“Graffiti Girls” is a stunningly beautiful portrait series by Austin TX-based artist Kevin Peterson. His blend of both hyper realistic portraiture and natural graffiti penmanship is a new one, and his command of both styles is impressive. Peterson uses the rough and jagged shapes of wall tags to directly juxtapose the soft beauty of young girls; the ragged and worn versus the innocent and clean. Though subject and backdrop are polar opposites, the girls seem empowered by the art behind them, instead of shying away from it. They may live in a world that’s tagged up, but they aren’t scared of it. The color and design of the spraypaint behind them seems to enhance the girls’ beauty and personalities, especially with Peterson often coordinating the tags with the girls’ outfits. These portraits help to make the argument that graffiti is becoming a more normalized form of public art, and though it’s not always pretty, younger generations growing up in this world are used to its presence, instead of threatened by it.
It might be winter where you live, but the cold that you experience probably doesn’t compare to this. New Zealand-based photographer Amos Chapple went on a two-day journey from Yakutsk, the coldest major city on Earth to Oymyakon, the coldest village on Earth. Oymyakon’s lowest recorded temperature is -67.7°C (-90°F) in 1933 while the average for January is -50°C (-60°F). Despite the intense weather, people have forged homes and lives in these places, and Chapple captures them in an unfiltered, documentary-style way. Just looking at them will send chills up your spine.
Residents of this extreme climate adapted to these conditions with little indoor plumbing. Vehicles that are outside heated garages must keep running to avoid freezing. And, their subsistence is meat because the ground is too cold to grow crops.
Chapple gives us some idea of just what this cold felt like, and he tells Weather.com “I was wearing thin trousers when I first stepped outside into – 47 °C (-52°F). I remember feeling like the cold was physically gripping my legs, the other surprise was that occasionally my saliva would freeze into needles that would prick my lips.” And for him, the hardest part of the experience was not the cold, but that his camera’s focus would freeze into place! (via Bored Panda)
Whether it’d be through art or design, France is the top destination to go to for any interested in construction and ingenuity with an urge for color experimention. Ill-Studio (founded in 2007) truly belongs to this cognition. Ill represents a collective of talented individuals headed by Léonard Vernhet and Thomas Subreville under one pretty ‘sick’ name. The group experiments with shapes (a combination of both geometric and organic), thin and thick lines, and bold color saturation. Art-direction, photography, design, motion design, and typography are their greatest abilities; to describe the least.
Interim Camp by London creative agency FIELD is an experimental film entirely made from computer generated landscapes. Poor visibility; weather again unsettled today. Surreal rocks and riven lowlands, valleys fog-shrouded. Frightening depths, and emptiness. Rarity of air is noticeable. It is a meditation about the pursuit of an idea; about obstacles, struggle and failure along the way.
Melissa Murray is an artist from Brooklyn, NY. The themes in her paintings revolve aroud “images from past experiences or dreams.” Much of her work includes the metaphorical use of animals, which symbolize “sincerity in life, a seemingly degenerative trait in our current human consciousness. These creatures represent purity, and personify my dreams and fears for our collective future.”
Since the first photograph, photography has ushered forth in producing a consequential depiction of truths through the containment of fleeting moments in a tangible and archival format. Instances in time are revealed as light falls upon sensitized paper, asserting the presence of each photograph’s content. The picture plane remains uniform, constricted by its own variable, physical dimensions: a synthetic simulacrum of a three-dimensional reality that will forever remain in constant flux. And yet, in spite of presenting elements of proof based within reality, the upheaval of the actual authenticity of the photograph has found itself under siege.
Through a variety of executions, the following artists working with the photographic medium twist this truism in unique and awe-inspiring ways, abolishing preconceived notions of photography through a re-presentation of the photograph. In their reconsideration of the ordinarily static picture plane, form is pushed beyond the confines of the image through the destruction, manipulation or interference of the photograph.
Toronto based artist Patrick Kyle is a fine artist and illustrator. He is also the co-founder and editor of Wowee Zonk (a comic book anthology featuring contemporary comic strips by up and coming artists).
Beth Cavener Stichter uses animals in her sculptures as metaphors for the irrational world humans have trouble tapping into. As sculptures of animals, we’re encouraged to feel more directly what we see the animals going through, more so than we would with a human being whom we would try to supply with a narrative context. This is part of the problem Beth is trying to deal with,to get us to embrace the unconscious and irrational parts of our existence instead of repressing them in order to assert our Humanity. The artist explains:
“There are primitive animal instincts lurking in our own depths, waiting for the chance to slide past a conscious moment. The sculptures I create focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms. On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension. Beneath the surface they embody the impacts of aggression, territorial desires, isolation, and pack mentality. ”