A few weeks ago I made a series of posts from my trip to Sharjah & Dubai. I didn’t post much about why I was there and what I was doing but the above video should shed some light. It documents the construction of a large scale 2 story sculpture titled “Eclipse (Watch Tower) built in the atrium of the Sharjah Art Museum for the Sharjah Biennial.
There’s something at once lighthearted and sad about Benoit Paillé‘s photographs in the series Jour du Déménagement (translates from French as “Moving Day”). Discarded furniture, boxes, mattresses and other household items sit in piles waiting to be picked up by the garbage truck. The photographs are taken in the dark, seemingly in the middle of the night, and the trash lit by a single bulb. Little attention is paid to garbage on the curb; at night while everyone is sleeping it’s completely forgotten. Regardless, items we’ve lived with often for years quietly sit there all night. The scene is reminiscent of food in the refrigerator, and wondering what happens when the door closes and the light goes out.
In a candid conversation with Art Market Monitor and Artnet News, Famed London gallerist Steve Lazarides discusses his long term involvement in the street art scene. Initially selling works by Banksy out of his car, he officially opened his gallery space in 2006 just as the street art market gained popularity. In this podcast Lazarides discusses a wide range of topics from the street art bubble of 2007 to recently curating “BANKSY: The Unauthorised Retrospective” at Sotheby’s London S|2 gallery space.
What started out as a simple past time, has now turned into a full on project viewed by thousands of people on social media each day. Frankfurt-based, Brazilian designer Andre Levy first started collecting coins during his travels and with a steady hand and a great imagination, has been turning them into mini artworks for a few years. With a layer of enamel and a bit of patience, the portraits of Kings and Queens long passed away are transformed into colorful cartoon figures, or heroes from comic books.
The ongoing art project is called Tales You Lose, and features tons of familiar pop cultural faces. Levy paints Marge Simpson, The Fantastic Four, Rorschach from Watchmen, Cinderella, Papa Smurf, Amy Winehouse, Apu, Princess Leia, Albert Einstein, David Bowie – you name it, he’s painted it. Levy says this about his coin series:
We are constantly surrounded by pop figures – in films, in music, comics, and even in gossip magazines. They are sometimes our escape from reality, our fantasies. Coins portray something opposite: the real, the everyday.
This project is about individual expression in opposition to massified [sic] thinking, about how our personal passions are more worthy than things that are imposed to us. The paint brings to the faces of kings and presidents borrowed narratives from other famous characters and unleash individual alternative stories.(Source)
British artist Anthony McCall (born 1946) has a cross-disciplinary practice in which film, sculpture, installation, drawing and performance overlap. McCall was a key figure in the avant-garde London Film-makers Co-operative in the 1970s and his earliest films are documents of outdoor performances that were notable for their minimal use of the elements, most notably fire. After moving to New York in 1973, McCall continued his fire performances and developed his ‘solid light’ film series, conceiving the now-legendary Line Describing a Cone (watch a video of a gallery-goer’s interaction with it), in 1973. These works are simple projections that strikingly emphasise the sculptural qualities of a beam of light. If you want to know more about the light magician, you can read an interview with Anthony by the writers at BOMB Magazine.
Eric Sall‘s paintings wild little worlds. Their use of graphic lines and bold colors invites you in with the fleeting impression of cartoon familiarity, but the second you come get into them you’re taken on a whirlwind tour of psychedelic movement and color. Sall’s paintings are a perfect mix of unreal, drug-induced, semi-spiritual visions with just enough familiar shapes and lines to keep you looking for something you know is there, like an epiphanic episode where you can’t quite put your finger on exactly what this life changing realization is that just came to you. As you’ll see after the jump, his installation style reminds me a lot of how Ed Templeton hangs his photography, but more so. If you have time, you should take the next fifteen minutes to really get lost in these.
Kyle Kogut is a recent graduate of the Tyler School of Art at Temple University. His mixed media work often blends technical printmaking techniques with expressionistic, supple applications of paint. Set within a refreshing, distinctive palette, his compositions are full of energy and variation, yet never come off as cluttered or overly busy. This ability to conduct myriad elements within a functioning, harmonious whole works well with his current subject matter- Nature, and organic life. From the artist’s website:
“While impossible to surpass Her, my study of Nature and the phenomenon that is life has been a continuous investigation of organic patterns and forms, stemming both from visual observation and also subconscious mark-making.”
Kogut just closed an exhibition at Philly’s F&N Gallery. Make sure to check out his tumblr.