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Mathu Andersen’s Unreal Androgynous Instagram Selfie Transformations

rupauls makeup artist rupauls drag race makeup androgynous makeup

skeleton makeup

Mathu Andersen, creative producer on RuPaul’s Drag Race, creative director on Drag U, and RuPaul’s personal hair and makeup artist, crafts intricate selfies for his personal instagram account.

With his talents on board, he make himself up to portray diverse whimsical androgynous personas that comment on gender aesthetics.

Andersen was recently recognized on Instagram’s very own account for his skeletal Halloween look, gaining the photo almost 500,00 and Andersen a ton of new followers.

“…I like being that special thing that people can stumble upon and perhaps even get excited enough to share with others and I like to be left to my own devices and whimsy.”

His portraits are inspirational pieces of art that influence new make-up techniques in runways and up-scale fashion photo-shoots.

Follow Mathu on instagram at (@mathu7).

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JOHN COLLINS MCCORMICK’S LINE DRAWINGS

John Collins McCormick is a 28-year-old artist and experimental noise musician living in Garrett, Indiana. McCormick performs with Megan Mirro in the band Sky Thing, which has releases on Eggy records and Friends and Relatives records. Friends and  Relatives records recently published a zine collecting McCormick’s line drawings – some of which you can see after the jump. If interested, feel free to email McCormick at johncollinsmccormick@gmail.com to inquire about his zines and records.

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Giant Forests Made Out Of Paper

Wade Kavanaugh Stephen B Nguyen installation1 Wade Kavanaugh Stephen B Nguyen installation3

Wade Kavanaugh Stephen B Nguyen installation9

Brooklyn based artists Wade Kavanaugh and Stephen B. Nguyen have been collaborating since 2005.  Together they create expansive installations that fill gallery spaces.  The installations’ size forces visitors to interact with it.  Made from natural materials such as wood and paper, their work carries an organic atmosphere.    The installations often resemble trees or entire forests, mangled, twisting and growing.  The paper seems to be giving a nod to its origin as an almost ironic choice of material.

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Moritz Resl

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Moritz Resl is a graphic designer based in Vienna, Austria. A smart designer with a minimalistic style, Moritz does not pollute his work with a number of narrative imagery all sharing one composition and message. Instead, he communicates the concept of his work by creating just a single, simple image. For instance, based on this year’s World Cup event, Moritz created a poster featuring an impression of a torch (edit: vuvuzela! Even better! Thanks for noticing the error guys) by combining various world continents together, all sitting in a sea of blue. Smart, well-articulated, and aesthetically sound.

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Illustrator Mike Frederiqo Twists Fashion Icons And Designers Into Their Own Logos

Karl Lagerfeld + Chanel

Karl Lagerfeld + Chanel

Marc Jacobs

Marc Jacobs

Burberry

Burberry

Riccardo Tisci + Nike

Riccardo Tisci + Nike

Mike Frederiqo is a 23-year-old Dutch illustrator with a healthy dose of talent and humor. You may have seen his other works circulating the internet, including his combinations of BAPE’s fashion logo with Andy Warhol’s Campbell’s Soup Cans, or his images of Sponge Bob as Coco Chanel, Karl Lagerfeld, Terry Richardson, and more. In his more recent series, he has taken his illustrative interpretations of the fashion world a bit further, utilizing the bodies and faces of high fashion icons and their collaborators to recreate famous logos. Among the images you’ll see Lagerfeld and choice model Cara Delevingne completing exaggerated backbends with elongated arms and legs to form Coco Chanel’s interlocking Cs; elsewhere, editor-in-chief Anna Wintour twists into the name “Vogue” (while holding what appears to be a Starbucks coffee). In an interview with Life and Times, Frederiqo explained his inspiration for the series:

“You see so many illustrators taking those famous logos and making fun of them — almost in a negative way. So, I wanted to do something in a positive way with the logos that were recognizable. And what is more recognizable than the Coco Chanel logo?” (Source)

Based in good humor and playfulness, Frederiqo’s stylish logo recreations have a way of grabbing our attention and making us laugh. Logos are a vital part of a brand’s identity, representing their international, high-ranking status and presence. Frederiqo’s illustrations remind us of the real human beings behind these labels; we recognize the logos (and the significance of their names in the fashion world), but when given faces, they become lighthearted, tangible, and funny. Frederiqo’s works poke fun while also nodding in homage.

Check out Frederiqo’s Facebook page and learn about his work. You can read the interview with Life and Times here. (Via Honestly WTF).

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Danish Artist HuskMitNavn’s Goofy Characters On the Street and Indoors

Copenhagen-based artist and illustrator HuskMitNavn (RememberMyName) applies his tasty character work indoors and out. Whether in a gallery or on the street, his goofy characters are usually spot on. Here’s a small selection of what the guy’s been up to during the past few years, but I highly recommend checking out his site which is packed with images from past projects. Would love to see a collaboration between HMN and Malark.

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Edrem

Edrem, (merde backwards), is a collaborative sketchblog from three French/Belgian  designer-illustrators: Sébastien PaquereauDavid Zazurca, and Steven Burke. The concept of the  project, as is instantly evident to the viewer, is based in achieving volume. Paquereau, Zazurca, and Burke just want to get as many whimsical, stream-of-consciousness graphics out into the world as possible. In Burke’s words:

“We like not to say who we are when we talk about Edrem, because this is not the point of the blog. We try to get…massive numbers of experimentations and funny things [onto the blog], but we don’t care if the drawing is well done or not, it just has to be understandable…”

We all have a tendency to get heavily involved in our various projects, exerting microscopic levels of control on our output. Edrem reminds us that pulling off the reigns a little bit can yield many fruitful results. The Edrem crew staged an exhibition in Spring of 2010 at Michard Ardillier in Bordeaux entitled, “La Palissade”.

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Grotesque Paintings Of Toddlers And Tiaras Are Both Alluring And Revolting

Toddlers And Tiaras

Toddlers And Tiaras

Toddlers And Tiaras

Toddlers And Tiaras

In “Honey Boo Boo’’s Amurrican Starquest” and “Beautimous,” the painter Ingrid V. Wells creates saturated candy-colored portraits of the young stars of TLC’s reality television series Toddlers And Tiaras and Here Comes Honey Boo Boo. The hit show follows the world of child beauty pageants, filming in homes and hotel ballrooms across the country; Wells’s paintings remove these made-up living dolls from this context, hurling them into an unsettling space where dreams and nightmares collide.

In many ways, the work is fantastical and wondrous; painted in watercolors and “girly-girl” tones, the figures are as fanciful as pages of a picture book. In the world of pageantry, the toddlers are shown as princesses, gifted with an endless supply of jewels, unicorns, sunny days, and balloon animal pinkness. The sit enthroned and proud, hoisted to the highest heights by fame and fortune.

Upon closer inspection, though, the pageant girls are seen through a lens of despair and disgust. Their saccharine smiles melt under the sweaty pressure of thick paint, mascara and lipstick desperately oozing from their pores. Wells transforms the medium of watercolor, using the normally delicate, ethereal paint in heavy, unappealing globs. The unicorn is revealed to be a pig, an animal symbolic of excess; her gleaming, swollen utters hang, and she, like the girls who awkwardly bear their midsections, is suddenly cast in a profoundly uncomfortable sexual light.

Here, prettinesss becomes both revolting and dangerous; beneath their bedazzled cupcake dresses, the girls are defeated, their eyes cast down in sorrow, still tragically yearning for a judge’s approval. (via BUST and Huff Post)

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