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Jeff Burton

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LA-based photographer Jeff Burton shoots mostly gay porn. Okay, that’s a bit of a misnomer. He shoots photographs on the sets of gay porn films, though the resulting work is far from pornography. Burton seems more concerned with displaying the nude human body in a traditionally artistic, non-erotic way, rather than using it to titillate. The intersection between art and porn is an interesting space.

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Francis Upritchard’s Technicolor Mystical Figures

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Artist Francis Upritchard sculpts, paints, and conjures up different figures and artifacts. Alluding to different ancient tribes and cultures (Native American, Maori) Upritchard creates objects soaked in sentimentality. From wrapped mummies and robed shamans, to shrunken heads and mysteriously worn down relics, her objects belong to a time of tranquility, of sensitivity and purity.

Her effigies have painted faces, triangles woven into silken robes, draped scarves hang off their fragile frames. They often have strange markings and are accompanied by personal artifacts or offerings. These not-quite-humans hold up their hands, not in protest but in some sort of ritual. We seem to have stumbled in half way through a sacred process. Lunge, Archer, Sneaky – all these titles suggest a movement that is half way through completion. She says of her new figures:

I wanted them to be really close to Dungeons and Dragons figures. Fantasy alongside the sentimental, nostalgic and idealized – or perhaps I mean stylized. Almost like dolls.

Upritchard scours flea markets and second hand stores looking for vases, hockey sticks, cookie jars, anything that can be turned into some sort of relic. Using real teeth, human hair, silks, wood, and natural rubber from Brazil, boiled with different pigments, her work is immensely tactile, and immediately old.

Her work is a glimpse of a time that either has happened, is happening, or will be happening. It is an idea of a modern day Utopia, one of subtlety, and quiet power. This is the new Voodoo.

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The Things That Hold Art

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With the motto, “Great art, and the weird ways it’s displayed,” The Things That Hold Art is a tumblr website that collects interesting mixed media in both art and design. What’s fun about it too is that you can contribute by sending images to the website. Check it out!

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Alexis Facca’s 3D Spaces Appear Like Two-Dimensional Graphics In “The Flat” Project

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Latest collaboration between paper and set designer Alexis Facca and photographer Tom Joye transforms three dimensional spaces to look like flat, two dimensional paintings. With the creative use of angle and perspective, Facca and Joye were able to obtain the desired illusion and deceive the viewer’s eye.

The Flat Project actually features a miniature 1 x 1 meter set made from paper but in 3D. Seems like the set was flipped and turned to create images from various angles. Without knowing, it is hard to tell which is the floor or ceiling. Here’s an explanation by Facca on two of her creations:

“For example in the first image the red is the ground, the wood a wall on left and blue is in the foreground. On the second image (below) the ground is made with wood and the red.”

(via mocoloco)

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Awesome Video Of The Day: Make Me Psychic

I’m absolutely loving Sally Cruikshank’s trippy cartoons from the 70’s and 80’s. They have that great flat retro look that just can’t be duplicated by todays computers. She should put out a book of her drawings or at least a small series of brochures. Watch the full video after the jump!

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Laurent Clermont

This is Laurent Clermont’s latest animation “Heart”.  A heartwarming tale about a lonely heart looking for love in an urban city. Does he find love? Check it out! And to see more of Laurent’s animations check out this french fella’s Vimeo.

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Daniel Buren’s ‘Perimeter For A Roomwork in Situ’

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French artist Daniel Buren‘s long career has been focused on both questioning and criticizing the relationship of art to the structures that frame it. Buren’s work has delved into installation, critical writing and interventions. From the artist’s statement: “All of Buren’s interventions are created ‘in situ’, appropriating and coloring the spaces in which they are presented. They are critical tools addressing questions of how we look and perceive, and the way space can be used, appropriated, and revealed in its social and physical nature.”

One of his most powerful interventions Perimeter For A Roomwork in Situ. 2011, was installed at Lisson Gallery, the London Gallery who represents Buren and who specializes in conceptual, Minimalist art. Created with sheets of clear acrylic colored with self-adhesive filters, and punctuated by border stripes of black vinyl, Perimeter investigates the nature of the room which houses work, and identifies with the idea of being work. Says the artist in an interview with Wallpaper*’s Emma O’Kelly, “It’s so simple. It follows the perimeter of the room, which is an unusual L-shape, with varying heights. It’s a complicated space, but more exciting to work with than a white cube. Playing with the idea of the perimeter – something I have never done before – I built the piece in-situ, as always…The colours are simple – I could only get four colours of Plexiglas. I arrange them in alphabetical order depending on the language of the country I’m in, so for this piece, they are arranged as they are spelt in English. I always apply this system as soon as I start using more than two colours.” (via wallpaper*)

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Van Orton Design’s Stained-Glass Style 80’s Movie Posters

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Italian-based twin brother design team (who go by the nom de guerre) Van Orton Design created a hit recently with their latest project of stained-glass style movie posters. Digitally composing the images using iconic characters and scenes from each film, Van Orton replaced saints and religious iconography with pop-culture standards like the Terminator, The Joker and Jack Burton, juxtaposing them with the time-honored (and increasingly disappearing) art of stained glass sectioning.

Van Orton’s selection of now-classic films from the science-fiction, action and cult fantasy genres adds an interesting element to the genesis of these designs, in that they seem to replicate stained glass coloring books more than the classical stained glass reminiscent of Europe’s grand cathedrals. This design choice adds to the light-hearted and nostalgic mood of the series, and appropriately separates it from ‘high art’ (though the Batman Poster for example certainly has visual similarities to the work of famous British artists Gilbert & George). The combination of thin and thicker black lines (replicating the lead used to secure colored glass) holds a wide prismatic array of colors, which also brings a unique, crisp quality which can only be achieved through delicate digital design.

You can purchase your own posters (pre-colored or not) by Van Orton Design here.

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