Chris Pell is a 21 year old graduate from Brighton University. Pell is a very unique animator, photographer, and illustrator who uses religious symbolism in a majority of his work on Flickr. Just incase you were wondering, Pell loves “fantasy worlds, alchemy, soca music, mysticism, horror movies…” and the list goes on. He is readily available to take commissions and also has prints for sale upon contact.
Myoung Ho Lee, with the aid of assistants, cranes, and ropes, places blank white canvases behind trees in various natural settings throughout South Korea– in order to bring a part of the background into the foreground. According to The New York Times, the artist only digitally retouches “the trace of his own hand” because “If the mechanics of the artwork were visible, it would be easier for people to recognize the scale and the method . . . I want to hide them, to infuse a magical and vague aspect to my work, so that viewers may question and try to find answers themselves.”
Joe Van Wetering is a 22 year old designer/illustrator that prides himself as a Chicago native. Right now he works for a little T-shirt company called Threadless, and if you haven’t checked out their tees before, you should probably do so right now. Joe is also damn good at Tetris and if that isn’t your cup of tea, he will take you down in ping-pong. Watch your back.
Evan DeSpelder’s paintings are an exploration of the formal and conceptual possibilities of the digitally mediated painting.Using painting as a vehicle to fundamentally question the way our realities are constructed, Evan’s work is an expression of modern ambivalence, a representation of the world in which we live, where truth and the human mind are malleable, manipulated, and history is leveled by an unprecedented access to information.
0s & 1s is the directing debut of LA-based filmmaker Eugene Kotlyarenko. The film, currently set for release in fall of 2009, is about a guy named James Pongo who loses his computer and finds that his “hyper-connected reality takes a nosedive.” 0s and 1s utilizes a unique visual system in which the viewer watches the movie through a barrage various computer-like windows, bringing a decontextualized computer environment to the silver screen and eschewing traditional expectations of cinema language.
Artist Christina Córdova sculpts beautiful and enchanting ceramic figures. The artist, now living in Penland, North Carolina, grew up in Puerto Rico where she was raised heavily embedded in Catholic imagery. The classic posses and the notion of reference and body positioning as story telling has deeply made an impact on her work — the figures within her art hold poses that can be found in both theological and mythological images. Each piece has an almost magical realist feel: while her pieces can be traditional in execution, they always feature an element of surprise and surrealism. Through blending moments of texture with perfectly sculpted human forms and strange depictions of wild animals, her works somehow achieves the ability to be screaming a secret — to be demand attention yet offering no specific answers, only curiosity and inquisition. Each work has a story. Each figure has a history. Her use of a classic material, ceramic, truly allows her work to exist within a plane of antique elegance. However, through her use of pattern and color, Córdova’s work is contemporary and fun, yet undoubtedly sophisticated. She tends to use found materials such as metals and wood from her homeland, Puerto Rico. Because of these materials, her ceramic finishes mimic a sort of rawness that truly gives her sculptures their “relic” like quality. Córdova’s sculptures are absolutely stunning and genuinely radiate a aura of mysticism and truth. (via juxtapoz)
Fellow Angelino and UCLA Alumn, Liz Craft, really encapsulates what I believe to be the spirit of Los Angeles. Motorcycles, Middle Fingers, Cacti growing amongst discarded tires, and let’s not also forget about those swanky rollerskaters over on Venice boardwalk–all very LA. Her work has multiple reads that oscillate between serious and humor. Liz Craft also happens to be featured in our latest release, Beautiful/Decay Book:5 “Psychonauts”. And like finding parking in LA, Book: 5 is scarce (Less than 200 copies left). Be sure to pick up your copy today and discover 20 full color pages of Liz Craft plus other amazing Psychonauts.
Korean artist Ho Yoon Shin creates delicate paper sculptures by hand. While Shin works predominantly in the realm of portraiture, he cites a wide range of influences, spanning religion, politics, and, most notably, his social surroundings. Using his artwork as a microcosmic representation of Korean society, he notes:
“I am interested in social phenomena and approached the essence of it. I realized that the closer I approached it I realized there is no essence. I think it is already intrinsic in me or you, being judged and evaluated by the inherent values in our things. Therefore, if examined in that viewpoint, I begin to understand why the power group of Korea has wanted to spilt all kinds of social systems, – the right and the left, social classes divided on its economic structure, dominance and subordination etc.”
Additionally, Shin’s work includes myriad Buddhist influences, both aesthetically and conceptually. He notes that the simplicity of his subjects’ faces are “inspired by Buddhist art, which [he] finds to be calming and meditative.” Furthermore, while he often creates literal portraits of the Buddha in his characteristic meditative pose, he also incorporates Buddhist philosophies into his work—namely, the ideas of void and emptiness. He explains:
“Looking at a solid body made up through several layers…, we get to know that the system of the body is organized rather dangerously than strangely, and the system looks like the contemporary society. And its vacant surface and inside are getting filled with our inherent images to completion. In the end, it’s a story about the situation and a point where we fill a surface that doesn’t exist… and console and satisfy ourselves.”
In addition to portraits and busts, Shin also creates intricately sculpted installations. They often incorporate a flower motif and, like his portraits, convey Shin’s astounding attention to detail and the transcendent, ethereal beauty of his craft. (Via IWH Gallery)