Business cards exist as a tangible resource and advertisment for offering one’s trade. Benedetto Papi and Edoardo Satamato of Italian creative agency Invasiona Creativa began to wonder: what jobs would pop culture characters have, and how would their cards look?
Beginning with the idea that these characters (ranging from science fiction to comedy to horror and action films) lost their jobs, how would they rebrand? Although most of the results involve wordplay over any serious retelling of the character’s myth, the results are playful and fun, which seems to be the duo’s motivation.
On their website, the group declares, “A different approach compared to canonical style of advertising agencies: a NERD APPROACH…We will do everything to…give new life to mundane communications, to re-invent social campaigns completely useless, to regain lost contact with the consumer, to open new horizons in the world of apps…” (via mymodernmet)
Super talented Melissa Cooke draws so realistically that you would think her renderings are photographs. Instead of using pencil lines to outline her subjects and draft her compositions, she achieves incredible depth by dusting layers of graphite onto paper with a dry brush. Flirting between different mediums (photography, drawing and painting), she is an expert of achieving highly detailed, strongly contrasting, striking images.
For her series The Between Spaces, she blends two different angles together in one drawing, achieving an impressive effect of superimposed snapshots. Thanks to her unique graphite technique, her highlights seem to glow and radiate off the page. Hair turns from being a series of fine white lines dusted over a darker layer to being a delicate web of strands. Eyes have detailed reflections; the skin Cooke draws have pores; the faces have a complex structure of wrinkles and lines. Cooke says of her series:
The drawings ride the line between what is physical and emotional, inner and outer, real and fantasy. Elements that are innately indescribable. There is a richness in those spaces that I can explore visually. (Source)
Moving on from portraiture, Cooke has also tried her hand at still lifes – objects that she finds in her daily life. Inspired by an abandoned wig she found in the dandelions, she started her series of objects.
These still lives evoke the figure while hinting at a larger narrative. There is both an attraction and repulsion to these discarded objects, like evidence left at a crime scene. That tension is something that has always inspired me, and will continue to propel me forward with the new body of work. (Source)
If you don’t know about Camille Rose Garcia and her twisted fantasy worlds, now you know. The artist has been killin’ it for a while with dark mixed media paintings that are easy on the eyes the way the poisonous apple in Snow White tastes good- you know there’s something sinister at work here, but you can’t help yourself anyway. Garcia’s colorful works feature animals and pretty ladies, neither of which are innocent. Watch your back. More snaps after the jump, and check out her blog, which, if not updated regularly, is a nice window into what the artist’s thinking.
I am really enjoying Los Angeles-based artist Adam Tullie’s recent portfolio of drawings. He uses painstakingly intricate mark-making to create simple shapes, hinting at tribal masks. Adam Tullie recently featured his work in San Francisco, I may just have a friend of mine over there pick up a few of his show’s postcards for my wall.
Ana Janssen’s erie hyperrealistic paintings remind me of the calm before a storm. In most of the work young teenagers sit still and stare at the viewer with an intense gaze while various animals sit on their shoulders, lay in their lap, or attempt to take a bite out of the figures hand.
Guy Denning of Bristol, UK has been putting out emotive, figurative paintings for almost two decades. He works mostly in oil, perhaps the perfect medium for working with the human figure due to its unique luminous qualities, and he takes the guesswork out of using art as a mirror for the human condition by directly rendering our anguish and strife in muted, stylized tones. He also maintains a pretty awesome daily drawing blog.
Headed over to Brooklyn this morning to Evan Gruzis’s studio, and got to take some photos of his new work – which looks great. Gruzis is on the Deitch Projects roster, and I asked him if he knows anything about Jeffrey Deitch’s plans for his New York operation and he gave me a flat “No,” but said that the people involved are having a meeting sometime next week. Gruzis is known for his hyper-skillful use of ink, and his sardonic re-purposing of advertising’s seductive imagery. In a recent interview he wrote about the work as being “… not product vehicles, but hollow gestures that create a feedback-loop between a familiar aesthetic and a desire for meaning.” Gruzis has a show in Athens in April at Andreas Melas Presents.
Max Maslansky is a tricky fellow who seems to believe in longshots. His images caress a romantic past, the voyeuristic present, and a violent future. Each image seems to shake with exerted candor, while holding your hand and telling you things will be okay.