Founder of Los Angeles-based architecture and design studio Urbana, Rob Ley has yet made another venture into the world of interactive architectural installations. This time large-scale. His project “May-September” features a field of 7,000 angled multi-color metal panels constructed onto the facade of Eskenazi Hospital in Indianapolis.
According to Ley, the project began when he started wondering about the typical notion of the parking structure. Often these huge concrete constructions are unappreciated and ignored by public. Ley posed himself a challenge to turn it into a dynamic system that would interact with the viewers as they pass it by.
Together with Indianapolis Fabrications, they’ve built a huge angular aluminum and stainless steel installation (12,500 square feet) that also features an east/west color strategy (yellow and blue). The visual experience of changing colors and patterns depends on observers’ perspective and speed when they move across the hospital grounds or drive along the street. The piece also interacts with nature as every sun beam or cloud can shape the hues and saturation of colors.
As in nature, the volume and shade offered by the piece shies away from harsh, geometric patterning – instead tending towards a gentle, dappled variability in form <…> [parts of installation] work together as brush strokes to create a dynamic façade <…>.
Mark Alsweiler, an emerging artist in Sydney, just finished one of his exhibitions over at Nine Lives Gallery in Brisbane. He gains inspiration from his personal interests (immediately you can notice the influence of American Indian, Western, and Mexican imagery) to create a symbolic body of work. I am really enjoying his skull paintings and his love of pattern making.
It’s always interesting to see what graffiti writers do in the fine art world. Some keep rehashing the same work on canvas, losing all of the power that energized the work by having it in the streets. However some artists such as the legendary Dutch graffiti artist Delta take what they’ve learned through their years of painting letterforms and create amazing new works that re-imagine architecture, space, installation and painting. Wondering what Delta’s graffiti looked like back in the day? Click the read more button and check out the last image.
Asger Carlsen is a camera user with escaping needs and wants. In the dialogue of grains and tones, the subjects escape through a hole in the sky. The moments captured deface, defile, and subvert – in the best way possible. I want more.
Beautiful/Decay is calling all artist and designers! We are teaming up with Plywerk to offer one talented person the opportunity to get their own artwork printed and mounted on a 12″ X 12″ environmentally friendly bamboo Plywerk panel worth $63.
Submit your artwork to our B/D Flickr Pic Pool (become a member first) and after all the artwork as been submitted, we will choose the most interesting piece as the winner. Artwork may be submitted in any medium, so long as it is scanned or in some digital format.
Deadline: August 25th, 2009 @ 6:00pm PST
Join the B/D Flickr group if you haven’t already and submit to our Flickr group pool
Title your work with “Plywerk Contest Art” after uploading it so we will know to count it for the contest
Any genre of artwork is acceptable but it must be in some digital format (scanned or photographed)
Good luck to all! We look forward to seeing your submissions!
Ben Vickers (who I blogged about a couple months ago) has joined up with Sarah Hartnett to create Sopping Granite. I love the colors and forms, and the manifestation of Vickers’ digital sculptures into the third dimension via shiny stretchy tents. Maybe this is what sopping granite looks like?