The annual International Ice And Snow Festival that takes place in Perm, Russia has resulted in this impressive sculpture. Carved entirely out of one solid block of ice, a group of artists produced this 1:1 scale Toyota Land Cruiser complete with an open door and interior seating. From an outsiders perspective the work can be viewed as commentary on the current state of the automobile industry or the false perception of wealth and success. (via)
Matt Perrin believes in the magic of classic photography. Perrin decidedly does not use Photoshop or manipulate his photographs once the shutter clicks. Rather, he fully utilizes the simple features of his camera and experimental lighting to create his dreamy images. His photographs glow like cosmic abstractions. Perrin is intentionally ambiguous as to the exact nature of his subject matter. Rather, he encourages a more open reading similar to abstract painting. He says of his process:
” Any object seen, in any photograph, was physically in front of the lens when the shutter opened and closed. It’s the twists and turns that have occurred between those points that have brought you here today.”
Frode Bolhuis’ sculptures are elegant, beautiful, and quietly poetic.
These ultra tiny crayon sculptures by Diem Chau are proof that a lil creativity and a ton of patience can produce amazing results!
Leslie Clerc has some delicious French flavor for you to savor. Her body of work contains a nice variation of styles and approaches. After the jump, you can catch some goodies like a little girl who wants candy, a toy weiner dog and designs for an animated music video for Ba Cissoko. She has also started a studio along with a few other artists called La Mondaine.
Samantha Bittman makes good-looking opstractions. They are painted on handwoven textiles, which adds a nice ripply surface to go with the hand painted lines. If you focus and un-focus your eyes they get even better.
Something is not quite right with Nandan Ghiya‘s portraits. Indeed, several are titled Download Error. Ghiya’s antique portraits of upper class men and women from the past seem to be physical manifestations of garbled JPEG files. Each portrait is collaged and each frame carefully modified in a ways that resemble corrupted digital photographs. The now forgotten subjects of these portraits may have sought posterity through these images and the artist seems to communicate this in a familiar visual language of the digital. He uses life documented through JPEG’s, glitches, and error messages to reflect the modern plastic identity.
René Benjowski is a Berlin-based self-taught photographer who finds beauty, horror, and sensuality in dark, private rooms. Delving into the worlds of surrealism and erotic portraiture, Benjowski’s quiet, hazy, and provocative work skillfully traverses the line between passionate intensity and a reverence for the strength and symmetry of the human figure. The images are like intangible visions of a dream: in silent, dusty corners with bare, iron bed frames, bodies twist with a sensual — almost demonic — rapture. Colliding intimacy with images of death, skulls are clutched in hands and worms emerge from open mouths. The fetish element is visible: bodies embraced in ropes engage in silent power dynamics with an unseen participant, playing chess or attempting to reach a hanging book.
Contortion and mystery are important elements in Benjowski’s beautifully macabre works. Deviating far from conventional portraiture, these images convey a desire to experiment with strange angles and uncanny positions: knees twist, backs arch, figures levitate. The black-and-white shading adds an extra element of bleakness to the beautiful physicality of the twisted forms, producing bold, intimate contrasts between shadows and illuminated skin. In addition to the raw energy brimming within each surreal photograph, there is also a truthful power: not only do the images explore the subversive, alternative edges of desire and eroticism, but they leak with a physical honesty and agency, exploring the capacities of the body as it bravely endures unseen, emotional forces and its own physical limitations.