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Jon Owen

Picture 5We’ve been posting alot of amazing illustrators from the UK, and Jon Owen is yet another within this category. You can difinitely detect a common stylistic thread from piece to piece, yet, Jon also has a strength for mixing things up and keeping his work fresh. I’m personally fond of his limited color splashes & muted palette, which only increases my curiosity to explore the details of these narratives.

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The Incredibly Sad Spaghetti Monster Of Artist Theo Mercier

Theo Mercier - Spaghetti, Installation

Theo Mercier - Spaghetti, Installation

Theo Mercier - Spaghetti, Installation

Internationally renowned artist Theo Mercier has created an incredible monster of a sculpture made entirely of spaghetti! This textural, monumental piece is around 10 feet tall, and that’s when it is sitting—which is all the time. The spaghetti monster sits upon a small chair that is way too small for him as he stairs sadly down at the ground. Titled Le Solitaire, or, “The Loner,” this creature looks isolated and alone in a world where he is the only spaghetti-creature. Although the colossal sculpture seems very melancholy, Mercier’s work tend to not be without a bit of humor. A monster made of spaghetti is an absurd and silly creation, so why is it so glum? Maybe it is afraid that us humans will eat his spaghetti!

Mercier’s work is often large and textural, as Le Solitaire’s tactile spaghetti-skin begs to be touched. The noodles form an endless series of lines bending and forming across the body of the creature. They imitate scribbles of continuous lines doodled on a piece of paper. A self-taught artist, Mercier is an expert at inducing strong emotions with such a bizarre and surreal sculpture. We cannot help to feel sorry for this dripping, sorrowful beast. Its wide, striking eyes that stare directly at the viewer are also in other works for Mercier’s. His other installations include funny creatures made by adding these same bright eyes onto cars, piles of hay, and even smoke seeping out from a fireplace. This French artist’s unusual and mysterious sculptures give inanimate objects such emotion and personality that steal our hearts and earn our love.

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Collaboration Between Artist And Photographer Yields A New Brand Of “Digitally Handcrafted” Images

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Michael Cina has created a world-renowned career by fusing elements of both design and art into a signature style of technically-sound, visually striking, and uniquely glossy works. This approach has brought massive clients ranging from Facebook to Coca-Cola to MTV, as well as fine-art success. His latest efforts involved opening up control of his personal practice, however, as Cina worked side-by-side, though miles away, with a collaborator. For over a year, Cina and New York-based photographer John Klukas worked together to create a new body of work, which they began to call “digitally handmade” – a true synthesis of each creator’s respective styles. This collaboration yielded some twenty works, which are collected in the exhibition, She Who Saw Deep, at Minneapolis’ Public Functionary.

Beginning their complicated collaborative process with photos of the exhibition’s singular muse in Klukas’ New York studio, Cina then took the images and digitally overlaid his handmade paintings in his Minneapolis studio. Working the files back and forth between the two several times, the finished files were often so large and dense that they were as large as 16GB. These pieces were then printed and mounted, where Cina made final edits by hand – embellishing, spraying, drawing, and painting each piece to give them their own unique finish.

The digitally handcrafted images in She Who Saw Deep are then titled around the loose parallel of the Epic of Gilgamesh, “where the hero passes through the absolute darkness of grief, fear and death to be reborn into the light…the resulting works in this exhibit are both a visual and conceptual interpretation of this classic and universal human story.” Public Functionary, which offered support for the printing and creation of the works, is offering unique, limited-edition prints of these collaborative works, which can be purchased here.

She Who Saw Deep is currently on view now through July 13th at Public Functionary in Minneapolis, Minnesota, USA. 

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Awesome Video Of The Day: Shyscapes

A dreamy voyage through a cold, dark, mysterious snow filled planet courtesy of Misha Shyukin.Watch the full video after the jump.

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Eric White

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Eric White is a painter living and working in Brooklyn. He creates work that challenges the body with differing proportions, repetition, and color. The work is exquisite in every sense, and owns the world it lives in completely.

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We Are A Nation Of Sheep

In a world desperate for uniqueness and originality, the greatest irony may be that we ultimately succumb to “following the herd”. Whether we like it or not, we the “sheeple” have become fervent disciples of a globalized economy. Sheep Nation, a series of photographic works by Montreal-based contemporary artist Davide Luciano, explores this fertile ground through a characteristically satirical yet compassionate lens.

This large-scale photographic series includes 23 intimate and introspective portraits of sheeple. Behind every mask lies a personal truth, an innocence, a sense of individualism, a longing to be seen and heard. The 6 mises en scène depict people unable to think for themselves. Allowing the influences of different forms of media to undermine their own identity and wander mindlessly in herds, like sheep. 

With the help of a special effects make-up artist to create prosthetic masks, the 3 hour transformation began. The use of product branding in each scene puts forth the idea that we live in a world where we are slaves to consumerism and where advertising has us chasing a need to be accepted. 

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The Strange Expressions In Laura Krifka’s Paintings And Sculptures Depict Sexual Awakening

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laura krifka painting

The strange expressions in Laura Krifka’s figures exude a feeling of tension and surprise. The collection of paintings displayed in her latest show, “Reap the Whirlwind” at CB1 Gallery in Los Angeles, offer a tableaux of sexual awakening, youthful lust and rough mischief. Each character seems glazed over in some type of expensive plastic yet the narrative refers back to old masters such as Rembrandt and Boticcelli. This is part of the reason Krifka’s work is intriguing. It embraces a juxtaposition which is not often seen. The other is her painting ability.

A skilled technician, Krifka renders her weird realistic narratives of lustful desire with relative ease. Her placement of characters in the great outdoors lends a plein air quality which enhances her scenes of multiple partnered sexual encounters and voyeurism. At times the figures resemble renaissance blowup dolls which adds humor. Even though it mostly depicts sex, there is no real sensuality in the paintings , instead Krifka captures the awkwardness of adolescent awakening.
Accompanying the paintings in the show are a series of small sculptures and video. The sculptures are tiny and even though relate in narrative to the paintings, its characters look a bit more rag dollish. Well, maybe not a little but a lot more. This makes them even more intriguing. Actually, I believe these are models for the video, which isn’t accessible on the web. There is a still on the gallery’s website which does hint at this fact and one could conclude the video consisting of a sexualized rag doll version of Little House On The Prairie.

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Dual Personalities Are Explored In Ismael Moumin’s Haunting Split Screen Photography

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 According to photographer Ismael Moumin everyone has two sides to their personality. In his cleverly crafted collaged pictures he renders a kind of Dr Jekyll and Mr Hyde narrative. In portrait style pics he explores dual sensibilities.  Some are traditionally made with happy/angry faces while others are left more open to interpretation. The flawless models are aesthetically pleasing to view and in some Moumin cuts parts of their faces to fit perfectly into another, thus making comment about the interchangeable definition of beauty. In one an Asian model is split with a Caucasian lady. Again a subtle reference to what appears on the outside might not necessarily coincide with what is on the inside. Then there are some where he erases the face altogether except for the silhouette and fills it with cosmic looking substances. These become scientific planetary like images which recall mood rings and heat sensitive substances which change at the touch.

Moumin makes his living as a professional photographer. He has done shoots for Rue Blanche, Cacharel, Sage, LESinrocks and Hero Magazine. He is represented by Frenzy Picture in Paris.(via Ineedaguide)

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