Everyone’s favorite alt-bluegrass band Punch Brothers are back on the road to support their new EP, Ahoy! just released on Nonesuch Records. Chris Thile and company have been riding a wave of success since they released Who’s Feeling Young Now? earlier this year including a highly regarded appearance on Austin City Limits with the Civil Wars. LA’s own Luckman Fine Arts Complex will be hosting the show on December 1st, 2012. Tickets are still available from Ticketmaster for what’s sure to be a hand clapping, foot stomping good time. Check out their video for “Movement and Location” from their episode of Austin City Limits after the jump and get your tickets to an upcoming show.
Dietmar Busse is a German photographer who lives and works in New York City. It’s rare to encounter a body of work as wholly original as his extraordinary series, Fauna and Flora. An amalgamation of photography and painting, the pieces in the series manifest a beauty that occasionally veers into dark, dreamlike realms. Busse began painting (with photographic developer) on his prints. The resulting images so artfully meld the otherwise quite distinct media that they appear to coalesce — creating, in a sense, a new medium.
“I did not set out to [focus on those concepts]. These were just the images I found myself making — and it made sense, for fauna and flora are what I grew up with, and what I relate to.” (via)
In honor of this sorry, low down, good for-nothin yellow bellied son of a sapsucker rainy day, enjoy some found clothing umbrellas by MK Guth. Thinking about taking these out for hellstorm protection just makes me think of the smell of mold, dog, and heavy wet socks. Still, I like their bright, cheery plays on the umbrella form, that are half Mary Poppins, half fortress.
Artist Chris Maynard creates tiny ethereal designs on feathers. His process begins by collecting feathers of birds (usually not of North America descent) from aviaries and zoos. He uses delicate, detail oriented tools such as eye surgery scissors, forceps, and magnifying glasses that have been passed down to him through his family. With these tools, he is able to achieve intimate levels of detail, crafting miniaturized fantastical avian worlds. His uses his work to transform the ordinary into something surreal and perhaps a bit magical. He explains that he would like the viewer
“to take away being able to look at the world in a different way…I want people to be able to take a breath and look at something a little differently, something that they know. Feathers are a universal symbol. Feathers for different people will mean different things, but generally, it means flight, it can mean escape, something we want to strive for, a bridge between here and the heavens. I want people to take their own message from it, but I think what comes out are some of those themes.”
The original integrity of the feathers is important to the artist. He does not manipulate the color or over arching shape with the aim to “honor the birds and the feathers.” Maynard, having a strong background in biology and ecology, has published a book titled Feathers: Form & Function. He uses his work not only to express artistic notions but also explains origin and function of his material. Each work is intricate, delicate, and whimsical.
Stuart Patience’s Ragnarok is a series of illustrations based on the writings of Norse mythology. Each drawing is taken from Ragnarok, the Norse aplcalyptic saga describing the destruction of worldly life. I also included a few delicate self portraits at the end of the post.
Xia Xiaowan, a Chinese artist born in 1959, uses layers of tinted glass and colorful pencils to create these 2D/3D works of art.
Beautiful/Decay was recently asked to judge the Jarritos Flavor City art & design competition. Contestants were asked to creatively interpret the slogan “DRINK OUT LOUD,” and the winners are in! #1 was artist Paul Naveda, above. Check out the rest of the winners after the jump!
In 2004 TINKEBELL. made a purse out of her dearest cat Pinkeltje. Pinkeltje was a ‘depressed cat’ who couldnt be left at home alone. By killing her and making her into a purse, TINKEBELL. could carry her always with her.
The extensive attention to her project ‘My dearest cat Pinkeltje’ received from activists and the media demonstrates that this approach certainly meets with its share of resistance. In this project, she killed her cat with own hands and then had it stuffed and made into a hand bag as a product for consumption, thereby directly bridging the gap between house pet and animal for consumption/production and thus painfully bringing the matter to light. A collection of the threats generated by this and other projects was later published in the book ‘Dearest TINKEBELL
As a life long vegan and animal lover I have been struggling with whether I should post the work of TINKEBELL. Not only do I find the work in terrible taste but I generally don’t like to promote work that involves killing of any kind. However I think this work brings up some interesting questions about what can be considered art and how we define animal cruelty as well as our distinctions between animals that are killed everyday for food, clothing, accessories, and even art (leather) and what animals we wouldn’t dare touch because we have grown to live with them as pets and companions. How do we justify slaughtering millions of cows for Louis Vuitton purses yet get bent out of shape when someone turns a cat into a purse. If I had it my way neither would ever happen but I find it hard to justify one without the other. So what do you think? Is this art and how do we draw distinctions between one animal over the other?