In Jati Putra’s world, gravity doesn’t apply. People, nature and urbanism move around in total freedom. The sky becomes the ocean, dolphins dive in between seas and people enjoy a day at the beach inside a stadium. The pictures’ new aspect and the washed out colors resemble surrealistic landscapes inspired by Salvador Dali.
The Indonesian graphic designer knows how to manipulate and distort the simplest sceneries and create bizarre yet reassuring new environments. Using photo manipulation, he flips the main subjects around, alters ‘normal’ angles and shifts his characters into intriguing scenarios. The process is achieved in an unpretentious manner. Each picture demonstrates the ability for Jati Putra to envision an imaginary set as close to reality as possible.
Playing with reality, changing perspectives and the way we look at our daily lives. Without extravagant scenarios, the designer creates entertainment that is subtle and graceful. A surfer on the surface of the earth, jellyfish flying over a mountain or a lady admiring the earth imitating a sun-set. There’s no logic in Jati Putra’s elements. Only an invitation to travel in between a dimensional space of his own, drifting the viewer’s unconsciousness from the earth up to the sky, from his reality to his dreams. (Via Design Boom)
This is just a fraction of the digital Valhalla Bo Lee created with his fresh new html/art piece “The Elephant“. I cant promise that this page will provide you with all the answers, but it begins with a poem that put my entire, boring life into depressing context. On a lighter note, this page also allows comparison between all the web-pages of major organized religions. I hate to say it, but, Scientology raised that bar way up.
Loris Cecchini explores the nature of structure. His amorphous forms resemble the most basic element of life which is a cell, and with that basic shape the artist comments on human experience. His interdisciplinary installations have appeared worldwide garnering him praise and interest. They have been called visual poetics because his work prefers to be seen and experienced opposed to talked about.
Some of Cecchini’s grander projects have included a series called Intro. Environments. In this work the artist created large, site specific installations with forms that look similar to broken tree branches, natural sponges and cell structures. He placed these organic items randomly throughout a space and attached them to electric power lines, on trees or connected to flying wires. The impression here is that life is all around us. Even if we cannot see it we should always be conscious that something is growing and living nearby.
Another piece called Extruding Bodies created wall relief structures studying sound waves. These visual vibrations appeared to be moving and in some cases ear forms could be seen within the structure. Putting the pieces directly in the wall allowed for an optical illusion to occur which turned cinematic. Since sound waves are invisible the attempt to give the viewer an idea what they might look like is the type of question Cecchini answers and why his work is significant.
The artist was recently commissioned to design a class one watch for Chaumet. Only 300 of the special edition were made and the exclusive jewelry company used one of his wall wave structures on its face covered partially in diamonds. (via fubiz.net)
Cory Arcangel’s recently published book – which originally exists on twitter as @wrknonmynovel – is a compilation of people who have tweeted “working on my novel”. The tweets come in all kinds: humorous, pathetic, emphatic, delusional. Seeing the phrase over and over again kind of makes your mind numb. I imagine these people probably NOT writing and then Arcangel completing a work of their impotent attempts. It’s the post-modern cyclical concept: I make a novel of you not making a novel, but the novel isn’t really a novel, it’s just your tweets about (not) making a novel. Maybe this is too cynical, though, as another way to look at it is that, now at least, these authors are published! In any case, the tweets themselves can be entertaining, if not sometimes painful, and from what I can tell each of the aspiring authors will receive a copy of the book from Arcangel.
Arcangel is a bit of an enfant terrible; a computer programmer, composer, and artist, his work spans a large range of media and he has received wide approval from institutions such as MoMA, Tate, and Smithsonian. What’s often interesting in work like Arcangel’s is its very serious reception from these highly respected art authorities. It presents a sort of ‘Emperor wears no clothes’ situation, where its unclear how seriously Arcangel takes himself, but painfully obvious how easy it is to buy his wares. The best way to enjoy him is to find entertainment in his projects and remember to be wary of the orbiting bullshit. (Via The Fader)
Ramona Zordini is an Italian photographer who seeks to explore states of ambiguity and transition in her work. Featured here is Changing Time III, the third part of a series of images wherein bodies float, twist, and thrash in a murky tide of passion and despair. There is a sense of profound liminality as the figures skim the water’s surface; bare skin is exposed to the air and light, while faces are obscured, making their emotional experiences unreadable to the viewer. Some of the photos feature solitary bodies, curled up as the water embraces them. Elsewhere, lovers cling together, groping wet, chilled flesh in postures that are both erotically charged and desperately troubling.
The emotions these images provoke are both powerful and conflicting — are we seeing lovers holding on to each other out of need in an unforgiving world? Or are they destroying each other? Indeed, some of the water around the figures looks milky and eerily bloodstained, suspending the couples in a dark, amniotic fluid wherein they hunger for connection and love. The submerged faces, arched torsos, and reaching limbs suggest imminent death as much as they do the submission experienced in sex and desire.
“I would like the impermeability of things to touch every sensation,” Zordini writes on her biography page, explaining her drive to explore uncertain states of transience and becoming. “Ambiguous term, ambiguous place, gesture, thought […] there is nothing like yesterday.” (Source) Ambiguity permeates Changing Time; drifting in states between life and death, passion and sorrow, the nude figures unfurl on the edges of their own physical and psychological evolutions.
The British/Spanish band, Crystal Fighters have been making infectious dance music with a slight twist since 2007. Their new album, “Cave Rave” was released last month and has been garnering strong reviews as well as pulling in great crowds for their exuberant shows.
I caught them earlier this month at the El Rey Theatre in Los Angeles where their new album was recorded and was totally blown away by their energy from the second they took the stage. Playing songs from their new album as well as many of their classics like, “Plage” and “Champion Sound“, the place was a non-stop dance party.
The band is currently on tour in Europe so if you happen to be out there, check out their tour dates here and be ready to dance your ass off. On August 29th, the band will also be doing a very special “Cave Rave” in a cave outside Pamplona, Navarre, Spain where the band was formed. Check out their latest video for the single, “You & I” and be sure to grab their new album, “Cave Rave“.
Amsterdam based designer, art director, and animator Rosa de Jong creates tiny worlds in test tubes. The series, in which she has titled Micro Matter, almost acts like a physical miniaturized moment of nostalgia. Her work, in instants of logic and irrational, act like tiny encapsulations of deep rooted memories that are to uncover mysteries . Due to their scientific glassware, her pieces seem like they are something to investigate, to question, to figure out truth from. Their nonsensical yet somehow, almost recognizable nature, allows them to insist on a true moment of contemplation. Is this the depiction of something, somewhere, that belongs? Is this something that should be recalled, known? They are fantastical — they are a replica, but of something of a dream, of half remembered childhood homes, or fantasy houses, or fictionalized dwellings. Their beauty and their delicacy become even more inciting once it becomes known that they are hand made with simple products such as paper, cardboard and found materials from nature like tree branches and moss. Her work aims to tell a story, whether it be recognizable or not, she states;
“since people are naturally drawn to stories and people that are different, the goal is to tell the real story of the brand, an set it apart from the crowd, making every piece of communication authentic and personal.”
Artist Rosa de Jong uses her work to create a new narrative, to delve into the unknown through known resources; her work pushes us to feel and search, while holding our hand throughout the journey. (via design boom)