Louise Riley embroiders human figures using a mattress as a canvas. Usually in repose, these figures create an intimate experience for the viewer. Riley’s work demonstrates a fine attention to detail and color shading, rendering vulnerable and realistic characters out of linear and geometric forms. Part of her practice includes that of altering the flat shape of the mattress, creating rolls and curves in her mattress-canvas, or cutting shapes into or on the mattress.
From her artist statement, “When I am sewing figures, I think of the thread being strands of DNA and the stitches binary codes and the fabric (our second skin anyway) a grid and that leads me onto String theory, experiences happening alongside each other with endless alternative outcomes. These grandiose thoughts are what get me through the hours..
The literal abundance of fabric and thread as domestic content and construction, not limited to gender, makes our relationship to it very intimate.
I use the mattress as a backgroundless background that holds weight of experience conceptually, spiritually and physically. Blood, sweat and tears like tree rings in its core. Its presence in our rights of passage, our sleep, rest, thoughts, dreams, the theatre of life spilled out onto it. How could I work on anything else! It is a ready-made canvas, it allows my ideas to penetrate it and collaborate with it to unearth a supposed breath-taking, yet ordinary, history or herstory.”
Joel Cooper crafts paper masks and geometric shapes using the technique of origami. Cooper’s intricate three dimensional masks are created with a large number of folds out of one sheet of paper. He alternates between bright and muted colors and matte and shiny sheets of paper that all appear earthy in tone. On some of his pieces, his wife has collaborated with him by using painting techniques to enrich color and texture. You can check out more of Cooper’s work on Flickr and purchase available designs via his Etsy shop. He lives in Kansas. (via design taxi)
Party Food is a project Joseph Gillette started in 2006. It incorporates a collage filled landscape of video, performance, sculpture, drawing, music- framed in an all encompassing Sesame-Street-on-Crack-ness. He has written, produced and performed three chapters so far, and is currently writing the fourth with the hopes of showing in LA some time this summer. This video in particular creeps me out and makes me laugh at the same time, which is great! It kind of reminds me of the uncanny valley– between a totally impossible and and familiar object.
SpY is a Madrid based artist who playfully disturbs urban signs and signifiers, often confiscating them, transforming them, then installing them on the street. I love his really simple gestures, like putting orange construction cones on a sculpted bull’s horns–they just have the hilarious edge of an adolescent prankster (who went to art school and secretly adores Duchamp.)
The portraits of German photographer and art director Sebastian Schramm are proof that you don’t need a complicated process to create striking images. Using the everyday debris of life and dead-on placement Schramm transforms one of the oldest tropes in art into something new, unexpected, and beautiful. More of Schramm’s portraits after the jump.
Hilarious sculptures from Eugenio Merinos, infused with a large dose of biting political and art-world satire. Think Ron Mueck with a large ax to grind. With appearances at Artefiera 2010 in Bologna, and ARCO 2010 in Madrid, 2010 promises to be a big year for this up and coming Spaniard. More at ADN Galeria.
In this post, featuring images from the last quarter of 2011, we remember a tumultuous year of change across the globe, the capture of Khadafi, the 10th anniversary of the attacks on the World Trade Center, the passing of Apple icon Steve Jobs, fire, famine, flood and protests. A memorable year, indeed. — Paula Nelson (via Boston Globe)
National Transitional Council fighters fire against Muammar Khadafi troops in the town of Sirte, Oct. 10, 2011, as they move in against the strongman’s remaining diehards. (Aris Messinis/AFP/Getty Images)