Virginia Wagner’s paintings stem from real life events that she manipulates and distorts through lenses of fantasy, dream and theater. The ponds, rock fields and tangled forests in her work are her internal wilderness projected onto the external world. The glass walls, grids and concrete bunkers are attempts to erect something permanent and keep the wild at bay. The clashes that occur at this juncture illuminate the conflict between progress and nature inherent in my state of mind as well as in our contemporary state.
New York City-based artists’ collective Mosstika cleverly reintroduces the jungle to the urban by covering ordinary steel and concrete surfaces with green, living graffiti made of real live grass and moss. The eco-minded, guerilla street artists primarily operate within New York City, the ultimate urban jungle. The collective is led by artist Edina Tokodi whose own Japanese Zen-inspired installations explore the interconnectedness of nature and the humanmade, inorganic world.
About its creations the collective says: “We believe that if everyone had a garden of their own to cultivate, we would have a much more balanced relation to our territories. It is with this notion in mind, that we at Mosstika, aim to collide the worlds of art and nature, creating havens of unexpected greenery, within the colder harsher environment. Together we aim to give green guerrilla tactics a new twist by creating works meant to be touched, in turn aiming to touch the souls of all that pass by. We strive to call back to mind a more playful existence, returning man to nature, even among the barren patches of urban existence.”
(via Visual News)
Using an off key palette in his latest series of paintings The Inevitable, Hong Kong based artist Simon Birch fuses gestural marks with the figure. His pictures of young subjects twist through various painted emotions trying to break free of youthful angst. In the process they achieve a rebirth witnessed through thickly impastoed swatches. All the faces in Birch’s paintings seem disguised and obscured by paint thus suggesting an inner life. He depicts his subjects as breaking loose or apart from something. The marks obscuring the faces seem to be attacking Birch’s figures and become powerful metaphors concerning age and maturity. The underlining violence in his work can be taken a number of ways. It can be viewed as the violence we bring upon ourselves due to insecurity and peer pressure. Since most of the work in his current series either focuses on the nude body or just the head, we are reminded that the brain rules the body not the other way around.
Birch is a British born artist that has lived in Hong Kong for the past twenty years. He has had a long career engaging in everything from painting, video to installation. Along with visual art he has been involved with urban dance music, organizing club nights in the UK, Australia and Hong Kong where he showcased the scene’s most prominent DJs. An interesting fact about Birch is that early on in his art career, he took a job in construction as a way to make money helping to build the Tsing Ma, the world’s ninth largest suspension bridge. (via myampgoesto11)
There’s a whole lot going on in the work of Matt Lifson. From lush landscape painting, to broad abstract brush work, to deathmetal members shooting purple beams out of their eyes, there is something for just about everyone. These paintings are wild, wacky, and inventive in just the right areas and that’s just how I like them!
These beautiful hand crafted ceramic bowls are the handiwork of artist Hella Jongerius. A designer who specializes in fusing traditional practices with contemporary ones; industrial techniques with craft skills, Jongerius is no stranger to trying out new things. Commissioned by German porcelain company Nymphenburg, the animal bowls are a homage to the different animals found in the companies archives. Since the 18th century, Porzellan Manufaktur Nymphenburg (based in Bavaria) have produced high quality, fine, artisanal ceramics. Over the last 266 years, that has included countless tea sets, vases, decorative and utilitarian plates, and now limited edition bowls. Jongerius now joins the long list of artists and craftsmen who have collaborated with Nymphenburg.
From the treasure of historic shapes containing around 700 animal figures at the manufactory, Jongerius selected eight designs and placed them in simple bowls. She then supplemented the naturalistic painting of the snail, bird, rhinoceros, deer, hare, frog, fox and dog with a different pattern from Nymphenburg’s painting archives – from designs originally intended for a soup tureen right up to a drawing of the plumage of a guinea fowl. (Source)
Her playful style and eye for color and design, all work beautifully with the cleanliness of the bowls. Jongerius has her own design company which has produced many products for clients in New York, Basel, Sweden, and the Netherlands. Her work has also been shown in galleries around the world, including the Copper Hewitt National Design Museum, MoMA, and the Galerie KREO in Paris. (Via This Is Colossal)
British artist Jenny Aryton creates “miniature wonderlands captured in molten glass.” Almost like snow globe depictions of every day life, Jenny Aryton’s work physically encapsulates intimate depictions of her private world. Gaining inspiration from her young daughter, she aims to gather excitement from the mundane. Her work tends to have a “domestic twist” as she allows her surrounding of her home and family guide the way as her source imagery. Her process begins by creating small metal wire figurines. She fashions tiny sweaters, chairs, trees, shovels, and other objects found in an everyday family home. She then organizes a simplistic scene, almost like a child playing with a dollhouse. After everything has been arranged, Aryton then encases it between two layers of molten hot glass which is poured at 1100ºC (2012ºF). She uses what is called sandcasting. She molds the overall shape of the piece in sand — just as a plaster sculptor would do with clay or wax. One the first layer is poured, she has one brief moment, while the glass is still fluid, to manipulate the aspects of the piece. The second layer is then poured and the whole piece is placed to set in a kiln for two days where it will take its final form. The glass, as a fragile and volatile material, will solidify differently each time, creating a one of a kind piece. The delicate and cloudy imperfection of each piece almost seems to mimic the memory of a child. The have a solemn charm that is nostalgic yet innocent. Each piece is quiet, quaint and unique. (via iGNANT)
Beautiful/Decay was recently asked to judge the Jarritos Flavor City art & design competition. Contestants were asked to creatively interpret the slogan “DRINK OUT LOUD,” and the winners are in! #1 was artist Paul Naveda, above. Check out the rest of the winners after the jump!