Are you always in search of the perfect color palette? Well, Pantone Café has not only given you just that, but their brilliant hues are available now on a platter. Finally, food that is worth snapping a picture of! Now, the food you eat can match your mood or even your outfit. Each serving tray, cup, napkin, slushy, and food item has been matched with its Pantone color equivalent. Even the espresso machines hold incredible, eye-catching colors that are impossible to ignore. The menu at the Pantone Café is a masterpiece in itself, with the food and beverage choices being grouped in palettes that are to die for.
This minimalistic café provides an incredibly modern, aesthetically pleasing atmosphere down to the last napkin. Each colorful edible has its appropriate Pantone color name, with delicious hues such as pistachio green, canal blue, strawberry pink, and dazzling blue. Each meal contains such amazing color that it is almost too beautiful to eat. The café is a perfect little Pantone universe where color and design meets culinary beauty. This is a place where you can truly taste color and create delicious palettes for your own palate. This pop-up restaurant is located at the Grimaldi Forum and will be open only until September 9th. (via The Creators Project)
American photographer Christian Weber‘s work often finds him in the midst of a barren landscape. This can sometimes mean a cold, industrial city or a desolate NASA laboratory. Or, in the more traditional sense of “barren landscape,” it can mean the wide open spaces of Iceland or New Mexico, pictured above. The way he chooses to capture these spaces – in a very straightforward, documentarian/detached manner, is a reflection of the environments themselves.
The Bad Lab was brought to our attention by Eric Zelinski, who submitted them as a consideration to our “Submit your Artist” contest. Although we already chose a winner two weeks ago, we at Beautiful/Decay would like acknowledge Bad Lab’s fantastically fresh t-shirt line, prints, canvases, and posters.
I’m especially fond of the canvas work (see Set Speed and Sexagon) and how their hypnotic, rhythmic qualities entrance the viewer, pulling us into the loop.
Los Angeles-based Apenest, a publishing/ printmaking project created by Cody Hoyt and Brian Willmont, presents Plain Air. Plain Air is the second in their series of exhibitions focused on showcasing talented emerging artists at Cinders Gallery in Brooklyn, NY. Plain Air is running from Oct 15th – Nov 14th, so if you’re in the neighborhood don’t miss out!
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
Melbourne based Joseph L. Griffiths’ drawings and mechanical installations seek to transcribe the living relationship between man and machine. The relentless accuracy of the drawings evoke the printed sheen of digital reproduction, simultaneously celebrating and denying the human touch. His interactive drawing machines propose a return to primitive technologies and encourage a reconnection to the natural and man -made worlds through manual crafts. Directly engaging the audience in the creative cycle, his work seeks to reevaluate the human position in the technological equation, and realize the potential for art to permeate everyday life. More images of the drawing machines and drawings after the jump.(via pulmonaire)
A bold claim made by Dutch artists Sander Plug and Lernert Engelberts, but fairly well deserved. Since their first collaboration, they have been working on commercials, leaders, art movies, documentaries and installations. Their aim is to make simple and communicative works, that takes little note of the existing border between contemporary art and commercial projects. Their highly esthetic, humorous and dedicated works are often challenging the media and its viewer, in a simple but very effective way. Check out some of their shorts after the jump! They all sort of share the same color palette and are nice in that way.