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The texture on these mixed media paintings from Canadian artist James Kirkpatrick is insane. Packed with color, the artist’s nebulous, jumbled works, which contain just the slightest hint of concrete elements here and there (is that a car? –wait– is that a face, now?), exist very close to complete abstraction. This deft “one foot in, one foot out” dance is indicative of great skill on Kirkpatrick’s part. The subtlety of these paintings is really where their greatest value is. In a culture where everything is increasingly spelled out for us ahead of time, it’s nice to preserve a little bit of mystery.
Kirkpatrick is taking part in Zaga Zow, a group show at Cooper Cole in Toronto, until August 18.
Detective Jason Harvey, a forensic sketch artist who has worked for the NYPD for over 10 years, draws fun and flamboyant portraits using the same techniques as he employs in his police work. His drawings might be recognizable to some New Yorkers, as it they are featured on “wanted” posters hung all around the city. However, Harvey has been given the opportunity for his work to be seen in a new light. Adam Shopkorn, owner of Fort Gansevoort Gallery, noticed Harvey’s work on the NYCAlerts Twitter and wanted to put it on display, allowing Harvey to jump from detective to artist. The NYPD wouldn’t consent to showing the actual sketches (as they are criminal evidence), so instead, Harvey has created a series he calls Fantasy Composites. Within this body of work, Harvey uses the same renderings and facial feature creation process as he would sketching up potential criminals, yet this time he is depicting imagined faces. Harvey explains the difference between this body of work compared to his detective sketches; he states, “when I’m interviewing an eyewitness and drawing from their memory, I have to strictly adhere to what they’re telling me about the person’s face.” He notes that the forensic work is “not creative at all.” Nonetheless, his imagined series is full of creativity and exuberance. Each work truly has it’s own character — there is a real sense that Harvey has seen it all. Nothing is too obscure or obscene, every portrait seems absolutely genuine, if not almost recognizable. The caricature quality adds a playful element to his work, allowing them to exist between the realms of cartoon and reality, between satire and actuality. (via booooooom)
Matt Lipps’ newest body of work HORIZON/S, flips the traditional mode of institutional curating on its head. In this series, Lipps appropriates content from a late 1950s arts and culture publication that promises to offer a curated selection of international culture that will add a sense of sophistication to anyone’s taste. From these images, Lipps’ playfully explores what happens to the meaning of certain objects and images when you remix them into new systems and catagories – altering both content and context. DailyServing’s founder Seth Curcio, recently spoke to the artist about the physical construction of his mysterious photographs, the ubiquity of images today, and how his own taste emerges from the appropriated pages of Horizon Magazine.
A Reason to Live Lowbrow Art Exhibition opens this Friday, June 4th, at Coalition in little old San Luis Obispo, CA. The DIY-style event, intended to inspire future collaboration & support for this small but thriving local art scene, will exhibit the most “interesting and provocative” artists from the area. The Lowbrow show is part of the city’s Art After Dark gallery walk – held the first friday of every month – and will certainly be a stroll off the beaten coastal-landscape painting path. Featured artists include Lisa Harrison, Steve Taggard, Gary Ellsworth (a.k.a. Sawdust), Joshua Jesse, Brittany App & more. Local art, live music, great company and some good old fashioned lowbrow fun!
It’s Monday and I’m ready for another tense week of work in B/D land. To start your week off right I present a fun stop motion movie about the story of the change of your place in the social hierarchy. Tobia Wildi & Sidney Widmer not only starred in this but also wrote and directed it. Impressive.
Eun-Ha Paek is a Seoul-born, Brooklyn-based artist who sculpts whimsical ceramic characters. Her creatures—which often resemble bears and dogs—are amorphous and cloud-like, sitting atop magical, candy-colored platforms. Each one is an eye-grabbing and thought-provoking fusion of childlike innocence and surrealism with a touch of menace; fanged mouths and disembodied hands gouge at the viewer from within the sculptures, blending nostalgia and unease together with the peculiarity of an ice-cream cone melting in an empty playground. There is also a humorous energy, which derives from the characters’ beady-eyed expressions as they stare at the viewer from their strange environments. Eun-Ha Paek’s about page further clarifies this interplay of emotions:
“The same way a boulder on a hill stores potential energy, a banana peel on the floor is the setup to a joke, storing potential ‘ha-has.’ The setup might cause a smirk, without any real action taking place. My work uses this potential to construct narratives on the precipice of the familiar and strange; to explore our inner workings of grief and hope with humor.” (Source)
Eun-Ha Paek’s unique style and creativity has received recognition around the globe. In addition to her sculptures, she creates animated films that have been screened at venues such as the Guggenheim Museum and the Sundance Film Festival. She has also been highlighted in The New York Times, G4 Tech TV, and Entertainment Weekly. Her work can be followed on her website, Instagram, and Vimeo page. (Via Sweet Station)