The show opens tonight at Gallery1988 in Los Angeles from 6-10PM and runs until April 23rd. Check below the cut for some previews of the works. See you there!
I have blogged about Lachlann Rattray before in the stone and mortar days of our old blog, but now that we have these nifty “tag” things, I wanted to formally re-introduce this artist to the new system as one of my fave Flickr-Finds-Forevs along with some of his new stuff. His work is hilarious and almost always composed of gooey deformed pastel neon combinations- usually mocking celebrities and humans in general. He also prints his own awesome shirts and sweatshirts. They’re all so good I don’t know how to choooooseeeeeeee ahhhhhh….
In “Honey Boo Boo’’s Amurrican Starquest” and “Beautimous,” the painter Ingrid V. Wells creates saturated candy-colored portraits of the young stars of TLC’s reality television series Toddlers And Tiaras and Here Comes Honey Boo Boo. The hit show follows the world of child beauty pageants, filming in homes and hotel ballrooms across the country; Wells’s paintings remove these made-up living dolls from this context, hurling them into an unsettling space where dreams and nightmares collide.
In many ways, the work is fantastical and wondrous; painted in watercolors and “girly-girl” tones, the figures are as fanciful as pages of a picture book. In the world of pageantry, the toddlers are shown as princesses, gifted with an endless supply of jewels, unicorns, sunny days, and balloon animal pinkness. The sit enthroned and proud, hoisted to the highest heights by fame and fortune.
Upon closer inspection, though, the pageant girls are seen through a lens of despair and disgust. Their saccharine smiles melt under the sweaty pressure of thick paint, mascara and lipstick desperately oozing from their pores. Wells transforms the medium of watercolor, using the normally delicate, ethereal paint in heavy, unappealing globs. The unicorn is revealed to be a pig, an animal symbolic of excess; her gleaming, swollen utters hang, and she, like the girls who awkwardly bear their midsections, is suddenly cast in a profoundly uncomfortable sexual light.
Here, prettinesss becomes both revolting and dangerous; beneath their bedazzled cupcake dresses, the girls are defeated, their eyes cast down in sorrow, still tragically yearning for a judge’s approval. (via BUST and Huff Post)
Gorgeous pixelated depictions of nature in urban settings by Theresa Himmer created out of thousands of sequins.
We first featured Klaas Van der Linden’s dark and mysterious paintings last year. I’m happy to say that Klaas is back with a new batch of work that raises the bar with intricate detail, epic narratives, and beautiful brush work. Just check out the patterning and eyeballs on the image above… Amazing!
Illustration and design studio Brosmind created a series of illustrations that peeks under the surface. The series depicts 20 characters and what really goes on inside their bodies according to the wild imagination of the studio. Food, organs, pianos, even entire cities inhabit the bodies of each strange character. The series illustrates a curiosity for inner workings. Via the series’ statement, Brosmind says:
“We’ve been always passionate about how things work, and that’s why we created this project. A collection of 20 characters that are opening themselves with the help of a young Lydia Lopez (our lovely main character from our latest project SHE ).”
Few images of dogs can capture the magical abandon with which they move and express themselves, but the photographer and animal care expert Carli Davidson has done just that with Shake, a delightful series composed of high-speed, freeze-frame captures of canines mid-shake. Each shot miraculously pinpoints the moment of release; a wakeful stretch, the passionate freedom from a wet, unpleasant bath.
The photographs are comical for the strange elasticity of skin and fur, which seem wobble and move according not to the laws of physics but to the emotional governance of the animals; blissfully, floppy puppy ears swing from tiny heads, as if to take flight from the body. Similarly, hungry, drooling lips express the subject’s uncontrollable excitement.
Within Davidson’s humor lies a beautiful reverence for the canine subjects. The miracle of the animals’ instinctual motion creates sweeping, mystical swirls across the frame; drool, fur, and flesh move in tandem. Eyes open wide with the ecstatic motion of loose skin, and a Komondor’s dreadlocked hair swirls about like Medusa’s wild snakes. After a bath, water droplets and strands of shedding fur compose a starry cosmic landscape, lit radiantly against a black backdrop.
From the Chinese Crested to the Springer Spaniel to the glorious mixed breed, these canine subjects engage in a frenzied and physical expression and enjoy themselves in ways humans rarely do; in viewing their images, we are invited to do the same. Take a look at the joyous images below, and check out the print publication of Shake here. (via Colossal)
This unusual carnival certainly isn’t the kind you find at a kid’s party. For “Funland: Pleasures & Perils of the Erotic Fairground,” artistic duo Bompas & Parr show off a series of bold and whimsical installations at New York City’s Museum of Sex. Immersive artworks include “Jump for Joy,” a giant bouncy house composed of blow-up breasts and “Grope Mountain,” a rock wall featuring phalluses and vulvas. As visitors munch on tasty treats, they are invited into “The Tunnel of Love,” a maze that ultimately ends at the G-Spot, an erogenous zone in the vaginal canal discovered by Ernst Gräfenberg.
While this all may seem like fun and games, the exhibition also illustrates earnest cultural ideas. Here, the artists worked closely with Professor Vanessa Toulmin, the Director if the UK National Fairground Archive, to illustrate the historical associations between traveling fairgrounds and sexuality. Toulmin proposes that at the apex of the industrial revolution of the mid-19th century, carnivals began to emerge as sites for “immoral” behavior.
The St. Bartholomew fair, she notes, was singled out for its sensuous—and overtly erotic— atmosphere. In this uncanny universe of play and mischief, the puritan ideals of the upper classes were tossed to the wayside. The fast-paced amusement rides were quite the novelty at that time, and dark tunnels and cars allowed for discreet caresses to pass between lovers. Some fairgrounds even charged admittance for burlesque and strip-tease shows. Bompas & Parr’s “Funland” certainly captures both the thrilling and the farcical aspects of the carnival scene. Simultaneously amusing and disturbing, the exhibit engages both the mind and the body. The show is currently on view and will run through Spring 2015. (via Design Boom)