Acclaimed photographer Gregory Crewdson is a master of creating creepy scenes that have an air of mystery, violence and drama about them. He sets his images in small town America, but not as we know it. He presents scenes laden with loneliness; scenarios that are surreal; moments that are unnerving. Taking stylistic cues from Steven Spielberg, David Lynch and Diane Arbus, there is a strong narrative to Crewdson’s work. He repeatedly visits certain locations and waits until a particular moment presents itself in his mind’s eye, and then he tries to represent that as accurately as possible.
His photos are moments of people in a strange sort of limbo, or some state of reflection, all bathed in a dramatic, cinematic light. A woman lies submerged in a flooded living room, it isn’t clear whether she is dead or contemplating what went wrong to cause the disaster in her house; a young girl sits up in bed at night time, either going over some sinister, violent plan, or deciding whether her nightmare was real or not; a woman stands in the middle of an empty street, taxi behind her, door still open and driver waiting. All of Crewdson’s images are filled with heavy subtext, something that is left unsaid. He talks about the mysterious worlds he creates in an interview with The American Reader:
I think that’s really kind of a beautiful point, that at the core there is something very childhood-like about the whole activity of building and constructing a world. My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures. That whole thing about trying to create a world – there’s something very connected to childhood and reverie and daydreaming and fantasy. (Source)
See more snapshots of his dreamlike worlds after the jump. (Via We The Urban)
Blood Mirror is a collection of various works of art composed of blood donations from gay, bisexual, and transgender men which have been rejected by the FDA. The mixed media exhibit is made up of a short film by Leo Herrera which traces the story of nine gay men who have chosen to “donate their blood for art” given the FDA ban on donations from MSM( men who have sex with men). Their donations have been placed in a large cube through which light reflects on a panel painted with blood. The exhibit will include a sculpture, “Untitled”, composed of the blood collection tubes and blood bags of the nine men from Herrera’s short film. A “Blood Flag” will also be a part of the exhibit.
Aside from the vastly controversial aspects of using human blood as an artform, Blood Mirror has a strong political stance and strives to generate a dialogue surrounding the FDA’s regulations on blood donations. The use of blood in such an aesthetic manner provides not only strong visuals but also underlines a situation present within the medical world. The merging of the science and art worlds displays the necessity and beauty of elements such as blood give us the chance to think about the importance of speaking about things such as the right to donate.
Blood Mirror will be on display at the American University Museum from September 12th to October 18th.
Straight out of Rutger’s MFA Painting program, Paul DeMuro is creating some wildly thick paintings. The first time I ever saw his work was at Jolie Laide’s Tri-State show, and he flat-out stole the show. These paintings are way too physically powerful for the internet to capture any of the ka-pow they possess, but you can still get a general feel for these high-energy works. Unfortunately, he just finished up a two-man show with Alex Da Corte at Jolie Laide, entitled BLEACH, but I’m sure he’ll have plenty of future shows so you can get a chance to check out his work in its proper environment (a primer).
Germany based Kuin Heuff paints portraits on paper which she then cuts up from the layers of paint into ornate lace-like structures. These intricate cuttings create a complex web of patterns that reference everything from anatomical drawings to woodcut prints. (via)
Since the weather in LA has been unusually cold and crappy the last couple of days I thought i’d bring some sunshine and warmth in by posting this music video for Sleepy Sun called “Golden Artifact.” It’s a trippy, sun drenched, psychedelic voyage through peacock feathers and butterfly covered islands.
Laura Krifka’s work feels both classical and contemporary– a collection of myths that transcend time, stuck on the spin cycle from one era to the next. There is a soft religious quality in each face as he or she slowly responds to pending doom, lurking out of view. Such off stage suspense, feels exactly this way– theatrical.
The dramatic cliche breathes with familiarity, reminding us of our own cyclical head space in relation to history, story archetypes, life, and to our own animalistic emotions or neurotic human obsessions. It’s why we make art and why we repeat ourselves generationally and artistically.
Of her paintings, Krifka states, “I create a world populated with naive and innocent figures acting out their own legend, blind to the dangers around them or those that exist within themselves. In my work the fantasies and clichés of our own world combine and breed, creating a hyperbolic landscape populated by a society lost in their own myth.”