Shirley Manson from Garbage sings to an adoring fan, “Why do you Love me?” at the San Manuel Casino on December 6, 2012.
It was a long trek in rush hour traffic from Los Angeles to Highland, CA to see Garbage‘s final headline show of the year at the San Manuel Casino, but well worth it! I was lucky enough to catch their “rehearsal” back in early April at the Bootleg Theatre and I can tell you that even after touring most of the year (Shirley announced that this was their 100th show of the tour), they still have incredible energy and power and obviously love playing together.
They performed songs from their new record Not Your Kind Of People and of course many hits from their entire catalogue. During the opening of Stupid Girl, Shirley went down and did 20 perfect push-ups sharing with the crowd that she’s still in amazing shape after all these years. I’m sure I’m not the only one that would pay to see Gwen “Abs of Steel” Stefani and Shirley Manson in a push-up contest. Shirley went on to dedicate, #1 Crush to Bean from KROQ’s Kevin & Bean morning show stating how incredible and brave he was. Bean recently underwent kidney transplant surgery to help long time KROQ staffer Scott Mason, It was actually one of the most touching song dedications I have ever heard at a concert.
Garbage heads to New Zealand and Australia starting in February, 2013 so definitely check them out if you’re able to!
Influenced by 21st. century technology like video games, Google earth, Internet, and You-tube, Kenneth Burris drawings become an expression of isolation and sporadic: envisioning apocalyptic tableaux with a future of decadence and decay.
“2D Or Not 2D” is the second collaborative project between Russian photographer Alexander Khokhlov and make-up artist Valeriya Kutsan, with the addition of Veronica Ershova who assisted in retouching and post-production of the images. Inspired by two-dimensional posters, the aim of the project was to transform models’ faces into 2D images that re-imagine the work of some well-known sketch, graphic, watercolor, and oil painting artists such as Lichtenstein, Basquiat, and Mondrian. Kutsan’s makeup design and application flattens the faces of the models, while the angles chosen by Khokhlov and enhanced by Ershova contribute to the overall illusion of two-dimensional representation.
The other 2D project (more images shown toward the bottom of this post) Khokhlov and Kutsan collaborated on was a series of monochrome prints titled “Weird Beauty” of painted faces that feature corporate logos, QR codes, and other prominent modern imagery.
Andrea Petrachi (aka Himatic) creates android-like sculptural figures out of miscellaneous found objects like toys and cameras. They remind me of those creepy doll things that the kid from Toy Story put together, with a little RAMELLZEE “Letter Racer” style thrown in. Petrachi describes his work as a “symbol of our out-of-control desire to buy things”. There definitely is a lot of “stuff” that we go through that just sits around forever after we buy it. In a way, this project gives forgotten items a second life. They’re also cool to look at. Andrea Petrachi is based in Milan. (via)
Portfolios are the only way for designers to be evaluated and picked up for a job. Michael Lester was challenged to get his out there and he did. Literally. His portfolio is the size of a postage stamp, has pages that can be flipped and everything!
He reduced his ideas to only feature the key notions, making his portfolio a synthesis of short sentences facing shrinked illustrations. He conceived the whole thing at home. Testing the format by printing over 100 times the mini book on his home printer and finally hand bounding it himself.
The project originated as a brief from Jelly London for the D&AD New Blood Festival, challenging students to get people talking about their work.
“They say the best ideas fit on a Post-it note,” says Michael Lester “so I decided to take it a step further, seeing how little could tell the most.”
The world’s smallest portfolio went above and beyond Michael Lester’s expectations. The news went viral on the internet, creating a buzz around the portfolio hence his work. As a designer and illustrator he could not have wanted a better publicity. Proving that not only the idea is essential but the guts to actually do it is even more crucial. In a world where being the best at standard tasks is the challenge, standing out by going out of the norms is obviously what works. A superbe lesson taught, thank you Michael.
Benedetta Falugi only recently discovered her love for photography, but in the space of a couple years, she has taught herself how to work with film with incredible results. She prefers an unplanned approach to her work, taking long walks in the Tuscan Maremma in her native Italy and effortlessly letting shots compose themselves.
Italian charity La Collina dei Conigli ONLUS rescues rabbits, mice, rats, and guinea pigs from labs or mistreatment. The now-adoptable pets were the recent subjects of a photo series by Rachele Totaro that’s inspired by Lewis Carroll’s famous novel Alice in Wonderland. Volunteer Attilia Conti had the idea, and it commemorates the first 10 years of the charity’s operation. So, why Alice in Wonderland? Because the book and organization both started with a white rabbit.
The fantastical photographs feature the animals holding objects, poking out of a teapot, and of course, gazing into the looking glass. “Mice were the most cooperative models, while guinea pigs were the laziest (they stayed still only with food present),” Totaro writes. “Rats were the most attractive, and rabbits… were the most disapproving.” You can see that with some of the critters, there was no coercing them into any sort of cutesy pose.
The charity’s rescue center is located in Monza, near Milan, and many of the animals are still looking for new homes. If you’re local to the city, you can adopt one. (Via Bored Panda)
Sarah Small’sThe Delirium Constructions series is an ongoing body of work exploring disassociated themes and characters brought together into the same space. Small brings models into improbable, close interactions to examine the social and graphic contrasts of youth and experience, hysteria and discipline, tragedy and hilarity, and sexuality and desexualization.