Korean-born Min Kim will be exhibiting new works at ATM gallery this month. Her sparkling, innocent collage and pen and ink images remind me of lost children’s book illustrations. If you are in New York, her opening is on November 12th, from 6-8pm.
The artwork of Audrey Kawasaki is completely irresistible in its portrayal of stunning technique and beautiful women. Her skilled illustration using ink, oil paint, and graphite is a sharp contrast to the natural grain of the wood panel in which she paints on. The warmth of the wood combined with the reds and oranges found in her work create a soft glow that radiates from her work. Each of her women contains an iridescent aura that invites you in, pulling you closer into the frame. There is an unmistakable seductiveness in their eyes, or in one case, the third eye, that is both intriguing and mysterious. As you examine Kawasaki’s work, something begins to feel peculiar. The beauty of her women blinds us before a strange, bizarre element creeps up on us. We slowly realize something is off, when we see things like pink, glowing rabbits circling around the figures or even a snake skeleton sprouting out of the roots of a woman’s hair.
Kawasaki flawlessly offers us women of quiet beauty that leaves us questioning each situation. She pulls her inspiration for her gorgeous paintings from both the distinct style of Manga comics and the swirling, elegance of Art Noveau. The enormously talented artist will have work up at a group show starting this June on the 26th at the Long Beach Museum of Art. Her work is included in the exhibition, Vitality and Verve: Transforming the Urban Landscape.
Baltimore Gallery Nudashank has just wrapped a new exhibition entitled Dead Zone. The exhibition was presented as a “new film” about the future by Alex Da Corte. The materials used in the various installations are so vital to the exploration of the show that they are listed in the press release as characters in the “film” (along with additional artists): “Starring (in order of appearance) Paint roller extension pole, package of dish sponges, enamel paint, gold chain, Coca-Cola can, electrical tape, pink giraffe patterned dust broom,clamp, wire, John Roebas‘ AMONG THE MAXIMS,vertical blinds, Alex Perweiler‘s Chameleon (Juicy Fruit), miniature hand chair, Thigh Masters, metal gridwalls, display brackets, Janet Jackson’s The Velvet Rope cds, Kyle Thurman‘s Untitled (501 Hudson Street, New York, NY 10014), John Roebas’ UNTITLED (THE ONLY ONE I CAN’T), IKEA frames, digitally printed hamburger ottoman cover, Borna Sammak‘s Borna Print Burton Jacket, gold foil, carpet, mattress foam, cheese head, shampoo, mirror, Jamie Felton‘s Fog II,ratchet straps, Christmas ball, Andrew Gbur‘s Untitled, Sean Fitzgerald‘s 16 Colors, fringe, leggings, foam, rubber glove, cardboard tube, metal stand, zip tie.”
I found Tadashi Moriyama‘s work during Bushwick Open Studios this past June and fell in love with the intricacy and obsessive mark making process that is evident in each ink and gouache work. Each painting is rife with apocalyptic imagery rendered in countless repetitions of a few motifs including waffle-like gridded squares forming architectural structures and tubular wobbly connectors slithering in and out of buildings and bodily orifices.
British artist Ben Long works in a wide variety of mediums from billboards to dust drawings, to massive sculptures made out of scaffolding.
Using his finger to scribe into the layer of dirt built-up from exhaust emissions, Long creates elaborate drawings on the rear shutters of white haulage trucks. In this on-going series, collectively entitled The Great Traveling Art Exhibition, he expands upon the daubing and crude slogans that commonly adorn commercial freight vehicles.
By conceiving the project so that it may exist beyond the confines of the traditional gallery space, The Great Traveling Art Exhibition fulfilled Long’s desire to target and appeal to individuals unreceptive to the presentation of contemporary art in museums and art institutions. Furthermore, as a project born of pragmatic concerns, it enabled the artist to exercise creative expression early-on in his career without the need for a studio, gallery or financial backing.
Long’s Scaffolding sculptures are Inspired by his experiences working on building sites as a teenager, the project asserts the value of a disciplined working practice, the hard graft of manual employment and celebrates the role the construction industry plays in the advancement of urban development.
Thematically, Scaffolding Sculptures utilize cultural archetypes familiar in domestic and decorative art, whilst also making reference to art historical imagery such as Monarch of the Glen by Sir Edwin Landseer and Whistlejacket by George Stubbs. With each artwork the base structure serves to visually reinforce the sculptural intent of the project, making comparisons with the plinth, as well as reminding the viewer of a conventional use of scaffolding based on the familiar right-angle and cross bracing process.
From Instagram to the Flickr, clenched nail art shots are ubiquitous– ranging from classic solids to wild patterns; however, I’m pretty sure Alice Bartlett holds court as best in show. Moving beyond simple fashion trends, Bartlett artistically installs miniature scenes on the tips of her fingers: clad green flocking covers each nail, creating a tranquil resting place for tiny figures to contemplate the massive scope and delicacy of the world.
It’s a girl’s world in these scenes of playful mischief created by an eclectic array of delicate materials by Amanda Michelle Smith. Rendering tiny girls full of energy and angst, the artist uses oil paint, golf leaf, and ceramic pieces to construct her highly textured work. Smith’s talents in painting spritely girls are only matches in her ability in ceramics. Her light and airy palette combined with the rich glazes of the ceramic creates incredibly eye-popping aesthetics. The surface texture and detail in each leaf, tree, and flower jump out at you as they are formed from ceramic, creating a relief.
Although Smith’s work is full of little girls in dresses and bows, things are not always giggles and tea parties. Except, when there is actually a tea party, there are strange ghoulish guests dining in front of a black sky. Each scene has a bizarre flare that is both whimsical and somewhat dark. These are places where grumpy girls hide in a house while tons of little people seek to get inside. Proportions are skewed, size doesn’t matter, and little girls have a mind of their own. These feisty young ladies get into peculiar situations that are so beautifully and intricately constructed. Smith’s use of clay is flawlessly blended into her painting style, creating finished pieces that are begging to be touched. This California based artists creates three dimensional ceramic pieces as well, make sure to check them out on her website!
(via The Jealous Curator)
Artist and designer Haley Ann Robinson has a passion for exploring shape, color, line and simple forms—something that translates well into her hand-shaped wooden objects. She treats some of the smooth, angular sides of each object with a vibrant selection of colors, designed to highlight specific visual planes and grain patterns in each piece. Robinson pulls a great deal of inspiration from geometry and nature, resulting in objects that display a playful engagement with shape, medium and surface.