Arresting staged photographs by German photographer Patricia Eichert.
Arresting staged photographs by German photographer Patricia Eichert.
Amidst the overwhelming violence seen in Ukraine’s recent riots, Gizmodo’s Jesus Diaz (an outsider) decides to create visually stunning, but heartbreaking images that explore Ukraine’s reactions to the sudden cultural and political changes.
By taking some of the techniques applied by Sergey Larenkov on his famous series, The Ghosts of World War II, Diaz creates images that merge shots of Kiev from before and after the Ukraine riots using the same vantage points. Through this technique, a masterful trick made possible by the almighty Photoshop, the viewer is able to experience two polar opposites: a happy, peaceful Ukraine, and a chaotic Ukraine.
Looking at the dramatic contrast between happy people enjoying the sun and peace and the anger of people behind in barricades is disheartening.
As New York’s unofficial artistic ambassador to Copenhagen this September, Tom Sanford is presenting a possessed Charlie Sheen grinning while staring fixedly forward, blue flame lighter in hand, delicately pinching a glass pipe. Sheen is entwined with a bemused, half-dressed woman about to slur out something not worth hearing, or maybe she’ll recite Macbeth: “Life’s but a walking shadow, a poor player. That struts and frets his hour upon the stage. And then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing.” She’s palming a cocktail tray piled with white powder and and balancing a can of Four Loko. Four Loko is the drink that famously mixed alcohol with stimulants (Wikipedia says it’s just alcohol now), confusingly allowing us to do more and experience less at the same time. This painting is funny, but it also digs in the human condition in ways that we can all relate too. Sheen’s grimacing face might as well be the anamorphic skull in Holbein’s The Ambassadors, because it carries the same warning. Tom Sanford is one of those guys, who if you’ve been around New York, you sort of know already. He speaks with the charisma and articulate precision of an evening news anchor, but instead of scaring you like the news anchor does, he creates strangely healing images. Tom Sanford’s newest show is “The Decline of Western Civilization (Part III),” and it opens at Gallery Poulsen in Copenhagen on September 2nd.
Junk artist Rubbish Fairy (Sophie Soni) is constantly hoarding, collecting, cutting, gluing and arranging, yeap you guessed it, rubbish. She manages to take discarded plastic bits and pieces and turns them into wearable, kitschy, technicolor rainbow explosions. Soni fashions together chunky head pieces, masks, breastplates, dresses for different performers, musicians, artists, and fashion shoots. Basically anything that can adorn the body, she has it covered. Her pieces include stunningly ornate chandelier head dresses, or Victorian-style flouncy dresses littered with cheap and cheerful gems, or balaclava masks covered with red silicon lips, pig noses and multiple strings of beads. She has even chopped up soft toys in the past and used their various limbs and heads as different bits of jewelry.
Ms Fairy piles everything on all at once and manages to bask in the chaos she creates. As a comment on consumer culture, vanity, the fashion industry, and the economy of desire, her work is reminiscent of installation artist Mike Kelley. Both manage to exist simultaneously within and outside of pop culture. They heavily reference, and use the resources from the world around them, yet manage to place themselves in an order separate from it.
Rubbish Fairy’s world is a surreal, captivating, all encompassing one – where, if you’ve been in it for long enough, you will start to see the trash around you quite differently. See more of her out-of-this-world creations after the jump.
The anonymous wedding photographer from behind the @socalitybarbie instagram account may be delivering one of the greatest social commentaries of our time. The familiar pseudo authenticity and inspirational life quotes that flood Instagram are all so present in our daily social media lives, and, this us just what Socality Barbie seeks to address. The account is full of snaps of Barbie at the trendiest coffee shops, draped in bohemian blankets, or looking flawless at the beach. Part of the inspiration stemmed from the Socality Instagram account itself, a group which describes themselves as a combination of “social natural tendencies assembling in communities”, which may seem vague at first, but delivers a very specific and distinct aesthetic.
Socality Barbie is a hilarious yet striking commentary on how we have become within ourselves, while trying to find our “true selves”. On top of the hazy, heavily edited photographs displayed on the account, the captions under each one bring an extra element of humor by using Instagram buzzwords such as #blessed #liveauthentic and #pnwlife. They sometimes even border the nonsensical: ” I love being a part of this creative community that inspires us to create and encourages us to collaborate with other creatives.”
The creative mind behing Socality Barbie knows just what she is doing, and points it out accurately by stating that:”Either her(Barbie’s) Instagram looks like yours or you know at least one person whose Instagram does”. Through this project, she underlines the desire to be seen as authentic, salt of the earth, true people while achieving just the opposite through our particular use of such media as Instagram,She also underlines the plastic nature of such a self image by pointing our that her use of a “mass produces plastic doll” would express her points on authenticity and originality in the most adequate way.
The title of this post pretty much sums up this hilarious body of work by photographer Daniel Ehrenworth. Find the naked person clinging for their life and you’ll win the grand prize. More nudes holding on after the jump!
Beautiful/Decay presents a month-long series of art-based films to screen at the brand new Space 1520. This selection of films showcases a stunning array of creative concepts and ideas.
Roxy Radulescu lives and works in Los Angeles, CA. In addition to her many graphic design projects she is currently working on a series entitled Movies In Color in which she sheds light on the color composition found within single frames of famous films. Not only does deconstructing frames from a film like 2001: A Space Odyssey help to reveal a gorgeous color spectrum, it also highlights the masterful Cinematographer responsible for framing and shooting the picture. In her own words it is ” …a pursuit that showcases the relationship between color, cinematography, set design, and production design. Overall, it is a study of color in films, but has other uses and applications. One of the goals is to give artists color palettes they can use in paintings, films, videos, graphic design, and other pursuits. I search for stills that are compositionally interesting as well as rich in color. I use the help of a color generator to get a very basic range of swatches. Then I piece together the general palette from that and other colors I think are prominent or worth including from the still.”