Curiosity led photographer James Friedman to cut into his collection of golf balls to see what the cores looked like. To his surprise, he discovered that each golf ball contained a unique interiority, revealing elegant formal qualities and inspiring Friedman to become more enthusiastic about the possibilities of abstraction in his photography, especially as a corollary to his documentary work. His series, entitled Interior Design, captures these surprisingly colorful and distinctive golf ball guts, displaying the inner beauty contained within their homogenized white forms. Friedman has been fascinated with photography since he took his first self-portrait at 5 years old. He does not play golf. (via Lost at E Minor)
Vlad Tenu is an architect and designer based in London whose work is inspired by complex (yet minimal) naturally occurring patterns and spontaneous creation. In his structural series, Synthetic Nature, the Romanian-born artist explore how “the molecular behavior of soap bubbles informs the research method, which involves nature inspired algorithms and geometric constraints.” By utilizing organically-influenced repeating surfaces, which can be reshaped and added onto, his sculptural works could theoretically expand endlessly.
Resembling soap bubbles, honeycombs, seed pods, and other innumerable repeating and interconnecting shapes found in nature, the additive qualities of the work makes their shape completely adaptable, a final form which is limitless. The paradox of Synthetic Nature is that the process, materials and design is all aided or done entirely by computerized systems, thus removing the connection between the influence of organic happenstance and automatic construction. At the same time, the geometries and algorithms that create the work are repeating systems, obeying laws similar to those seen in nature itself.
Synthetic Nature (which is currently on display at London’s Surface_Gallery, through October 18th, 2013) fully explores this connection, parallel and paradox. Tenu, who often replies to the work as a ‘species’ (insinuating a type or categorization) uses more artistic methods, which he combines with his design and architecture background. The artist explains “Synthetic Nature is an instance of my explorative research into spatiality, scale and materiality; all with deep roots in my architectural background. The work has transcended those levels by creating artifacts that are interpretable and adaptable to anything from jewellery, fashion, product design and interiors, architecture to fine art. Algorithmic and geometrical concepts generate surface to volume morphologies that are blurring the boundaries between ‘inside’ and ‘outside’, between ‘solid’ and ‘transparent’ or between ‘natural’ and ‘synthetic’ – blended into abstract hybrid species.” (via design boom)
Jon Vermilyea’s art show is at Secret Headquarters in LA. The show is on Sept 4th at 8pm. It mostly consists of a limited edition 5 color silk screen book based on the Mars Attacks cards from the 1960’s. The original artwork for the book will be on display and for sale too. Come and check it out!
Even in his commercial work French photographer Laurent Chehere clearly has a creative and curious eye for his surroundings. An avid traveler, Chehere enjoys exploring the cities he visits. This becomes especially evident in his series Flying Houses. The series contains a number of photographs of floating buildings. The buildings seem otherwise ordinary, perhaps tethered by power lines, quietly floating in the sky. Chehere achieved the effect by taking photographs of buildings throughout the suburbs of Paris and digitally manipulating them. A gallery statement (translated from French) from a recent solo exhibit explains Chehere’s inspiration for the series:
“The artist isolates buildings from their urban context and frees them from their stifling environment. Houses fly in the clouds, like kites. Inspired by a poetic vision of old Paris and the famous short film The Red Balloon by Albert Lamorisse, Laurent Chéhère walked the districts of Belleville and Ménilmontant gazing at their typical houses. The images of the artist seize an unexpected levitation: held to the ground by unseen hands, like so many balloons used by the boy, these old buildings floating in the sky, sliding on the surface, they reveal to us their hidden beauty. Some houses are adorned with drying laundry or flower pots, outweigh other brands and shops fleeing the flames of a fire … All seem to find a second life. Uprooted from their hometown, they go to new heights. It’s a true invitation to travel and metaphor for the transience of the world, Flying Houses Laurent Chéhère’s series plunges us into a dreamlike and changing world full of gaiety and humor.”
Originally from South Korea, artist Stella Im Hultberg has lived and worked in Hong Kong, Taiwan, and California. After studying industrial design, she worked as a designer of toys, among other products, for several years. In 2005, Hultberg turned her attentions to painting and began practicing her craft more extensively. Since making this transition, her works in ink, oils, and watercolor have been shown at galleries throughout the country. Most recently, the artist contributed a piece to Copro Gallery‘s group show celebrating the 20th anniversary of David Lynch’s “Twin Peaks.” You can catch the show in Santa Monica, CA now through May 12th.