It looks like painter Jen Mann has been quite busy since we first posted her paintings of women and animals in 2009. Her new work expands on those themes but this time with a powerfully stark white palette that is just plain gorgeous. Looking forward to seeing what she comes up with next!
The French really do design the heck out of home goods! Moustache is another French design firm designing some of the most exciting new chairs and home items around. And like any new artist they reference the important works that came before them enough to seem familiar, while adding their own touch to make it feel brand new. And using a Versaille’s-like setting for their campaign? Pretty brilliant.
As soon as I saw these jumping guys on Stephanie Homa‘s homepage, I knew I was in for a treat! Her artist statement, below, perfectly describes her style:
“My works are of a spontaneous and impulsive nature. Inspired by the playfulness and imperfection I discover in everyday occurrences, I am interested in carrying these values into my work, intending an intuitive and instant expression.
I aim to visualize indistinct moments of perception, thoughts and ideas by creating series of swift and automatic works such as drawings and paintings. While experimenting with spontaneous thoughts, randomness and accidents in my practice, the boundlessness in the use of expression, material and format plays an essential role in my work.”
The Company is pleased to announce the exhibition of “Jesse Reding Fleming’s Methods of Invisibility: Shades of Gray (2001-2009).” In addition to an installation in The Company’s main exhibition space, the video for this project (shot while driving from California to New York in 2001, edited in 2009) will make its world premiere in The Company’s video garage. Jesse states, “Eight years later, returning to California and for my first show in LA, it seemed to be a suitable time to reopen it for completion.”
More details after the jump!
Batman holds a gun to his own head at the edge of an empty swimming pool. Captain and Mrs. America sip mixed drinks under palm fronds. Spiderman naps on the couch. These are our Superheroes, candidly captured in their off hours. But they’re not the Superheroes we’re used to underneath their familiar suits. These Superheroes are aged, white-haired and wrinkled, and somehow completely wrong. The characters we know may die, but although they live for decades they never grow old. Our heroes stay perpetually strong, alluring, and complicated, and always, always young.
Lina Manousogiannaki’s costumed heretics of “Superheroes Gone Old” represent more than the inevitability of old age. To her, the aging superheroes they serve as reminders of the damaged Greek political system, one that politicians and people of her parents’ generation have been unwilling or unable to change.
[The series] was conceived as homage to the generation of my parents, the same one as our politicians. They have been pretending to be heroes ever since the collapse of the military junta but time has caught up with them. My heroes are old and they are afraid of everything that they can’t control. … The heroes of another time can no longer save me as they have pretended to do for so many years.
There is anger in Manousogiannaki’s writing that isn’t reflected in her images. These heroes are worn out, slightly absurd, certainly pathetic. And yet, there is the suggestion of pride here, of perseverance. They haven’t divested themselves of their worn finery. They haven’t stopped fighting. In a country with a struggling economy and generational discord, the heroes are stooped and sad. Manousogiannaki’s intent may be to put them aside and lead her own fight, but these archetypical heroes seem to be saying that it will be harder than she thinks.
The beauty of the .gif file movement is the documentation of the moving image. This leads to explorations in effects, one of the most impressive being the zoom, which taken to it’s logical conclusion can have stunning results. One .gif in particular, taken by James Tyrwhitt-Drake, utilizes a scanning electronic microscope from the University of Victoria’s Advanced Microscopy Facility, and clipping each scanned image into a fantastically detailed, zooming .gif.
Tyrwhitt-Drake, who also runs the blog Infinity Imagined, begins the .gif with a view of an amphipod (a classification of shell-less crustacean), zooming in further to reveal a diatom (a class of algae notable for their silica shells) on top of the amphipod, and further revealing a microscopic bacterium. Proving once again (if proof was needed) how visually stunning science can be. (via smithsonian)
Kyle Cook describes himself as “a whimsical boy of magical nature.” His photographs seem to mostly feature his friends and lovers (even down to showcasing a dirty stain on his boxers.) I like the youthful nature of his work.