Sine I posted Tiina Itkonen‘s photographs of Greenland earlier in the day it only seemed right to keep the nature lovefest going with this epic video of the arctic light in the Archipelago Lofoten in Norway. Watch the full epic video and read the first hand account of this natural wonder from photographer Mr.TSO after the jump!
A while back I had a chance to do an interview with artist Kim Dorland- and was excited to learn that his show will be opening at Mark Moore gallery this Saturday, March 20th! I haven’t gotten a chance to see them in person yet, but these works are gorgeous. Dorland makes use of a sumptuous impasto creating narratives that are visceral, expansive and nostalgic all at once…all the more reason to see them in person.
At quick glance, these manga illustrations by Japanese artist, Shohei Otomo appear to be traditional – black, white, red. Not quite though: tough Geisha playing table tennis, far from. Such a violent spin with these renderings, you really sense the impending impacts. Fun.
Ofra Lapid’sBroken houses series is based on photographs of abandoned structures neglected by man and destroyed by the weather. The photos are found on the web while pursuing an amateur photographer from North Dakota who obsessively documents the decaying process of these houses. His photographs are used to create small scale models. Afterward, in the studio, the models are photographed again, omitted from their background and placed in gray. Eventually these are Digital pigment print size 30×36 cm.
I first encountered the work of Nashville-based painter and visual artist Danielle Duer at a local restaurant-slash-coffeeshop. The order line separating me from my hipster-approved gourmet grilled cheese — well, it was long, but I didn’t mind. All the while that we inched forward, salivating obscenely, my eyes were glued to the walls of the establishment, for it was there that a number of Duer’s creations hung. I may or may not have jostled a few fellow salivaters aside so as to get a clearer view of each piece, hanging there against haphazardly stuccoed walls beneath little strips of birch bark that simply read “Danielle Duer.” First thought: I want one.
Duer’s paintings and drawings couple dainty details with fanciful landscapes, all rendered in vivid color. Ships sail in from far off places and bears cavort on unicycles in imaginative scenes that would look right at home on book covers. As the artist once said, she learned as a child to create places, whether through writing, painting, or drawing, that were smothered with the most “delicious, bizarre scenery.” As her creations show, she is also well aware of the importance of “oddities and peculiarities” in making something beautiful.
Take a closer look at Danielle Duer’s beautiful somethings after the jump.
Zacharie Gaudrillot-Roy is a French photographer whose Facades series is a personal exercise in land and city-scape photography, with one major difference. In each photo, the Lyon-based Gaudrillot-Roy digitally edits each image so that building itself is erased, leaving only the structure’s front, or facade, present. Now on his third iteration of the series, each village or city building carries ominous, almost surreal connotations of civilizations being abandoned, wrecked by recession, or left to slowly disintegrate. However, the images retain a still, quiet beauty, and are haunting in their simplicity.
Says the photographer, “The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.” (via skumar’s)
Benjamin Rawson lives and works in the UK. His gouache paintings and drawings are often presented as house diagrams where op-art patterns, tropical foliage, and basketballs run wild. Other works feature densly layered vegetation filled to the brim with every color in the rainbow. It is as if the artist is presenting post modern psychedelic versions of Mouse Trap for a culture obsessed with sports and illusions of paradise.
One of the most influential artists (Did you know Beautiful/Decay is named after a Barry McGee quote) of his generation Barry McGee was recently asked to reinstall a work of his at the San Francisco Museum of Modern Art for their 75th Anniversary retrospective. What ended up happening was an installation that not only incorporated the original work created in 1996 but also sampled new work created days before the installation. In this piece we talk with Barry about the preservation of impermanent art and how reinvention keeps him excited.