What are you going to do when you’re retired? Will you tinker in your garage, enjoy making crafts, or go on giant sight-seeing trips? Photographer Harry Griffin paints portraits of old age in his series titled Gold Coast. Dentures, wrinkled hands, and an easy chair, and more showcase a quiet-yet-luxurious existence in a sunny place like South Florida.
The vividly-colored images are cropped compositions that are bizarre in the framing. Although we know that we’re looking at retirement, it’s hard to glean a lot of information about what we’re seeing. So, a guy taking out his dentures wrapped in green plastic is equal parts amusing and confusing. It doesn’t seem that different than the act of getting old itself – moving towards a life of easy living while at the same time finding yourself doing ridiculous-looking things to keep up comfortable and entertained. (Via La Monda)
Phoebe Washburn’s constructions, built from found or discarded objects such as plants, plywood, cardboard, or fish tanks, to name a few, have been gaining critical acclaim and momentum since 2008, when she took part in the coveted Whitney Biennial.
Of her craft and salvage, in W Magazine, Washburn states: “I’m not green; I’m greedy . . . There’s definitely an aspect of hoarding that drives this, absolutely! If I see someone walking down the street with a nice piece of wood, I’m like, Where did they get that?”
Her approach to discussing art is as playful and humble as the structures themselves, or their titles, which range from “Nunderwater Nort Lab” (above, top) to “Baby Brain (Not Safe for Use as Jacuzzi)” (above, below).
Jay Davis makes paintings which recombine everyday things into elegant assemblages. A single painting might combine corporate logos with the food we eat, alongside expressive abstract paintings, placing all these separate symbols side-by-side inside one larger painting that retains a semi-abstract composition. I was briefly in Jay’s studio, and he talked to me about Doritos logos, MasterCard colors, and the way an orange unfolds when you cut it and press it flat on a table, and while he was talking I had the feeling of a deep rustling in my subconscious, like he was talking to my id, or hypnotizing me with corporate jargon. If you are in Montgomery, Alabama you can see a solo shows of Davis’ work at Triumph and Disaster Gallery until December 31st ’14. You can also pick up the Exquisite Corpse catalog from Mass Gallery in Austin, Texas, which has a nice spread of his paintings.
Are you the type of person that’s into color? You’ll probably like this.
Dallas-based artist Gabriel Dawe creates textile installations that manifest themselves as floating gradients of bright color. Like a Post-industrial textile manufacturer with Maya Hayuk sensibilities, Dawe quietly brightens the world one work at a time. See more Plexus installs after the jump. (via)
Artist Stevie Gee seems to be as laid back as his art work. Skateboards, surfboards, fins, and posters all bear his unique styling. Gee’s illustration work feels as if it’s pulled from an endless sunset in the middle of an endless summer. At once retro and fresh, the images seem to be culled from a collective memory of skateboarding/surf culture and its heritage. His endearing style has won him high-profile clients such as Vans, Nike, and Lacoste.
The intricate work of Nahoko Kojima is created from single painstakingly cut sheets of paper. For example, her newest sculpture, Byaku, is cut from a single giant sheet of Japanese washi paper. Using a simple X-Acto knife like scalpel Kojima tirelessly works to pull the image out of the paper. In order to maintain precision, she is said to change her blades about once every three minutes. Kojima’s multilayered work also inhabitants a playful space between 2D and 3D. At times her work is framed like a painting while other times presented like a sculpture. [via]