Brendan Danielsson‘s portraits are wonderfully ugly. Though each piece incorporates the image of a sole person, there is plenty of conflict. The pieces easily explore ideas of beauty and ugliness; they are at once sensual and repulsive. While appearing almost alien each portrait is somehow still strangely familiar. Danielsson is able to portray each ‘character’ as clearly part of a larger hidden narrative.
If you can’t pull your eyes away from Brendan Danielsson’s work, make sure to check out the Beautiful/Decay Book: 9. The book features the paintings and drawings of Danielsson along with many other artists, designers, illustrators, and writers.
Alex Chinneck is a London-based artist and designer, recently responsible for an installation that cleverly combines both disciplines. In Margate, a tiny town in Kent, England, a dilapidated home in the Cliftoncille district which had laid in ruins for months has been transformed. By remodeling the brick exterior and exposing the building’s top floor, Chinneck has altered the facade of the building to look as though it has become a single sheet and slid from the rest of the house.
Playfully titled From the knees of my nose to the belly of my toe, Chinneck extends his experimentation for surreal constructions and alterations of ordinary buildings (past projects include 312 identically smashed windows near the Olympic Stadium, and a melting brick wall). In an interview with Dezeen, Chinneck stated “I just feel this incredible desire to create spectacles, I wanted to create something that used the simple pleasures of humour, illusion and theatre to create an artwork that can be understood and enjoyed by any onlooker.“
Chinneck goes on to state some intentions of the piece, though admits they mostly have come after the piece’s construction. “It has social issues, it struggles with high levels of crime and the grand architecture has fallen into a fairly fatigued state,” says Chinneck, “I increasingly like that idea of exposing the truth and the notion of superficiality,” he explained. “I didn’t go into the project with that idea, but as it evolved I started to like that.”
From the knees of my nose to the belly of my toe can be seen at 1 Godwin Road, Cliftonville, Margate UK, until October 2014, when it will again be turned into residential housing.
Caleb Brown paints real things — sharks, diving tigers, track stars — in a realistic manner. Deviation lies in the implausible situations he inserts his subjects into. Brown uses what he calls “elements of contemporary life” to set the stage for a bigger, more interesting angle on current events.
Preparing for the 24 Hours of Le Mans race, is a round the clock job. Mr. McDreamy Patrick Dempsey found this out for himself as he prepared to race on Porsche’s team. Porsche’s clever video features Dempsey and his racing partner Patrick Long and follows them on their final preparations over the 24 hours before the race at their little chateau in the middle of France. Practice makes perfect so these two are always prepared for a driver change whether it is at the breakfast table, in the study, or even in bed.
Dreamcatchers, cowboy hats, flannel shirts and nostalgia are all present in Theo Gosselin’s vagabondish journey through forgotten and mystical America. In 2012, this young photographer took a road trip from Harlem to Venice beach and truly captured the essence of free spirits running wild.
“My favorite subjects are the uninhibited young people who are my friends, photos taken from the inside, in the privacy of our travels together, our adventures, our evolution in this strange world. Love, friendships, and our appropriation of nature and the urban world. Young, free and immortal.”
Gosselin started his journey with two friends and used social networks to meet new people and find places to stay. According to him, it was an incredible experience on a human level as he got to meet very different people: from students to squatters and hippies.
Because of his untamable energy and carefree attitude which he brings to his work, Gosselin quickly became a true hit on Facebook with more than 80k followers. In the times of posing and retouching, Theo Gosselin’s photos stand out due to their purity, sincerity and capability to take viewers on board.
Teodora Axente is associated with the Cluj School, a group of Romanian artists making work after the 1989 Revolution, which ended Nicolae Ceausescu’s communist regime.
There is a dark sense of carousing in her work which examines the question of boredom in a secular world. Left to his or her own devices, Axente’s adult figures conjure up spirits or flights of whimsy in seemingly childlike ways, often seeking solace in shiny and tactile objects such as tinfoil, plastic wrap, or furs. However, translated to a non-secular world, each stroke Axente makes seem satirical or political, consciously examining religion or capitalism.
According to the artist, this dichotomy is the exact intention: “One of my concepts is to transform a real fact into a game . . . It is all about play from my perspective, the playfulness is more than a world of novelty in which everything happens and is reconstituted because of the freedom to act, to think.”
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.