Tucked away in the middle of California’s Mojave Desert is a tiny pool whose location is unknown to the public, identifiable only by guarded GPS coordinates. It was imagined by Austrian artist Alfredo Barsuglia, and is technically open to the public. If you want to swim in it, all you need to do is ask the MAK Center for Art and Architecture in West Hollywood about the longitude and latitude points and obtain the special key to open the pool’s cover.
The four-foot by 12-foot body of water is available for 24 hours to any one person or small party, and you must bring a gallon of water per person to replenish the pool. Its minimalist stylings are painted white and stands out against the sandy and arid terrain. Alone in the desert, it’s an oasis for a weary traveler or nomad. Barsuglia calls it Social Pool, and meant for the swimmer to consider the societal ramifications of this outdoor installation. A description of the project reads:
The work embodies the massive socio-economic changes that have taken place in the last forty years. It thus understands itself as the product of an economy in which privacy and immateriality have been fully commodified… For many a consumer, art is expected to operate according to the principles of the service economy rather than following humanist ideals of intellectual or moral stimulus and education.
Whether or not this pool encourages this deep thought or is simply a well-thought gimmick remains to be seen. (Via Huffington Post)
Artist and architect Hong Yi emphasizes ‘art’ in culinary art. Her simple white dishes are plated with food. However, this is more than a simple meal. Only using these white dishes and food ingredients, Hong Yi recreates famous works of art, light hearted scenes, and pop culture icons. The project began as 31 days of creativity in March – an exercise she began to encourage more creativity every day. Each day Hong Yi would create a new piece and post it on instagram. [via]
Adventure photographer David Heath delicately captures the enchanting land of Burma, showing its shockingly stunning, exotic beauty. Over the course of five years and after taking eight individual trips to this mysterious place, Heath has completed a masterpiece of a collection of photographs radiating with natural beauty, and dripping with color. This incredible series, now available in print as a coffee table book, is a tribute and celebration to the lush culture and land that is Burma.
“From the moment I first set foot in this magical land, I fell under its spell. I found it to be one of the most enthralling and visually captivating countries I have had the privilege to explore – truly a photographer’s paradise,” explains Heath, “I aspired to convey the soul of the beautiful Burmese people, their mystical culture and mysterious customs, in the most artistic way possible”.
Burma, a place not many people can say they have traveled to, has become a place of comfort for Heath, as you can see in his photographs. He captures subjects with such love and allows such a strong authenticity to remain within them. Heath uses no flash, only natural lighting in order to show the true, authentic nature of this amazing culture. Traveling through Burma by boat, canoe, train and foot, Heath shows us remote and rare perspective of this captivating land. Each image is a remarkable adventure where we can see ancient temples, colorful and traditional Burmese clothing, busy street markets, tribal face tattoos, and the sparkling, eager eyes of the children of Burma. We are able to experience a culture that seems a world away through the intimacy of David Heath’s travels.
Artist Randy Ortiz has been tantalizing the eyes of illustration fans for years, illuminating concert and movie posters both professionally and as creative tasks for a great imagination. While past work emphasized ink line work and detailed black and white charcoal drawings, recent work has become more colorful, with flat background colors which perhaps surprisingly emphasize the darker thematic weight in the mystical figures and composition.
The self-taught Canadian artist uses evolved techniques to illicit a near-Surrealistic response from his often-human figures, draped in masterfully rendered drapery and fabrics. Despite the often serious undertones immediately noticeable in his work, the obvious sense of humor is evident (mutant visual remixes of Drake’s oft-mocked album cover seen below for example). In other works hooded figures clamor over each other, all reaching for a disembodied hand holding a small heart talisman representing love, or mystical-triangle-eyed cats eye floating balls of string. With Ortiz’s visual narratives and painting style evolving at a rapid pace, he is definitely ahead of other illustrator/artist to watch.
The photographs of Katerina Plotnikova are apparitions of fairytales. Female subjects are cradled by ghosts and smoke while narratives come through pops of color. The resulting composition is a dreamlike fashion editorial hinting at both the wistful and sinister. (via)
Original cover by John Byrne; Marvel 1985. Cover by Josh Holinaty.
Covered is a blog that posts reinterpretations of original comic book covers by currently working illustrators and cartoonists. Some are mostly faithful tributes, others are clever subversions that alter the meanings of the originals. Others still are completely bizarre, eschewing traditional comic aesthetics for something totally different. I’d love to see Kyle Thomas do one of these.
Sometimes artists, through the most simple of interventions, can do something that profoundly sums up how you feel. Justin John Greene has a whole portfolio of pretty goofy paintings, this one is my favorite. I wish I had made it. It was like in the sea of my mirthful misery, the clouds parted, this painting was delivered and elicited a fleeting moment of joy. Also, you can’t beat his ninja-turtle fort tipi replete with Ren & Stimpy dream catchers below.
The artist Kim Jae Il is playing a game, using a make-believe print effect to entice the eyes to get lost into the pattern; voluptuous lines of textured round drops running on the canvas. This is the beautiful visual Kim Jae Il is giving us. If watched from far awaythe viewer is mesmerized by the scenery, colored water bubbles creating a spiral, loosing itself within the white background.
The bubbles seen are in fact the opposite of a texture. They are the result of an image incised into a surface, the negative space accentuating the hollow shape. This technique is called intaglio. It’s a print technique where the lines to be printed are cut into the base material. Kim Jae Il is using three dimensional sculptural expressions blended with two dimensional pictorial expressions. The cubic and plane layers are meant to push forward the perspective and fabricate an optical illusion.
Kim Jae Il’s intention is to turn the most ordinary into a dynamic mode. Using the motion as a vanished mirage; leaving a vague trace that can only be remembered. The artist wants to “engrave his own vestige”. He gracefully invites us to dig into his art, not just to admire it from far. Because like this vibrating world that we are living in, there’s more that can be decrypted.