Linny and Pat, met on Craigslist ‘Missed Connections’
Mariela and Tiago, met on Tattoodatingsite.com
Cora and Will, met on Craigslist ‘Free Stuff’
With so many ways of finding love online, it’s no surprise that nearly one-third of married couples in the United States were introduced this way. In the series We Met On The Internet, photographer Jena Cumbo teams up with writer Gina Tron to document couples whose love stories started from an encounter on the web. Cumbo photographs the couples in their homes and occasionally out in public, while Tron records their story. You might think of Match.com, OKCupid, eHarmony as the way most people find their mate, but in reality, they meet in a bunch of different and sometimes strange ways. We get a glimpse inside of the lives of couples who took advantage of the matchmaking that the Internet has to offer.
Perhaps one of the more unconventional introductions was between Cora and Will (photo directly above), who met through Craigslist “Free Stuff”. Here’s their story:
Cora and Will met because of a Craigslist ‘Free Stuff’ listing. Will had free movie tickets and Cora was the taker. This was back before Craigslist anonymized responses. In the signature of Will’s email, Cora noticed his website. She clicked on it and discovered he was a talented graphic designer. She was intrigued by his work and they kept in touch, and their friendship turned romantic. They are now married and had a daughter in 2011 and a son earlier this year.
We Met On The Internet is an ongoing series, so if you or someone you know met their partner online, you can contact Cumbo. (Via FeatureShoot)
Sydney based photographer Petrina Hicks produces large scale, hyper-real, glossy images reminiscent of advertising catalogs or billboards. Simple, graphic and highly stylized, her work is sensual and glamorous. Her latest series called The Hippy And The Snake explores the relationship between women and snakes throughout literature and art, but with a decidedly Australian twist. She has placed women either smoking behind a wall of unnaturally bright foliage, lying in a tropical rainforest, hiding behind dripping wet leaves, or floating on a background of unbelievably bright blue, and scattered snakes throughout. The whole atmosphere of the series is one of a sweet teenager meandering through a sugary dreamworld, but one where there is always danger lurking behind the next leaf. It is a seductive setting and Hicks uses this unease purposefully.
There is a tension between the organic and synthetic. Ambiguity and duality is something I often aim for. On the surface, I use images that have an advertising aesthetic to explore its own language and codes, but it is the subtext in the content that works in opposition. (Source)
Hicks uses her background as a commercial photographer to her advantage. The models have blemish-free perfect skin, not a hair out of place and clean silhouettes. Using simple compositions, minimal props, and no unfussy details, Hicks’ aesthetic is as seductive as the snake is in her narrative.
In Buried, artist Nathan Cyprys’ work is “symbolic of both our unavoidable mortality and [Cyprys’] attempt at rebirth,” according to his artist statement. He also mentions art’s uncanny ability to validate what would otherwise be considered absurd behavior. To regress into favorite childhood games, such as digging holes in the ground and climbing into them. Or should I say progress? Hmm…
You might have already read our series on food artists. B/D has decided to feature another 3-part series on cut paper artists! The art of paper-cutting evolved from the traditional Chinese craft, stretching back to the 6th century. Today, contemporary paper artists have pushed this art-form into focus once again. Armed with their X-Acto knives, (and nail scissors?), these artists have redefined the meaning of intricate. (Some actually believing they’ve only completed a day’s work once their hands shake with fatigue, waking up sore the next morning!) Though it can be frail, finicky, and prone to tearing, their choice of medium is deliberate; they’ve claimed paper as a way of using an ordinary material to express themselves in unconventional ways. Check out the three cut paper artists of the day!
You may be back at work today but that doesn’t mean that you missed out on saving big at the Beautiful/Decay shop. Everything on the Beautiful/Decay shop is 50% off until tonight at Midnight (PST Time). Use discount code holiday50 to get all our books, magazines, artist posters, shirts and accessories at half the price. We have limited quantities of everything and will not be restocking any sold out products so act fast to take advantage of this rare holiday sale!
In his new show “My God” Qiu Minye presents us with a new way of seeing. Well, he at least offers us a new way of experiencing objects and the recording of those 3-dimensional things with photography. By painting with light, Minye has suggested different forms of objects that could be real, and then photographed them, resulting in haunting, iridescent, airy images. Whether it is an outline of several figures huddled together watching something in the distance, or an ambiguous geological shape, mythological creatures or floating forms of babies, these snapshots all belong to another space and time.
Minye’s playful images all have a gracefulness to them, and more than most photographs seem to have successfully frozen a moment in time. By removing any fussy details (whether it is light, shadow or color) that may anchor an object in the mundane, he has elevated the idea of the object/subject to something majestic and mystical. The fish for example seems to spitting sparks of fire and is caught in an ethereal state – in a way we don’t see our everyday fish. Minye has managed to capture some sort of life force or see-able movable energy and it is a very calming thing to witness. He has a very existential approach to his art. He poses numerous questions when speaking about his past photographic projects:
What part of humanity is lost in time? How can we transform these moments into eternity? There are always two worlds, the world of yesteryear that has collapsed and the real world. Here, it is to travel between the two. (Source)
Minye seems to be coercing a particular response out of his audience – suggesting we look at the things surrounding us in an abstract, philosophical way – where it’s more about the idea of the thing rather than the tangibility of it. (Via Designboom)
Brian Moss, opened a gym in 1982. Better Bodies Gym, located in the heart of NYC, attracted bodybuilders from all over,and ever since 1997, Moss has casually photographed the leading competitors in the bodybuilding and fitness world.
The photographs are part of an on going series, a personal project, that gives insights to the bodybuilder’s life. Moss’ black and white portraits and action shots go beyond the bodybuilders’ physical appearance, and instead accentuates the human side of this ‘superficial’ business.
My images are unguarded, honest and voyeuristic. Whether they capture backstage scenes at the Mr. Olympia or private moments in a hotel room hours before the competitor steps out on stage, these images are imbued with an intimacy that had never been seen before.
Moss’ photographs have become very iconic, and they have influenced the way bodybuilders are currently portrayed in advertisements and mass media in general.