Brian Willmont (who we featured in Book 3) recently added a new selection of works to his portfolio. His wacky wild west cast of cacti include Clint Eastwood style brambly bandoleers and prickly pistol-iers. The spook of the frontier’s ghost towns, outlaws and mining carts are infused with Brian’s unique sense of humor. I mean really, what’s better than a desert plant sporting oversized cowboy hats and shades?
The Good folks at Hennessy bring you a three part mini documentary featuring Elliott Wilson, Founder of Rap Radar and Editor-in-Chief of Respect. In this first video Wilson heads to the barbershop where, he explains, the voice of the street is heard. The man with endless talking points reminds us that, “your opinion is nothing unless you can back it up.” Join Wilson and Hennessy on a trip down the rabbit hole and watch more Hennessy videos with some of the worlds leading pop culture creatives at neverstopneversettle.com.
Walking up to the brick façade of an industrial NYC building, the rumble of a freight elevator vibrates through the entrance until it creeeeeaks to a halt on street level. The gate lifts. Paul Brainard pushes one foot down onto the bottom half of the freight elevator door so I can climb inside. Genial and quick, he leads me through a warren of artists’ studios, every space is spilling over with the alchemical instruments of the artist: tools, canvases, and paint. Nestled against a large window is Paul’s studio with a drawing table and painting shelf. After a few pleasantries, he reaches into a plywood painting rack and rotates with a golden frame that catches the evening light in a bloom of yellow. The drawing inside is so thick with gunmetal tone graphite it hardly resembles paper. Underneath glass, some images are suspended like intricate seahorses, in a thought-space, thick and transparent, like gelatin. Other images appear to dance languidly on the metallic ground. Paul talks briefly, painfully, about how both his parents passed away this year. He shows me a tattoo on his arm from an old New England gravestone rubbing. Everything, the language, people in his life, and images in his drawings, are appearing and receding like a tide. Paul addresses this topic we all eventually face with a solo show, My body is a grave, opening October 6th at the Second Street Gallery in Charlottesville, Virginia.
London based designer Ben Drury has a prolific portfolio full of playful typography, clean layouts, and razor sharp illustrations. Take a look at his portfolio after the jump and get inspired.
Ben Drury’s work is presented by Next Day Flyers, your one stop shop for calendar printing and other high quality printing solutions.
French artist Antoine Corbineau does a little of everything–painting, graphic design, video. Regardless of the media, his pieces “feel like carnivals or boardwalks, bursting with energy and life.” Corbineau’s organized chaos is achieved through bold injections of text and a bright but controlled color pallet.
Ventured over to Brooklyn to see what visual awesomeness Melissa Brown was up to in her studio. Melissa had the studio organized for making large-scale prints. She’s known for working with a variety of media including: used scratch tickets, oil paint, lino-cuts, wood-cuts, drawing, mail art, video, and performance. The color in Brown’s prints and paintings is what initially drew me to her work, but I admire her work for its openness and psychological generosity. Talking with Melissa was really fun. I actually got a little dadarhea of the mouth and started talking about philosophy, which in retrospect is embarrassing. Melissa is in a bunch of cool shows, one at Canada called Dadarhea which runs until March 20th, and two upcoming shows: Paper A-Z at Sue Scott, and the upcoming show at Zieher Smith in Chelsea.
Have you ever wanted to meet tennis legend Roger Federer? Here is your chance. All you have to do is go to the Credit Suisse Facebook page and vote for the best ending of the Roger Federer, Relaxed video. There are four different endings, so watch all of them and vote!
In addition to the meet and greet with Roger Federer, the following runner-up prizes are also available:
• 2nd to 6th prize: A signed Roger Federer cap.
• 7th to 26th prize: A Nike Roger Federer cap (without autograph)
The competition starts on Thursday, October 13 and lasts until midnight (GMT) on Sunday, November 6. It will take place globally. The winner will be picked on Monday, November 7 and notified by email.
Seattle painter Jesse Higman is the creator of a world where everything shimmers on an exaggerated scale, either macroscopic or microscopic. With the use of “Illuvium,” Higman creates within his paintings an affect of an unmistakably organic, earthly feel. Using masonite as a canvas, Higman dilutes acrylic paint mixed with mica flakes and pours the paintings onto the canvas, which is weighted to allow a slope which the paint will travel to. Illuvium, a geological term referring to the way particles settle on flood plains, is really about the art of these mica flakes settling along their course. The resulting textures are planetary, cell-like, while the mica flakes grant a shimmering presence that breathes life and density into his work.
Looking at his paintings, which are large, you see that they could be of many things: an aerial view of a retreating tide from a network of grasslands, cells and tissue seen under a microscope, the nearly mythical creatures that live in the deepest, darkest parts of the ocean, the terrain of another planet, a spray of blood, the moon.
What is interesting about this method is the active role that time and chance play in his work. Higman casts a single gesture, pouring the paint in a certain direction on a chosen part of the board, and then, for the most part, the painting is out of his hands. The mica flakes travel and settle on their own accord, an outcome that cannot be calculated or predicted.
Higman sums up the importance of his process:
“As I sit with a cup of paint in my hand, on the edge of a blank board that took days to set up, I try not to lurch forward like a horse into the stream. I promise to take more time to see how the water is flowing before I move. Once I begin, there is no stopping. Pouring over the same place twice creates craters and destroys the quietly settling particles. Investing too much energy into the system creates aberrations like cancers. I find that curiosity, confidence and play leads to beauty.” (source)