Brazilian artist Monica Piloni creates sculptures of skeletal fruit. Her work consist of dissected papayas, figs, oranges, and peaches that’s innards expose each fruit’s meat to be structurally held together by a spine and rib simulated structure. The tiny fish-like skeletal structures within each piece of fruit is created from vinyl and acrylic. Though the pieces are indeed manmade, the delicate nature of the work truly provokes the viewer to second guess his or her knowledge of reality. Illusion as everyday object seems to be a common theme within Piloni’s work. Her sculptures mimic ordinary items and manipulate them into sculptural puns. For example, other pieces of hers play with a sort of post-modern fragility of the body, a literal “plastification” of the human form. For instance, one of her sculptures is a muscular body as a dining room chair. Another piece consists of what looks like a mass genocide of naked barbies. It seems, perhaps, that Piloni’s work aims to, with an air of dark humor, remind us of the underlying reality of our comforts. Do these pieces of skeletal fruit remind us to be mindful of our consumption? Do we even really truly think about where what we consume comes from? What it’s made of? What death and harm simple everyday products causes to those who don’t have the luxury to partake on the demand side of capitalism? Simultaneously fun and disturbing, Monica Piloni’s work is provocative and inquisitive. (via designboom)
The company says it best themselves! “Blip Boutique is a Los Angeles based collective creating visual content that is truly not boring! We conceive and produce original concepts for digital and emerging media that are innovative in both content and form. We thrive on working at the intersection of design, art, and technology, and our research and development in these fields is fundamental to our creative process. Blip Boutique strives to create engaging and innovative visual art in an ever expanding and elastic digital world, for a range of clients in music, fashion, advertising, the arts as well as ourselves. Feast your eyes and Fantasize.”
Via Twisted Sifter: Isaac Cordal is a Spanish artist that has been working on his own projects since 1999. His ongoing series entitled Cement Eclipses began in art school in 2002 but he didn’t start placing them on the streets until 2006, with his first piece laid in the city of Vigo, Spain.
Cordal makes the tiny sculptures in his apartment/home studio. He has placed them in major cities all around Europe including: London, Amsterdam, Barcelona, Milan, Berlin and Brussels. “Small interventions in big cities,” is how Cordal characterized Cement Eclipses.
In a 2012 interview with Agenda Magazine, Cordal explains:
‘Our gaze is so strongly focused on beautiful, large things, whereas the city also contains zones that have the potential to be beautiful, or that were really beautiful in the past, which we overlook. I find it really interesting to go looking for those very places and via small-scale interventions to develop a different way of looking at our behaviour as a social mass.'”
Check out a previous post about Cordal’s strainer street art here.
B/D was lucky enough to receive two new books in the mail today. Here’s me and Fei in the office with completely anonymous bookfaces hanging out with our boss, who happens to be a wizard and was so excited by them he conjured an ephemeral ball of light for the occasion. Anyways, the first is Keegan McHargue’s “Foibles,” from Seems Books, and the second is “Creative Space” by Francesca Gavin from Laurence King Publishing.
More descriptions and images after the jump!
The artwork Andrea Hasler if nothing else is a critique of consumerism. Her Burdens of Excess series resemble the strange blend of designer fashion and a slaughterhouse. Fleshy blobs bulge between straps and buttons nearly turning the high fashion accessories into bizarre creatures. Zippers and stitching even begin to seem like biological features. Still, our “natural” biological sides as human is a jarring contrast to ideas as contrived as fashion, luxury, even money.
The press release from her recent show at Gusford Gallery in Los Angeles states:
“Hasler’s work focuses on constructions of identity and collective desires, and is characterized by a tension between attraction and repulsion. The works in the Desire series, in particular, focus on the obsession of projections of affluence and glamor. Reworking designer bags, shoes, and accessories into organ-resemblant sculptures, Hasler’s works engage with the psychological aspects of consumerism, blurring the lines between what you are and what you must have.
Through the transformation of GUSFORD’s Melrose Avenue gallery space into an indulgent, glamorous shop, Hasler’s installation embodies the epitome of luxurious excess, and looks to a dystopic future, where branded organs may one day be the ultimate fashion accessory.”
Watch a video of her installation at Gusford Gallery as well as a short interview with the artist after the jump.
Hundreds of small metal balls covering the surface of the sculpture series created by Korean, Berlin based Artist Haegue Yang. ‘Sonic Figures’ are geometric abstract creatures that come to life when they’re shaken by a human hand.
Haegue Yang speaks her own language. She has come up with her own vocabulary through abstraction. She doesn’t need the viewers to understand the meaning and influence of her work. She is offering an experience. The Sonic sculptures were created while she was working on another project during her residency in Glasgow. While listening to music, she imagined developing a piece that will ring in unison when moved around.
The artist is used to working with random household items. From that starting point, she produces sculptural assemblage. By playing with the vibrations and the chimes of the bells, she explores what it is to be human. She defies human basic senses such as sight, sound, smell, and touch. A multi sensory and mobile environment where the viewers can appreciate through her art their body and intellect. Focusing on sensory experiences, Haegue Yang not only liberates charming sounds and subtle chills from basic elements, she also triggers the viewer’s will to interact and experiment.
Close your eyes. Imagine a Drive-In movie theater, huge projections covering a massive wall. Now imagine that the projectionist is sitting in a van and has no permission. Instead of “Invasion of the Body Snatchers”, the projection is of some face melting graphics, like the above video. That’s what you get with the work of Taras Hrabowsky. After the jump, you can see some documentation of these guerilla projections. Keep your eyes peeled, as Taras may be coming to a city near you with this cross country tour.