Polish photographer Pola Esther takes us behind the scenes of the concert film of the K-Pop world’s hottest band, Big Bang. Although the South Korean band’s five infamous members star in this film, Esther has turned an eye onto the bad girls that steal the show. The unforgettable women in the film include Gia Genevieve, Stephanie Shiu, TK, and Briana Michelle, and cameo appearance of James Goldstein. The photographer gives us a glimpse behind the scenes us of the powerhouse characters on set.
The creators of the film, Dikayl Rimmasch and Ed Burke, have had their hand in cinematic music videos before. They also collaborated on Jay-Z and Beyonce’s film “Bang Bang” featured during “On the Run” tour which has a similar film noir feel as the Big Bang’s film. The film’s unmistakable style pulls inspiration from American mythology. This incredibly dramatic film portrays the group in high-speed car chases, like that of the Fast and the Furious, and Tarantino-like scenes similar to Reservoir Dogs that are full of high tension. Esther, now based in New York City, has a photographic style that fits together perfectly with the seductive qualities of the film directors’ approach. Her work takes us one step deeper, showing us a little of whom these bad girls are in the film. Each photograph holds a sense of classic mystery, with the flair of old Hollywood. Make sure to check out more of Esther’s captivating and sensual photographs on her website.
Using toys, computer hardware, beading, and even money, Argentinian-based artist Elisa Insua assembles images of popular culture with the items that make up popular culture. The intricate works take similar textures, colors, and shapes to form iconic portraits of Darth Vader, a Playstation controller, and the lion from the 20th Century Fox logo. Sometimes, Insua also covers three dimensional objects, like Maneki-neko (fortune cat) and toy guns and dinosaurs.
Erika Rae on Core77 described these works as appealing to someone who used to thumb through the I Spy series, a set of books where the reader would find a specific object among many, many others to solve a puzzle or riddle. Looking at Insua’s works, this description feels very appropriate. The mosaic of bright and cheery objects is alluring to our eyes, and focusing on the innocence of all of the toys in every image is almost escapist. For a period of time, we can slowly look over every part of Insua’s and be mesmerized by past popular culture. (via Core77)
Brazilian photographer Nádia Maria creates melancholic, visceral and nostalgic photography that resonates with her private life struggles and universal themes that are familiar to all, amongst them- anxiety, depression, confusion, and so on. The dark aesthetic of these photographs are not to be taken lightly. Contemplating about these will bring discomfort and unwanted past painful memories…it happened to me. However, Maria’s work is so hauntingly beautiful that can just can’t look away.
“It’s all about experiments, games and involvement with the camera, with the image, the feelings, with ourselves.”
‘Vacuum’ and ‘Perfume’ are the names of the two series of photographs that are shown here. Maria’s series ‘Vacuum’ was inspired by constant wars insides herself (and humanity in general). She brilliantly captures the essence of deep nostalgia and sadness, and eternal yearning for something more, or something different. Its darkness is not to be confused with complete destruction and agony, as her subtle feminine, delicate characteristics take on and leave us feeling hopeful. Similarly, ‘Perfume’ visualizes Maria’s mental state (post-partum depression) after having her first son. “It was a phase of deconstruction and transformation”, she says. (via IGNANT)
Seattle painter Jesse Higman is the creator of a world where everything shimmers on an exaggerated scale, either macroscopic or microscopic. With the use of “Illuvium,” Higman creates within his paintings an affect of an unmistakably organic, earthly feel. Using masonite as a canvas, Higman dilutes acrylic paint mixed with mica flakes and pours the paintings onto the canvas, which is weighted to allow a slope which the paint will travel to. Illuvium, a geological term referring to the way particles settle on flood plains, is really about the art of these mica flakes settling along their course. The resulting textures are planetary, cell-like, while the mica flakes grant a shimmering presence that breathes life and density into his work.
Looking at his paintings, which are large, you see that they could be of many things: an aerial view of a retreating tide from a network of grasslands, cells and tissue seen under a microscope, the nearly mythical creatures that live in the deepest, darkest parts of the ocean, the terrain of another planet, a spray of blood, the moon.
