Canadian artist Erin Loree crafts luscious abstract paintings that have an incredible sense of light. The vibrant pictures feature incredible blues, magentas, yellows, and many more spread over a canvas. Loree varies her approach to texture, with some areas of smoothly-applied paint and others with short, thick brush strokes. They work together and form alluring artworks that resemble portraits and at times, landscapes.
Considering the scale of Loree’s strokes, the subjects that she’s painted seem to be captured at a close range. Large, sweeping lines form vague outlines of heads and shoulders, and with names like Energy body, it’s hard not to associate them with that. But, instead of giving us the an idea of what this physical body looks like, Loree uses gesture and intense hues to communicate an inner spirit or feeling. Some of her works appear as if they’re glowing from within – the essence of an intrinsic light that exists inside living beings.
Minneapolis designer/illustrator Phil Jones has one quirky sense of humor. Whether it’s creating sunglasses out of Oreo cookies, creating miniature memorials to squished bugs, or making hilarious posters that are installed on electric poles Phil ads a dash of comic relief a tad of why didn’t I think of that, and a dose of the absurd.
Last week’s London Design Festival featured a prototype for a futuristic sleep-aid. During the Digital Design Weekend at the V&A museum, one of the highlights was Digital Futures UKMX. The event is a two day cultural exchange between designers, artists, makers, and engineers from the UK and Mexico. The event centered around themes of innovation, collaboration and civil awareness. The aim is to enhance each community by learning from the other.
One of the projects presented was by Octavio A. Martinez Garcia, a Mexican robotic engineer who works for COCOLAB. He showcased a prototype for a product called Napz, a sleep mask created to help gain access to more efficient sleep. The mask is made from infrared sensors, Neo Pixels, and the Arduino Lilypad. The invention does not just simply help to attain better sleep, but does so by allowing the user to actively lucid dream, a state of dreaming in which one has control over his or her actions. He states:
“The prototype is an eye mask designed to measure REM, using LED lights to gently stimulate you and bring you to the border of consciousness and unconsciousness so you can begin to play with your dreams. Today people get a lot less sleep, and of a much worse quality. Napz is a wearable device intended to schedule lucid dreams and thus produce actual rest and better patterns of REM sleep. Its interface allows the programming, design, and analysis of dreams. As everybody is different the device needs to be calibrated to each individual. The inspiration came from my own experience of lucid dreaming.”
A drive in movie theater and its silver screen. The scene looks real: parked cars, dim-lights, sunset and in the background a celebrity playing her best role. Andrew Valko is fooling us. The scenery could have been mistaken for a photography of a painting representing a celebrity. The artist is used to depict fragmentary narratives in hyper realistic paintings. Marilyn Monroe, Audrey Hepburn, Amanda Seyfried, Angelina Jolie or Anthony Hopkins are taking part of this set up.
Andrew Valko creates a glowing contrast between the portraits and the surroundings with details meticulously painted. Playing with the flare and shadows of the street and car lights accentuates the expressions on the faces. Each painting represents a different parking lot with a different background. The feeling of nostalgia due to the context is palpable. There’s a will to go forward, represented by the contemporary actors. Yet the old school drive-in scene is taking us back to the past.
In the artist’s paintings, our eyes take turn alternatively as viewers and voyeurs. We start off as being the viewers, as if we were participating in the scene, comfortably watching from our car. And we quickly become the voyeurs; standing afar from the whole scene, watching the viewers watching the movie. This juxtaposition is interesting in the work. Clearly Andrew Valko manipulates us until the end. Therefore we could investigate and go as fas as wondering if the use of Hollywood stars is a pretext to entice us into the paintings. (via Design Boom)
Joseph Leroux uses various materials (metal, paper, wire, found objects, etc) to create creepy looking sculpture and installations full of symbolism. Check out his series on body parts merged with machinery/ metal works.
These photographs are taken from two series by NYC photographer Amy Stein: “Domesticated”, and “Halloween in Harlem”. The photos were put together a while ago now, but I’ve always loved them. And, as Ms. Stein seems to be dealing with an issue involving use of her work without permission and $40,000, I figured she deserved some love.
“Domesticated” depicts real stories ivolving animals and humans culled from local news stories. Stein used often used taxidermied animals in her perfectly positioned shots, which include bobcats confused by newfound construction and curious bears checking out backyard pools.
“Halloween in Harlem” is pretty straightforward: Stein’s eye set to run freely capturing the spirit of the holiday and creepy children in masks on the street.
Inspired by her Filipino American and family background, Christine Morla‘s “sculpture-paintings” are crafted in such a meticuluos yet delicate manner, that is hard not to notice the layers and layers of paper woven flowers that are made up of Filipino snacks packaging that she uses as inspiration for the color palette in the pieces. The craft of weaving was passed down by her own father and using these many cultural references from her own family and culture, she crafts these representations of both abstract and digital environments highlighted in vibrant patchworks of colors.