The cities of Amy Casey exist precariously. Buildings tower, tilt, and balance about to topple. Much like actual city life, the metropolis’ in Casey’s paintings can seem like a hard-fought existence bound by community. Further tying her paintings with actual cities are the buildings that actually inhabit both worlds – amazingly, every single home and building in Casey’s paintings is based on one of her numerous photographs of actual structures. In her statement, Casey says of her work:
“Cities are fascinating creatures that I am just beginning to scratch the surface of. The work and organization that goes into a city’s creation and evolution, the constant shifting and adaptations, and the sometimes hidden history of these changes and a city’s dependence on civilian cooperation are things I like to think about.”
Also, check out a short documentary on Amy Casey here.
Polish artist Pawel Althamer explores the fragility of the body through his sculptures, videos, and performances. His latest installment is called the Brondo People in which he portrays his rendition of Auguste Rodin’s The Burghers of Calais (circa 1889). His life sized sculptures represent himself and his family members. Althamer constructed Brondo People from hair, straw, intestine, and cloth-visceral materials. He is currently showing at the Gwangju Biennale.
This Thanksgiving we wanted to thank all of our loyal followers for supporting us over the last 20 years! To give thanks we’ve made it easy for you to save big without having to leave the comfort of your home so you can spend more time with friends and family. Between Thursday November 26th until Midnight Monday the 30th everything on the Beautiful/Decay shop is 50% off! Use discount code holiday50 to get all our books, magazines, artist posters, shirts and accessories at half the price. We have limited quantities of everything and will not be restocking any sold out products so act fast to take advantage of this rare holiday sale!
I LOVE PAINTING! Maybe this is not so much of a secret if you’ve been following Beautiful/Decay for a while– but every time I see a Dana Schutz painting I just want to scream out…..”I LOVE PAINTING!” Dana’s a painter’s painter. A painter whose techincal chops rivals only her bizarre imagination and quirky themes. A painter who’s willing to take risks and use bold color with no fear. Unfortunately for me, Dana doesn’t currently show her work in LA. So, it was a great treat to get a copy of her fantastic new monograph today, released by art publishing hereos Rizzoli.
Rizzoli has to be one of my favorite art publishers to date. They always release monographs on the best artists of our generation. And Dana Schutz’s book is no exception: it’s filled with over 200 pages of work and essays documenting her artistic evolution. If you’re a fan of Dana, or of painting in general, you need to add this book to your collection. I guarantee it won’t disappoint!
If you haven’t heard of Sky Ferreira yet, that will soon change because she will be everywhere. I was lucky enough to catch her first ever live performance last month at the Bootleg and while she was visibly nervous, the songs sounded great. Now we get the chance to preview her Ghost EP (official release October 16th on Capitol Records ) that Cass McCombs, Jon Brion, and Greg Kurstin all helped produce. Don’t forget to check out the obligatory Terry Richardson photo and the video for Everything is Embarrassing after the jump.
Check out this new video of street art legend Dan Witz putting up creepy pieces along the freeway just in time for Halloween!
B/D Cult trivia: Did you know long before Dan was a big name in the street art community B/D featured him in Issue: C? You can still get the issue on our shop and read about Dan before he took over the street art world!
Seems like we have a sexual theme going today on the blog so I thought i’d add another post to the mix by sharing this great interview with Italian photographer Manuel Vason on one of my favorite new art&design blogs Yatzer. The interview is a great read so make sure to give it a look.
Artist Jennifer Trask counts bone as one of the media used in her elaborate sculptures. Bending, carving, and gilding, she constructs bouquets of antlers, gold, and other found objects, some dating as far back as the 18th century. There is a certain level of awe that comes from viewing these labored works as Trasks crafts delicate flowers out of material that we only know as being stiff and obtuse. She emphasizes craft, while at the same time making things ghostly realistic. Her work is described by the Lisa Sette Gallery as having “sprouted from an enchanted seed… Trask’s objects emit an unmistakable air of magic.”
The process is undoubtedly important to her work. In order to manipulate her carved-bone works, she must know how and in what deer antlers need to be cured, and what kind of solution of vinegar will soak a python’s rib to make it easily malleable. Despite this knowledge, her goal for her work is much more simple than that. She states, “That’s what I’m trying to claim when I go into the studio. I want to make something that I believe could be real, something that could have happened on its own.”