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yoan capote

Women always say that men think with their crotch so Cuban artist Yoan Capote decided to create a series of work replacing the male genitalia with a giant brain. All of Yoan’s smart and witty conceptual sculptures mix a dash of irony with a dose of comedy such as the ladder with rocking chair legs or a pair of pristine running shoes carved out of pure marble.

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Roger Kelly

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In the year 2237, after we’ve all been forced to move to the Moon, we will keep warm with these post-apocalyptic future quilts. That is, of course, assuming rumors are proven false and the moon isn’t really the Death Star. Anyway, thats my take on London based artist Roger Kelly’s work. His pieces are not just a random collection of abstract shapes, but on close inspection, fragments of buildings, rocks, and trees all stitched together to create Kelly’s overwhelming vision.

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The Swirling Op-Art Pedestrian Bridge

Towering 13 stories above the Des Moines River Valley in Iowa, The High Trestle Trail Bridge is one of the largest foot bridges in the world. Completed last year, the bridge now comes complete with one of the best examples of public art I’ve seen in a long time. Designed by David B. Dahlquist of RDG Dahlquist Art Studio, the steel  beams that swirl around the bridge not only accentuates the motion of pedestrians moving back and forth across the bridge but also create a gorgeous op-art effect that makes you feel as though you’re in the middle of a surreal stop motion animation. (via) Nighttime photographs by Homemade Iowa Life.

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I ♥ Gen Art: 15th Anniversary Benefit

 

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In these difficult economic times, with decreased support from corporate America, Gen Art is looking to its loyal supporters of the past 15 years to help it celebrate its successes while looking forward towards insuring another great 15 years of programming. This is your chance to personally help save a company we hope you believe in. 

 

I ♥ Gen Art: 15th Anniversary Benefit will feature an exhibition of the works of over 60 of today’s most exciting emerging/mid-career artists working in mixed mediums who either are Gen Art alumni artists or have been affiliated with or supportive of Gen Art programming over the years.  Artwork will be exhibited and available for sale.

 

All proceeds from the evening will benefit the Gen Art Foundation, whose ongoing mission is to support undiscovered talent and providing a platform for emerging artists to garner increased exposure to a loyal audience of consumers and media.

 

June 24, 2009

7-11pm

*7-8pm VIP Preview

 

7 W. 34th St.

11th Floor

NY, NY

 

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Aaron Draper Poignant Yet Hopeful Photographs Of The Homeless

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The Underexposed series illuminates outsiders of the world, homeless people of our streets. Aaron Draper has made the deliberate decision to literally put in the spotlight a dozen of men and women living on the streets, giving an authentic representation of what could happen to any of us. Not wanting to fall into the cliche of taking black and white photographs or insisting on the harsh features of his subjects, Aaron Draper is applying a commercial tone to the way he envisions their lives, giving the viewers a more positive imagery of scenes not so pleasant to usually watch.

That’s the reason the series has gone viral, the viewer is not in a position of guilt, he doesn’t need to feel bad. He is invited to share that special connection the photographer encountered when meeting his subjects. Inspired by John Steinbeck’s vision on dispossessed families struggling to carve their way into life, he spent a lot of time and money getting to know the personalities behind the facade of their humble lives. Using a camera strobe and a documentary effect, Aaron Draper wants to turn around the false perception one might have about homeless life. He says if he can only initiate that shift, his work will be successful in his heart.

The video below details the photography process of the Underexposed series and shows a passionate Aaron Draper at work. (via Trenf)

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Pedestrians Create Leaves On Trees By Walking Across Large Canvases On The Street

 

Cool project from the DDB China Group for the China Environmental Protection Foundation:

We decided to leverage a busy pedestrian crossing; a place where both pedestrians and drivers meet. We lay a giant canvas of 12.6 meters long by 7 meters wide on the ground, covering the pedestrian crossing with a large leafless tree. Placed on either side of the road beneath the traffic lights, were sponge cushions soaked in green environmentally friendly washable and quick dry paint. As pedestrians walked towards the crossing, they would step onto the green sponge and as they walked, the soles of their feet would make foot imprints onto the tree on the ground. Each green footprint added to the canvas like leaves growing on a bare tree, which made people feel that by walking they could create a greener environment.

It’s nice to see a project that gets the public completely involved without sacrificing any quality control. See some detail images after the jump. (via)

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The Dreamy Sculptures of MyeongBeom Kim

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The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it.  Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless.  Yet, somehow, it all seems right.  Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety.  A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.

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Michelle Hamer Hand-Stitches Pixelated Versions Of Textual Urban Landscapes

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Michelle Hamer hand-stitches pixelated versions of photographs she’s taken of urban spaces, mainly those occupied by text found in advertising, signage, or graffiti. She stitches her images into perforated plastic, transforming flat, static images of everyday public urban life into tactile needlepoints that recall private and domestic spaces.

Hamer explains,

“I see my work as a type of socio-historic documentation. The images depicted are in between moments that we often take for granted. The obviously slow process allows viewers to become more conscious of these moments which are captured within an instant and consider the difference between the manual and the digital. The in-between spaces (on/off ramps of freeways etc.) where signage can often be found is both necessary for our infrastructure, but also generally not noticed. Similarly, much of the text, advertising signage, streetscapes are so familiar we can fail to focus/really see it, but it’s often reflective of our broader social ambitions, aspirations and edicts.”

(via this isn’t happiness)

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