Luis Lorenzana is a Filipino artist who uses surrealist painting and sculpture to tease and reflect upon the state of consumerism and technology in the present-day world. His style is decidedly “lowbrow” — it is playful, and rich with satire and humor — but his works involve explorations of elitist cultural trends and re-interpretations of classical, “highbrow” art. This particular series is called instanity, a combination of “instant” and “insanity,” which reflects the idea of material excess and immediate gratification: we need to have everything, and we need to have it now. The fact that Lorenzana bends artistic temporalities (by painting Angry Birds into a classical landscape, for example) further shows an insane desire to compress time and space into one material instance — even the result is a little bit strange.
The characters in Lorenzana’s paintings are intentionally ugly. His painting of the Venus — recalling of course, Botticelli’s The Birth of Venus — is portrayed with an over-sized head and asymmetrical breasts, unsettling her status as a venerated artistic figure. Lorenzana’s sports-car-driving characters are likewise strange and hyperbolic, with their striped suits, cigarettes, stacked mustaches, and cavalier attitudes, all of which denote a level of excess and materiality that has turned into madness and ludicrousness. These unpleasant representations of culture poke fun at our own “instanity,” and, more generally, at the sheer monetary/aesthetic value and elitism often associated with fine art.
Lorenzana’s instanity recently exhibited at the Silverlens gallery in Singapore. Visit Artsy for a collection of his works currently available for sale.
Greetings from the Future! This is an update to let everyone know that our Future Perfect project is progressing…well, perfectly. With new submissions coming in each and every day, we’re looking forward to receiving your image of what a better tomorrow will look like. The deadline for all artists to submit work is March 29th and is quickly approaching. Visit the Future Perfect website for the details and submission guidelines and start picturing the future today!
Create your vision for a better tomorrow and get featured in Beautiful/Decay book 6.
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 29th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
Christophe Gilbert is a photography magician if not a full on Sorcerer. From sewing lips onto little kids to creating evening gowns with buckets of paint there isn’t much Christophe can’t pull off without a camera and a little help from our friend the computer.
Based in the Netherlands, Lise Lefebvre has accumulated a conceptually unique design portfolio full of surprising material selections. Really fun stuff that definitely pushes boundaries. A lot of Lefebvre’s work consists of experimental one-offs, but commissions can be requested through her website.
The drawings of Dean Sullivan (Flickr moniker A E I O U) could make seriously awesome wallpaper but only if you don’t mind being creeped out once in a while when you get too close to it. The densely meticulous lines create lush eco-systems for drippy hairy demons and caves…I wanna go! He also makes really awesome shirt/sweat shirt graphics and possesses this thing that make me think he’s actually a 5-year old with a more perverse imagination than usual picking up the markers and pencil for the first time and scribbling away. It’s great!
Jean Marembert (1904 – 1968) was a founder of the group with Louis Cattiaux – a group of Surrealists of a more decorative nature. His work is also, like Giuseppe Arcimboldo’s work, looks like it was made in this century instead of the last. That just goes to show how our current sensibilities are based off the past. Old aesthetics are recurring and cycled through, even filtered down. That’s why I believe it when people say that nothing is ever original anymore.
British artist Ben Long works in a wide variety of mediums from billboards to dust drawings, to massive sculptures made out of scaffolding.
Using his finger to scribe into the layer of dirt built-up from exhaust emissions, Long creates elaborate drawings on the rear shutters of white haulage trucks. In this on-going series, collectively entitled The Great Traveling Art Exhibition, he expands upon the daubing and crude slogans that commonly adorn commercial freight vehicles.
By conceiving the project so that it may exist beyond the confines of the traditional gallery space, The Great Traveling Art Exhibition fulfilled Long’s desire to target and appeal to individuals unreceptive to the presentation of contemporary art in museums and art institutions. Furthermore, as a project born of pragmatic concerns, it enabled the artist to exercise creative expression early-on in his career without the need for a studio, gallery or financial backing.
Long’s Scaffolding sculptures are Inspired by his experiences working on building sites as a teenager, the project asserts the value of a disciplined working practice, the hard graft of manual employment and celebrates the role the construction industry plays in the advancement of urban development.
Thematically, Scaffolding Sculptures utilize cultural archetypes familiar in domestic and decorative art, whilst also making reference to art historical imagery such as Monarch of the Glen by Sir Edwin Landseer and Whistlejacket by George Stubbs. With each artwork the base structure serves to visually reinforce the sculptural intent of the project, making comparisons with the plinth, as well as reminding the viewer of a conventional use of scaffolding based on the familiar right-angle and cross bracing process.
After the cut, check out sublime sculpture from Corey Thomas, and a YouTube video of his process.These things are spiky and look dangerous, but somehow remain at peace with their conspicuously calm, desert surroundings. (via)
“I trained as a dancer then migrated to sculpture with a focus on creating narratives with form. Each landscape – and the materials found within – stimulate new content for my work in terms of stories about people, culture, place and form.” -Corey Thomas