Adrien Mondot and Claire Bardainne, the French performance art duo that forms Adrien M / Clair B Company, has created a stunning display of dance and the digital. “Pixel” combines the physicality of human movement with unique technological creativity. Dancers leap from mountain to mountain, splash through wire-frame water, and fling themselves through showers of shimmering pixels.
In collaboration with Compagnie Kafig, the performance is an hour long and described as “a work on illusion combining energy and poetry, fiction and technical achievement, hip hop and circus.”
Like graffiti? Me too! And you’ll find some of the best graffiti art within the city of Berlin. Perhaps its for this very reason the Circleculture Gallery is focused on promoting urban art & artists such as Daniel Tagno. This Berlin-based grafitti artist has been playing with the configuration of his paintcans into a tool he calls the gadget to manipulate their patterns; like writing with multiple pens in parallel, and the results are beautiful! Daniel also takes his art beyond the paintcan in his series titled FÜR SEMPRE and beyond the walls with his PAINTINGS.
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
Intertwined strips of ceramics escaping from their original form. Haejin Lee’s abstract sculptures blend perfection and fantasy. A flawless object, face or body part suddenly disintegrates into a uncontrolled harmonized chaos. Fascinated by the indefinite loop of the Mobius strip (a surface with a non orientable property), she brings into her art pieces the transformation of a flat surface into a 3 dimensional rendering. The final piece mirrors two essential aspects for the artist: continuity and infinity.
The dichotomy between perfection and confusion reflects the technical difficulties the artist had to face while conceptualizing the pieces. In order to get a steady work of art, she had to anticipate the weight of the strips once dried and heated. Often created in monochromatic tones, the plain colors add intensity to the sculptures. Haejin Lee is inviting us to interpret the passage from reality to surrealism. As if the strips, bandages of our exterior enveloppe had to fly away in order to reveal the essence of our souls, imagination and creativity. By acknowledging that the pieces were ‘almost impossible to balance’, the artist insists on the difficulty yet essential need for individuals to unconsciously or not; define their equilibrium.
Kate Smith, based out of Melbourne Australia, was raised on a farm and makes work where everything feels precariously balanced, built on her experience with struggling on her parents’ farm. Art tries to grow like plants, which makes the work feel alive – or – depending on your perspective, emphasizes its deadness. There’s a dystopian element to Smith’s project, but there’s also a smeared, warm-hearted vulnerability. Kate’s got a way with words too – her compact, slippery, and foreign use of the English language reminds me of the ultra-violent punks, the “droogs,” in Clockwork Orange – read her artist statement after the jump.
William Edmonds primarily creates quirky illustrations as one third of the UK based art collective Nous Vous (see previous B/D post here). He has recently begun producing a series of ceramics that mirror his fine art sensibilities. Intuitive use of color and free-forming shapes are prevalent. There is a sense of jubilation that runs throughout his artistic output. In his own words Edmonds is informed by “Mark and timbre, line and verse, form and play.”
New York based artist Seth Wulsin’sÁnimas project explores the interior dimensions of mind and soul in the embodied physicality of space. In Spanish the word anima means soul; its root ane means to breath. By layering different parts of the face on multiple screens that all align in space Seth creates portraits that are optically real, but tactically non-existent.