Herbert Baglione, a native from Brazil, has brought to light the strong culture of graffiti from the streets of Sao Paulo to the rest of the world. The art that lives in the streets of the South American country is very well portrayed in his artwork as he brings to life the monotonous urban environment that we pass by every day. He takes on the task of making it part of his canvas.
The work of artist Ted Lawson reveals a persistent interest in the human body. Though his work is attractive to look at, or at least hard to pull away from, there is clearly a deeper fear being expressed. His art investigates processes related to the physical body such as growth, its needs, its decay and death. Really, these sculptures are physical representations of modern psychological concerns. The tenuous relationship between the body and the mind has been a highly scrutinized theme throughout much of contemporary art. Lawson’s work, though, has a way of striking an especially carnal chord.
Sweet Tooth is a gang of cool cats from London. Their music could soundtrack your rainy days and their new video is basically a moving graphic novel. Grab some popcorn and enjoy the show as the luscious voice of the lead singer guides you through your heartbreak you didn’t even know you had.
Russian native, Vania Zouravliov‘s whimsical and highly detailed illustrations are exquisitely gothic and layered with symbolism. Given the high quality of both craftsmanship and detail, as well as the rigorous layers surrounding the morbid characters in the illustration, I think the more often the viewer looks at the work, we’re able to discover a different aspect in the piece. In itself the process of uncovering the many hidden symbolic details brings out an even richer experience while looking at the work.
A1One (aka Tanha) has claimed his influences to be as diverse as Australian Aboriginal art to Mayan narrative hieroglyphics, but what stands out most in his recent works is his strong connection to his Persian heritage and his Iranian homeland. A1One has been gaining recognition lately and rightfully so. His colorful, intricate scrawls on Tehran’s walls and canvases artfully blend Arabic calligraphy with current street culture, as well as address social issues around the globe.
Matt Rich resides in Boston, where he relies on color theory and a keen eye to develop his collage paintings: a visual cacophony of latex painted sheets cut into shapes then taped together.
Minus a frame or stretcher bars, these pieces surrender to vivid organic forms when pieced together. Sometimes, Rich even paints both sides before piecing, in order to “discover” accidental color pairings when flipping the work over.
Of his collection, Rich hopes viewers and visitors walk away with a poetic experience: “The warm glow of relief after effort or a crisis has been averted. An understanding that life will continue as before, but differently.”