Lets keep the posts about ornate & detailed drawings going today with the fantastical drawings of Louise Despont.
Dealing with the ups and downs of an independent business can at times be a drag, but getting packages like this in the mail makes all the work worthwhile. I first met Justin B. Nelson when he entered our contest with Colt45. Justin was one of the top ten finalists and his work was entered in our show at Synchronicity Gallery. I loved Justin’s work in the show but was blown away when I met him at the opening. At first I thought Justin had drove an hour or two, but he flew in all the way from Tampa, FL just to check out the show! If that’s not dedication I don’t know what is. Since then, Justin’s been part of the Cult of Decay. We’ve only met each other once but we probably email or send each other tweets at least once a week. It’s amazing to be able to connect with creative people without the restrictions of distance. (The internet kicks ass!)
Anyways back to the package… Yesterday our mailman brought us an envelope all the way from Tampa. it included not only a print of one of my favorite pieces in the Colt45 show but also a note from Justin. It might not seem like much but it’s a great feeling to get feedback like this. We get caught up in all the chaos of running the show and sometimes forget that YOU are out there reading our books, wearing our shirts, and spreading the good word of decay! I’m glad that you guys are out there. Without your there would be no Beautiful/Decay.
P.S. You can check out a larger image of Justin’s print after the jump along with his note. You can also get a copy of his sick print here.
Argentinean artist and designer Francisco Miranda creates work in a variety of media from digital animations to graphic design. However his geometric wood collages are what really catch our eye. Miranda creates multi-layered wall objects and spatial installations from elaborately cut wooden forms. Reflecting on the architecture of his native city Buenos Aires, he looks at how the old has evolved into the new. His work combines elements of art nouveau and art deco to create an intricately ornamental species of caryatids to shape a futuristic Argentinean metropolis. (via Ignant)
Sculptor, Thom Puckey has been in the game for some time now. His beautiful marble sculptures are breathtaking and his style is that of the iconic saying “sex, drugs, and classical greek sculptures?” YEAH. Pretty fun stuff.
BillDomonkos is a visual artist and filmmaker who we previously featured in May 2011. Most recently, he has begun posting gifs he’s made to his Tumblr page. If you’re familiar with any of his film work, then the animated gifs should resonate with you as they similarly reflect Domonkos’ aesthetic. In both forms, he collides and combine ideas and images using digital effects, editing, and manipulation to assemble a new experience of form. His work is largely informed by the elusive part of cinema, the ineffability of an expression that can only be sensed by evoking particular images, sounds, and feelings. The endless loops of the animated gif form brings something new to Domonkos’ aesthetic, allowing for the endless contrast of an animated image with a static image. His work reminds me of the last gif artist I posted, Tony Kinglux, who uses a similar process and method when creating his gifs, though there are obvious differences in their overall aesthetics. Domonkos lives and works in San Francisco.
Jean-Pierre Roy’s insanely gorgeous luminescent paintings might just combine all of my favorite topics. Painted like translucent homages to Romantic pastoralism, they appear to instead catalog mystical scenes of revelation, post-2012 apocalypse. Grand, cinematic, magical, laced with the alien race, these glowing, transcendent Titian-esque tableaus are haunting and inspiring all at once.
If you’re in NYC, his exhibition at Rare Gallery opens Sept. 9 and runs until October 7. I wish I could see these in person!
At times strangely numb, and at other points echoing a modernist affection for the coldest of structures and surfaces, the most recent work by Philadelphia painter Erin Murray certainly doesn’t lack in focus. Murray’s fixation on the bland, eerily coded architecture of American cities reveals an underlying criticism (or slightly tongue-in-cheek reference) to the simultaneous banality and sinister intentionality that exists in the spaces around us. Rather than allowing these ever-present backdrops of contemporary life to fade quietly into the background, she brings them forward in the hopes that the viewer will find the same suspicious significance in each graphic, expertly rendered façade.
Where her graphite works are dark and slightly ominous, the lush, surrealistic landscapes Murray has sketched out are deliciously disorienting. As a group, they reflect a curious interest in space, place and structure—something that might eventually push Murray’s works off the page and into the 3D realm.
Sometimes the lines between work and play blur at Beautiful/Decay. Such was the case last week when I joined premiere art supply manufacturers Royal Talens and Canson for a ten day excursion through Paris and Amsterdam to explore the sites, see the museums, and get a vip tour of the various factories that make the paints, pastels, and watercolors that the Royal Talens brand is known for. If you were keeping tabs of our Instagram (beautifuldecayofficial) and Facebook page last week you may have seen a picture or two from our trip but we thought it would be nice to give you an expanded glimpse into our travels through a three part blog post. Follow us as we start in Paris and make our way over to Amsterdam through out this week!