To promote their exhibition stand at the Frankfurt Book Fair, Eichborn the publisher prepared 200 flies with an ultra light banner to fly around and help promote.
It doesn’t get better than being loved by a fluffy, soft animal. It is said that the love between a guardian and their pet is unconditional; an-almost familial bond that grows bigger and tighter as time goes on.
Thirteen years ago, Japanese photographer Miyoko Ihara began snapping pictures of her now 88-year-old grandmother, Misao, and her odd-eyed kitten, Fukumaru. Misao, a farmer and merchant of fresh vegetables, found the cat abandoned in a shed, and the pair has been inseparable since then. She named the cat ‘Fukumaru” in hope that “God of fuku (good fortune) would follow her. Lucky for the 88-year old MIsao, Fukumaru stayed by her side through hard work and disability. They simply make their life better just by being together. The photographs are just a gilmpse at how wonderful, and important their friendship is to each other.
Dutch-born Lauren Hillebrandt‘s photographs objects and reframes them in other-worldy, digitally-made landscapes. Her latest series, Flat Landscapes, presents various ordinary objects surrounded by bright panels of color to subvert the norms of still-life art, and recently won Foam Magazine‘s still life contest.
More photography from this series and some of her earlier work is shown below.
Barbara Wildernboar, a South African photographer and sculptor, creates a series of altered books that are visually reminiscent of organic, sea-like organisms. Some emulate the visually striking legs of a star fish, others are reminiscent of wild, but beautiful jellyfish- but most of her work imitate the very beginning of any type of live being, a very basic but important part of life as it is- the shape of an atom or a mitochondrion found in eukaryotic cells.
Wildernboar strictly uses books that she buys in flea markets while she’s abroad; usually, she uses books that are dated and redundant- however, there seems to be a pattern to the kind of books she picks- almost all, if not all, have to do with earth/physical science or biology. This specific detail could or could not be relevant, but the ways in which she shapes and manipulates the paper within the book tells us otherwise. She states the following about this speculation:
Although my work has strong ecological themes, I do not see myself as an activist for environmental change, nor is the body of work to be seen as a green campaign. It is rather a reflection on my personal response to climate and environmental issues that can often leave one feeling overwhelmed and distressed.
The installations of Katharina Grosse are disorienting in scale, color, and material. Her use of color is wild bordering on violent. Brightly colored paint is sprayed over any surface the artist pleases, from the floor to walls and windows. Huge heaps of painted dirt fill the gallery space transforming the space from an architectural to a geological one. The dirt, paint, and various objects seem to intentionally undermine the white box that houses the installation. Her installations raucously question the very space they inhabit by allowing visitors experience it in a transformative way.
In the last year, we’ve featured a variety of artists who are using embroidery in unique ways, such as Leah Emery’s erotic stitches and Juana Gomez’s anatomy portraits. Featured today is the work of Lisa Smirnova, who embroiders images that ripple with impressionistic life. Her subjects range from animals, to pensive tattooed men, to creative portraits of icons such as Frida Kahlo. Body parts are also recurring throughout work—such as a heart in a bouquet, and a pelvis on a white shirt—lending the otherwise “unassuming” medium of embroidery a flavor of surrealism and the macabre.
Smirnova’s artworks require time and patience, some taking months to complete. This is not surprising, considering the way she masterfully stitches threads into the likeness of skin, fur, and bone. The colors blend together seamlessly, capturing the reflection of light on skin and the red-blue tones of the heart. Texture and emotion arrive together as the threads interlock, each character appearing to vibrate with an inner life.
James Charles, pop culture and dollar bills. A strange combination for an astonishing result. The artist transforms traditional portraits on bills into random movie characters, singers and artists. He only uses ink and paint to trace and re-write on the bills. The result is witty and fun to watch.
It all started out with random doodling on a couple of dollar bills. James Charles was not even aware of the treasure he was carrying in his pocket as he was spending the bills. He therefore decided to store them in a magazine, using it as a safe. The more he drew, the larger the magazine got.
The mutant bills have their president’s faces changed into male and female pop culture inspired characters. James Charles added a script below the faces, naming or giving hints in case we miss them.
Yoda, Einstein, Mister T, Willy Wonka, Princess Leia, Spock, Iggy Pop, Kiss and many others are altering the seriousness of the symbolic of money.
The artist drew on 5 dollar bills as well as on 100 dollar bills. The value of money is put aside here to focus on the true meaning of a paper bill components: paper and ink. So little and meaningless elements for such tremendous stakes. By associating easy recognizable pop features, James Charles is aiming to reach the mass. He has done it again more recently in Monstro Eyegasmica, a mix of popular iconographies such as The Kiss by Klimt or the use of sarcasm with some of the Disney characters. A series of paintings and collages blending pop culture and vibrant colored characters.
James Charles’ Monstro Eyegasmica series will be displayed at the Joseph Gross Gallery in New York until November 25th 2015.
Artist Anna Barlow creates a kind of dessert that you would never want to eat –ice cream made out of ceramic! Although her work contains the same rich, juicy colors irresistibly drippings as ice cream does; the substance is not actually melting at all. It is constructed with ceramic and porcelain entirely by hand. She not only molds clay into scoops of this dairy treat, but also little cherries, candy hearts, ice cream cones, and even the occasional pillow being engulfed by the seeping dessert. Even more interesting, the artist also makes ceramic shoes that appear to be comprised of ice cream and flavored syrups swirling around the heel.
Barlow’s incredible skill in sculpting these delicious desserts combines with her perfect sense of color and glazing to create a finished piece that looks good enough to eat. The artist explains that she finds beauty in the drips of oozing ice cream and is fascinated by its natural transformation in shape due to its current state. It may be fluid with colors blending together on a hot day, or frozen into perfect form. The malleable nature of the substance is somewhat similar to clay. It can be manipulated and molded to a certain extent, but, unlike ice cream, clay can be fired into ceramic in order for it to hold a permanent shape. She unites ceramic and porcelain in order to achieve the right texture and coloring to portray these desserts.
“…the dry translucency of high fired porcelain suits the biscuit texture of wafers and ice cream cones, while the colourful liquidity of a silky opaque earthenware glaze is used to capture the quality of dripping ice cream.”
– Anna Barlow