Cats often get a bad reputation because of their strange, idiosyncratic ways and moody temperaments, but are nowhere near as misunderstood and misjudged as the metal music community. A new book, Metal Cats by Alexandra Crockett, looks to change both of these stereotypes simultaneously, and show both Metalheads and feline’s cuddly sides.
From a feature on Bored Panda, “The people posing in these photos represent bands with names that are anything but cuddly – Napalm Death, Cattle Decapitation, Murder Construct, Skeletonwitch and Lightning Swords Of Death. But despite these fearsome band names and their black leather, spikes, tattoos and muscles, it’s clear that they share a close relationship with their loveable animals just like the rest of us.”
The musicians featured are also playing a series of benefit concerts at four cities along the United States’ west coast, with proceeds (as well as a portion of the book’s sales) going to no-kill animal shelters at each respective city visited. (via boredpanda)
The whimsical and transparent figures in Megan Diddie’s watercolors and paintings are busy doing all sorts of unusual things like eating small bony creatures, breathing flora into their lungs, and tarring and feathering themselves. See what else they are up to after the jump!
Trixie Whitley performing at the Constellation Room in Santa Ana, CA on May 28, 2013.
Trixie Whitley who’s husky, but soft spoken voice turns into quite a powerful instrument when she starts to sing played to an intimate audience the other night at the Constellation Room in Santa Ana, CA. Playing songs from her debut LP Fourth Corner (released independently earlier this year on Strong Blood Records), Trixie showed us why musicians like Daniel Lanois, Marianne Faithfull, and Robert Plant have collaborated with her. Backed by a keyboardist and drummer, she played both electric and acoustic guitar and even sat at the Wurlitzer for a few songs ending the show with a stirring version of her single, “Breath You In My Dreams”. She came back onstage to play one of the first songs she ever wrote, “Strong Blood” which I’ve heard her in the past dedicate to her father, the late blues singer/guitarist, Chris Whitley.
Trixie’s currently on a West Coast tour which will find her at the Troubadour in West Hollywood tomorrow night, Friday May 31st and at San Francisco’s The Chapel on Saturday, June 1st. She’ll also be performing at this year’s Bonnaroo Music and Arts Festival in Manchester, TN on June 14th. Check out her new video for, “Breathe You In My Dreams” that premiered the other day on Vogue.com and definitely try to catch her perform live to hear her incredible voice.
It’s Monday and I’m ready for another tense week of work in B/D land. To start your week off right I present a fun stop motion movie about the story of the change of your place in the social hierarchy. Tobia Wildi & Sidney Widmer not only starred in this but also wrote and directed it. Impressive.
London based Sculptor and installation artist Jonathan Callan takes everyday books and transforms them into cyclones that mimic weather patterns swarming in an infinite cycle. Callan addresses books as objects rather than sacred cultural artifacts and prompts viewers to explore ideas of materiality: what is a book and what is its purpose? Within a cultural context of hyper texts, virtual communication, the Internet and the commodification of books,Callan’s work encourages viewers to consider how we now address traditional modes of relaying knowledge such as through the use of textbooks, encyclopedias and atlases. In his artist statement, Callan describes his work as addressing, “the relationship of disembodied knowledge to embodied experience and materiality.” (via)
David Mach creates sculptures using a wide variety of materials from coat hangers to collaged paper but his bold portraits made out of thousands of matchsticks are some of my favorites. Gluing tens of thousands of matchsticks together, Mach (appropriate last name huh?) uses matches with various colored tips to create the realistic heads that have a psychedelic meets tribal art feel to them.
Adela Andea’s light installations and sculptures seem otherworldly. They almost feel organic, reminiscent of vivid underwater scenes, but the lights, wires and other tech that make them seem more like alien landscapes. The Romanian-born, Texas-based artist seeks to explore the line between actuality and virtual reality. Weaving LED and CCL lights with pulsing electrical components Andea creates installations that transport a viewer to a place where art becomes experience, and that experience is all encompassing.
Andea likes to think of her work as incorporating many layers of truth. She embraces the possibility that there isn’t one reality, and her work strives to capture that notion visually. With the fast and overwhelming advancement of technology, Andea’s installations represent the dialogue between people and new technologies. The desire for a viewer to have a personal experience with her work, but to also think about the way that information can be manipulated to form one’s notion of reality is the driving force behind her complex installations.
In her artist statement Andea writes: “The numerous transitions in my life made me think about the enormous capability of people to adapt to situations and even more, search for the new possibilities of personal development through inquisitive experiences.” A witness to the Romanian Revolution in 1989, and eventually forced to immigrate to the United States in 1999, Andea is certainly qualified to make work that comments on the experience of experiences.
Her work is currently on view at the Texas Biennale, now through November 9th at the Blue Star Contemporary Art Museum in San Antonio, Texas.