If you are lucky, once in a while you find an artist that helps you remember why you started getting into art in the first place. I first saw Dave Muller’s work in 2004 at his show ‘I Like Your Music’ at Blum & Poe, and at the time was just a fresh-faced college kid, only beginning to think about getting involved in the fine arts. I walked into this room full of his drawings of massive record sleeves – vibrant, colorful, and full of life – it was one of the first times that I remember feeling truly enthusiastic about art, not simply because I thought it looked cool, but because it seemed to speak to something about life that I was really excited about. It was a turning point for me in the way I interacted with art, and I’ve never thought about things the same way. For me, Dave Muller’s work is all about the good things that make life worth living – good music, good friends, a little messy, a lot of color, and a lot of fun. Dave has been one of my favorite artists since that fateful day, so I was thrilled to have the opportunity to talk to him about his work, his alternate life as a DJ, and his recent wall drawing at the new Cowboys Stadium.
I don’t know much about Jason Lahr’s work and I couldn’t find an artist statement online but anyone who makes artwork about death metal, Old Dirty Bastard and mixes in digital painting trickery is A-OK by me!
Spooky blobs by SF artist Ryan De La Hoz.
It’s Monday! Can’t waste anymore time sitting in front of the boob tube rotting your brain away watching Jersey Shore reruns! But before you kick it into high gear watch this investigative and exploratory hands-on gloves-off study into the practice of putting things ‘off”. Sometimes the only way to get something done is to do two dozen other things first.
Story, Animation, Direction: Johnny Kelly
I first met Sherin Guirguis at USC while giving a talk about B/D. Sherin teaches in the design department so I assumed that she was primarily a graphic designer. Over the years we’ve run into each other here and there but never really visited each others studio. A few months back Sherin stopped by my studio to check out some work. When I went to return the favor I didn’t find stacks of design work but a studio full of both paintings and sculpture that were at once precise and technical while organic and fluid. Here are some shots from the studio visit.
Our friends over at Strange Attractor have launched an interesting new interview series entitled “Still Life.” SA sends the artist a lomography camera and a roll of film, and the “interview” becomes conducted entirely through artist-created images. The above interview with Denmark based artist Kim Høltermand is a beautiful look at his life, through his own eyes.
Baptiste Debombourg’s unique approach to medium and spacial presentation includes spending 75 hours pushing staples into a wall to create a “wall painting”, and UV-glueing shards of glass around an urban bus stop, with intention to “provoke some emotion or empathy”. He turns the scenario of each of his installation/sculptures from violent destruction to that of aesthetic appreciation.
When looking at the photographs of Sarah Palmer you can’t help but notice the playfulness with light and colors. I find her body of work from the series, “The Riddle of Lumen”, quite interesting, and although clearly documenting an urban landscape, I also find it quite mystical. As if unfolding an urban exploration of a city, or finding a hidden gem in plain view. At least when I look at her work, it almost seems to portray and unidentifiable sentimentalism of the unknown urban setting depicted. It plays quite well with the colors and spacial composition in the photographs.