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JEAHYO LEE’s Functional Art Furniture

Jeahyo Lee’s work falls somewhere between functional furniture and sculpture. His massive wooden benches and chairs weight between 400-1000 pounds and its smooth curves can compete with the latest sports cars. When not using wood Lee turns to steel creating densely patterned orbs out of stainless steel nails which reference coral reefs and the textures that we find deep underwater. Lee’s work is not only is masterfully crafted but brings out the inner nature of the materials that he uses.

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Harry Roseman Makes Rigid Plywood Look As Though It’s Fabric

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Artist Harry Roseman takes the ubiquitous material known as plywood and with careful cuts and placement, creates the illusion that this rigid material is pliable. The large pieces include “folds” that make them look as though they are textiles. Roseman uses a single piece of wood and mismatches its grain to break up the visual monotony; it fools us into think that there’s a back and a front to this “fabric.” The rigidity is reminiscent of a plastic camping tarp, but it’s still impressive at how, with relatively few cuts, the pieces are believeable as something other than what they’re made of.

These sort of observations and overall sentiment is part of what Roseman is trying to achieve in his sculptures, writing:

The subjects of my work are the bend of a curve, the conjunction of edges, the turn of a fold, the weight and nature of objects, the conjunction of idea and object, the way an idea sits in an object and next to an object and the way surface can obscure and also reveal. One of my aims is to close the distance between thinking, looking and making, to the point where it is hard to tell the difference.

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Happy Halloween!

Happy Halloween everyone! Let’s all take a few minutes to celebrate the funniest holiday of the year. Hope your day is filled with lots of ghouls, goblins, ghosts, spooky monsters and maybe some David Letterman??? More crazy pumpkin carving pictures after the jump!

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Seinfeld’s ‘Nothing’ Supercut Takes Nothingness To It’s Natural Conclusion With The Removal Of All People

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Seinfeld was the award-winning, best-ever show on television that broke the traditionatl situation comedy mold with producer Larry David’s emphasis on it being “the show about nothing”. Of course, it was about something, four friends and their misadventures in New York City. But a recently prominent super-edit of the series takes the program’s motto to its natural conclusion, by piecing together every cut-scene and still-shots which gave the audience scene establishing, and oddly, never showed any people. The results are disorienting, a bit existential, and completely nostalgic for fans of the show.

(A fair warning, the sound of slap bass might be a bit much at first, but if you are a fan of the show, you heard that familiar 90’s-tinge sound enough times to make finishing the video worth it).

The video is a product of LJ Frezza, whose other video edits often investigate unusual or rarely noticed characteristics or subplots of other familiar popular culture touchstones. For example, in Boldy Going, Frezza focuses on the Star Trek’s Captain Kirk bravely reading the American constitution and the Fleet’s policy of non-involvement, followed by endless, violent and direct physical confrontations with alien planets and lifeforms. Frezza points out that the show’s writers were making commentary on the then escalation of American involvement in the Vietnam war.  (via vice)

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Teppei Kaneuji’s Ready Made Plastics

Japanese artist Teppei Kaneuji’s assemblages of ready made objects could be described as ‘time based sculpture’, not only due to their process of making, but also because of the ideas he works with. In his White Discharge (Built-up Objects) series for example, objects are categorized by form and color, dismantled, and then piled up and connected to other objects, with white polyester resin poured gradually over the final construction. Kaneuji does not seek meaning the materials he selects or the forms he builds. Rather, he dislocates objects, depriving them of their original function and value as consumer goods. His method is rooted in his own physical senses and the rhythms of contemporary life as he experiences it; he compares his process to that of a music mix-tape, which links songs together using personal criteria.
(via junk culture)

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Scott Weaver Uses 35 Years And Thousands Of Toothpicks to Create A Sculpture Of San Francisco

Scott Weaver - Toothpicks and GlueScott Weaver - Toothpicks and Glue

What do you get when you combine thousands of toothpicks, glue, and ingenious craftsmanship? You get the work of artist Scott Weaver, who has created a model of San Francisco out of these materials after thirty-five years of creative determination. Nothing more than these two simple materials, toothpicks and glue, forms the intricate layers of this concrete jungle. Scott Weaver began this structure, titled Rolling Through the Bay, in 1974, but has been building sculptures out of toothpicks since he was eight years old. His early work began as abstracts formation, much smaller than his San Francisco masterpiece.

As if constructing such a complex, detailed, city replica out of miniature objects was not impressive enough, Weaver’s piece Rolling Through the Bay is interactive! The structure is kinetic, as it navigates ping pongs balls like tourists through the many infamous sites and neighborhoods that make up San Francisco’s lifeblood. You can see city attractions like the Golden Gate Bridge and Chinatown in his mass of toothpicks, but much more is to be seen. The delicate intricacy of this astonishing sculpture speaks volumes to Scott Weaver’s skill and patience. It is not surprising to know that the artist is a San Francisco native, as is many generations of his family before him. The love and pride of San Francisco can be seen in the time and care that Rolling Through the Bay took to create.
(via Colossal)  All Photography by The Tinkering Studio

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Caboodle Kitty Ranch

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Attention feline shoppers…tuna is on sale at the Wal-Mart? What is this? Caboodle Ranch is a sprawling 30 acre village that over 600 cats call home, replete with mini City Halls, shopping centers, housing and more. Please, please, someone make a pug village.

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Zsolt Molnár Illustrated Poster of Every Episode Of “Breaking Bad”

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S01E01 / Pilot

S02E07 / Negro Y Azul

S02E07 / Negro Y Azul

S02E02 / Grilled

S02E02 / Grilled

S02E08 / Better Call Saul

S02E08 / Better Call Saul

Budapest-based designer Zsolt Molnár created an illustrated poster for every episode of the popular television show, Breaking Bad. It took the designer five months to produce 62 full-color posters, which are minimalist representations of iconic moments in each episode and include an important object or person that’s accompanied by a memorable quote.

If you’ve ever watched Breaking Bad, you’re aware that it’s basically an hour-long anxiety attack. The tension between characters and situations in the show is intense and suspenseful. It takes place in New Mexico, and in every episode we’re inundated with saturated colors of sand and the desert.  Molnár styles his illustrations similarly, like gritty texture with a pop color, like Walt’s green shirt or a destroyed pink teddy bear. They are contained in their compositions, and rely on symbolism of objects and colors in every poster.

Molnár has posted his handiwork on his Tumblr. If you haven’t seen the entire show and don’t want any potential spoilers, then you might want to hold off on scrolling through the his series until you’ve watched it. (Via Buzzfeed)

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