The inner child of Genadii Berёzkin craves cutting and pasting, but the grown artist understands balance and aesthetics. Together, they create fun and graphic collages. Berёzkin’s restraint sets him apart from his peers. His sense of simplicity lends his art charm; nothing is ever overworked.
Working with materials such as glue, pre-mixed craft paint and food coloring, Robert Moya‘s pieces are meticulously crafted using hand made materials and “dried and colored glue remnants taken from previously or simultaneously-made paintings“. Creating a cycle or as he calls it a “one process, one orientation and one modular shape” rigorous routine, these crafted “paintings” are an enjoyable mixture between a sculpture and an abstract painting. While some of them contain a variety of colors and “pieces”, he is still able to elegantly hold everything together within the frame of the panels.
To celebrate the release of Swoon‘s new monograph, we have teamed up with Abrams to provide a unique promotional giveaway & editorial. All you have to do is use the word “Swoon” in a sentence and leave it as a comment at the end of this post for a chance to win a copy of her new book! We’ll select three lucky winners in total- so choose your words wisely and contribute your most creative sentences! Confused on what an award-winning sentence looks like? Bad sentence: “Basically Swoon’s stuff is pretty cool and kinda nice.” Winning sentence: “Awake forever in a sweet unrest, still, still to hear her tender-taken breath, and so, live ever– or else Swoon to death.”
If that’s not enough, we’ve also conducted an exclusive, behind-the-scenes interview that gives insight into Swoon’s work. Who knows- maybe you’ll find inspiration for your winning sentence! Read on to find out more about the process of creating her book, how Swoon rifled through her personal archives to create unique spreads, her surprising reaction when the book was finally in her hands, as well as her inspirational, one-of-a-kind mentality towards the creative process and more.
The Video on a Man Calling Himself Bin Laden Staying in Japan
First saw this video with a couple other shorts at the Redcat in Los Angeles in an event dedicated to new Japanese video art (though the title escapes me). I thought all his work would be similar but it was kind of shocking to see that the rest of them were really different…
On May 12th, the Nepal earthquake striked, killing dozen and injuring thousands. With a magnitude of 7.3, the earthquake was so large that it affected those living in India and Bangladesh. Documentary photographer Probal Rashid, who currently lives in Bangladesh, documented the aftermath through his lens. These photographs tell a heartbreaking story of those directly in the middle of the chaotic and horrific outcome of such an earthquake. Rashid masterfully reveals poignant images of mothers, fathers, and children living in the current state of their homes and villages. The emotions seen in his photographs strike you to your core, as you are shown a child looking right back at you in the midst of this catastrophe.
Allowing us to see a different aspect of the lives of the people affected by the earthquake, Rashid includes images of the remnants of people’s homes and belongings, creating a more intimate connection. A haunting photograph of the inside of a house in ruins displays an empty couch and chairs, with photographs of the family up on the wall. The city’s culture as well as its people was damaged, as we see a piece of beautiful architecture now almost completely destroyed. Rashid rightly has no sensor, as his photojournalism displays an uninhibited truth. Witnessing so much destruction, Rashid also finds compassion. Although so much desolation can plainly be seen, there is also a sense of hope. The photographer also chose to capture people trying to help; citizen’s aiding one another.
As humans often identify with each other, it is always difficult to see photos with this kind of content. However, it is very necessary for us to see and understand what is happening to others in a place we may not know very much about. Probal Rashid provides us with a better grasp on how the earthquake has affected Nepal and its people in this unforgettable series.
“My name is Joshua Abelow. It feels great to write my name. I love the way it looks in print. I like the way the “A” at the end of Joshua lines up with the “A” at the beginning of Abelow. Like This: JOSHUA ABELOW” – Joshua Abelow writes about admiring his own name and his preference to use “Joshua” over “Josh”. Abelow writes often. He makes art, and most importantly lives life often. His works are dark, yet whimsical. Part autobiographical and occasionally asserting historical references, Abelow explores the process of making art and living with the pressures to perform as an artist, a friend and a lover. Works often make fun of themselves and thrive on the failure of existing as beautiful hallmarks for all of art history’s future. If his essay “I Don’t Want To Name Name’s” is in fact honest, he started to make art for the right reasons, and will continue to do so for a long time. Another recommended read would be “DOINGDEKOONING” where he asserts the relevance of Paul McCarthy’s “Painter“. The importance of viewing both Abelow’s writings and visual works lies in understanding Abelow’s humble, honest and somewhat naturally naive philosophy on life and the depth that exists within works far more involved than the headlines they announce.