It seems Los Angeles has finally decided to warm up to us and the heat is slowly but surely attacking our foggy lovable city. I was trying to find something to post here that would welcome the heat wave back in LA after months of rain and freezing cold nights. Although this commercial is obviously targeting the concept of using natural gas in “winter”, I feel like if I could describe the heat in LA right now, would be a wool covered house.
The commercial is made by Lovo Films, a company that operates in Europe. They are known for making great commercials for companies like Belgacom, Coca-Cola, Telenet, Yamaha, TDK, Mio, McDonald’s, Gordon Beer, Center Parcs, Renault and Seat. They also have a “making of video” of this awesome commercial.
Now get ready to welcome the heat of Los Angeles with open arms~! HA!
British artist Jenny Aryton creates “miniature wonderlands captured in molten glass.” Almost like snow globe depictions of every day life, Jenny Aryton’s work physically encapsulates intimate depictions of her private world. Gaining inspiration from her young daughter, she aims to gather excitement from the mundane. Her work tends to have a “domestic twist” as she allows her surrounding of her home and family guide the way as her source imagery. Her process begins by creating small metal wire figurines. She fashions tiny sweaters, chairs, trees, shovels, and other objects found in an everyday family home. She then organizes a simplistic scene, almost like a child playing with a dollhouse. After everything has been arranged, Aryton then encases it between two layers of molten hot glass which is poured at 1100ºC (2012ºF). She uses what is called sandcasting. She molds the overall shape of the piece in sand — just as a plaster sculptor would do with clay or wax. One the first layer is poured, she has one brief moment, while the glass is still fluid, to manipulate the aspects of the piece. The second layer is then poured and the whole piece is placed to set in a kiln for two days where it will take its final form. The glass, as a fragile and volatile material, will solidify differently each time, creating a one of a kind piece. The delicate and cloudy imperfection of each piece almost seems to mimic the memory of a child. The have a solemn charm that is nostalgic yet innocent. Each piece is quiet, quaint and unique. (via iGNANT)
We’ve been spending a lot of time at the warehouse lately scrutinizing every little detail on our samples.
It may look like we used 20 different screens to make the “Color Blind” shirt pictured above but it was only achieved with the use of a four color printing process!
You may remember James Callahan’s Barf shirt from a few seasons back. Well he is back at it again making some of the most gruesome, amazing, and face melting designs for our spring and summer 09 line. If you could only see what this design looks like once it has the rest of its colors!
The series Genetic Portraits almost works as a casual study. Quebec based photographer Ulric Collette seamlessly blends the faces of two relatives to create one portrait that is hard to look away from. The resulting photographs highlight the differences an emphasize the similarities between siblings, children, parents, and cousins. It is nearly as if the images are a visualization of the genetic traits traveling between generations. Genetic Portraits is also an absorbing record of time’s effect on physical appearance. Eye s, for example, appear to be near exact copies between father and son, separated only by the wear of thirty years.
Ben Venom’s current solo show at Guerrero gallery in San Francisco looks amazing. If you’re in the Bay Area make sure check the only art show that both headbanging heshers as well as your 80 year old grandma will enjoy.
“Guerrero Gallery is pleased to present, I Call The Shots, an exhibition of new works by Ben Venom. Presenting a reinterpretation of two seemingly opposing forces, the extremes of Heavy Metal culture and the tradition of handmade craft, Venomʼs juxtaposition of the two forces results in a collision that is vibrant and intricate. His ability to associate each component of his primary medium, old band t-shirts which he personally connects with in some way or another, with the grand scheme of his pieces, is evidence of the thoughtful and enduring process behind his craft. Venomʼs work lends to his ability to masterfully develop relevant concepts, sketch the designs in consideration of the large-scale puzzle piece patterns they will evolve into, and then patiently execute with needle and thread. In Venomʼs words, his work “is serious, yet attempts to take on a B movie Horror film style, where even the beasts of Metal need a warm blanket to sleep with.”
French illustrator Denis Carrier keeps his images simple but his ideas profound. His work was featured in B/D Book 3 and he co-founded PNTS design studio. Carrier’s clean imagery is a breath of fresh air, employing uncommon ingenuity to modern-day icons.