Photographer Emily Blincoe has created a bright, fun, and mouth-watering photo series using a candy color palette. Blincoe’s series features candy grouped by color and meticulously arranged using a background that matches the featured candy’s color. This series provokes a number of sensory experiences related to color and how we perceive the taste, smell, and texture of a candy because of its color. These photographs also bring us back to childhood’s first encounters with the arrangement of candy in sweet shops, and the allure found in shiny unwrapped packages. Some of Blincoe’s other photography also features various neatly-arranged groups of objects. She currently lives in Austin, Texas.
Precision and thorough work is the base of Yoo Huyn’s design pieces. Through small hollow spaces a portrait of a celebrity appears: Audrey Hepburn, Pablo Picasso, Marilyn Monroe, and Jim Morrison to name a few. The Korea based artist uses an intriguing method to create his hyper realistic photos.
He uses an X-acto knife, tweezers, ink and Korean paper. Hand carving takes a lot of patience, and in this case it also takes talent.
Yoo Hyun’s signature style consists of zig-zag patterns, but he doesn’t carve in straight lines. Instead, he varies the thickness of each strip, to create facial features and expressions. Each line specifically adds to the three-dimensional illusion. The negative spaces are see-through, so layering the portrait over a colored surface or pattern adds even more depth.
From far away, and placed in front of a black background we can clearly recognize the face but zooming in, the cut-outs and white parts make a pattern which looks like an abstract illustration. There is something fascinating about his inspirations; the fact that he chooses celebrities mostly from Hollywood vs the contrast of the use of traditional ink and paper.
Yoo Huyn pushes the limits of what can be done intuitively and without the help of a computer.
Alex Wein is a 19 year old photographer in the BFA Photo program at Maryland College of Art. He seems to have a background in skateboarding, having already been published in mainstream skate magazines (Transworld, Thrasher, etc.), though a great deal of his work, much of which is black and white, has little to do with skating. He particularly excels at portraits.
Allan Peters, a Minneapolis based designer is a man of many hats (to say the least). Ever since he was a kid, Peters has always coped with an overwhelming passion for drawing, hoping to one day make a career out of it. Not surprisingly, Peters is currently working for Target as an Associate Creative Director and has been doing so successfully for the past 6 years. Along with being a Creative Director, Peters also manages his own design firm, Peters Design Co., as well as manages his highly successful blog with more than 100,000 page views each and every month.
Although Peters is excelling in our highly-contemporary, modern world, he has an obsession with good old-fashioned hard work. He reserves a special place deep down for design works that were created by hand for one specific customer, contrasting that with the mass-produced work done today that is highly impersonal and churned out by the hundreds.
This is where Peters found his calling—vintage design. A large majority of his work features antiquated elements of retro nostalgia. He seamlessly blends hand drawn script fonts with contemporary illustrations that take you back in time without feeling dated. These designs work on everything from window designs and store displays to flyers and branded products giving his clients a unique edge that stands out in todays world of generic logos and mass produced design. Here’s a selection of some of our favorite logos designed by Peters between 2006-2015.
The drawings of Sasha Zivkovic present office workers existing in strange, dystopian universes. He uses various art historical styles and sources to create allegorical transformations. Everyday working life is presented within frameworks such as religious symbolism, zoological observation, and ethnographic documentation. Detailed pencil drawings create zoological mini-habitats with strange medieval perspectives that feel at once displaced and at home in their cubicles and board rooms.
“André da Loba was born in 1979 in Portugal, to a mama and a centaur. In a family of nine brothers he was the ugliest. His nose was very big, and still is. As a result, his parents sent him to join a sea circus”. His work has been published in a myriad of publications including the New York Times, Time Magazine, The New Yorker, Newsweek, and the Washington Post. “Currently he lives in New York City, where he is secretly happy”.
I love Hao Ni’s stacked sculptures and drawings of dilapidated houses.