Art and design boutique Kittozutto (Yana and Jun) just recently updated their website with some brand new work! They’re the minds behind B/D shirt “The Web” (pictured above), which will be released this summer.
They combine fine art illustration with digital imaging, and the highly detailed results are often best seen in large formats. Women, fluids, and nature inspire their hyper-realistic yet surreal illustrations.
I never was too good at crafts. The little “easy loom” knit-a-kitten sets always came out looking surprisingly like Liz Craft’s sculpture, above…a mess of plaster-cast, jumbo yarn, pea-pod plastic dishes forming some sort of goofy-grin. Or at least, I wished they came out like her work. In her recent fifth solo exhibition, “Death of a Clown” that just finished up at Patrick Painter, Liz Craft examines, in part, the culture of Regretsy…(Etsy + Regret). Macrame-mishaps and craft-catastrophes are elevated to objects d’art. At once humorous and fresh, Craft’s odd string-beards, tears, and thrift store nick-nacks don’t disappoint.
The images of Andrea Delo Toro Sicsik seem to relish their weirdness. Her work is a series of photographs that don’t hide that they’ve been digitally manipulated. Rather they revel in their clearly altered states like a digital hallucination. Faces both playful and sinister materialize behind a pastel fog. The photographs are arranged much like traditional portraits. Indeed, there is nearly a religious atmosphere in each image’s composition.
Joshua Cobos lives and works in San Francisco. He has a knack for capturing subtle irony and humor wherever he takes his camera. The implications in his photographs range from bitingly satirical to piercingly veritable. His work is the most successful when presenting a scene that was in some way affected by human intervention. Our actions on this planet run the gamut from inspirational to downright bizarre. Luckily there are photographers like Cobos who present our faults and triumphs honestly.
Looking a bit akin to people who emulate the popular group KISS, makeup artist Lydia Cambron emulates defaced advertisements on the subway. She’ll first take a lookalike selfie then recreate the ad’s defaced portion using cosmetics. What she comes up with are some interesting pieces which remind of the famous hard rock foursome but also recall old music zines. They have the same DIY quality which when taken in a fine art context combine zerox and collage sensibilities.
Her use of cosmetics lends a different element which make the surfaces unique but also similar since makeup is pretty much paint for the face. The pieces she chooses to copy are mostly portraiture of women. In them the eyes are blanked out and the lips are Botox bloated. In one black streamers are coming out of the eyes. These provoke a dark humor which take on a very punk rock attitude. It could also be a parody of advertisements in general where women have lots of eyeliner and thick lips. By making these into selfie’s Cambron also makes fun of what the average person thinks of how women are perhaps falsely portrayed in subway advertising..