I don’t want to ruin this, so just make sure you watch this video all the way to the end. Patrick Wolf is a total nut! Directed by Jorge Jaramillo.
Photographer E.E. McCollum’s heavenly figures are both encased and exploding out of their shell in The Cocoon Series. The translucent film covering the figures in the photos transforms the bodies as it mimics that of a butterfly cocoon. McCowell’s work is both stunning and absolutely transcendent, as they seem to be not of this world. Each stretch and fold molds the figures into new shapes as they try to erupt from their form. A master of light and shadow, McCollum started in photography using traditional darkroom processes. This influence can be seen in his current series because they have a stark contrast of lights and darks, much like analogue photography.
The film cast engulfing his figures is lit so well that you we can see every fine line of the body underneath, showing the mesmerizing positions of the bodies. These majestic and elegant poses are not unlike those of dancers, who McCollum often photographs in his other work. Each figure becomes sculptural as the lighting and film engulfing it reshapes and morphs it into another state of being, just like the caterpillar changing into a butterfly. McCollum’s most dramatic and captivating photos are those in which the body is finally erupting out of its “cocoon.” The incredible movement created in these photos is as intense and magical as the transformational act of the creation of butterfly. (via artfucksme)
I love the mystery of these images; the way the material distorts our perception of the body, the layers of the images. -E.E. McCollum
I have to admit, while the spectacle of animatronics is impressive, what struck me most about this video is the concept that the “perfect woman” not only exists, but can be created by a pair of two men….as a robot. Her purpose is for pleasing “every man, who could not find the perfect woman,” so she can “love them, understand them, while taking care of the housework.” Excuse me, but was this mindless, speechless robot-woman with unseeing plasticine-glazed eyes and pleasant vocal recognition (when spoken to) voice time warped from a futuristic 50’s, where men believed a dream woman should not actually have an opinion, but be extremely competent at massage and cooking delicious meals? Is this some kind of weird bogus Bill ‘n’ Ted time warp? (At least this robot won’t need to be medicated with speed to complete her tasks.)
New York based fashion photographer, Dominik Tarabanski, creates surreal editorial photographs that evolve around the notion of a ‘modern human’–minimal and sophisticated yet weird and edgy. Think of it like this: a mix between the early surreal photographs of May Ray and Lady Gaga’s outrageous closet and styling.
My interest and inspirations evolve around the modern human, photography is always the ultimate form of reflection. I hope that my visual sensibility will one day lead to a simple, pure and perfect organic form. I want to talk about the phenomenon of fashion in my own conceptual way, which leads to a smooth transition into the art domain. – Tarabanski
SF-based Shalo P manhandles the space occupied by figurative pop references, and slices up the time it takes for skin and blood to drip out of frames inside of frames. It’s heaps of muscles, genitals, childhood idols, and crushed steel, for the eyes to get sloppy with. I especially enjoy what he has been doing with his coloring method, which has a lo-fi Photoshop (MS Paint aspirations) collage feel. He must be, he just has to be, having a great time. You can go deeper in this Fecal Face interview, catch his latest tumbles, or flick it, and no matter what path you choose you are bound to get excited about this guy’s work. To get physical, pick up DEATH TRIP, a collaborative zine with Peter Gray Hurley, put out by Drippy Bones Books.
Dylan Shields, an artist based in London, creates sculptures that investigate the relationship between classical sculpture and contemporary materials.
The sculptures further explore and build upon the existent relationship between canonical works of art (in this case and its contexts within modern society by creating them out of cardboard, a relatively new (ish) material in the realm of art-making. He uses re-cycled cardboard and parcel tape to produce work that is at both familiar yet fresh by its original use of form and perspective.
“It has been a process of trial and error to perfect my style. One of the challenges of working with cardboard is the limitation of its flexibility. Also, sourcing the right colors has been difficult as I don’t paint the sculptures, so the colors have to come from the cardboard.”
Illustration by Portuguese art director Senhor Ricardo.
eL Seed is a Tunisian artist who writes graff in arabic. His work is often socially aware- he recently completed a large piece in his home country that translates to “Oh humankind, we have created you from a male and a female and made people and tribes so you may know each other.” The phrase, a verse from the Quran, was used to “convey a message of mutual respect, tolerance, and dialogue in a country brimming with countless possibilities.” And last November, he did a wall that read “this is just a phrase in Arabic” as part of a commentary on Western prejudice and misunderstanding of Middle Eastern culture. Pretty solid skills to top it all off as well.