Icelandic artist Shoplifter aka Hrafnhildur Arnardottir lives and works in New York. “Her body of work as a whole exists in the gray area between visual art, performance, and design. Shoplifter has worked for several years exploring the use and symbolic nature of hair, and its visual and artistic potential. For Shoplifter hair is the ultimate thread that grows from our body. Hair is an original, creative fiber, a way for people to distinguish themselves as individuals, and often an art form. Humor plays a large roll in her life and work, sometimes subtly, but other times taking over. This humor extends to her love of playing with the juxtaposition of opposites. Like with her hair pieces- they appear beautiful evoking natural forms and plant life, but at the same time hair is considered grotesque and disturbing when it is not attached to the body, like hair in the shower drain. She uses traditional handcraft techniques like knitting, weaving, and braiding to create new forms of textiles, while referring to established methods in art. She is attracted to the playfulness found in folk art, naïvism, and handicraft which all have a strong influence on her organic process of creating work.”
Whether or not Yochai Matos is creating an installation to view inside or outside a studio space, he pays careful attention to the way light creates an atmosphere. For his indoor installations, existing studio light can make his work appear more ethereal, something to which “You Are a Saint” affirms. His work sometimes directly addresses the absence/presence of light, as in his outdoor installations “Landscape” and “Flame (Gate).” Because the perception of his work changes with the amount of light available for any installation, the experience of his work is as fluid as the experience of natural or artificial light in any given environment.
These headless figures resemble ancient Venus statuettes. However, the sculptures’ construction betray their modern origin. Artist Etienne Gros pulls, tucks, and pins foam to resemble the classic nude. The full curves and folds of the foam mimic human flesh in strangely similar manner. Gros contrasts the age-old form with modern industrial material to highlight concerns that have never disappeared – the body, sensuality and sex. Gros is familiar with the human figure beyond this unique medium. He’s explored themes of the classical figure in paint and even smoke.
It’s problematic calling the work of Jake Fried either animation or painting – it is a bit more than both. Fried uses exceptionally simple materials: White-Out, coffee, ink, gouche, and paper. He creates and image, and adds countless layers. The result is an evolving and unfolding psychedelic image. Fried appropriately calls this type of experimental animation “moving paintings”. Using the image of a face as its foundation, Fried quickly elaborates on the painting barely allowing the viewer’s brain to keep pace. You can see more of Fried’s work previously featured here. [via]
The mystical, mesmerizing performance works of Atlanta-based artist Shana Robbins stretch the boundaries of the real. Her jarring, costumed and choreographed rituals of passage are strange and unreal, yet compelling. The photo-documentation of each performance points to carefully constructed sets, costumes and props that set the stage for her offbeat, painterly vision of theatre. Conceptually the works address conditions of the natural realm, feminine existence and ritual with a futuristic, pagan edge. Drawing on her own experiences as a student of Butoh movement, Robbins explores methods of movement and storytelling that pull from ancient narratives of birth, death, identity and transformation.
From subliminal messages to product placement, advertising is no stranger to double meanings, and this is just what the Aid to Children and Adolescents at Risk Foundation (ANAR for short) had in mind when they teamed up with Grey Spain to create a new cutting-edge campaign which speaks directly to children suffering from abuse– even in the presence of their abusers.
Just how is this possible?
Well, using “outdoor lenticular” technology, a dualistic message is transmitted. Adults see a simple clean awareness message while children see a slightly bruised variation on the advert, directing them to a help crisis line.
Artist Heather Dewey-Hagborg‘s project, Stranger Visions, is a wonderful mix of science and art. Dewey-Hagborg turns a poetic attention to the seemingly innocuous artifacts of life: a hair, chewed gum, a cigarette butt. Beyond sight, though, the DNA remains of each unique person inhabits these “artifacts”. She picks up these remains up throughout Brooklyn and brings them to a nearby biology lab. Dewey-Hagborg extracts the DNA from the object, then information from the DNA. She runs the information through a program she has written herself that is able to determine physical features such as eye color, hair color, gender, nose width, and so on. That information is then exported to a 3D color printer to create a sculptural portrait of the unwitting donor. [via]
There is something especially frightening about Lara Mezzapelle and Giacomo Deriu‘s sculpture, Dirittura d’Arrivo. The sculpture freezes the moment a plane rips in half, about to plunge from the sky. All of the ensuing chaos – panicking passengers, flying luggage, mangled metal – is caught completely and eerily in white. A fear of flying has been a common modern phobia. However, as critic Olivia Spatola points out, a plane crash in a post 9/11 world reflects the more modern fear of a new kind of violence. In a way Mezzapelle and Deriu capture this modern fear in their medium and process. The sculpture is planned using 3D modeling software, and cut from nylon using prototyping lasers.