Charles Martin is an artist working out of NYC/SF. His paintings and drawings are simply beautiful. The shapes he uses add new dimensions to works that would otherwise seem flat. His drawings resemble the figures, shapes and doodles an artist stuck in math class would create. Check out his work on his website. There is definitely something for everyone.
Pulp Drunk is an exhibition of strange book cover art and a fascinating display of the wildly weird side of pop culture. Designed to attract new readers to read the words inside the books, the covers of post-war American literature were attention grabbing and bizarre at the best of times. But not only was it the American market who was trying out these tactics – illustrators were having a good time in Mexico as well. There, the cover art tended to be even stranger. Still aimed at selling books, but they tended to be less about in-your-face-sex, and instead included violence, crime, mystery, psychedelia and sci-fi details.
They featured characters having hallucinations and apparitions; super-strength robots throwing cars on a destructive rampage; jealous gorillas who are furious they didn’t end up with the girl; a thieving woman stealing a piglet under the cover of nighttime; and circus murder mysteries. These delightfully weird scenarios could be seen to mirror the supernatural side of Mexican culture and their attitudes toward life, death and mysticism. The press release from the exhibition explains further:
These sensationalized images from the sixties and seventies often feature surreal and lurid images of extraterrestrials, robots, dinosaurs, killers, Zorro and many other icons involving suspense, mystery, romance, and the supernatural. The central characters in the narratives tend to be ordinary people facing the common challenges of day-to-day life. They are not gallant martyrs but commoners who have found themselves confronting outlandish and startling predicaments as a result of poor decisions or risky behavior. (Source)
The Pulp Drunk exhibition may be over, but you can see more bizarre covers after the jump.
At the grave of a fallen soldier stands a pale white horse, regal and majestic, with his mane in tight braids. In Anima, the photographer Charlotte Dumas delves into the quiet moments in the lives of burial horses, known for participating in the funeral ceremonies at Arlington National Cemetery. The magnificent equine creatures— who by day serve as living manifestations of moral ideals, patriotism, and righteousness— are caught by Dumas’s lens in nighttime moments of introspection and rest.
After the flags are folded, after the firearms have rang out, the horses remain in their small box stalls, resting on humble beds of shavings and hay. Shot under Dumas’s gleaming twilight lighting, the animals are pictured in the final minutes before sleep. In stark contrast with the colorful visions of their burial services, they are bathed in a moody Rembrandt-esque glow that streams in from metal bars, seemingly retreating into an unknowable equine psychology.
Yet within these peaceful moments, Dumas captures an anxious sense of unrest. A horse’s glinting black eye remains open as he twists his neck, revealing waves of muscle under short-clipped fur; a long nose, its hair worn away by a bridle’s noseband, pokes out into the light, emerging from sleepy darkness. The neck and back of the creature is fixed in the frame, isolated from the rest of the body, as he goes to stand upright, his withers stained with manure.
The horses range in age: some wear the grey fur of youth, while others are pure flea-bitten white. Seen here, it is as though the horses cannot escape the atmosphere of the cemetery, confined within their dark stalls forever by some invisible knowledge of death. Take a look.
Haunting portrait photography by brooklyn based Maciek Jasik.
Recently nominated for a Mercury Prize, ∆ (Alt-J) is stepping up venues on their next tour of the West Coast. LA’s Fonda Theatre will have them on December 12th which is sure to be a quick sell out. I recently saw them at the Bootleg Theatre and they have really come a long way since their US debut at School Night in Hollywood earlier this year. I’ve been listening to their album, An Awesome Wave since it was released in the UK this past May, thanks Rough Trade! Even though one of my friends thinks the singer sounds a little like Elmer Fudd, the music is infectious. Check out the video for Breezeblocks after the jump and buy your tickets ASAP for their show at the Fonda at Ticketmaster.
A bold claim made by Dutch artists Sander Plug and Lernert Engelberts, but fairly well deserved. Since their first collaboration, they have been working on commercials, leaders, art movies, documentaries and installations. Their aim is to make simple and communicative works, that takes little note of the existing border between contemporary art and commercial projects. Their highly esthetic, humorous and dedicated works are often challenging the media and its viewer, in a simple but very effective way. Check out some of their shorts after the jump! They all sort of share the same color palette and are nice in that way.
If you have ever adopted an animal, then Jaime Toh’s SPCA (Society for the Prevention of Cruelty to Animals) “Costume” campaign is sure to tug at your heart strings. Accompanied by the tagline, “Don’t put pedigree above personality,” the advertisements urge people to consider adopting animals in desperate need of a home rather being focused on finding a specific breed (that most likely comes from a breeder). In each image, we see a SPCA animal underneath the coat of a cat or dog with a higher pedigree. In a slightly morbid way, they wear their outsides as a suit, complete with zippers that behead their hosts.
Toh’s images feature smiling, happy dogs with cats do not look as entertained (I’m not surprised). Every animal looks more disheveled than its costume as he plays up the physical differences between shelter and a purebred/adopted pet. But, by visually shedding their outsides, it conveys the concept that when choosing a pet, personality outweighs looks. (Via InspireFirst)