I apologize for shameful self-promotion, but I really couldn’t help myself. Here are some shots from The Power of Selection Part 2, the second installment in my 3 part conquest to bring work to Chicago that otherwise doesn’t get shown here. Check it out!
Looks like today might be all animal themed posts so lets take a look at the work of Sandra Dieckmann, a lovely German born, London based illustrator who creates pattern rich illustrations full of your favorite creatures from the wild.
Kim Joon utilizes the human body in ways you never thought possible. Marvel at the wonders he creates through body art! After the jump, check out some work from his latest show, “Tatoo & Taboo” at Sundaram Tagore gallery in Hong Kong.
Yesterday we lost one of the best and most important living painters, Lucian Freud. Leading contemporary figure painting for his generation, Freud was known best for his thickly impasted portrait and figure paintings which have been shown and collected in every major museum around the world. His works are noted for their psychological penetration, and for their often discomfiting examination of the relationship between artist and model.
Hope you’re hanging out with Andy, Pablo, Jean Michel in art heaven Lucian. You will be missed!
For Lost and Found, the photographer Will Ellis photographs objects collected from the deserted buildings, parks, and bays of New York City. Dating back to the first half of the 20th century, each recovered object is shot with the utmost care, regardless of condition or value. The artist’s long journeys in search of his discarded relics— traversing less frequented city spots with haunting names like Dead Horse Bay and North Brother Island— give historical and totemic meanings to each possession. Once relevant only to a forgotten child, a plastic toy shoe from the 1920s is studied under lights, archived by a seemingly objective lens, and repurposed as evidence of some imagined urban ancestry.
Ellis’s choice to incorporate animal bones into a few of the images strengthens the work’s genealogical impulse; a set of hospital keys, ripped from their locks and rusted beyond recognition, stands alongside a raccoon bone separated from its socket in time. Similarly, a horse bone from the city’s industrial age is visually equated with a pair of plastic doll arms; shot from the same angle, the eroded bone and muddied plastic occupy similar portions of the frame, each lit with expert precision.
As if part of a museum catalog, the series of 30 photographs provides a cohesive, if subjective, vision of history. Through the eyes of Lost and Found, the city’s children narrate its evolution, telling a visual story that begins with doll, touches on music book, and culminates in senior portrait. Ellis’s choice of a stark white backdrop and harsh lighting brilliantly avoids potential sentimentality; as the artist invites us into a distinctly nostalgic space, we are instructed to view the work with the utmost seriousness. Take a look. (via Feature Shoot)
In a database called Photogrammar, Yale has just released 170,000 searchable photos of the Great Depression. Previously stored away in the government archives, these are the unseen images taken by great photographers such as Dorothea Lange, Walker Evans, and Arthur Rothstein, all of whom were assigned by the Farm Security Administration to document the effects of the declining economy on the population. The database consists of a nation-wide map with clickable counties, each one leading to a gallery of snapshots from the region. Using the information from the Lot Number and Classification Tags systems developed by Paul Vanderbilt in 1942, the collection is searchable by photographer, lot number, and subject heading.
The result of Yale’s efforts is a fully interactive and fascinating glimpse into America from 1935 to 1946. Photogrammar tells the story of the Depression as it has never been seen before; from east to west (and including Hawaii and Alaska), we see rural laborers and townsfolk navigating the daily challenges of economic turmoil; there are signs of the oncoming war, as well. Despite being separated by a vast geography, each image is joined by a similar backdrop of hardship, endurance, and recovery.
Click here to explore Photogrammar for yourself. (Via Gizmodo)
We’ve all probably spent too much time watching creamer dissipate into coffee (or at least i did when i bussed tables). The interesting part to me wasn’t how beautiful and otherworldly the plumes looked, but how watching them never seemed to get old. Italian photographer Albert Seveso obviously shares this fascination and expands on it with varicolored inks which he captures with high-speed photography as they unfold underwater. Captured like this, the ink looks incredibly physical, like glass sculptures. Witnessing the transformation of substances feels like watching the cosmos themselves, which we are in a sense, and is why this is a series third graders and thirty year olds alike can get behind.
Daisuke Tajima’s paintings are vertiginous in all aspects. They depict ultra-detailed never-ending tall buildings. The artist is placing the perspective from above, as if we were flying amongst the city. But the beauty of these paintings lies in the fact that they are all imaginary.
To get lost into his art. This seems to be the aim of the young artist. The paintings are massive and the features of the city landscapes so small. The rooftops are particularly intricately detailed. From the pipes and machineries to the hoists. The repetition of these elements form a pattern which appears regularly throughout the painting and which makes the whole picture look claustrophobic. Daisuke Tajima says he feels comfortable in this world. He seems to dominate what is around him. An escape which he purposely created in order to be able to feel safe and in control.
“I wanted to hide away in my own world to ease the loneliness and insecurity I felt from not belonging. This piece is a world I can believe in.”
Daisuke Tajima just recently graduated in Japan. His talent was rewarded by a prize of 10 million yen (about $83K) for the cityscape series “gokinchotaikoku II”. Although this sounds like a rich outcome, it doesn’t look like success will stop the prodigy from creating sensitive and meaningful art pieces. Loosing himself into the depth of an imaginary city is Daisuke Tajima’s symbolic hideaway. (via Juxtapoz)