Scott Greenwalt is an Oakland-based painter whose mixed media works walk the line between geometric order and gruesome chaos. His palette often resembles that of our most decay-prone biological structures and fluids: the dirty beige of crumbling skulls, the electric pink of strained arteries, and the bright green of runny mucus. His compositions exist within empty landscapes or without any background context at all. And it should be hard to look at his work for too long. It hits so hard that we should be running for the hills. Instead, probably due to his immense level of skill, it’s hard to look away. Peep some recent work from the artist below.
Welcome to this weeks offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. This week we bring you California native Emilio Santoyo whose boldly colored gouache paintings on paper take you on a neon fantasy through the galaxy that lives within the artist mind. Strap on a helmet, jump on your moped, and ride off into the work of our good pal Emilio and add a bit of color to your drab walls. Read more about the work, see the entire list of available works, and find out more about Click To Collect after the jump!
Ash Thayer photographs are the reflection of her life. Portraits, landscapes and places that represent the beginning of her life as a young woman braving the intense city of New York. ‘Kill City’ is her memoir through those years. It’s a compact diary comprised of photographs taken when she was living in the See Skwat squat after she got evicted from her first apartment in the city. The pictures are raw and incredibly emotional. It’s not a wish to uncover a way of living, it’s a desire to extract the beauty that lies inside the characters and scenes she witnessed.
At 19 years old, Ash Thayer found herself evicted. With no resources and no family, she found in a Lower East Side building a shelter, a roof to call home. She surrounded herself with a new family, punks surviving just liked her. Soon realizing that she was deeply touched by social activism and protest movements she took part in defending and documenting the subculture she was living in.
The subjects of her photographs are simple and honest. People from her daily life posing naturally under the dim lighting of the squat. There’s no intention in claiming a harsh living situation or showing off extreme conditions. In her pictures, the artist depicts vulnerable sincere souls supporting each other. “On the street [people saw us as] street hustlers, trouble makers, vandals—that just wasn’t really the case. We were hanging out, drinking and watching 90210 around one TV, like 15 of us”.
In his latest series, “I Have Something To Tell You”, Adrain Chesser uses his own illness, AIDS, in order to catalogue the pure, raw emotional reactions of his friends and family as they are told the terrible news . The Florida-born photographer, snapped portraits of his loved ones moments after he shared this life-changing information.
“When I thought about having to disclose my illness to my friends I would panic, which didn’t make sense, because I have an amazing group of friends who are all very loving and supportive”
Filled with a series of genuine reactions ranging from shock to panic to sadness, Chesser’s loved ones do not hold back. The beauty of this project relies on these subjects’ faces- most which reveal intense, unfiltered emotion. Chesser had long used photography as a method of interpreting and understanding his own emotional life– a “spiritual practice”, he calls it in a interview with Huffpost. The images, past and present, served him as tangible memories that later aide him to further understand past mistakes, or hidden victories. In this case, Chesser uses the camera as a mediator-a placeholder between two entities that feel broken, yet bonded by a painful experience.
Chesser believes that the diverse reactions of the 46 different people he photographed (without their prior knowledge of the project) reflect each individual’s personal experience with death and illness. He remembers everything from tears, to laughter, stoicism and confusion after confessing his diagnosis. (via HuffPost Arts)
Alice Aycock is mostly known for her important oeuvre of sculptural and installation works, which have spanned decades and include exhibitions at some of the most important cultural institutions around the world. Aycock, however, is also a master draftswoman, creating works on paper that problem-solve her idea of “nonfunctional architecture,” often taking on forms reminiscent of diagrams and blueprints. As Aycock eloquently explains, the medium and its strengths are vastly different in 2 and 3-Dimensions – “Drawings aren’t bound by the physical—the imagination can run freely.”
These sumptuously drawn pieces offer a new realm of possibilities, not simply tied to her sculptural works, but also a visual representation of how the artist’s mind and complex process unfolds. “Viewers are accustomed to seeing Ms. Aycock’s work in its final form, large-scale installations and outdoor sculptures, but her drawings show a mind at work, solving problems and breaking new ground. They also provide further evidence of her ideas and sources, offering clues to their meaning.”
Part of the exhibition series, ALICE AYCOCK Drawings: SOME STORIES ARE WORTH REPEATING, these drawings can be seen in a two-part drawing retrospective, the first of which was Parrish Art Museum in Water Mill, NY and the Grey Art Gallery at New York University. The Exhibition then travels to University Art Museum at the University of California, Santa Barbara and the Santa Barbara Museum of Art, CA January 25th – April 19th, 2014. (via butdoesitfloat)
Uttaporn Nimmalaikaew‘s paints both metaphorical and literal depth. As a student at Silapakorn University in Bangkok, Nimmalaikaew began experimenting with painting on mosquito net and tulle, this giving birth to his unusual and striking style. His paintings seem to shimmer in mid-air, changing depending on where the viewer stands, appearing like specters from another dimension. Though the figures in his paintings are caught in a single moment of time, they are still somehow dynamic, conveying a spectrum of emotions and vibrating with life.
Nimmalaikaew’s work has garnered quite a bit of acclaim, from the Sovereign Asian Art Prize to various medals and the title of Artist of Distinction by the National Exhibition of Art in Bangkok. He spoke briefly with BLOUIN Artinfo on the way he creates his ethereal paintings:
“Well, each process might be a little different depending on the work, but mainly it starts from a digital drawing of twisted lines in human form. The digital drawing is then printed life-size to set the base form and texture. The following layers are painted in oil color in the ‘tulle-painting style.’ Over time, I have learnt that the tulle demands a different way of creating realistic light and shadow for the material. The top layer gives details for the optical illusion. Then I connect each layer with clear copolymer line to make it all fit together and create depth in the image.” (via I Need a Guide)
Here are some scans from the short lived Hot Rotor Magazine, which as far as I can tell was a promotional item issued by the turbine/rocket engine company Turbonique. The images, helpfully scanned by Jason Torchinsky, convey a playful sense of futurist optimism which was all too common in 1960s America, yet we can still clearly see that Turbonique’s vision of the future is very much steeped in 1960s industrial design and culture.