Do you stay awake at night dreaming of the day when you can interact with artists and designers from around the world? Do you get a warm & fuzzy feeling every time you walk by a bookstore or magazine stand? Have you always wanted to work side by side with the an elite group of creative minds who only use the finest office supplies such as golden staples? Do you enjoy nothing more than resizing and cropping a pile of photographs as tall as a 3 story building? If you answered yes to any of these (or none of these questions) then this just may be the internship for you!
Now that you feel excited about our internship opening read the fine detail after the jump!
New York based artist, the theatrical Cai-Guo Qiang, is yet another artist I dream of to meet one day. He is mostly known for his gunpowder explosions, where the guided impact of exploded gunpowder creates beautiful marks on the paper it is placed over. Proof how beauty and violence are sometimes intertwined with each other, a concept Cai-Guo works with often.
David Skazaly is a Hungarian/German graphic designer who has been creating hypnotic, mind-warping GIFs since 2008. Working under the name Davidope, Skazaly’s psychedelic GIFs and warped images have set the standard for animated GIFs across the internet. Even if you haven’t heard his name before (or his online pseudonym, Davidope), you probably recognize some of Skazaly’s technicolor, organic forms, pulsing in infinite loops, whether on art blogs or the annals of Tumblr. Skazaly’s animations are strangely hypnotic and entrancing, pushing a format that is now primarily used for cat memes and celebrity reactions into successful, technically adept artistic territory.
Skazaly got his start experimenting with animation program Macromedia Flash in the 90s before focusing on his own motion graphics. Looking at his Tumblr now, it’s clear Skazaly has mastered the art form of creating technically perfect GIFs, from trippy, twisting shapes to black and white worms perpetually moving forward. Skazaly’s mind-bending GIFs are dizzying, satisfying works of art, elevating a now common internet trend to a mesmerizing new level.
Stacy Kranitz focuses on the multidimensional character of Leni Riefenstahl, whose focused vision and murky set of morals greatly inspired Kranitz. These grey areas spoke to her desire to understand people beyond the constraints of good vs. evil.
During Pennsylvania’s yearly reenactments of the Battle of the Bulge, Kranitz portrays Leni Riefenstahl and behaves with soldiers as she would. Kranitz examines how the photograph documents and shapes history, since much of our conception of history is based on images. The 500 reenactors base the authenticity of their looks on images and, in particular, on Riefenstahl’s film Triumph of the Will. Kranitz focuses on how these historical images have been filtered through both the media and propaganda, becoming history as generations pass and memories fade. Photographs and film become the dominant forces that shape the public imagination.
We have featured the work of Portland based Adam Friedman on the blog (here) in the past. He has just opened a new solo exhibition at Eleanor Harwood Gallery in San Francisco entitled Space and Time, and Other Mysterious Aggregations that is on view through March 2nd. From the press release Friedman explains, “In my work, rules of perspective, distance, and light are bent. Space can become a solid object and places are folded on top of one another. Millions of years are compacted into a single instant and rocks become fluid. I strive to present a moment that defies human intervention in the landscape, and pays homage to the potential in the inexplicable.”
At the SFMOMA’s Rooftop Coffee Bar, baker Caitlin Williams Freeman has found a fun way to pay homage to the artists featured in the museum. If you’re in the area, visit the museum, then swing by the Coffee Bar to munch on pastries of art you just saw!
“To accurately portray the reality of living with mental illness for prisoners in an effort to call attention to the increased imprisonment of the mentally ill in the US” is the stated goal of Jenn Ackerman’s series Trapped.
Ackerman began photographing inside Kentucky State Reformatory in 2008. Over the course of her time there she gained trust of the inmates and guards and unprecedented access to their facility and procedure. The resulting series is a stunning look inside the experience of the mentally ill shuffled through a prison system not equipped to withstand, care for, or rehabilitate them. A system in dire need of attention and reform. (via)
This unusual carnival certainly isn’t the kind you find at a kid’s party. For “Funland: Pleasures & Perils of the Erotic Fairground,” artistic duo Bompas & Parr show off a series of bold and whimsical installations at New York City’s Museum of Sex. Immersive artworks include “Jump for Joy,” a giant bouncy house composed of blow-up breasts and “Grope Mountain,” a rock wall featuring phalluses and vulvas. As visitors munch on tasty treats, they are invited into “The Tunnel of Love,” a maze that ultimately ends at the G-Spot, an erogenous zone in the vaginal canal discovered by Ernst Gräfenberg.
While this all may seem like fun and games, the exhibition also illustrates earnest cultural ideas. Here, the artists worked closely with Professor Vanessa Toulmin, the Director if the UK National Fairground Archive, to illustrate the historical associations between traveling fairgrounds and sexuality. Toulmin proposes that at the apex of the industrial revolution of the mid-19th century, carnivals began to emerge as sites for “immoral” behavior.
The St. Bartholomew fair, she notes, was singled out for its sensuous—and overtly erotic— atmosphere. In this uncanny universe of play and mischief, the puritan ideals of the upper classes were tossed to the wayside. The fast-paced amusement rides were quite the novelty at that time, and dark tunnels and cars allowed for discreet caresses to pass between lovers. Some fairgrounds even charged admittance for burlesque and strip-tease shows. Bompas & Parr’s “Funland” certainly captures both the thrilling and the farcical aspects of the carnival scene. Simultaneously amusing and disturbing, the exhibit engages both the mind and the body. The show is currently on view and will run through Spring 2015. (via Design Boom)