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Eric Timothy Carlson

Eric Carlson - Figures From Life

Eric Timothy Carlson is a renaissance man interested in all forms of art and design. His “Figures from Life” illustrations are some of the most beautiful I have seen today. Carlson reinvents already existing images by integrating simple, but bold forms that obscure or transform the subject. Also lovely are his print and typographic projects that he does in collaboration with Michael Cina. Make sure you check out his work in our upcoming book Supernaturalism!

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Théo Gènnitsakis

Théo Gennitsakis
Commercial illustrator Théo Gènnitsakis was born in Greece, and is now Creative Director of design agency LA SUNRISE in Paris whose modus operandi is “Audacity is the safest path” (check out their blog, it’s kinda funny). Well, it’s definitely safe to assume we know what Théo enjoys! And…safe to say that I feel a bit violated looking at these, haha.

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LEONCE RAPHAEL AGBODJÉLOU

Leonce Raphael Agbodjelou’s photographs of  the people of Porto-Novo, Benin (formerly Republic of Dahomey) are drawn from street life, his friends, family and studio customers. Benin is all about colour – Porto Novo is like a visual assault.In Leonce’s impressive portraits, wild combinations of locally designed Dutch imported textiles create extreme gradations between background, foreground, person and clothing. Leonce is part of a generation experiencing rapid change and his photographs capture the energy and unfettered zest for life of a people caught between tradition and progress.

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Jean-Yves Lemoigne Cinematic Photographs

Whether he’s shooting for personal projects or for clients Jean-Yves Lemoigne’s photographs look as if Jean pressed pause during a pivotal scene in the worlds most epic movie so he could take a picture of the scene that was unraveling before him.

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Hypnotic Portraits Of Hair

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Artist Brittany Schall created incredibly detailed drawings for her series Hair Studies.  The mixed media pieces are certainly portraits but are decidedly missing faces.  Instead she focuses entirely on each subject’s hair.  The flowing masses nearly seem to suggest a mesmerizing movement.  Locks tumble like smoke or water and imply the underlying form.  Each subject’s hair carries a seeming personality of its own, a portrait of sorts in its own right.

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Crystal Castles Emo Goth techno Vampires

This video by Crystal Castles for their Baptism release is low budget as hell but gets the point across. Pull out your Halloween vampire teeth, start crying, put on some spandex, and jump around til you’re dizzy. Once you’re done take a deep breath and repeat!

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Elisa Johns

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Elisa Johns has a new selection of oil paintings up at Mike Weiss Gallery. Within the exhibition, entitled “Huntress,” Johns draws from mythology, in particular the female goddess/heroine, for her subject matter. Her fragile, waifish women reference today’s “revered” paradigm of female beauty, the high fashion model, while her delicately dripping washes set within soft, sparse canvases call to mind the minimal compositions of Japanese scroll art. The exhibition will be on view until May 9th.

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Brittany Zagoria

Brittany Zagoria‘s deeply personal  and emotional paintings do battle with her inner demons.

“My paintings reflect my subconscious need to demonstrate the existence of evil in others. I grew up with a mentally ill mother, whose physically and verbally abusive actions towards me were relentless, cruel, and, most crucially, without reason. The arbitrary nature of her attacks left me feeling scared, insecure, and especially perceptive of the inherent capacity for monstrosity in all individuals. Through painting portraits of people I have known, I have become aware that my perceptions of others and my relationships with them have been greatly skewed by emotional tumult from my past. A finished portrait is evidence of my raw, childlike way of perceiving each subject. Judgmental and distorted, they are artifacts of my disturbed perception of the world that render tangible my personal, psychological confrontations; the process of painting turns a critical eye toward subject and painter alike. Often grotesque, monstrous and condemning, the final product constitutes my ultimate judgment of human relations.”

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