It’s Monday! Can’t waste anymore time sitting in front of the boob tube rotting your brain away watching Jersey Shore reruns! But before you kick it into high gear watch this investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off”. Sometimes the only way to get something done is to do two dozen other things first.
I first met Sherin Guirguis at USC while giving a talk about B/D. Sherin teaches in the design department so I assumed that she was primarily a graphic designer. Over the years we’ve run into each other here and there but never really visited each others studio. A few months back Sherin stopped by my studio to check out some work. When I went to return the favor I didn’t find stacks of design work but a studio full of both paintings and sculpture that were at once precise and technical while organic and fluid. Here are some shots from the studio visit.
Our friends over at Strange Attractor have launched an interesting new interview series entitled “Still Life.” SA sends the artist a lomography camera and a roll of film, and the “interview” becomes conducted entirely through artist-created images. The above interview with Denmark based artist Kim Høltermand is a beautiful look at his life, through his own eyes.
Baptiste Debombourg’s unique approach to medium and spacial presentation includes spending 75 hours pushing staples into a wall to create a “wall painting”, and UV-glueing shards of glass around an urban bus stop, with intention to “provoke some emotion or empathy”. He turns the scenario of each of his installation/sculptures from violent destruction to that of aesthetic appreciation.
When looking at the photographs of Sarah Palmer you can’t help but notice the playfulness with light and colors. I find her body of work from the series, “The Riddle of Lumen”, quite interesting, and although clearly documenting an urban landscape, I also find it quite mystical. As if unfolding an urban exploration of a city, or finding a hidden gem in plain view. At least when I look at her work, it almost seems to portray and unidentifiable sentimentalism of the unknown urban setting depicted. It plays quite well with the colors and spacial composition in the photographs.
Jed Heuer, a Graphic Designer, typographer and illustrator from New York sent us a really awesome portfolio in the form of a newspaper. This newspaper contains his most recent studio design work. I find his designs very intuitive and his typographic work very dynamic. Check out his website for more details on his studio projects.
Lots of cool stuff coming from Blake E. Marquis, a do-anything artist making his way out in NYC. Especially awesome typography, along with killer logo and typeface treatments. Throw in some eye-popping patterns, a super-sick silkscreen, a t-shirt, some posters for good measure, and we’re only beginning to touch the tip of the iceberg – this guy does a little bit of everything, and does it all really well.
How’s this for a big surprise… Shaquille O’Neal has curated an exhibition at the FLAG Art Foundation in New York that opens this weekend and runs through May 27th. Fittingly titled Size Does Matter, the show explores different ways that scale affects perception, which shouldn’t be much of a shocker because the big fella checks in at 7’1″ and over 320 pounds! Some of the artists he picked for the exhibition include: Chuck Close, Tim Hawkinson, Ron Mueck, Andreas Gursky, Evan Penny, Richard Pettibon, Elizabeth Peyton, Cindy Sherman… Shaq might have got a few pointers along the way, but those are some heavy hitters, and the complete list is pretty dang impressive. There’s even a comprehensive catalogue with an essay by bestselling author and big fraud James Frey – hey nobody said there wasn’t an element of promotion going on. Here’s an interesting little interview from New York Magazine. Love this Q & A - Do you ever get time to visit museums?
I used to go a lot with my kids. Donald Trump is a great friend, and he has four or five Picassos on his plane. And that’s where I would look at them. One time, I was at a museum and tried touching a Picasso. You break it, you buy it, they said. I was told it would cost $2 million.