Rose-Lynn Fisher’s Bee is a visual exploration of the anatomy of bees; she used an electron microscope to capture close-ups of honeybees from 10 to 5000x! She first became involved in this project nearly 20 years ago, when she noticed that the hexagonal field of a bee’s eye nearly perfectly mirrored the six-sided pods they created in their honeycomb, leading her to wonder if there was a more profound relationship between vision and action; does the way we see affect the way we construct our world? Her book is a marvel of science and design – as are the bees she shoots – and provides incredible insights to the nature of the insects that so many of us take for granted. It’s an educational read without trying too hard, (you won’t have to try either, it’s mostly pictures). Read it.
Aleksandra Domanović deals with sculpture that echoes monuments from the past from her native (former) Yugoslavia. While some sculptures take on more traditional forms of post-Communist leaders, the Berlin-based artist also began experimenting with unique materials in her work. 19:30 Stacks was created by piling size A3 and A4 paper with photos printed on their sides with ink-jet printing. First creating a massive PDF file of a photo, Domanović set the printer to ‘border-less print’ setting, which coated the ends of each paper, and when stacked upon each other, revealed the finished image.
For a time this work was open-sourced so that anyone could make one for themselves by downloading the file (now broken), printing it out, and then placing it between 1500 empty pages on the top and bottom of the printed stack. According to her artist statement, Domanović’s “work focuses on profound social and media-technological transformations, and their interdependence. Some of her projects give form to the relationships of meaning imposed by archival models. Others suggest alternate models that draw on her observations of shared memory and feelings of community. Domanovic uses material related to her autobiography — the television, music, and monumental art of Yugoslavia — as well as materials that claim transcendence of the personal and national, such as Getty Images’ database of stock photography and (on the blog Vvork, which she co-edits) international contemporary art production.” (via u1u11)
An amazing photography project by Tiina Itkonen about his trips to Greenland. Here is a description of the project in the artist’s own words: Since the beginning of the 1990s, I have been searching for my own Ultima Thule, my place in the Far North. I was enchanted by the story of the Mother of the Sea and, in 1995, it inspired me to set off for the place where the story originated in Greenland. The lack of haste, the friendliness of the people and the silence of the glaciers compelled me to return to Greenland in 1998, 2002, 2005 and 2006.
Photographer Jackson Eaton is a Denmark born, unmarried and one of a two-part twin duo. The titles of his series speak volumes about his work: “new portraits for no-one”, “were never married”, “the lugubrious expat”. The one he was never married to is Hasisi Park. Both are young, bright and talented photographers who capture the tenderest and sometimes most inappropriate of moments…
Young Young Wun transforms newspapers, advertisements, handbills, and other media paper goods into these monstrously distorted caricatures. (Above, in case you can’t tell, is Lady Gaga) They remind me of pinatas in the way they take pop cultural stars, Spiderman, Homer, Elvis or other mass-produced icons and turn them to cheap tzotschkes, frightening and hilarious in their new forms.
The art of Turkish born artist Mehmet Ali Uysal is at once playful and contemplative. His work often makes use of common objects or images as its starting line. Uysal then alters its purpose or use in subtle but profound and often humorous ways. Not only Uysal’s objects, but the surrounding space can feel transformed in a way. Whether it’s a giant clothespin pinching the earth or slabs of dry wall peeled off the gallery walls, his work seems to reveal the playful potential in mundane places and things. Visitors are encouraged to revisit spaces that would otherwise be passed over forgotten.
Kathryn Andrews explores issues relating to performance, presentation and material. Juxtaposing the legacies of pop art and minimalism, Andrews’ works direct a viewer to consider the way subjectivity is constructed in contemporary culture. In the process, Andrews’ works manage to subvert the very art historical categories they reference. Using fabricated forms alongside readymade objects sourced from the likes of prop shops, memorabilia stores or party supply outlets Andrews’ pieces become a powerful contrast between high art and pseudo-kitsch—shiny, serious mirrored surfaces reflect colorful, strange yet common objects. In the reflection the viewer sees himself, thus becoming part of the narrative and generation of information and understanding.
Entertaining similar interests in her two-person exhibition with fellow Los Angeles artist, Alex Israel, at Gagosian in Rome, Andrews and Israel present works that explore a dialogue about specifically the readymade. The show is up through March 14 and you can see images here.