As expected, the designs run the gamut in terms of aesthetics; some of the house designs are serious and practical, while others are abstract and absurd. The doll houses were on exhibit during the London Design Festival last month and will be auctioned off in November at Bonham’s in London. (via de zeen)
Copenhagen-based artist and illustrator HuskMitNavn (RememberMyName) applies his tasty character work indoors and out. Whether in a gallery or on the street, his goofy characters are usually spot on. Here’s a small selection of what the guy’s been up to during the past few years, but I highly recommend checking out his site which is packed with images from past projects. Would love to see a collaboration between HMN and Malark.
Hikaru Cho‘s method of painting could best be described as a physical and unconventional type of doodling. Cho primarily uses acrylic paints on bodies or food to create believably 3D surrealistic effects, and even transfers this skill to stop-motion film and other video work. Her work alters our perspective of seemingly stable universal concepts, creating new forms that demand our engagement using only the special effects rendered through paint.
Emily Deutchman’s “Presidents with Boob Faces” are exactly what it sounds like: a collection of paintings of the United States presidents with breasts appended to their facial features. After graduating from Skidmore College, the young artist found herself doodling human mammary glands on portraits of her friends, and she soon extended the project to historic leaders of the free world. With the exception of Obama’s portrait, which is modeled after the iconic “Change” poster, each piece is based off of its subject’s official presidential portrait. The facial features of each man dictates the placement of the breasts. For Ronald Reagan, it’s skin above the neck. For Clinton, it’s the nose. Some of the boobs are painted from actual breasts, sent to the artist by friends.
While Deutchman insists that the work has no clear agenda aside from humor, she invites political interpretations. With the expected candidacy of Hillary Clinton in 2016, dialogues on women in politics have come to the fore, and we are asked to consider the gender inequality that persists in the upper echelons of power. There are few art pieces that exude the machismo of the presidential portrait, and in adding female sex organs to the idealized masculine visage, the artist subverts our notion of national power and authority. Deutchman’s use of pastel-toned watercolors heighten the feminine softness inherent in the work. A more naughty glance at the work renders it a scathing satire of contemporary politics and the corruption of high offices. Take a look. (via Lost at E Minor)
The ‘carcasses’ of Tamara Kostianovsky are made entirely of her own clothing. She ‘cannabalizes’ her clothes to create life size racks of meat, fat, and bone. Using unwanted clothing, Kostianovsky emphasizes the human body and its constant physical demands. The work becomes a kind of parable for the nearly violent cycle of consumption. She says of the series:
“My intention is to confront the viewers with the real and grotesque nature of violence, offering a context for reflecting about the vulnerability of our physical existences, brutality, poverty, consumption, and the voracious needs of the body.”
Fabio Esposito is a London-based (Italian-born) fashion and beauty photographer with an alternative and darkly sensual style. Among his impressive list of collaborators are the designers Jitrois, Pam Hogg, Úna Burke, and Jay Briggs (who we featured recently — read more here), as well as the artists Amanda Lear and Francesca Belmonte. No matter what Esposito is shooting — be it leather couture, surrealist still lifes, or bizarre head apparatuses — his results are consistently expressive, using powerful lighting and color schemes (often in monochromatic tones) to evoke emotion and tell a story. When I inquired about how he would describe his style, Esposito explained:
“My style keeps changing with my emotions, but it’s always a fight between my dark side and the part of me that could not live without vibrant colours. When you strive to express your inner world and somehow show it through your work, then this is what I think makes it different and unique.”
There is no doubt that Espostio brings an original and exciting element into fashion and beauty photography. Inspired by artists such as Dalí and Caravaggio, his work follows artistic traditions while transforming them into something new; like a contemporary Dalí, many of Esposito’s works contain strange and surprising elements, such as the armless, nude woman wearing a mask that resembles a crossover between a disfigured classical sculpture and a cyborg. Recalling Caravaggio, Esposito’s photos often have a chiaroscuro-type effect, using blotted shadows to create bold contrasts on the skin of his models. The result is a set of images that are classical, honest, and seductive in their beauty, yet buzzing with a distinctly modern and alternative edge.