Ottawa-based artist Howie Tsui uses a mix of traditional Asian themes with Western aesthetics. His paintings depict scenes of terror that are very nightmare-like. “Tsui’s work is informed by a variety of dark subjects, including Asian ghost stories, Buddhist hell scrolls, Hong Kong vampire films, neo-conservative propaganda, and twentieth-century genocides such as the Nanking massacre.” We dig it.
What gave you the idea or inspired you to shoot this series?
‘I’ll got the idea by playing around with my little son and his soap bubbles. They disappeared so fast and I got curious about the funny forms and the rainbow colors on their surfaces. So I wanted to capture them and take a closer look.’
Illustrator and photographer Jon Blocksel makes some cool illustrations. I especially like his “Possibility for a Swear Word” series. Pretty sure keyboards should start including those symbols.
Swedish artist Michael Johansson is the Tetris master of art. His brilliant assemblages of found objects such as books, luggage and other everyday materials into tight geometric shapes is absolutely brilliant. Filling empty spaces in buildings, between shipping containers and entrances, Johansson transforms voids into color coordinated shapes of wonder. (via)
I know virtually nothing about “Shih-Mao” except that he is from Taiwan and he is male (thank you, Flickr profile). His illustrations are fantastic, often depicting some kind of twisted alternate dimension where everything is incredibly weird and visceral.
New York based artist, the theatrical Cai-Guo Qiang, is yet another artist I dream of to meet one day. He is mostly known for his gunpowder explosions, where the guided impact of exploded gunpowder creates beautiful marks on the paper it is placed over. Proof how beauty and violence are sometimes intertwined with each other, a concept Cai-Guo works with often.
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Chad Kouri always dreamed of being a designer, and he took the first major step towards making that dream a reality with a freelance gig at the age of sixteen. Ten years later, he has become what some refer to as a cultural engineer. A founding member of the Chicago-based art and design incubator, The Post Family, previous Art Director of Proximity Magazine and recognition as one of Chicago’s Newcity Breakout Artists of 2010 are only a few of his numerous accomplishments. Kouri has been involved with more than thirty different projects over the last two years, and shows no signs of slowing down. For many, there is still a huge chasm between the worlds of design and fine arts, but this distinction is of no interest to Chad Kouri. Un-phased, he continues to breakdown the walls attempting to separate the two industries. A recent collaboration with artists Stephen Eichhorn and Cody Hudson at the Patty and Rusty Rueff Gallery marks his first foray into exhibiting at an institutional level, but with an upcoming solo show at the Rochester Museum of Fine Art slated for the winter of 2012 it will obviously not be his last. Kouri describes his practice as having, “equal interests in conceptual art, consumer culture, typography, design, jazz and the gray areas between these fields, my body of work is more a collection of various ongoing projects, thoughts and experiments tied together by a strong sense of composition, concise documentation and an overall vibe of optimism than a seamless display of a style or genre.” I am excited to watch this process evolve, and I wish him good luck for the future – but somehow I don’t think he’ll need it.