When walking towards a painting by Anoka Faruqee your eyes refuse to settle. Turquoise, formed into an elongated triangular band, is pinched between two golden curves. The turquoise is misbehaving. Instead of sitting still it appears to flex and blend into the yellow. As you get closer the painting changes, and at arm’s length another dramatic shift occurs, the previous turquoise and gold bands of color atomizes into narrow, serpentine, overlapping lines with several more colors, no longer just turquoise and gold. Looking across the room your eyes settle on another painting. This square shaped canvas is a warm gray that seems to dance. Upon closer inspection the pleasantly worked surface transforms into a swirling design of forest green and cherry red lines. Faruqee calls this series of paintings the Moiré series, after the illusion with the same name. The history of Modern art is often told as a race towards extremes, but will that be true of 21st century art? Anoka Faruqee’s work seems to place less emphasis on ‘pureness’ than other abstraction. Faruqee’s work suggests that we can be more complex, and where artists over the past sixty years searched for the strongest statement, maybe our searches will lead in different, more nuanced directions.
Lui Bolin is not a ghost, but a Chinese artist who is very mysterious in his ways of producing art. Is it performance art? Photography? Conceptual? All of the above? Either way, I couldn’t find him in the tractor picture for a good 5 minutes.
The Eiffel Tower was built in 1889 and by the very next year it had several admirers in neighbors across the channel. Some saw the potential of a similar tower, a “Great Tower for London”. These illustrations are part of a catalog of competitive designs for the proposed tower released the following year. Some are hilariously derivative of the still brand new tower. Others, on the other hand, seem to belong to some sort of Victorian space-age. Regardless, in a strange way all of the designs seem to point to the importance and uniqueness of the original Eiffel tower, even at this very early age.
I love my co-workers but I had to share this fun filled 3D animated video by Flying Lotus.
Stephen Wiltshire is an artist who draws extremely lifelike, accurate and detailed cityscapes. If that wasn’t hard enough, he does it strictly by memory, sometimes after having only observed the cityscape very briefly. Last year he made an 18 foot long drawing of the entire New York skyline after he spent just 20 minutes in a helicopter overhead. He’s also made panoramas of Rome, Tokyo, Dubai, London, and a bunch of other major cities around the world. This guy’s work is extraordinary in every sense of the word – go to his site and read about his childhood, it’s a crazy/inspiring story!
Jamie Vasta’s masterfully accomplished paintings may look like traditional chiaroscuro but they are in fact covered in shiny, shimmering glitter. Vasta has taken the painterly arts to new altitudes with her paintings in glitter. Her insouciant medium is fine-tuned to accentuate narrative.
Here series After Caravaggio, a contemporary reframing of Michelangelo Merisi da Caravaggio‘s historic paintings in homage to the great master on the 400th anniversary of his death, (1573 – 1610). Vasta gathers friends and colleagues as muse for her ambitious recasting of Caravaggio’s famous paintings. In rethinking such paintings as Giuditte e Oloferne, 1599, and Deposizione, 1602, Vasta composed her coterie with the props of today, turning gender, dress, and environment on end. The intention of the original comes forward, no heraldry of aristocracy, but an emancipation of the peasantry, under hot theater lights of course.
Boobs, fat dude guts, explosive animation, and super fast euro raps make for an interesting video.
Here is this weeks documentary pick.
Winner of the Special Jury Prize at the Hot Docs International Documentary Festival, Without
The King tells an astonishing story of Africa’s last absolute monarchy, the Kingdom of Swaziland. King Mswati III, a distant figure out of touch with his home and country, rules by decree and lives a life of luxury together with his 12 wives, while his subjects suffer from crushing poverty and the world’s highest HIV infection rate. With unprecedented access, we
meet headstrong first wife Queen LaMbikiza, eldest child and teen rapper, Princess Sikhanyiso, King Mswati himself, as well as many Swazi citizens who are plotting his downfall. Filmmaker Michael Skolnik captures the birth of a nation’s revolution, and the dawning awareness of a
young Swazi princess as she realizes the contrast between her impoverished country and her lavish lifestyle.