20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)
Although he was educated as an economist, Sebastiao Selgado understands the world most clearly in images, as demonstrated in his incredibly moving photography. His most recent series, Genesis, is his most ambitious and long-term project, spanning eight years as he visited 30 of the earth’s most pure and untouched sites. He was inspired to do the project because up until that point people had been the central subject of his work. He says that he “… wished to photograph the other animals, to photograph the landscapes, to photograph us, but us from the beginning, the time we lived in equilibrium with nature.”
His imagery is completely enthralling. It is obvious the time he spent for each one to capture just the right moment. The fact that his photographs are in black and white emphasizes their impact further, and creates a greater romanticism. What is truly incredible about Selgado is his investment that gives him such a great return in his artwork. For a while he was disillusioned by the world and his photography, having seen so much devastation as a photojournalist based mostly in Rwanda at the time.
Selgado returned home for his own health and sanity, to Brazil, where his parents had left him their land. It was almost completely cleared of the forest “paradise” it once was to him, and so he and a friend worked to replant the eco-system. This experience seems to have shaped Selgado’s view of the state of our planet as a whole. He has seen the atrocities we have inflicted upon it and ourselves, but he has also successfully restored a piece of it to its original strength and beauty. His images, therefore, are not caught in time as a momento of the world we were once a part of, but a reminder of what we might still participate in for the foreseeable future if we can recognize it as something worth reviving.
Selgado speaks about his practice and the Genesis photo-series in a TED talk that you can see here. (Quotations in this article from TED talk) (Via Dazed Digital)
Yuta Onoda is a very talented painter, illustrator, and printmaker from Japan. He graduated from Bachelor of Applied Arts Illustration at Sheridan College, Canada, and has been shaping his art aesthetic through various forms of media, hoping to find new avenues to express himself.
Artist Livia Marin’s Nomad Patterns is a series of classical ceramics depicted in a most unconventional manner. Her representation of the destruction of ceramics is fascinating in the sense that she has chosen to use melted ceramics rather than breaking, chipping, or shattering them in the way they are known to do. In this sense, she has brought a sort of silent, unconventional destruction to the ceramics in her series.
The fascinating aspect of her work lies in the way the ceramics are being destroyed. She merges the ideas of “care and ruin” by making it difficult to distinguish whether the ceramics are being destroyed or put back together.The fluidity of the melted ceramics and the way that the patterns are maintained add a touch of surrealism to the series. The physically impossible nature of her project as well as the aesthetic aspects of her work make for an original merging of physics and art.
In this sense, her work reaches beyond its artistic capacities and underlines the artistic aspects of physics as well as the merging of science and art. Marin’s work merging of the notions of restoration and destruction also provides a reflection on these two notions, which are, in her work two sides of the same coin.
Alberto Tadiello’s works explore the possible forms of autonomous function associated with different objects and mechanisms as they undergo a parossistic conceptualization of their own functional logic. This logic is altered and tampered in order to start reflecting upon those deeper and psychological aspects which connect people to things and technologies.
Scottish artist Anna Geerdes‘s paintings focus on map landscapes, as she presents fields stitched together and filled with ants for a fantastical and surreal series entitled The Utopia Project. More images from the series, which was featured at the Royal Scottish Academy in 2010, after the jump.
A thousand chairs creating chaos in the middle of a plaza. Baptiste Debombourg is the messenger from the skies. With his installation ‘Stellar’ he transports us above and beyond infinity. A snapshot of a movement, dancing chairs all linked in the air to connect with the public once landed on the ground, is the artist’s vision for this temporary installation.
It took Baptiste Debombourg 1200 chairs, 300 meters of steel tubes and 11 months to set up the installation in the middle of plaza du Bouffay in Nantes, France. Chairs are an important part of the six coffee shops symmetrically facing the plaza, they are the symbol of conviviality. Imitating that concept, he created the installation, structured yet taking us elsewhere, a relaxing place. From each coffeeshops, the sculpture can be perceived from a different angle; creating a different point of view.
Baptiste Debombourg was inspired by the French artist Robert Delaunay’s installation exhibited in 1937 (see the black and white photo far below). The shape’s roundness and exhilarating feeling is reproduced, except the artist chooses to incorporate ordinary materials: chairs that come in six different colors. His purpose is to nourish the eyes, to get a reaction and to defy specific contexts. In many of his installations he is not afraid to deconstruct and recompose, preferring being close to reality and see his work alive.
Baptiste Debombourg’s ‘Stellar’ installation can be viewed at the plaza du Bouffay in Nantes, France until August 2015.