Los Angeles-based Tanya Anguiniga’s work belies her upbringing in Tijuana, Mexico with it’s use of textile and color. Her vibrant work often uses materials over existing furniture, forcing the onlooker to reconsider the beauty in these every day objects.
Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.
Artist Brittany Schall created incredibly detailed drawings for her series Hair Studies. The mixed media pieces are certainly portraits but are decidedly missing faces. Instead she focuses entirely on each subject’s hair. The flowing masses nearly seem to suggest a mesmerizing movement. Locks tumble like smoke or water and imply the underlying form. Each subject’s hair carries a seeming personality of its own, a portrait of sorts in its own right.
Ionna Vautrin’s work is stylish and elegant while maintaining a youthful flair. My favorite part of her work is seeing her playful drawings become sleek modern objects.
Shapeshift along with Dels in this fun video that doesn’t take itself too seriously.
Around three years ago, Brooklyn-based photographer Lauren Renner began her project, “In Others’ Words,” a series that captures the vulnerability with which people self-identify. During a period of transition wherein Renner began to date women, the photographer started to notice people treating her differently, trying to categorize or label her because of her sexuality, even though she didn’t feel like a fundamentally different person. She found this observation fascinating and she began to wonder how others were stereotyped in accordance with their bodies and relationships. Renner’s project captures these intimacies by shooting her subjects in open, public spaces as well as having her subjects become vulnerable to strangers, allowing them to inscribe stereotyped descriptors onto each others’ naked bodies.
Renner says, “When it comes down to it, no matter who is labeling you, all of those words and constructs become a mish-mash inside of you, and seem to inform each other. Words carry a tremendous amount of power, which is why breaking away from some and holding onto others can feel so insurmountable. On the flip side of that coin, I think people tend to become very comfortable in the ways in which they categorize others, to the point where they may not even be aware that they’re doing it in the first place. ”
After all, at the end of the day we put people into boxes because subconsciously it makes them easier for us to mentally digest. Seeing people view my work for the first time was a huge experience for me because I got to see how people reacted when the boxes they were accustomed to had been taken away.”
Born in Tehran, amidst the 1980s political suffering and strife, Nouar’s family fled to Germany and then the US, where she resides today. Her oil and acrylic paintings touch on vintage commercial Americana with a sinister twist– but without being too cynical. Instead, each dollop of cream or slice of pie provokes a more tempting side of advertising, where the taste of nostalgia and its childlike promises are the main indulgence.
On this theme, the artist elaborates, “I have always been completely fascinated by our massive consumer culture and often feel everything around us is a commercial, constantly manipulating us into desiring things we don’t really have a need for, or shouldn’t want in the first place.”
The winners to A’ Design Awards was recently announced and we couldn’t be more excited! The global design award was established to create awareness for groundbreaking design in a wide array of genres. The ultimate aim of the A’ Design Award & Competition is to build strong incentives for designers, companies and brands from all countries to come up with better products, services and systems that benefit mankind.
This years winners included some of the most talented creatives from around the planet. With over 1958 Winners from 98 countries in 97 different design disciplines, there is truly something new to discover for everyone.