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Light Sensitive Spray Paint Could Deter Drivers From Hitting Cyclists At Night

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Now when the sun goes down cyclists can feel a little safer. A new product developed by Volvo called “LifePaint” is a spray riders can put on their clothes and bikes which will remain invisible until night falls and the headlights of a car hit and then it will turn a shocking white alerting the driver. The spray is currently available only in the UK and can be sprayed on clothes and bikes which will last up to a week. It can be easily washed off if needed. From the demonstrations shown it gives the rider a ghostlike appearance adding to the alert value against the night sky. According to reports free samples have been flying off shelves and those locations where it’s not available have had many inquiries.

There has also been a lot of criticism from cycle advocacy groups who feel the auto industry is putting blame on the victim for creating such a product. They feel these huge conglomerates should focus on making cars safer for cyclists by installing outside airbags and restricting cars to lighter colors. They also claim very little evidence exists supporting the product’s success rate.

Either way, if you do ride at night, always make sure to have front/back blinking lights and proper reflectors on both wheels. Staying on bike lanes, wearing florescent reflective clothing and always wearing a helmet will also ensure better safety.

(via thecreatorsproject)

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Daniel Firman

I’m really shocked by how life-like (and well-dressed!) these plaster figures are– what a great art and fashion combo. He also balanced a taxidermied elephant on her trunk, proving something that seems outside the realm of possibility by what we think we know about gravity.

(Photo courtesy Neotorama)

Alright, that’s it for taxidermy! I’ve maxxxed out!

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Futuristic Glowing Orb Creates An Interactive Experience With Light And Sound

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Berlin based digital art and design studio, Onformative, has recently installed their newest project, ANIMA iki, an “immersive experience of light and sound.” The installation is made up of a large glowing sphere that spans two meters in diameter and is suspended from the ceiling in a dark room. The orb is lit up by a visual aimed to mimic a “viscous metallic fluid” that’s hue and tonality shift and become distorted, creating a futuristic, mysterious aura. The “glow” within the sphere is created from a powerful wide angle projector that uses a fish eye lens and can create 360 degrees images. By manipulating the audible frequencies, the installation is able to “respond” to the space though picking up and reverberating the sound back. ANIMA iki is able to create visual and sounds in real time by responding to a Kinect tracking system that has the ability assess movement within its atmosphere.  As the orb has a complex interaction with light and sound, the installation is able to seem alive. The orb seems to be able to have a personal interaction with the viewer, creating a strange, interesting experience.

Founded in 2010 by Julia Laub and Cedric Kiefer, Onformative offers a space they describe as “guided by an emotional approach, we constantly search for new forms of creative expression. Through an experimental practice we create meaningful works to challenge the boundaries between art, design and technology.”

The work was originally commissioned for the Amsterdam Dance Event and has since been exhibited at various galleries in the Netherlands and Germany. 

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Pearl C. Hsiung

Pearl C. Hsiung creates really awesome Manga inspired cosmic scenes of fantasy worlds with enamel on canvas.  Hsiung was born in Taiwan in 1973 and lives and works in Los Angeles.  You can catch some of her work on display at the Steve Turner Contemporary art gallery from October 16-November 13, 2010.  Check her out!

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Juana Gomez Embroiders Human Anatomy On Top Of Faded Photographs Of The Body

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Juana Gomez is a Chilean artist who embroiders the central nervous system over faded photographs of the human body. The images arrive from Gomez’s dreams, as well as her lifelong fascination for archaeology and artifacts. After printing her photos on fabric, she goes in with a needle and thread and stitches veins, musculature, and neural pathways that flow together in a harmonious network. Her work is somewhat reminiscent of anatomy studies from the Italian Renaissance, exploring an ages-old fascination for the human body.

Gomez’s works are scientific in form and ritualistic in creation, melding together the organic and inorganic world with accuracy and a flowing reverence. By translating images of the body into thread and ghostly outlines, she reveals the complexity and beauty of our anatomy; the interconnected lines and patterns she sews can be seen in river tributaries, tree branches, streets, and even Internet traffic. She calls these similar systems a “common language” that connects the biological, social, and cultural realms, as well as the internal world with the external (Source). The result is a spiritual exploration of the body that connects our corporeal selves with the systems that exist within and beyond its boundaries.

You can see more of Gomez’s work on her website, Artsy page, and Instagram. (Via My Amp Goes to 11)

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Ryan Travis Christian Exhibit At Halsey MCKAY Gallery

It’s not everyday that we post about an exhibit in East Hampton, New York but our good pal Ryan Travis Christian has an exhibit of his gorgeous drawings at the premiere East Hampton contemporary art space HALSEY MCKAY GALLERY (run by talented painter Ryan Wallace). You may remember our feature spread on Ryan’s work in the now sold out Beautiful/Decay: What A Mess book with it’s mind bending patterned detail that flows back and forth between abstraction and representation.

Christian describes his show Something, Something, Black Something as being “about pulling it off or not. Like trying something new and failing or succeeding, or trying something old and failing or succeeding. It’s about losing functionality or becoming functional in a completely different fashion. It about garbage and glitz having equal rank. It’s like finding money on the ground or having a stranger slap the back of your neck as hard as possible while you are on a nature hike. It’s similar to an uphill tumbleweed. It’s like realizing a fourth of an idea, or almost remembering something you want to say. It’s like having a clear mind and vibrator eyes.”

Make sure to head over to HALSEY MCKAY between now and August 7th to catch Ryan’s show. If you’re stuck out west and still need your RTC fix you can see a great exhibit of work curated by Ryan over at Double Break Gallery in San Diego featuring works by over 120 artists (including yours truly).

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Stunning Blog Pairs High Fashion With Aesthetically Similar Images

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Where I See Fashion is a blog created by Milan-based fashion design student Bianca, who pairs fashion photography with related images that correspond to the aesthetic found in the fashion image. The corresponding images depict anything from landscapes to architecture to fine and conceptual art. She began the project this past summer, inspired by the multitude of beautiful photographs found on Tumblr. Her juxtapositions illustrate the inspiration to be found in fashion and the world around us.

“Sometimes a fashion picture reminds me instantly of something and I go look for it, sometimes it’s a random picture that makes me think of an outfit or editorial. Occasionally it happens that by chance I see two pictures near each other on my dashboard or in a random blog that perfectly go together. Also I have A LOT of photos that I saved on my computer because I found them interesting, it’s like my personal archive and I use it a lot to make matches.” (via we the urban)

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Honest And Revealing Portraits Of Gay Couples In The 80’s

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Although the clothing and other aesthetic aspects can easily reveal the era the photos were taken, the scenes of Sage Sohier’s series “At Home With Themselves: Same-Sex Couples in 1980’s America” are strikingly honest and ever relevant. Sohier photographed female and male gay couples, sometimes with their family members and sometimes alone, in their homes. It is important to remember the context of these photographs, because of the time they were taken. As Sohier stated in an interview for Slate:

“My ambition was to make pictures that challenged and moved people and that were interesting both visually and psychologically…In the 1980s, many same-sex relationships were still discreet, or a bit hidden. It was a time when many gay men were dying of AIDS, which made a particularly poignant backdrop for the project.”

The general public very harshly rejected the gay community in America. There was a deep stigma attached to the community because of the rampant spread of aids. Sohier’s photographs provide portraits that demonstrate the humanity of the men and women who often felt ostracized or persecuted because of their sexual orientation. In media even today, there is limited representation of gay people. A list of stereotypes might include the overly flamboyant gay man, or the bull dyke. Sohier’s photographs are relevant today because they help to counteract an outsiders limited understanding of the dynamics of a gay household.

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