What is interesting about this method is the active role that time and chance play in his work. Higman casts a single gesture, pouring the paint in a certain direction on a chosen part of the board, and then, for the most part, the painting is out of his hands. The mica flakes travel and settle on their own accord, an outcome that cannot be calculated or predicted.
Higman sums up the importance of his process:
“As I sit with a cup of paint in my hand, on the edge of a blank board that took days to set up, I try not to lurch forward like a horse into the stream. I promise to take more time to see how the water is flowing before I move. Once I begin, there is no stopping. Pouring over the same place twice creates craters and destroys the quietly settling particles. Investing too much energy into the system creates aberrations like cancers. I find that curiosity, confidence and play leads to beauty.” (source)
Artist Zsuzsi Csiszer’s installation may at first seem massively out of place. An actual subway car emerges out of the floor into the Museum Kiscelli in Budapest. It seems poised to make a stop and move on to its next otherworldly destination. The subway clearly references a journey – one of more significance than just from one neighborhood to another. More importantly perhaps, subway cars transport groups of people. Maybe it sounds cheesy, but the piece is similar to a larger journey we all make. One in which we share with various people who come and go.
All you cool cats out there who have already snagged an iPad take note: PADFACE wants you to put it to use!! That’s right, this little gem lets you to harness the power of all your electronic goodies and use them in a harmonious melange to create a truly memorable portrait. It is super easy to do and completely open to the masses… even yours truly ended up getting in on the action. (You do, however, need to have an iPad, but I’m sure you already figured that out.) What are you waiting for, go check it out!!!
Cory Arcangel’s recently published book – which originally exists on twitter as @wrknonmynovel – is a compilation of people who have tweeted “working on my novel”. The tweets come in all kinds: humorous, pathetic, emphatic, delusional. Seeing the phrase over and over again kind of makes your mind numb. I imagine these people probably NOT writing and then Arcangel completing a work of their impotent attempts. It’s the post-modern cyclical concept: I make a novel of you not making a novel, but the novel isn’t really a novel, it’s just your tweets about (not) making a novel. Maybe this is too cynical, though, as another way to look at it is that, now at least, these authors are published! In any case, the tweets themselves can be entertaining, if not sometimes painful, and from what I can tell each of the aspiring authors will receive a copy of the book from Arcangel.
Arcangel is a bit of an enfant terrible; a computer programmer, composer, and artist, his work spans a large range of media and he has received wide approval from institutions such as MoMA, Tate, and Smithsonian. What’s often interesting in work like Arcangel’s is its very serious reception from these highly respected art authorities. It presents a sort of ‘Emperor wears no clothes’ situation, where its unclear how seriously Arcangel takes himself, but painfully obvious how easy it is to buy his wares. The best way to enjoy him is to find entertainment in his projects and remember to be wary of the orbiting bullshit. (Via The Fader)
Beijing artist Wang Ruilin dreams of animal/nature hybrids, surreal and beautiful, influenced by fine art techniques and aesthetics. In his ongoing series, “Pursuit of Dreams,” these unreal images come to life as large copper sculptures.
Some of the animals carry landscapes: cloud lined mountains rest on deer-like antlers; a relief map spreads across the back of a yak; the backs of a crocodile and a whale hold mountain ranges. In Ark, another whale serves as vessel, holding an ocean and icebergs on its back. The play of scale in familiar forms makes these sculptures somewhat whimsical, despite their literal interpretation. The integration of living creature with land mass and body of water lends an added dimension to the idea of “nature.”
“The Ark series is the result of my most recent efforts. Infused with my true feelings and emotions, they send the message that life sustains nature. As I grew older with more life experience, I started to doubt what I used to learn. These works are the denial of our current world and a depiction of an ideal one. I oppose the self-centeredness of human beings and the ruthless exploitation of other species and natural resources. I seek harmony with the nature. Nature’s greatness lies in her inclusion of everything on earth, while man’s greatness lies in his perception of his own smallness.”
Some of the “Pursuit of Dreams” sculptures are more streamlined versions of actual animals. With their smooth surfaces and self-contained air, the Horse, Rhino and Bird sculptures reveal Ruilin’s life-long interest in animals. His art influences are also long-standing:
“Eastern classical art also gives me inspiration. I like deep and pure Chinese flowers and bright and cool verdigris with rich colors and full of profoundness and uniqueness.”