You may remember our popular post last year about the gorgeous crochet portraits of Jo Hamilton. Well the artist decided to document the process of creation via stop motion animation. Watch as an abstract tangle of yarn gets transformed into a portrait through the power of 300 photographs and a lot of patience!
“This is a stop motion video I made to document my process of crocheting one of my larger than life portraits in yarn from start to finish. In my work I use a traditional basic crochet technique taught to me at an early age by my Gran. I work one knot at a time, from the inside out, row by row. In making the crochet portraits I always begin in the middle with the eyes and work out from there until the piece is completed. I work directly from photographs, using no sketches, graphs or computer imaging. Each piece is handmade, labor-intensive, instinctively composed. Nothing is planned ahead; I make it up as I go along. I spend a lot of time simply looking, unraveling, and reworking until I get it right. To make this video I photographed the work after each new yarn color or two was added, and edited the photos into a sequence. This 30 second sequence contains over 300 photos of the work in progress. The portrait is of my dear friend Arthur Cheesman, who is sadly no longer with us.”
Photographer Tommy Kha, a 2013 graduate of Yale’s MFA program, will not kiss you back. In his project, Return to Sender, Kha documents himself receiving a kiss from strangers, friends, lovers, acquaintances, and not returning it. To what do we owe this visual pleasure and physical discomfort? These images of Kha’s bewildered, open eyes while his malleable body is taken, touched, and grabbed at another’s whim conjures up an amalgam of emotions, the least of which is our own discomfort.
Why? The photographer knows: “While my passive character mirrors stereotypes of the Asian men—almost always depicted as neutered, asexual, or submissive within media—it is my transgression as the photographer that undermines this passivity. Coupled with the other participants’ control over their own representation through their kiss, these images intend to question and confuse the role of the photographer and sitter, protagonist and supporting character, self-portrait and performance.” We recently found out more from Kha.
Why did you choose kissing as the method for self-portraiture as it is in effect here?
“I approach the picture making to explore desire, through intimacy, but it doesn’t necessarily look intimate in the photographs. It has to do with the desire to see oneself reflected. With kissing (on the lips), there’s something very expected about doing that act. I like to be surprised by photography since my work lies within the terrains of self-portrait, performance, and staged photography. Even in making these photographs, it’s not really about the kiss as an act itself but how each kiss is different.”
The Faint who recently headlined the FYF Fest are going back on the road to celebrate the re-release of their record, Danse Macabre (Deluxe Edition) out on Saddle Creek, November 19th. The remastered limited edition will also include a DVD with tons of cool things from the archives of the band. I’m guessing since the record is only 35 minutes long, they will also perform a ton of other songs from their past and present. They’ll be in Los Angeles on Sunday, November 18th at the Fonda Theatre and at New York’s Terminal 5 in December with plenty of dates in between and after. As an added bonus, Trust will be opening all shows on this outing. Check out the video for Agenda Suicide and get your tickets to an upcoming show.
H BOX, a roaming collapsable video art screening room, is making its United States premiere at the Orange County Museum of Art in Newport Beach, CA. Designed by Portuguese artist and architect Didier Fiuza Faustino, this traveling video gallery has been all over the world showcasing commissioned work by emerging artists. H BOX’s first premiere ever was in Paris, France at the Pompidou Centre and since then it has shown artists’ work in Spain, Luxembourg, London, and Yokohama, Japan.
“The pictures I make are images of my idea of form . The subjects I play with represent personal experiences , which I translate into a visual experience for the viewer to engage in. The content of the work is on the surface, and in the way elements interact to create an image –“ that which presents an intellectual and emotional complex in an instant of time”. My works are fictions that deal with form on imaginary terms.”
Nic Joly’s tiny figurative sculptures are proof that you don’t necessarily have to go big to grab viewers attention. His brilliant miniature sculptures create narratives that we can all relate to such as walking on the edge of danger (or a razor blade) and riffs on the famous sayings such as “The pen is ,ightier than the sword”
Beautiful/Decay is honoring its DIY zine roots by teaming up with 5 artists from around the country to bring you their limited edition zines. Mailed exclusively to Beautiful/Decay subscribers, each copy of Beautiful/Decay Book:8 will come complete with
it’s very own zine. Each B/D subscriber will receive a different zine blind packed into their issue. These zines are not available in stores, only B/D subscribers will receive them. Subscribe today to make sure you get your hands on one of these exclusive zines. Read about the talented zine makers after the jump and click on the subscribe link to reserve your copy of Beautiful/Decay Book:8 with the limited edition zine today!
Natalie Arnoldi grew up in Malibu. Deeply enriched by such coastal experiences, her oil paintings, however, are not so much picturesque, as they are quietly treading with fuzzy emotional frequency. Ranging from the momentary bliss of a fading firework over water to the lonesome bending highway long after dusk, each piece captures a certain hypnotic and unsettling obstruction of weather and abstraction of shape: a familiar interlude before the abyss.
Of her work, Arnoldi states, “Both processes, science and art, are a form of exploration, at once (both) highly emotional and analytical, but always inquisitive. The methods might be different, but the goal is the same—seeking truth in the most authentic way I know how.”