Sit Haiiro is an artist from the Netherlands whose monochromatic illustrations are slightly askew. The portraits of young kids and animals have a serious tone to them, and they’re obscured by slight planal shifts, digital elements, and mysterious clouds. There’s little context to Haiiro’s works, with his subjects devoid of background or environment. This gives an eerie and off-putting feeling to the hand-crafted images, and it’s as if they are out of a dream.
Haiiro’s characters are very active and full of energy. Dogs are running at full speed, a crow is in the midst of flight, and a child jumps as high as he can. But, every action is punctuated and falls short. Pixelation and thin lines fracture faces, bodies, and enthusiasm. There’s an obvious visual sparring between the two, and Haiiro describes it as, “where the calm surroundings provide more opportunity for decision making, rather than being driven by the fast moving winds of change.” (Via Inspiration Feed)
Unless you’re a millionaire finding good looking speakers that blend in with your decor can be a challenge. Luckily, we have Speak-er speakers! According to guys over at engadget the sound is actually good too, though it’s missing a subwoofer and rich bass. For $100/ pair they seem like a deal.
Michael Kontopoulos, a grad student at UCLA Design|Media Arts has created a system of sculptures that are constantly on the brink of collapse. His intention was to capture and sustain the exact moment of impending catastrophe and endlessly repeat it. This documentation gives me the chills, makes me sweat, and I almost scream when each machine comes close to collapse. Good job Michael.
Check out these lovely graphite works by Chicago artist Dominic Paul Moore. With a pretty diverse selection of work in his portfolio and not many years under his belt, this is a guy you’ll want to keep an eye out for.
“Shadow” is a technological and artistic collaboration between design collective Rhizomatiks and dance troupe elevenplay. Featuring a dancer alongside three drones, “Shadow” feels like a cyberpunk performance from the future. It’s a surreal technodream of algorithmic and human elegance.
The strobe lights make the performance almost feel like glitchy stop motion. It also plays with shadow and light, by turns making the dancer’s shadow look larger than life and then, in the next moment, like a doll spinning on top of a music box.
Both Rhizomatiks and elevenplay hail from Japan, where they are a part of a wave of multidisciplinary artists that seek to explore the intersections of man and machine. In an interview with D&AD, Rhizomatiks says,
“We all have passion for and expertise in technical matters, and wanted to use this to set our imagination free across the disciplinary boundaries of design, art and entertainment. We like to challenge existing formats, from interactive to spatial design.” (h/t Laughing Squid)
Japanese photographer Osamu Yokonami’s voyeuristic series Assembly features groups of young women who all dress the same. The eerie images are shot from a distance, making the viewer feel as if they’re spying on the troops. And with their backs turned towards the camera, you don’t know exactly what their motivations are. Although they don’t appear to be causing any mischief, we can’t be so sure.
Yokonami writes about Assembly, stating:
Each person has their own personality. I try to keep a bit of distance between us in this work. Then, the existence of each person disappeared and the existence of the group appeared instead. The strength and beauty as a collective entity stood out more by being in nature. I was attracted to the expressiveness of the group. (Via WeTheUrban)
Don Porcella has a show of his signature, brightly hued sculptures and encaustic paintings up for one more week at Spattered Columns in NYC. The show is entitled Everything and Nothing at All. In a recent conversation Don and I had, he brought up his love of imagery that could be read in multiple ways. He talked about painting secrets, and casting shadows in multiple directions, dislocating literal time and space into a psychological time and space. He is an artist worth paying attention too. His show has a closing party on October 26th, from 6 to 8pm. Porcella will also be playing music during the closing party. Porcella has performed his music in San Francisco, Nashville, and recently at Robert Miller Gallery in NYC. Should be a very good time.
Carl Krull uses repetitive lines to form hidden faces revealed between the lines. Each drawing contains endless line after line that flows across the composition in waves, drips, and swirls. The organic rhythm created is quickly interrupted by different shifts in its pulse, not unlike a line in a heart rate monitor. It is incredible how the orientation of the lines create such different effects, resembling the texture in tapestries or the grooves and patterns in a topography map… but only if the hills and mountains depicted were in the shape of faces! In fact, Krull’s large-scale drawings have been referred to as “human seismographs.”
Amazingly, the Danish artist came up with this technique by drawing lines during a road trip across the United States with his wife, acting as a “seismograph” would. Each bump, twist, and turn of the drive was incorporated into drawings, which are included in his series Scroll Drawings.
Krull’s work, created entirely from graphite lines, takes the human body form to a whole new level by letting the negative space between his lines to let the eye create the shape. Each bend in the line creates a rift in space in which you cannot tell whether the form is concave or convex. His drawings are as mysterious as they are intriguing, as they defy laws of space and gravity. The faces and appendages emerging from a sea of graphite mesmerize you while you search for more figures amongst the methodical chaos. The massive size of Krull’s drawings further pull you into the hypnotic repetitiveness of each composition, with figures that materialize right before your eyes.