Jamie Vasta’s masterfully accomplished paintings may look like traditional chiaroscuro but they are in fact covered in shiny, shimmering glitter. Vasta has taken the painterly arts to new altitudes with her paintings in glitter. Her insouciant medium is fine-tuned to accentuate narrative.
Here series After Caravaggio, a contemporary reframing of Michelangelo Merisi da Caravaggio‘s historic paintings in homage to the great master on the 400th anniversary of his death, (1573 – 1610). Vasta gathers friends and colleagues as muse for her ambitious recasting of Caravaggio’s famous paintings. In rethinking such paintings as Giuditte e Oloferne, 1599, and Deposizione, 1602, Vasta composed her coterie with the props of today, turning gender, dress, and environment on end. The intention of the original comes forward, no heraldry of aristocracy, but an emancipation of the peasantry, under hot theater lights of course.
Boris Pelcer is an artist concerned with representing two of the great unknowns – space, and the space inside the human mind. Currently based in Milwaukee, Wisconsin, the Bosnian-born artist and designer draws incredibly intricate portraits, swathing his subjects in cloaks of stars, smoke, hair and other natural elements. His subjects remain visibly human and relatable, but are given an otherworldly or mysterious quality. Using painstakingly detailed mechanical pencil work (aided occasionally with acrylic paints) on paper, Pelcer achieves a dense psychic mood with his incredible drawings.
Some of his more gripping works seem to semi-autobiographical, dealing with the sense of self, works which become an artistic investigation of the psyche. Questioning the nature of the conscious and the unconscious minds in his Supreme Consciousness series, Pelcer’s statement questions what would happen to his mind if given total access to the unconscious, while his work portrays a limitless melding of human and cosmos,
Of his Something Somewhere series, Pelcer says, “I can sense the presence of enclosed spaces within my psyche. A hidden collection of obscure moods & thoughts that I can’t quite comprehend. In attempt to better comprehend some of it, I’ve developed this series. It is a stroll of curiosity in search of something insightful, somewhere within the hidden valleys of my psyche.” (via boooooom)
Terry Rodgers reflects the time we are living in through his body of work. He touches on topics pertaining to contemporary body politics, isolation, and hope.
Legendary Swiss surrealist H.R. Giger, has died this past Monday, May 12th,2014 after sustaining injuries from a fall. He was 74. Born on February 5, 1940 in the rural town of Chur, Switzerland, the artist showed an interest in dark art forms from an early age but trained to be an industrial designer at the School of Applied Arts in Zurich.
Geiger was best known for designing the iconic “xenomorph” creature in the Alien movie franchise, and for his work in Alejandro Jodorowsky’s ambitious film, “Dune”.
Giger’s nightmarish imagery-a blend of mechanical and biological androids-was in fact fueled by his own bad dreams and by an early interest in artists like Salvador Dali and Ernst Fuchs. The artist kept a journal by his bed so he could record the imagery. Wired reported that Giger had “an idyllic childhood in one of the most beautiful places on Earth. But it harbored forbidding structures and estranged elements that left an impression on a child subjected to night terrors and panic attacks.”
An early series of controversial art, most likely influenced by his perturbed childhood nightmares and anxieties, landed Giger a gig to create the album cover of the 1973 Emerson, Lake & Palmer album, “Brain Salad Surgery.” After his success with the English progressive rock trio, Giger became highly solicited in the movie business.
After winning an Academy Award for visual effects on “Alien,” the artist continued to experiment in show business by designing sets for “Poltergeist II” (1986) and “Alien III” (1992).
Giger, however, found himself disliking Hollywood. Later after the last Alien movie, he retreated back to Zurich in hopes that he could get back to being a visual artist for his own sake.
In 1998, the artist founded the H.R. Giger Museum in Gruyeres, Switzerland. Since then, Giger was inducted into the Science Fiction and Fantasy Hall of Fame and worked on several other projects- including a guitar line with Ibanez. (via NPR and Daily News)
Deni Dessastra recently won Beautiful/Decay Apparel’s t-shirt design competition. Dessastra hails from Jakarta, Indonesia and is a self-taught designer. We loved his fleur-de-lis embellished all-seeing eye erupting a cacophany of spirit animals, rainbow lightshows and visions! This shirt is limited edition and printed on a one-time only run- so pick yours up before it sells out!