Ngai Chuen Ching a.k.a Victo Ngai’s work entices you. Her illustrations are detailed narratives, that inspire you make up a story of your own to go along with each one. Victo uses illustration as a way to find her true identity and explore her different cultural backgrounds. She recently graduated from the Rhode Island School of Design and has already been featured in Communication Arts as well as Society of Illustrators NY. Who knows what she will amaze us with in the future!
Brooklyn based Pierre Botardo’s collages of possessed ladies, satanic rituals, and naked wolf ladies are right up my alley.
Canadian artist Winnie Truong creates the coolest illustrations with pencil crayon on paper. I am particularly enjoying his Ornament and Correction piece. Who knew Crayola could be this awesome?
Michael Massaia’s haunting new series Seeing The Black Dog is based on a saying truck drivers use to describe hallucinations that occur as a result of sleep deprivation during cross country runs. When they see the “black dogs” scampering across the highway they know to pull over and get some sleep. The moment they make that decision is when Michael sneeks up to their trucks while they’re in the cabs sleeping and captures the moment the dogs melt away (it’s also the moment Michael tries not to get his ass shot off). All of the images were taken between the hours of 2am and 6am along the New Jersey Turnpike.
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An old train travels through magical landscapes to discover an unknown ancient city. Watch the full video after the jump.
Much of the work of Jonty Hurwitz plays with perspective. This is perhaps most obvious in the art pictured here. Hurwitz creates severely warped sculptures that are snapped back to shape in the reflection of a cylindrical mirror. He does this by scanning objects, digitally manipulating them, and fabricating the digital models. This explanation, though, is extremely simplistic. On his process, Hurwitz says:
“I usually start by expressing a concept using mathematical tools, often involving billions of calculations and many months of preparation. I then explore ways to manifest these formulae in the physical world.” [via]
Displayed ominously on the covers of TIME and Newsweek, these faces elicit fear: Saddam Hussein, Muammar Gaddafi, Hugo Chávez, Fidel Castro, and Mobutu Sesé Seko. But in his new series “Celebrity,” the Chinese retoucher and artist Chunlong Sun explores the more tender side of these infamous men, presenting them cradling plushy stuffed animals. Sun achieved the desired effect by shooting Chinese look-alike models styled and costumed in attire similar to that worn by the world leaders in famous images; later, he went back and retouched the photographs to resemble the now-dreaded faces.
The photographs are profoundly evocative of the work of Platon, The New Yorker staff photographer whose shots of Gaddafi littered news stands in anticipation of his overthrowing and ultimate death. In this way, Sun’s subjects remain a truly frightful vision, despite their furry friends; instead of revealing the humanity behind the historical figures, the tenderly worn stuffed toys often appear like hostages, held tightly and uncomfortably in the arms of those men known for their long, oppressive regimes. Chávez’s hands and fingers curl unsettlingly about the face and torso of a beloved teddy bear; Gaddafi grips a pale pink, oinking pig.
Perhaps also the soft toys are to be read as symbolic clues into the nature of the infamous world leaders. Each man was seductive and charismatic, at one time thought to be righteous and good; here, holding this cute animals, they might be mistaken for saviors once again, and yet danger lurks behind their wrinkled eyes. Take a look. (via Demilked)