Jonathan Andrew‘s minimal photos of World War 2 bunkers are beautiful and disturbing all at once. These utilitarian structures meant to protect soldiers are reminders of both the horror of war and the innovation and advances in technology that conflicts bring on.
Sculptor Lauren Fensterstock crafts dark, supernatural worlds of monochromatic nature scenes, often fashioned in all black, that contain a deep sense of tranquility and serenity. Completed with paper and Plexiglass, these intricate scenes show flowers, grass and ponds. With thousands of flowers and blades of grass, all carefully placed, the work is dense and lush, taking over the room it inhabits. Fensterstock’s work breathes life into the space. Showing a landscape that is distilled into a single color illuminates the beauty and the texture of each individual component. Fensterstock’s work was recently published in a beautiful, hardcover book titled Radical Sentimentalism, with analytical essays and an in-depth catalogue of her installation work.
The details of her work as written on a representative gallery’s site:
“Fensterstock’s. site-specific installation work and wall pieces depict nature by incorporating meticulously cut and curled paper, charcoal, and Plexiglass to create floral and garden scenes. Fensterstock’s work and practice references French and English garden design of the 1500s to 1700s, the 18th century practice of ‘quilling’—sculpting paper by wrapping around a quill—along with a nod to, and reflection upon, 20th century American earth art and the work of Robert Smithson.”(Excerpt from Source)
Cai Guo-Qiang was born in 1957 in Quanzhou City, Fujian Province, China. He was trained in stage design at the Shanghai Drama Institute were he initially began working with gunpowder to foster spontaneity and confront the suppression that he felt from the controlled artistic tradition and social climate in China at the time. Pretty bomb. Check out some of his work after the jump.
Photographer Jackson Eaton is a Denmark born, unmarried and one of a two-part twin duo. The titles of his series speak volumes about his work: “new portraits for no-one”, “were never married”, “the lugubrious expat”. The one he was never married to is Hasisi Park. Both are young, bright and talented photographers who capture the tenderest and sometimes most inappropriate of moments…
Freelance photographer Guillaume Megevand’s Blood & Firecrackers series Blood & Firecrackers is a truly beautiful and gruesome series of images. Here is what this self taught and world traveling documentary photographer has to say about this body of work.
‘This series of photos was taken during the Vegetarian Festival in Phuket, Thailand. Over nine days local residents of Chinese ancestry strictly observe a vegetarian diet for the purpose of spiritual cleansing and merit-making. Sacred rituals are performed at various Chinese shrines and temples. The festival involves various processions, temple offerings and culminates with walking on hot coals, climbing knife-blade ladders, self-piercing the skin and so on.
Their special 9-day diet seems to allow the participants of the festival to be inhabited by the gods since they apparently feel no physical pain. This seems difficult to believe, but they really appear to be possessed and also to be beyond being hurt or feeling pain despite what they go through.
The most amazing moment for me was the last evening of the festival when thousands of citizens came out of their homes to throw firecrackers on the participants of the final procession. During these few hours, Phuket was more like a war zone rather than the quiet tourist town we all know. Luckily for everyone involved, this war zone is one of joy and faith and the culmination of nine incredible days.” (via feature shoot)
Barry X Ball’s personally selected subjects all start their floating-head lives as plaster casts that eventually becoming impaled on some sort of suspended device. They’re scanned by 3D laser scanners then meticulously carved into portraitures that bear high resemblance to their subjects. One of such was Matthew Barney, whose head was installed on a 69 inch spike of plated gold. Hey guys…what do you say? Barneys instead of Jacks?
The peculiar, the beautiful, and the unusual come together in the fashion photography of Salomé Vorfas.
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