Artist Lauren Tickle uses an unconventional material for her accessories: US currency. Titled Increasing Value, the objects are made out of bills, silver, latex, and more, formed into intricate pieces that you can actually wear. Tickle has her Master’s degree in jewelry, and the exquisite works don’t immediately strike the viewer as being composed of currency. Instead, the designs take advantage of the bold flourishes we see on money and the green lines appear as a pattern rather than a past president’s face.
Tickle writes about the conceptual meaning behind her work, which is titled based on how much currency was used in its creation.
My work is an experiment in the concepts of value and adornment. The Values Exploration process takes currency of defined value, distills it to graphic elements, then resynthesizes an object of much greater value. How and why are these notes distanced from their face value? Idea, concept, process, and labor create value. Is this new, finished form a microcosm of industrial production? or a parody?
I force wearers and observers to reflect on the concept of adornment in our society. One of the most conscious actions humans undertake is the decision of what to wear or not. My work takes underlying materialism and makes it explicit, imploring evaluation from all sides in each social context. (via Escape Kit)
3D superhero The Sicksystems (also known as Moscow-based artist Aske) has just updated his portfolio with some awesome new work, both personal and commissioned. The Sicksystems is near and dear to our hearts, as he has designed multiple t-shirts for B/D Apparel, including Brick by Brick and Masters of Disaster. If you like what you see, check out his brand new works, and own a piece of the action with his (nearly sold-out) limited edition B/D Apparel designs!
The prevalence of any technology forever alters the way we previously understood the world before it. Photography changed painting, audio recording changed our relationship to music, and the internet changed print media such as books and magazines. What is most often lost is the human touch, a closer connection from the source to the viewer or listener. Such is the story of courtroom sketch artist Gary Myrick, the focus of a documentary produced by Ramtid Nikzad of the New York Times as part of the Op-Doc series. A compelling figure who narrates the history of the tradition, Myrick Myrick explains the difference and importance of his craft, “Illustration is story-telling. The difference between the camera in the courtroom and an artist might be the difference between just a cold, dry, factual transcript as opposed to a novel.”
Beginning with Myrick explaining his work, the documentary covers the history of the medium, the advent and fall of courtroom photography, and the eventual decline of the courtroom sketch artist. “The artist at one time was the media,” says Myrick, relaying the history of artist documentarians, from war reporting through history to multi-tasking newspaper reporters who considered their drawings as important as their words. “When you funnel the story through a human being, its got a different quality than simply doing a mechanical recording of it,” says Myrick. “A lot of things going on about me are channeled through my heart, and my soul and my brain and my fingers…I like to convey just how it feels in that moment.”
Despite his immense talent, Myrick and so many other sketch artists are no longer able to work exclusively in the dying industry. Myrick poignantly notes, speaking more indicatively of so many industries that are being lost to the ease of technology, “I’m trying to draw to communicate to those that aren’t there, what it was like to be there. And maybe some of that has been getting lost.” (via juxtapoz and newyorktimes)
Islands is a series of sculptures showing miniature snapshots of life. Isolated pieces of land, that look like they were wrenched from the earth by some force of nature, are floating through nowhere. All that is left is a random group of living beings who do their best to survive. For more sculptures, photo projects and installations visit The Rainbow Monkeys!
True True True owner and designer Sam de Groot hails from The Netherlands. I purchased And yet, and yet…(four short bittersweet reflections by Dutch writer Nescio–all written between 1914 and 1943) and Andy de Fiets: Letter to Robin Kinross (22-year-old Andy de Fiets, on the verge of graduating from his graphic design studies, writes to his hero: Hyphen Press publisher Robin Kinross). After the jump are spreads from Letter to Robin Kinross and picture of the knick knacks I asked Sam to send. Ahh…I love snail mail!
We’ve written about artist Grady Gordon’sghoulish Monotype prints before, and they continue to be gorgeous and gruesome. The intricate abstractions resolve into frightening black and white faces looming out of a nightmare. In some of his latest works, eyeless monsters open their mouths in a virtual moan, showing skeletal teeth. Others include eyes, wide and staring. The patterns on their faces are organic, calling to mind beehives and wood grain and stone and fire. Finding a grimacing mouth among serenely swirling lines is jarring. The scariest prints are the subtle ones.
“grady utilizes the most crude mark-making instruments to bring about the characters that inhabit the invisible plane. he works entirely by removing thick black ink from a plexiglass surface. the monotype print is a study of impermanence. unlike other forms of printmaking the monotype offers only one copy. the original image on the plate is then given back to the ether, back into the fabric.”
This year Gordon started “Neotroglocism” with painter Ian Norstad, a classmate from California College of the Arts. Following the idea of “sophisticated mark making, crude objectivity,” they are making paintings and prints together, one of which is seen below (in color).
These prints are perfect for Halloween with their unsettling subjects and stark color scheme, but beyond the scare, elegant form and lovely technique combine to create a macabre beauty.
These are much more than simple balloon animals. Jason Hackenwerth‘s creations float like giant swimming organisms. His newest creature, Pisces, which recently debuted at the Edinburgh International Science festival is particularly massive. Pisces is built of thousands of balloons blown up and tied together. It took three of members of the festival six days to blow up all of the balloons for the 40 foot structure. The piece now hangs in the Grand Gallery of the National Museum of Scotland through April 14, 2013.
Developed and drawn up by artist Paul Heaston, an accomplished illustrator who also teaches Craftsy classes on sketching, the downloadable and printable e-guide incorporates step-by-step guides on mastering drawing space. This guide is suitable for the advanced beginner to intermediate drawer, and is a great reference for any artist to have on hand in their studio.