As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ post of work by Photographer Andreas Jakwerth.
Vienna based photographer Andreas Jakwerth set out to depict the evil beards of the world with One guy, 6 different beard styles, six villains and contemporary fashion!
The series ‘Beards of Evil’ combines the beard style of some of the more evil villains of mankinds history with contemporary, urban fashion. For us, it was interesting to see how nicely some of these styles would work with today’s fashion even though you cannot wear a beard like these nowadays.
I shot this series for the Austrian magazine thegap, which focuses on urban culture and music. One of their friends who had been growing a beard for about seven years, decided to finally get rid of it, so we jumped in and realized the series with the help of stylist Magdalena Vukovic and hairdresser Thomas Pavlidis. The model, a non-professional, changed his expression to fit perfectly with the style of beard he was wearing.
In the end the series never got published in the magazine because one of the fashion labels didn’t like the historical person we chose for their clothing.—Andreas Jakwerth
Lets Phantom are two designers from Lithuania who apparently animate and direct for food (& money). They’ve just directed their first music video for the crazy Lithuanian electro,noise,hiphop,etc..etc.. band Metal On Metal. Kind of gnarly!
Have you ever wondered what you would look like without your head? Artist pepedsgn has been asking himself the same question: his most recent series #Losingmymind consists of a collection of colorful photographs depicting people, whose heads have been edited out. The result is both frightening and beautiful all at once and t forces you to reflect on the importance we give to the head and, the face, and the eyes in our everyday lives.
Pepedsgn plays with the double meaning of “losing your head” both in the literal and figurative senses in this decapitation series. The idea that the pressures of living in a modern world full of overstimulation, paired with the flood of human emotion we live with on a daily basis, paint a background for the loss of self depicted in these photographs. The depiction of headless subjects gives both a playful irony and, a certain thoughtfulness to the series by physically showing subjects without their heads.
The uncanny beauty of seeing people without their eyes, faces, or mouths makes the series all the more fascinating in the sense that their heads ,which govern all emotions and most non verbal communication are gone. Pepedsgn leaves it up to the public to imagine the possible emotions of the subjects and takes the notion of “brainspace” to a beautifully explicit level which allows us to reevaluate the way we read emotions.
Greek-Italian net artist Angelo Plessas uses the internet to create websites that are strange, nervous and poetic at the same time. These websites are mostly interactive drawings and Plessas’ subjects usually involve femininity and portraits of people around him or many sides of himself. These internet pieces often “cover” the real world as objects like murals, installations, collage drawings and prints. His work is similar to that of Rafael Rozendaal’s: short, full-screen, sometimes interactive, Flash movies (they’re small on this blog but they’re pretty invasively pleasing in their native forms). I believe the latter had proclaimed them as some sort of movement, which begs the question of which chicken or egg laid claim on their piece of the internet pie.
You’ve seen his beautiful videos for Lana Del Rey (Blue Jeans and Born to Die) and now director Yoann Lemoine aka Woodkid brings his own musical experience to life with a few live shows in the US next month including a stop at New York’s Irving Plaza on Nov. 1, Bimbo’s in San Francisco on Nov. 2, and LA’s Luckman Fine Arts Complex on Nov. 3. I recently watched his performance from Le Grand Rex in Paris via our friends at The Creators Project and it blew me away. Woodkid recently spoke with Filter Magazine and said, “We will be eight on stage, two symmetrical drummers, one keyboard, one ‘machine’ guy who plays percussions on a computer and three brass. There will also be massive projections, yes, the same one I developed on the Grand Rex Show I just did in Paris. The whole show is about symmetry and black and white, it recalls visuals from the videos but in a more abstract way.” Are you excited yet? Watch the performance below and definitely get your tickets via Ticketmaster to what’s sure to be an amazing night.
Los Angeles’ Laura Taylor excels at taking beguiling photos that quietly demand your attention. Lending her talents to an exciting storytelling project called The Smartest Thing She’s Ever Said, Taylor’s mystique draws you in slowly but surely. You end up a little lost in her world, in the best of ways. Here, we talk to Laura about her approach to photography and end up with a craving for cake.
Robbie Augspurger’s halo-framed, serious soft lit yearbook style photos of meta-mockingly universal avant-garde hipsters kind of look like every kid I went to art school with. Alone, meditative, satirically pleased in their undulous Alanis Morisette-induced irony, they hold symbols of their trade. Cheap beer, American Apparel headbands, bushy beards, outmoded key-tars, bad/good sunglasses (including post-op laser eye surgery senior citizen style & your weird Uncle’s shades) and Bill Cosby sweaters. You know the type. I can’t explain why simple headshots of people who look like extras in a Miranda July/Michael Cera movie, done in tasteful/tasteless late 80’s/early 90’s Kodachrome, are so endlessly amusing. But they are. Robie also does wedding portraiture. Fitting though, right?
Internationally renowned artist Theo Mercier has created an incredible monster of a sculpture made entirely of spaghetti! This textural, monumental piece is around 10 feet tall, and that’s when it is sitting—which is all the time. The spaghetti monster sits upon a small chair that is way too small for him as he stairs sadly down at the ground. Titled Le Solitaire, or, “The Loner,” this creature looks isolated and alone in a world where he is the only spaghetti-creature. Although the colossal sculpture seems very melancholy, Mercier’s work tend to not be without a bit of humor. A monster made of spaghetti is an absurd and silly creation, so why is it so glum? Maybe it is afraid that us humans will eat his spaghetti!
Mercier’s work is often large and textural, as Le Solitaire’s tactile spaghetti-skin begs to be touched. The noodles form an endless series of lines bending and forming across the body of the creature. They imitate scribbles of continuous lines doodled on a piece of paper. A self-taught artist, Mercier is an expert at inducing strong emotions with such a bizarre and surreal sculpture. We cannot help to feel sorry for this dripping, sorrowful beast. Its wide, striking eyes that stare directly at the viewer are also in other works for Mercier’s. His other installations include funny creatures made by adding these same bright eyes onto cars, piles of hay, and even smoke seeping out from a fireplace. This French artist’s unusual and mysterious sculptures give inanimate objects such emotion and personality that steal our hearts and earn our love.