Premiere website builder Made With Color and Beautiful/Decay have teamed up yet again to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Website builder Made With Color doesn’t just help artists create minimal and mobile/tablet responsive websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re excited to bring you the exciting collaborative work of Linville And McKenzie.
Los Angeles based artists Annelie McKenzie and Tina Linville have been collaborating since 2011 under the name Linville And McKenzie. They work together to create site responsive installations and artworks that blur the distinctions between painting and sculpture. Using a mix of found objects, studio constructions, and contributions from viewers the duo creates order out of chaos with their multimedia works that not only fill the gallery space but transform it into a colorful and at times grotesque world.
‘Pataphor (pictured above)
East Gatov Gallery
Where a metaphor is the comparison of two different things to reflect their similarities, a ‘pataphor starts with the similarity in order to open up a new world, something completely its own. This exhibition’s starting point was our own individual art practices. Where our inquiries overlap might also create its own new world, our own collaborative ‘pataphor.
Ryan Mosley’s distinctive visual language is rooted in its timeless qualities; archaic skulls, top hats and fig leaves collide with anthropomorphic limbs and futuristic, shamanic figures that create a bewildering backdrop in which anything is possible. Ryan has a show up at Alison Jacques Gallery in London from July 15th-August 13th 2011
Berkeley, California-based artist Justin Lovato explains that he likes to create works which are “dreamlike, ethereal landscapes that reflect his thoughts on nature and our relation to it, human belief systems, the psycho-political-control system, multidimensional concepts, and esoteric symbolism.” His paintings and illustrations are imaginative, seemingly drawn from some hidden symbolism within a secreted-away corner of the mind. Symbols and words intertwine with twisting bodies, often wounded by geometry.
Alvvino, Berlin based design/illustrator creates a style that seems long past. When i first peeked at his website I thought to myself “Classic!” Then I thought “no no, you’re just an intern here. You have no authority to make judgements like that” But the craftsmanship of these pieces are inevitable and their atmosphere is both pleasant and consuming.
In two of Aurel Schmidt’s more recent series, the artist’s highly rendered drawings depict leafy vagina lettuce and ginger toes, among other inventive combinations of body parts and edibles. Her older drawings focused more on hedonism and a kind of consumptive chaos. She created party beasts constructed from accumulations of coke baggies, cigarette butts, pabst cans etc. They mischievously smiled out at the viewer like a visualization of a hangover. Even with discarded condoms and burn holes, she’s always had a tendency for beauty, though.
In contrast, the ideas in FRUITS are refined to a few poignant elements. There is a strong focus on associative forms, and Schmidt’s choice to pair white grapes with a plump penis emphasizes the gravity in the image. The nippled melon is equally sumptuous, and it’s great to finally see melon and breast united in one. Her style is laborious, but it doesn’t show in her drawings. She’s funny, with an I-don’t-give-a-fuck attitude that’s present throughout her work. It’s not indignant or aggressive; it’s joyful and celebrates absurdity and decay.
Black Drawings returns to a more standard subject matter for Schmidt, and the drawings become more severe without colour, maybe even cult-ish. The bellybuttons are the most seductive, because of their subtlety and curiosity. It takes a while to identify them for what they are. This series definitely demonstrates Schmidt’s breadth of ability, where the spurting penis cross is much more in your face than the bright sunflower nipples.
Markus Hofer creates sculptures that which holds plenty of narrative energy. I would believe it if you told me even his business cards held concept behind them. Markus intervenes on the structure of basic objects, and transform them to become the representations of an idea. Though they wouldn’t look too different from their original form, they are tweaked just enough to get the point across.
Chinese photographer Li Wei creates gravity defying work. Li Wei’s captivating photographs depict people floating and flying over cityscapes. At times mystical and other times comical, Li builds on a human fascination with flying resulting in mesmerizing images. Rather than creating his images entirely in Photoshop, Li uses complex rigging systems to suspend his subjects. The harnesses are then Photoshopped out of the images after the photographs have been taken. Li explains his insistence on not creating his images solely through a computer saying:
“There’s a visceral feeling of shooting on location that can’t be duplicated on a computer.” [via]
Javier Pérez’s video, En Puntos, features a ballerina who puts on a pair of pointe shoes that are extended by a pair of sharp kitchen knives. Once she has the shoes on, she begins to balance herself on top of a grand piano, the tips of the knives scratching, scraping, and cutting the surface of the piano. At times, she finds herself on the edge of the piano, and she yelps as she struggles to keep her balance and maintain her strength. At the end of the video, the curtains close on her “performance” in an empty theater. Meant to resonate with the idea of a music box, Pérez’s video captures the fragility and discipline embodied in ballet, while also demonstrating the vulnerability and despair brought to stage performance in general. Also apparent is a delicate violence that makes you wince as the ballerina traverses the piano’s surface.
“Through this work, Javier Perez investigates and reflects once again upon the human condition. Using a strongly metaphorical language rich in powerful symbolism, he reveals the weaknesses that become the boundaries between seemingly irreconcilable concepts such as: beauty and cruelty, fragility and violence, culture and nature or life and death.” (via)