The style of Copenhagen-based animation director and illustrator Helena Frank plays with hyper-realism and proportions—very serious big heads balancing on little bodies. Though she encourages people to view her “best work” at her website, her awesome tumblr gives us a piece a day, “no exception.” (via)
NYC via Philly-based artist, Jayson Musson, (previously), has periodically posted videos to Youtube for about a year now under the header “Art Thoughtz.” In the videos, Musson assumes the identity of satirical figure Hennessy Youngman, a hilarious HipHop head-cum-fine art critic. Youngman’s brand of satire is the best there is: “make fun of everyone and everything.” So far, Musson’s taken on art world figures as varied as Damien Hirst, Kehinde Wiley, and Marina Abromović, and applied his unique logic in lampooning concepts like institutional critique, surrealism, beauty, and socio/political art. Watch the latest “Art Thoughtz” after the jump.
Since Japanese photographer Kimiko Yoshida “fled [her] homeland to escape the mortifying servitude and humiliating fate of Japanese women, she seeks to take a feminist stance in protest against contemporary cliches of seduction” and the general stereotyped portrayal of women-hood. Her self portraits transform and that to her is the ultimate value of work.
London based artist Emma Mcnally makes abstract graphite drawings that look like city grids and star maps. But this description doesn’t come close to doing them justice. Usually large in scale, the drawings emit a wizened, emotive quality. Somehow, each miniscule mark of graphite takes on endless personality. In the end, the works are just as effective as maps of life’s random chaos as they are as any type of reference to formal cartography. (via)
Chinese architect Ye Chang‘s Kong Shanshui/Empty Shanshui is a naturally transforming installation consisting of over 10,000 petri dishes. Part of the “Pavilion of China – Architecture China 2013” exhibition, which recently opened at the Palacio Quintanar in the Segovia, Spain, the piece has a unique, changing quality. The base of the installation consists of layers of white stones which fill the ancient palace’s courtyard, echoing peaceful, meditative gardens. On top of the stones are piles or gatherings of petri dishes, some ten thousand in total, stacked in various forms, resembling miniature hills, mountains and rock formations.
According to Sue Wang at Cafa Art Info, the installation transforms at different stages of the day, citing firsthand that, “…there is dew in the petri dishes in the morning; light is gentle in the morning and the glass is transparent; when there is direct sunlight at noon, the installation is entirely placed in the sun, strongly reflecting, which is in contrast to the dry surrounding environment, making people feel cool; the setting sun is blocked by the house in the evening, so the glass reflects the light from the sky, seen as backlit, it looks like the scales of a huge creature stranded on the beach, with rich tones; the whole glass hills is self-luminous at night, producing a transition effect changing from semi darkness to darkness.” This daily, natural transformation of the installation not only is a quickly-viewable message of transition, but it’s meditative qualities also call to attention how both art and architecture can effect a viewer’s ability to feel at peace in a home, garden or museum experience. (via myampgoesto11 and CAFA Art Info)
Elisa Johns has a new selection of oil paintings up at Mike Weiss Gallery. Within the exhibition, entitled “Huntress,” Johns draws from mythology, in particular the female goddess/heroine, for her subject matter. Her fragile, waifish women reference today’s “revered” paradigm of female beauty, the high fashion model, while her delicately dripping washes set within soft, sparse canvases call to mind the minimal compositions of Japanese scroll art. The exhibition will be on view until May 9th.
Ryan Jacob Smith lives and works in Portland, Oregon. With a limited color palette he explores the living and the dead, the growing and the decaying. His subjects seem to pulse as vein like matter spreads across them. Are his skulls rotting or forming? Are his branching vein structures an extension of life or an ever advancing impairment? Questions like this allow the viewer to reflect on creation and destruction.
It’s refreshing to see fashion photography that doesn’t look like your run of the mill fashion editorial. Bela Borsodi’s massive portfolio is full of playful and experimental photographs that walk the fine line between design, fashion, and art.