Portland, Maine based artist Sascha Braunig is a portrait painter of sorts. She uses traditional baroque portraiture techniques with a nod to Op art and a wink at Surrealism. Braunig’s figures seem to barely emerge out of a hypnotic (and nearly seizure inducing) patterned background. Her canvases are striped with colors that contrast so much they nearly appear to glow. The effect is hallucinatory and almost a bit haunting. The gallery statement from her current exhibit describe the various concepts at play saying:
” Braunig’s geometric figures have a visual fluidity, as if their delicate skins can barely contain their bodies. Subject and background merge, creating ambiguity and optical tension. An alliance is forced between flat patterned designs and observed, mimetic representation.”
Sascha Braunig is exhibiting her work through December 22 at Manhattan’s Foxy Production.
An in-depth and deeply interesting interview with Jeffrey Deitch conducted by writer & critic Carlo McCormick about Jeffrey’s NYC legacy and plans for his big move to Los Angeles as the Director of The MOCA. Presented by our Chicago art audio blog Bad At Sports.
Kashiwa Sato’s identity system for Fuji Kindergarten is probably the cutest AND awesome-est piece of branding I have seen for a while… but maybe that could be the heart-melting candid photos of the totally adorable toddlers running around. Who knows, if I had begun my educational journey here instead, maybe I would have turned out to be a whole different human being… I think this kindergarten is the equivalent of the High School #9 for the Visual and Performing Arts by architect firm Coop Himmelblau because of the complete wholeness the design + architecture. Just looking at it makes me want to learn (!!)
Yuken Teruya skillfully cuts intricate trees and other shapes out of banal, everyday objects like dollar bills, toilet paper rolls, and cereal boxes. The artist completely transforms what usually amounts to trash into delicate, beautiful art. Really makes you reconsider which material objects are “special”. Even the things we constantly overlook are full of creative (and even spiritual) potential. Teruya has a new piece in a recently opened group show at Denver’s David B. Smith Gallery. (via)
Artist Danny van Rynswyk’s latest work is a series of captivating digital paintings and three dimensional painted sculptures reminiscent of Victorian era portraits Skulls, Aliens and Beetles: Enter The Demonic Monochromatic Characters of Danny van Rynswyk and curio shop items. They are all monochromatic and depict a series of moody characters in contemplative stances. They are all dressed in Victorian era clothing and are sometimes sporting rabbit or demon masks which add to their eerie masquerade. His characters also have disturbingly childlike traits which add to the odd atmosphere of his project. His work is both beautiful and grotesque and in many ways inspired by the surreal and the deep, dark corners of the imagination.
He creates his work with the help of 3D software, which allows him to combine fine art and technology. He paints the sculptures by hand and, as a finishing touch, places them under antique glass domes, which add to the curio shop aspect of his work. The glass domes also add to magic of his pieces and make them look like precious collector’s items.
Van Rynswyk’s abundant use of skulls, gothic imagery and wide eyed characters reminds one of Tim Burton. The shadows in his work are purely German Expressionist in the way that they are painted, and play off an absence of light in order to create a stonger atmosphere. His work is the stuff of dreams and nightmares, anatomy and science fiction and it allows the audience to create narratives surrounding his peculiar characters.
Designer/Artist/Self-Obssessor JK Keller really knows how to make use of his tools. Witness his curious expertise as JK wills the computer to create these amazing works of art. With a conceptual work ethic that borders on mischief, Keller humorously exposes to us the inherent beauty within the hidden structures in our lives.
Michael Ferris Jr. designs mosaic immortal portraits. Made out of reclaimed wood, hand painted with vivid and brilliant colors, he translates the voyage of a mortal becoming a semi-god, confronting the humanistic presence to the abnormal traits he acquired. The technique used is intarsia, where the fields of different colors and materials appear to be inlaid in one another, but are in fact all separate pieces. He says he was greatly influenced by the inlaid gaming tables from Middle East which used to ornate his home as a child. He insists he only uses discarded wood and acrylic pigmented grout, creating an intricate geometric pattern which overlays the surface of the busts and faces.
The artist is influenced by Chinese tales of immortal beings. He imagines simple mortals like people he knows going through a physical and a spiritual transformation towards immortality. This rebirth into eternity is materialized by the complex language of drawings Michael Ferris Jr. is unveiling on the sculptures. He highlights the contrast between the remaining humanistic presence with the classic form of a portrait and the singular vibrant embellishments. We are influenced to react to a conventional human normality that has become something other than normal. ‘Ultimately my aim is to express the psychological and spiritual complexity of my subject’.
Graffiti artist Jesse Hazelip tackles major social issues in his work. Here are some of his pieces from the exhibition Sentimental Journey in which he reflects on WWII and our occupation in North America. For those who are curious, the name Sentimental Journey comes from an actual bomber plane.