In his photographic series, Gravity, Tomas Januska takes snapshots of human bodies in unnatural and usually impossible poses. Beautifully photographed with clean crisp backgrounds, Januska highlights the absurdities of the forms and figures of his subjects. These are frozen moments that we normally would not be able to witness. Girls look as if they have been caught in a hurricane, skirts and hair billowing out around them. Boys are snapped mid-flight, shoes, caps and props flung to the side.
Januska manages to capture either violent and frenetic energy in his subjects, or a very still and quiet introverted moment. Some people seem as if they have been woken from their slumber, picked up and dangled mid-air. Individual’s clothes add to their narrative – a business woman leaping in heels and twirling her jacket seems caught in a triumphant post-meeting moment, or celebrating the latest merger at work. Another girl arches her back, with her hand resting on her head, as if regretting a wrong decision recently made.
In these portraits we can see the full range of human expression – each twist, bend, tilt, grimace tells it’s own story. Every tilted head, crooked limb and flexed muscle doing so for a reason. “Gravity” is not only about capturing postures and poses, but also about the natural drama and theatricality inherent in our bodies. (via Juxtapoz)
Given the prevalence of new technologies and the endless possibilities associated with digital programs, it is no surprise that most contemporary artists working in collage seldom create works entirely by hand. To Argentinian artist Larissa Haily Aguado, however, fabricating collages manually has become an integral aspect of her practice, as “the possibilities of fixed manual collage in the digital age provide exciting opportunities to engage with craft, materials, analysis and outcomes.”
With mesmerizing compositions, dream-like subject matter, and a “sharper, more immediate, and more human dynamic than is possible with computer software,” Aguado’s collages combine photographs, illustration, found materials, and elements of graphic design to form surreal yet seamlessly cohesive scenes. By attaching inanimate objects to human bodies or placing retro furniture in scenes of nature, Aguado creates works that are both tongue-in-cheek and aesthetically appealing.
Representative of her wide range of artistic experiences and clearly influenced by her multi-faceted career (including major music industry projects, fashion campaigns, movie poster designs, and TV commercials), the diverse nature of her collages undoubtedly conveys her inventive imagination and eye for design.
Artist Christina Córdova sculpts beautiful and enchanting ceramic figures. The artist, now living in Penland, North Carolina, grew up in Puerto Rico where she was raised heavily embedded in Catholic imagery. The classic posses and the notion of reference and body positioning as story telling has deeply made an impact on her work — the figures within her art hold poses that can be found in both theological and mythological images. Each piece has an almost magical realist feel: while her pieces can be traditional in execution, they always feature an element of surprise and surrealism. Through blending moments of texture with perfectly sculpted human forms and strange depictions of wild animals, her works somehow achieves the ability to be screaming a secret — to be demand attention yet offering no specific answers, only curiosity and inquisition. Each work has a story. Each figure has a history. Her use of a classic material, ceramic, truly allows her work to exist within a plane of antique elegance. However, through her use of pattern and color, Córdova’s work is contemporary and fun, yet undoubtedly sophisticated. She tends to use found materials such as metals and wood from her homeland, Puerto Rico. Because of these materials, her ceramic finishes mimic a sort of rawness that truly gives her sculptures their “relic” like quality. Córdova’s sculptures are absolutely stunning and genuinely radiate a aura of mysticism and truth. (via juxtapoz)
Beryl Fine‘s newest exploration into the extraordinary ordinary is her series entitled “Baby Mama.” As the image above alludes, Amy-Ann is “very pregnate and very beautiful.” Fine’s series evokes an odd sensation, not sure if we should laugh, turn away, or see the beauty of a proudly pregnant woman. “Ordinary Beauty” indeed.
Illustrators who have dabbled in graffiti at some point in there career always have a lil extra something in their work and Phomer is no exception. From employing various types of printing services to applying paint straight to wall, Phomer’s mix of word play, iconic color schemes, and beautiful hand drawn typography has something for everyone.
HAPPY LOVERS TOWN is the portfolio of Italian designer and illustrator Jonathan Calugi. I love his character design and intensely adorable patterns. I profess that Illustrator is not my strong point so I find it especially amazing when people have a special knack at wrangling smooth vectors.