Someone had to do it. Catherine Chalmers did it beautifully. Damn. Why are you keeping it so real?
In 2011, a woman named Erin Hart stole artist Jessamyn Lovell’s wallet, and eventually her identity, racking up credit card charges, parking tickets, and even a theft charge in Lovell’s name. As an act of retribution for this infuriating and frightening experience, Lovell created an art exhibition called “Dear Erin,” featuring documents, surveillance photos, videos, and interviews documenting Erin Hart’s crime spree. Hell hath no fury like a woman with a stolen identity.
“Using a camera and occupying the varied roles of victim, stalker, investigator, artist, spy, and vigilante, Lovell offers a body of work that touches on contemporary concerns of surveillance and selfhood within the information age.”
The thoroughness of “Dear Erin Hart” is impressive and somewhat alarming. In the attempt to “[understand] this woman and the course of events that brought their lives together,” Lovell hired a private investigator and even photographed Erin Hart being released from jail, a series of photos that are disturbingly stalker-like. The project was exhibited at SF Camerawork from September 3 – October 18, 2014.
Now, in a continuation of the project, Lovell hopes to contact Erin Hart in order to deliver a letter she’s written. She’s raising money for her trip (from Albuquerque, NM where Lovell lives to San Francisco, CA where Hart lives) through the sale of her own photos on Etsy and using a crowd funding campaign posted on her Facebook page.
“Lovell says that her hope is to reach out to her identity thief one more time in an attempt to get her most burning questions answered. Lovell also says that even if her attempt fails and Hart refuses to talk to her, she will at least know Hart knows of Lovell’s existence. She also hopes that Erin Hart will accept the invitation to allow Lovell to interview her and agree to be recorded.”
Erin Case stole Jessamyn Lovell’s identity, time, and peace of mind. Lovell, in relentlessly pursuing her thief, robs her of her anonymity.
One solid consistency in Lado Pochkhua‘s work is the presence of people. Complexities lie in in the details of dress, color and landscape — objects that outlast the individuals they surround. In the vein of what outlasts what or whom, elements are selectively obscured creating, perhaps, one big memento mori. Pochkhua is a Georgian artist living and working in New York.
Women always say that men think with their crotch so Cuban artist Yoan Capote decided to create a series of work replacing the male genitalia with a giant brain. All of Yoan’s smart and witty conceptual sculptures mix a dash of irony with a dose of comedy such as the ladder with rocking chair legs or a pair of pristine running shoes carved out of pure marble.
From burning Birkin bags to Barbies in Bondage or a clad Lindsay Lohan playing with guns, Tyler Shields’ subjects are as Hollywood as the photographer himself. Even his Tate Modern acquisition was documented on Mrs. Eastwood And Company, an E! reality television show.
Like Andy Warhol, Shields’ famous connections and brazen use of them, make his work ripe for the picking, for better or worse.
His most captivating imagery, to us, however, has less obvious celebrity shock value, depicting instead more theatrical situations where subjects are posed, mid-action, falling from rooftops or engaged in colorful night fights.
Austin Irving’s current exhibit, Portals, at Curio by AFN truly lives up to its name. Her pictures taken on medium and large format cameras seem like entranceways to secret headquarters or the opening images to an epic film. And no piece emitted that cinematic feeling more, then one taken right in the middle of a natural cave formation that was mounted onto a light-box. The color and shading of the rocks, which was amplified by the backlight, made the work seem 3 dimensional. It was almost like you could walk inside of the piece and hear the water actually dripping from the stalactites onto the floor. My advice is to start collecting Austin’s work now, before it’s totally out of reach.
Welcome to a myriad of details in an evolving fractal landscape. Courtesy of SubBlue. Watch the full video after the jump.