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Tobias Hutzler’s Creates Sculptural ‘Objects’ With Live Human Bodies

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Tobias Hutzler, a photographer / director based in New York City, creates photographs that showcase sculpture-like forms outlined by live human bodies. The unusual portraits, (because I have no idea of what else to call them) feature men and women in skin toned underwear, posing on top, near, and next to each other in strange, and involved poses.

It is interesting to note that Hutzler instructs his subjects to pose in intricate positions with in each other on top of a stand (one that would usually hold a sculpture in a museum/gallery space). This detail further assures the viewer that he/she is indeed witnessing a sculpture of some sort. Hutzler is also interested in portraying ‘different shades of color’, meaning that he includes people of varied skin tonalities, and I assume, different nationalities as well.

Hutzler creates these large-scale photographs by using a unique technical approach, resulting in images that are printed as they are shot, without manipulation. Photographing with small-scale digital sensors, Hutzler achieves a distinctive digital noise quality, allowing for the characteristics of raw digital technique to have a powerful effect on the final photograph.

“This photographic approach builds tension between the large-scale scenes and the digital noise and fragments, resulting in an aesthetic beauty of its own, contrary to aiming for higher resolutions and dynamic range. My photography is searching for a truth between the aesthetic of the medium and the subject matter of the image.”

(via Inhale Mag)

Hutzler creates his large-scale photographs with a unique technical approach, resulting in images that are printed as they are shot, without manipulation or compositing. Photographing with small-scale digital sensors, Hutzler achieves a distinctive digital noise quality, allowing for the characteristics of raw digital technique to have a powerful effect on the final photograph. “This photographic approach builds tension between the large-scale scenes and the digital noise and fragments, resulting in an aesthetic beauty of its own, contrary to aiming for higher resolutions and dynamic ranges,” says Hutzler. “My photography is searching for a truth between the aesthetic of the medium and the subject matter of the image.” (via art daily)

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Haunting Knitted Animal Pelts Draw Attention To the Plight Of Endangered Species

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Stretched and bound over wooden frames, the animal pelts of Australian artist Ruth Marshall are so utterly realistic looking that it is difficult to believe that they are not in fact fur and hide. Constructed out of knitted yarn, they compel us to consider the endangered species killed and skinned by poachers and collectors. Though illegal, the devastating skin trade has taken the lives of thousands of tigers in the past thirteen years, leaving only an estimated 3,200 tigers in the wild. Before poaching practices, deforestation, and other damaging factors contributed by humans, there were approximately 100,000 of this magnificent creatures around the globe.

Marshall learned of the plight of wild cat species while working at the Bronx Zoo and the Wildlife Conservation Society, an experience that moved her deeply. With her Big Cat Series, she hopes to provide a sustainable and humane alternative to tiger, leopard, and jaguar pelts. The nuances of each life-sized work is touchingly based on a real animal, whom the artist became acquainted in captive conditions. A few are modeled after skins owned by collectors. The project effortlessly illustrates the value of artisan work, which ultimately could hold higher commercial value than black market pelts.

Here, Marshall transforms a cruel practice into a labor of love. Where animal pelts have come to represent a cruel and grotesque opulence and greed, she introduces knitting, a craft associated with nurturing and care. As a result, her pieces are both disarming and lovely,a refreshing jolt of sustainability and activism. To learn how you can help save the tigers and other animals, please visit World Wildlife Fund and the Wildlife Conservation Society. (via Dark Silence in Suburbia)

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Joe Forkan’s The Lebowski Cycle

Joe Forkan’s The Lebowski Cycle is a series of paintings and drawings exploring layered narratives, using masterpieces of western art and the Coen Brothers’ film The Big Lebowski as a point of departure. You can see what paintings each of the works are based on at Joe Forkan’s Blog.

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New Designs by Aya Kato!

A trio of new T-shirt designs by young Japanese artist Aya Kato just made their royal entrance into our online shop. The shirts hearken back to a fairy-tale like epoch, combining art nouveau and calligraphic-like line work to create fanciful and bold designs.

“Yamato,” itself an ancient word to symbolize “Japan,” depicts an ethereal interplanetary star-scape, with rock formations and pyramidical structures apparating amongst the bonsai trees and clouds. “Geisha” and “Chrysanthemum” depict luscious, magical female figures that call to mind warrior-princesses, elven deities and beyond.

Purchase now at the B/D Apparel Online Shop!

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Heart-wrenching Burial Photos Of Dead Animals Abandoned On The Road

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For her series Natura Morta, the Russian photographer Maria Ionova-Gribina gives burials to dead animals. Much like fellow artist Emma Kiesel, she finds her deceased subjects abandoned on roadsides. Biking to the sea in summer, she was confronted with roadkill and creatures who had died of natural causes.

Where most might avert their eyes, she examined the called bodies, adorning them with fresh blossoms tenderly picked from her own garden or nearby flower beds. Yet she does not remove or bury the remains; instead, she allows the process of photographing them to stand in for funerary rites, poignantly preserving them in her lens instead of in the earth.

After having these powerful post-mortem portraits taken, the animals are once again vulnerable to the decay and ravages of death, but in this single magnificent instant, their humble yet miraculous existences are celebrated and revered. Juxtaposed against bloodied muzzles, open wounds and limbed stiffened by death are ripe, vibrant flowers symbolizing life and rebirth. On these breathtaking beds of pink, blue, and deep red hues, the creatures appear to be simply sleeping.

Over these dead bodies, we are invited to mourn the individual as well as the fact of our own lost innocence. The series itself is inspired by Ionova-Gribina’s childhood, when she and her brother would bury dead animals they discovered in their paths. Where the adult gaze scans over reminders of death, perhaps the child’s engages with them, and grieves the inevitable hold of mortality. Take a look. (via Feature Shoot)

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B/D Best of 2010 – MICHIEL VAN DER BORN

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Okay typography lovers, we got a juicy steak for you all in this post.  Michiel Van Der Born has gone from A-Z in acrylic.  When I stumbled upon this series, I found it refreshing to see this playful take on the good old alphabet.  Bon Appetite.

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More Press for B/D’s Spring 2010!

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Woohoo! The press keeps rolling in for our Spring 2010 line! This week has seen a number of other excellent reviews, including a mention by TWBE that Ben Tegel’s t-shirt, “Greetings from LA” above, looked as “if Paris Hilton turned into Heidi Montag.” I’d say that’s pretty accurate. Other great reviews from Spanky StokesAddicteed. Thanks guys, for the blog love!

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Framix – The Mistake

Framix5French artist Framix released a short film/music video called “The Mistake”, a wild west adventure with bunnies, pterodactyls, and giant tarantulas and iguanas. The animation starts with epic composite landscapes and by the end becomes a neon video game inspired fantasy world.

Enjoy the full 11 minute short at their site.

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