Performing/Guzzling functions more as a hard bound artist journal than a monograph filled with page after page of Gordon’s ghost like watercolors, text paintings, lyrics/poetry, and photography. The watercolor works are by far the most accomplished, inspired by on-stage performances where the faces in the audience become a dreamy and ethereal blur of color.
The first printing of the book will be in a limited edition of 3,000 copies, with each containing a signed print by Kim Gordon. Performing/Guzzling is a must have book for both artist book enthusiasts and Sonic Youth fans alike!
The other day I ran around to get some food and look at some art. But before I got the art viewing festivities started, I decided to go down to the nonofficial “Bicycle District” to get some food and more importantly some delicious dessert. If you live in LA, you know how quickly this neighborhood has transformed in just a couple of years. Everyone loves this area as evident by the above graffiti.
We’re eagerly waiting the release of Zach Snyder’s MAN OF STEEL. After loving his take on the WATCHMEN and being blown away by the epic cinematography of 300, this version of Super Man promises to be equally grandiose. After watching the trailer Snyder’s take on the MAN OF STEEL feels darker, gritty and more natural than its predecessors. In WATCHMEN Snyder showed us the dark side of super heroes and how they reveled in their flawed humanity. Snyder seems to be sending Clark Kent down a lonely road where he’ll wrestle with who he is and his home on Earth. We’re all ready for the sweeping camera shots, flying scenes and all around badassery that this MAN OF STEEL has to offer. I think this is the vision of Super Man we’ve been waiting for. Fingers crossed! MAN OF STEEL is out June 14th 2013. Get ready.
Disturbing creatures and creations bursting out from the photographs of Sarah Sitkin. The Los Angeles based artist renders dark and intriguing images that entice and generate space for introspection. The subjects of the photographs represent the kind of ugliness that attracts. She leaves it to us to draw the limit of where hideous stops and beauty starts.
Sarah Sitkin edits digitally to a minimum. Limiting the use of photoshop, she hand makes most of her props. Costumes, artificial body parts, dramatic lighting and projections are invented by instinct to fulfill the artist’s desire to give birth to her vision. Within the gloomy set up, symbols which seem dear to the artist appear sporadically. Geometric patterns such as triangles and diamonds mimic genitalia shapes. Body parts; fingers, skin and facial features are twisted and rounded until they don’t make sense anymore.
Leaving reality to reach her fantasy world, Sarah Sitkin is inviting us to come along and share her journey. Inspired by Jodorowsky and Kubrick movies, she says she is captivated by images more than plots and dialogues. The photographs do not reflect agression or anxiety. They are the depiction of Sarah Sitkin’s unique field of vision; one where deformation and anamorphosis constitute the basis of an aesthetically beautiful inner world.
Tomás Saraceno is an Argentine artist who creates pieces that explore alternative, sustainable ways of viewing and interacting with the environment. Previous works include floating iridescent and geometric installations that affect the way we perceive the relationship between the earth and sky. In this project, titled “Becoming Aerosolar,” Saraceno has woven together a patchwork of plastic bags into a massive hot air balloon. Trapping the heat of the sun in a greenhouse-like effect, the plastic canvas lifts majestically into the sky, transforming stigmatized, non-biodegradable waste into a work of liberating beauty.
Exploring the creative crossover between environmentalism, history, art, and human perception, Saraceno notes how the hot air balloon “came about as a means of escape and protection in the late 18th century, during the time of the French Revolution. It is significant that during these times of uncertainty, people looked to the sky to escape the reality on earth” (Source). As an innovation deriving from crisis and a longing for freedom, the plastic bag balloon takes on a contemporary significance: in an age of environmental turmoil, when the planet we inhabit verges on irreparable damage, the sky (and beyond that, outer space) becomes the frontier of hope. However, beyond signifying that upward glance of salvation and survival, “Becoming Aerosolar” optimistically reminds us how repurposing our materials and shifting our perspectives could lead to changing our trajectory on Earth.
Dimitri Karakostas is a hard working photographer from Toronto, Canada. He’s made a whole pile of new work since we last checked in. His sometimes beautiful, sometimes beautifully garish images are the result of his dedication to the analog medium. Rejecting common digital editing has opened his work to a whole world of great tactile manipulations and experimentation, techniques often overlooked by other young photographers.
And hey, Dimitri also co-founded Blood of the Young Zine in ’08. Its a great project aimed at promoting and publishing new photographers, creatives, and troublemakers. If you’re in Toronto until Dec. 10th make sure to check out his work in the Dying Breed group exhibition at 285 Dundas W. This Canadian doesn’t quit!
The paintings of Chase Westfall are pleasantly elusive. His work often toes the line between abstraction and figuration. He seems to often swing from sunny imagary such as flowers or rainbows to that of mutilated animal carcasses. However, he never gives it entirely away. The imagary often is obscured by a diamond grid work or its own abstraction. The viewers eyes constantly shifts between deciphering the images and inspecting the pattern, neither resolving the other. His oil paintings are executed on linen contrasting the soft surface with his hard edged geometric shapes.