Artist Nathan Walsh‘s paintings of urban environments seem impressively realistic. The attention to detail in turn demands the viewers attention to small pockets of each canvas. Varying textures, reflections on water and glass, effects of light are all captured so acutely, it’s nearly mesmerizing. Exploring each piece is similar to exploring that little patch of neighborhood as a tourist. However, it is Walsh’s careful attention to perspective that set his work apart. It is easy to understand why he may often be lumped in with a larger group of Photorealist painters. However, close consideration of his work reveals Walsh isn’t set on a meticulously faithful reproduction of a photograph or scene. Rather, he seems to endeavor to depict the idea of a space, the feeling of depth.
In his essay on the artist, Michael Parasko expounds on this and writes concerning Walsh’s use of perspective:
“The way Walsh constructs pictorial space takes two forms. The first is a horizontal extension and the second an illusion of depth. Both are exaggerated so that neither method results in the reproduction of nature; yet in such exaggerations Walsh has sought to create believable space. We are convinced into thinking these are images of the world as it is, but the truth is that space in these paintings is not really like the space we inhabit at all. They seem to prove Quintallian’s old adage, ‘The perfection of art is to conceal art.’…Although there is real quality in the way Walsh extends space in this lateral way, my personal view is that Walsh’s most individual works are concerned with the illusion of deep space within the canvas. In these there is a real sense of an artist balancing the need to maintain the illusion of reality with the desire to push the illusion of very deep space to its limits.”
Ted Vasin illustrates an intensely surreal world for his viewers to get lost into. Combining his tight representational drawing skills with colorful abstract forms, Ted succeeds in both keeping us in awe of his draftsmanship, and a little disturbed through subject matter.
Carl Krull uses repetitive lines to form hidden faces revealed between the lines. Each drawing contains endless line after line that flows across the composition in waves, drips, and swirls. The organic rhythm created is quickly interrupted by different shifts in its pulse, not unlike a line in a heart rate monitor. It is incredible how the orientation of the lines create such different effects, resembling the texture in tapestries or the grooves and patterns in a topography map… but only if the hills and mountains depicted were in the shape of faces! In fact, Krull’s large-scale drawings have been referred to as “human seismographs.”
Amazingly, the Danish artist came up with this technique by drawing lines during a road trip across the United States with his wife, acting as a “seismograph” would. Each bump, twist, and turn of the drive was incorporated into drawings, which are included in his series Scroll Drawings.
Krull’s work, created entirely from graphite lines, takes the human body form to a whole new level by letting the negative space between his lines to let the eye create the shape. Each bend in the line creates a rift in space in which you cannot tell whether the form is concave or convex. His drawings are as mysterious as they are intriguing, as they defy laws of space and gravity. The faces and appendages emerging from a sea of graphite mesmerize you while you search for more figures amongst the methodical chaos. The massive size of Krull’s drawings further pull you into the hypnotic repetitiveness of each composition, with figures that materialize right before your eyes.
It may take a few glances to realize the work of Juan Carlos Manjarrez are paintings and not photographs. Manjarrez captures an amazing amount of detail and realism in his work. His black and white palette coupled with a photographic sensibility only add to his paintings’ hyper-realism. Amazingly, Manjarrez is a self-taught painter – though he has attended graduate school, he majored in architecture. Manjarrez has been exhibiting professionally for the past twenty years.
Final mourning of the end of summer. Aerial photos of beaches and beach people from California-based photographer Gray Malin. These are part of a series entitled À La Plage, À La Piscine. Malin shot the pictures from the open door of a helicopter flying over beaches and pools from the U.S. to Brazil, to Australia. Reducing us to our tiniest, the photographs reveal patterns that would’ve been otherwise undiscovered. (via)
We found Tokyo based illustrator, Kimiaki Yaegashi, on our B/D Flickr Pool and I have to say what a find! Kimiaki’s electrifying illustrations of sexual, surreal interactions between beautiful women, men, animals, and a chubby little girl is amazing. Her 3D, sexual, and wonderfully off-center styled would make a killer business card design. We are always on the search for amazing artists, join in on the B/D Flickr Pool and you might find yourself featured on the blog as well.