Amazingly detailed smoke drawings by Diane Victor.
Not only does he have the COOLEST name ever, but illustrator extraordinaire Maxwell Loren Holyoke-Hirsch also happens to be one of my favorite artists. I am so inspired by his work and so excited to be blogging about him. Check out his work after the jump!
Every artist and designer has had to find the balance between their ideal vision of their home renovation and a realistic budget. After all how can you hang your favorite artwork in a space that didn’t feel like your own? IKEA cabinets are budget friendly, but their selection can be very limiting, which is why we love Semihandmade. They’ve elevated the IKEA hack beyond your wildest dreams. With a wide variety of finishes from oak to walnut and even eco friendly woods, Semihandmade’s custom doors for IKEA cabinets can transform your IKEA based project from mass market to bespoke chic.
Julie Weitz’s 2011 multimedia series of masked figures are deconstructed meditations on the human body that are folding, weaving, morphing, and collapsing onto one another like a jigg saw puzzle that has no beginning nor end.
Artist Cigdem Keresteci is an illustrator and motion designer working out of Istanbul. Her inspired doodles have an ease about them that lends a youthfulness and brightness to her work. Along with animator Quba Michalski, Keresteci runs imago new media, a motion graphics studio. The pair do it all, from developing the initial concept, to script writing, illustration, photography, film, animation, and editing.
Nice colors, sounds, patterns, and movements can all be found in this Future Deluxe video.
Miran Kim has some interesting narrative paintings with a slight surreal bent.
Michelle Hamer hand-stitches pixelated versions of photographs she’s taken of urban spaces, mainly those occupied by text found in advertising, signage, or graffiti. She stitches her images into perforated plastic, transforming flat, static images of everyday public urban life into tactile needlepoints that recall private and domestic spaces.
“I see my work as a type of socio-historic documentation. The images depicted are in between moments that we often take for granted. The obviously slow process allows viewers to become more conscious of these moments which are captured within an instant and consider the difference between the manual and the digital. The in-between spaces (on/off ramps of freeways etc.) where signage can often be found is both necessary for our infrastructure, but also generally not noticed. Similarly, much of the text, advertising signage, streetscapes are so familiar we can fail to focus/really see it, but it’s often reflective of our broader social ambitions, aspirations and edicts.”
(via this isn’t happiness)