John Petrenko’s Manufactured Wilderness focuses on BMX and mountain biking trails that are scattered throughout America.He re-interprets the land; singling out the human-made elements such as the ramps, trail markers, and new manifestations in its terrain. With the absence of people, these scenes depict the containment and isolation of the environment’s organized and chaotic design.
Bringing nature and humankind together is the purpose of artist Maximo Riera. The Spanish artist is making chairs from wild animals such as elephants, octopus, rhinos, hippos and whales. An homage to the extraordinary creatures we too often take for granted.
It takes the artist approximately 11 weeks to manufacture one piece. With an average of 480 hours spent on the entire process. The process is complex. First, the 3D modeling and then the production achieved with the help of about 30 engineers grouped from five different companies. The animal-shaped chairs are made out of high dense polyurethane and held by a metallic frame. One piece weighs 350lbs.
Maximo Riera is highlighting through the making of these chairs the importance of nature. It’s a subtle metaphor for anyone who wants to hear it, that animals are a innocent presence and that it is human kind’s role to find tame. Like children looking at toys, we are delighted by the idea of perhaps owning one these chairs, or at least try them out. ‘this collection gives us an option of admiring what nature is capable of; this is the main reason why from the beginning I wanted to be faithful to the animal’s physique. this series is an homage to these animals and the whole animal kingdom which inhabits our planet, as an attempt to reflect and capture the beauty of nature in each living thing.’ What about the real ones? The question underlined here is, how can we come closer to nature and respect and live with it? (via Design Boom)
Zach Lewis lives and works in New York. He has just released his book There Are No Sins Here which is a 6″ x 9″ 110 page survey of work from 2010-2012. Lewis describes it briefly saying it is a “A narrative driven documentary photography book reflecting the sentiment of contemporary American life.” It serves as an honest portrait of a twenty-something taking in the city of NY during a time of political unrest. We see the push and pull of organized religion and ideologies of faith. Current events like the death of Osama bin Laden and Steve Jobs are presented as a reminder of the speed and influx of information in our current culture. Joy, paranoia, frustration, and hope are presented in equal measure. You can pick up a copy here.
Evan Nesbit lives and works in Nevada City, CA. He has just opened his first solo exhibition with Ever Gold San Francisco entitled Light Farming / Heavy Gardening. From the press release: “A recent graduate of the Yale MFA program, Nesbit’s recent body of work includes mixed media paintings, perceptual objects, sculpture and interactive “space blankets”. Through exploration of painterly materials, visual process and participation from the public, this new body of work will explore the imbrication of patterns and experience that structures ones vision, suspended in doubt, sometimes cured in paint. Through the use of constructed “space blankets”, Nesbit challenges the viewer to interact with this exploration by taking refuge beneath their comfort, only to be immersed in the stereoscopic images produced by pin hole camera effects.” The exhibition is on view through April 26th.
Hugo Germain, a French student who studies math and physics in order to become an engineer, also creates images and animations inspired by these very fields of study. Germain typically comes with a concept and makes a quick doodle before he begins to create his gifs using After Effects or Cinema 4D. Germain explains,
“Each gif has its own story but mainly it’s a way for me to provide inspiration and make people question basic things we take for granted. I often wonder “What if this or that was different/existed ? What would that look like ?”. Being able to actually create an answer to that question is very exciting for me, and I guess that’s also what people like about it.”
Applying his engineering skillset to the art of animation, Germain’s gifs are a playful fusion of wonder and execution. (via really shit)
Perhaps one of the best street-art interventions of the year comes at the very end. Daniel Siering and Mario Shu developed a unique strategy for their site-specific public project in Potsdam, Germany. By wrapping a tree and covering the wrapping with incredibly detailed spray-paint, the duo manages to perfectly capture a stunning sinhle-point perspective which gives the illusion that the tree is bisected, with the top half mysteriously floating above the fields and horizon in the background.
As this is a developing story, there are precious few pictures to properly show the project (including proper links to the artist, or previous works) but check out this video (which as of now has less than 300 hits) to see the simple yet effective trompe l’oeil the two artists created, and hope that the two release more pictures, and more fantastic public projects, in 2014. (via streetartutopia)
Marie Koetje‘s specialty appears to be finding beauty in chaos. Her paintings feature jumbled messes of trash and vegetation, and jagged landscapes. Her often dark scenes focus on spots of bright color, illuminated signs, and water reflecting light.