Portland based Meredith Dittmar draws on the world around her as inspiration for her delicately formed compositions. Made entirely from polymer clay, she twists, squeezes, slices and weaves different shades together to form her distinctive artworks. Reminiscent of fantasy computer games, scientific drawings and algorithms, and including organic forms of vines, leaves and trees, Dittmar’s work is a beautiful combination of science and art; man and nature; patterns and rhythms.
She cites her influences as:
“the mushrooms found in our forest, Eames power of 10, and the visualizations of complex math, science, and especially theoretical physics.”
The idea of a “Cosmic Zoom” that Dittmar displays in her work is very evident. She simultaneously depicts the Universe at a large scale, including cities, forests and planets; while also focusing in on it at a minute scale – including quarks, atoms and molecule structures.
She often includes some sort of figures in her work to add a human scale. These can be anything from human hands holding a form, or body parts being split open by triangles. Known also for designing different characters in polymer, Dittmar sculpts these into her landscapes. Alien-like creatures with big eyes bring a strange sense of humanity to her work. They make you feel like you are viewing your own world, and something quite different. Dittmar and her creations definitely bring a new sense of wonder to the simple things around us. She points out, that maybe things aren’t that simple, after all.
Etienne Bardelli, also known as Akroe, was a graffiti artist before he became a well respected graphic designer. Twenty years later, on his own time, he can still be found painting empty walls in the less populated parts of France. (Although he admits: “Actually, I don’t really know why I’m still doing it!”) Graffiti may be illegal, but surely this counts as beautification?
Berlin-based artist Sebastian Bieniek‘s double-faced girl portraits are a little humorous, but they also provoke a more menacing or unsettling feeling. With an eye pencil and lipstick, Bieniek draws a face onto each side of the model’s face, using one real eye for each face. After her hair has been strategically placed around her face, Bieniek photographs this subject in the context of daily routines, thoughtfully using objects that appear in everyday environments. For this series as well as his other work, Bieniek enjoys creating a narrative that contains absurd elements and surprises viewers. Junk Culture notes, “Bieniek first came up with the idea one morning while playing in the bathroom with his son. He explains, ‘Wet hair covered one of his eyes, soap covered his ear, he looked in the mirror and said, dad look my face moved!'” This creates a manufactured or mannequin like image, with a hint of humanity evoked with one eye.
Bieniek enjoys engaging and provoking responses from his viewers, something his Facebook page of 54,000 fans attests to. He notes, “Art will be consumed differently, the market is constantly changing. Nearly every day, I make an artwork and post it on Facebook. You no longer have to see art in a gallery or see the original.” (via design boom)
Like ghosts working in the still of night the impressions of Simon Schubert appear as faint memories. Appearing as something akin to haunted palaces they linger on the surface like dim shadows under candlelight. Mainly using old architecture as subject matter the nuances Schubert attains have eerie effect. He uses interiors of old European buildings to accomplish this. Hallways, staircases and large rooms make up the narrative. The vague images are created by folding paper to create indentations resulting in stunning pictures which speak to loneliness, isolation and impermanence. At times the pictures look like they were created with light pencil marks. This is the remarkable accuracy by which Schubert folds the leaves which eventually turn into open ended stories.
Schubert has done several installations using the folded paper. These have included large pieces covering walls with the folded Images. These seem to take the viewer into another realm perhaps representative of what came before still lingering in another form.
Painter of demons and all around good guy (and goofball) Skinner recently relaunched his website with literally hundreds of delicious and frighteningly good drawings, paintings, and illustrations. To celebrate the site launch Skinner also decided to make some hilarious videos talking smack, crossing out wack taggers, and telling ya’ll why he is the illest graffiti legend out there. Once you watch the full video after the jump you’ll be asking yourself “how come this guys not included in the Art In The Streets show at MOCA ?”
Zander Olsen wraps white fabric around trees to “intervene” with the organic lines of a landscape, often blurring our sense of foreground and background to generate a jarring sense of flatness. Olsen suggests such compositions convey a new “visual relationship between tree, not-tree and the line of horizon according to the camera’s viewpoint.” As a result, the lush wonders of Wales, Surrey, and Hampshire are transformed into beautiful abstract images, with pops of white.