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MIT’s Self-Assembly Lab Creates A Chair That Puts Itself Together

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The term, “May the force be with you” is taking on new meaning by a team of MIT researchers who recently designed a chair that can build itself. Yes, you heard right, a chair, which can build itself. Using water, magnets and technology, MIT’s Self-Assembly Lab, headed by Skylar Tibbitts, in conjunction with Autodesk and molecular biologist Arthur Olson, have invented a technique which allows inanimate objects to construct themselves. The process, which combines raw, local and molecular materials, grabs hold of structural alchemy in the purest sense of the word. By deciphering the essence of structure, the team is able to figure out how it will react to raw and local environments. Once an assessment is made, a subject is then manipulated down a path of experiments, which will eventually enable it to react and change itself in the process. The study which has been ongoing for several years opens up endless possibilities, that will affect all sectors of life, including medical research, conflict resolution and urban planning. The chair evolved from Tibbitts’ original breakthrough known as 4D printing. That idea concentrated on the simple act of folding and became conscious of “the fourth dimension” otherwise known as time. Compelling not only in its simplicity, but also in exploring how the brain processes common occurrences in everyday life. So, the next time you witness bread popping out of the toaster, think of the infinite possibilities.   (via thecreatorsproject)

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Saddo

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Saddo is an insanely detailed illustrator from Berlin, Germany. He graduated from the University of Art and Design in Cluj Napoca, Romania, and currently specializes in bright, intricate, and surreal characters. His mediums include acrylic paint, watercolor, pencils, and marker pens while his canvas of choice is white paper, but  has been known to work on street surfaces and wood.

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Folkert De Jong: Operation Harmony

Folkert De Jong is hands down one of my absolute sculptors working today. So much so that in 2008 we did an exclusive interview with him and put him on the cover of Beautiful/Decay Issue: V. Since then Folkert has gone on to create an impressive body of work, each one outdoing the next. Opening April 1st Fokert is back at it again with a solo show at James Cohan Gallery in NYC showing a completely new body of work. His work is refined, grotesque, experimental and takes risks. In other words it’s amazing. This is one of the rare times that I wish I lived in NY so if you’re anywhere near the big apple  head down to Folkert’s opening and report back to me. More images below from the centerpiece of the show titled Operation Harmony after the jump.

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Sanda Anderlon’s Chaotic Panoramic Collages Reveal Intimate Details About Civilizations

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It’s all in the little details for artist Sanda Anderlon. Her illustrated collages and animations use the things that make up our personal, social and public lives to create portraits that tell stories through objects which give clues to the person. Similar to an archeological dig which reveals intimate details about a community or civilization her panoramic illustrations speak through a cluttered and chaotic aesthetic but once you take a closer look they become interesting clues into someone else’s existence.
Through basic titles such as fashionista, neighborhood, party and at the beach we’re given an overload of things which describe life as a human in the 21st century. In fashionista we see the materialistic excess of the fashion conscious. The dozens of shoes, clothes and wigs become an interesting survey into what some deem important. In neighborhood and party Anderlon comprises an exhaustive survey of the people and things which make up both. It takes on historical significance since the artist uses images from various time periods to complete her picture. Adding some depth to her work are animated versions which take on a different perspective. These move through the works as a timeline and offers a documentary style aesthetic.

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The Paintings Of Adrian Cox Illuminate Fantasy Landscapes With Out Of This Flora And Fauna

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Photographer Mike Spears Explores Desire And Eroticism In Diverse And Unexpected Ways

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Mike Spears is a Brooklyn-based photographer whose colorful and playful imagery is infused with a provoking — and sometimes subtle — eroticism. To some, this may seem like a dubious statement, for while several of his photographs depict women in various states of undress, others are seemingly innocent landscapes and still life pictures of flowers and fruit. However, there is something enticing about hands cradling a sliced papaya with its glistening, elliptic interior, or two spindly cacti curving around each other in an awkward embrace. Spears eroticizes such objects and scenery by framing them in a focused and particular manner that harnesses our attention and curiosity.

As Spears’ photography explores, eroticism is an unpredictable flow that is not always equated with naked bodies and/or sexuality. It can arise as feelings of alertness, attraction, or even revulsion; the tentacles lolling out of a raised hand, for example, generate both aversion and the suggestive, tactile sensation of wet flesh on flesh. His work follows a line of thinking that views desire as something that influences everything we create and perceive; as Gustav Klimt famously stated, “all art is erotic,” whether it was created with that intention, or whether we unconsciously inscribe our own desiring energy into it. When I asked Spears about the suggestiveness of his work, he expressed that he wants his “provocative photos to be more fun, thought-provoking, mysterious, [and] clever,” and not just “erotic” in the conventional sense (referring to nudes, for example). For him, a good photographer is someone who can skillfully capture an array of subjects while investing them all with a personal, artistic energy. In this way, eroticism is a byproduct of Spears’ work, arousing us via his diverse talent, humor, and attention to curious details.

Whether you read eroticism into it or not, Spears’ work is exciting and immersive. When he’s not shooting photographs in his local haunt of Brooklyn, he features Puerto Rico and the Caribbean. Check out his website, Tumblr, and Instagram for more examples of his varied work. (Via Juxtapoz)

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KHUAN+KTRON

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KHUAN+KTRON is a three person design studio based in Belgium, though its members come from all over – Japan, Russia, and, uh, Belgium. Their varying backgrounds is clearly a boon to their work, which shows a lot of influences. Actually, KHUAN+KTRON have helpfully listed some of these influences on their site, so we don’t have to guess at what they are – medieval torture techniques, people with monstrous sideburns (not counting women), and free jazz are just a few. Check out the full list on their site!

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Daniel Aristizába’s Surreal Dream-Like Digital Pop Art

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Daniel Aristizába - Design

Daniel Aristizábal is a graphic designer and illustrator who creates incredible digital works of art that are surreal and transport the viewers to a topsy-turvy Rube Goldberg-esque world. His Huevos series is playfully inspired by Dali’s “Eggs on the Plate without the Plate,” showing colorful variations on the common egg. 

In some of Aristizabal’s work, the 3D elements pop out, almost like digital sculptures. Other works, such as his “Glitched Cubism” piece, utilizes the 2D GIF format to play with the dimensions and perspective of cubism. In an interview with Instagram, he says that his work is a “retro, colorful, geometric bonanza.” His art seems to draw on a palette that is by turns neon and sherbet but always whimsical.
Aristizabal continues to say:
 
“My main sources of inspiration are random thoughts that pop in my mind, like memories of dreams and places that I used to imagine when I was a child. I think the term ‘pop surrealism’ works well for me. My work is full of simplicity and organic shapes. It is nostalgic in its essence.”
 

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