally honest text based paintings that display messages of catharsis and artistic despair.
On her website Schwartz states the following about her painting process:
I have something like a virtual rolodex in my mind which contains not names and numbers, but years of study, reading, looking, shadows, dreams, art, and world events. Like a receptacle of experiences, my unconscious unfurls into a painting in the same way described by chaos theory, with one small seemingly unrelated movement having an impact on the piece as a whole.