Let Underware wrap you up in type! This pan-European design collective creates sophisticated, versatile font collections and delivers them with a hints of tounge-in-cheek (check out their blackletter titled Fakir!) This group exceeds the definition of type-designers by pursuing new venues for educating others about the fabulous world of fonts; you can listen in to their typeradio broadcasts and catch up on the latest and greatest from Underware’s ongoing type workshops from around the globe.
Only two more days left to take advantage of our massive sale. We’re slashing prices to help you start your year right with50% off all books, magazines, shirts, and accessories on the B/D shop from now until January 2nd 2013 Midnight PST. Just use DISCOUNT CODE: CREATIVE50during check out and give the gift of creativity and artistic expression this holiday season!
In today’s environment, it’s often hard to get noticed if you only do one thing. Even if you do it very well. It seems, sometimes, you just gotta do it all. NYC resident James Moore seems to have his fingers in almost every mode of expression imaginable. And he’s not afraid to get them dirty. Really nice to see a guy who’s bringing as much raditude to his graphic art as he is to mind-blowing sculpture and installation work. Moore is fresh off a great group show at Kunsthalle Galapagos in Brooklyn, and my eyes can’t get enough of his new work.
The Brazilian duo Bicicleta Sem Freio (‘Bicycles without brakes”) have broken away from murals and are now concentrating on some fine art work. Its two current members Douglas de Castro and Renato Perreira first met while attending art school in Goias, Brazil and started collaborating on large scale outdoor and concert poster projects. This led to a series of street art and other prominent commissions all over the world. They recently had their first gallery exhibit in London at “Just Kids” art space. This allowed visitors to see the work on a smaller scale in a white box environment.
The duo create imagery that combines rock and roll with sexy women and animal hybrids. Their bright colors depict figures drawn in similar likeness to action style figures which reference Wonder Woman and Flash Gordon. Most of the pictures take on a fantastical sensibility where shape and color are used to dramatic effect. The two illustrators aren’t afraid to combine loud off key hues to create a funkiness which strikes you with energy and power. Normally when street art is brought down to a smaller scale it loses some of its grandeur but that doesn’t seem to be the case with Bicicleta Sem Freio. Instead the smaller scale work is even more detailed and at times even borders on abstraction.
Some of their significant campaigns have been for The Life Is Beautiful Festival, Coachella, Nike, SubPop and Absolut. (via booooooom)
Flowers and plants glowing in the dark. These pictures are the result of a titanesque work performed on each nature based element by Robert Buelteman. The California based artist is not using anything else than flowers, photographic films, electricity and a fiber-optic probe to create his work. The result is captivating and intriguing.
Robert Buelteman starts his process by picking fresh flowers and plants from a field. He lays them onto a photographic film in darkness after scalping them until they are sheer. He then throws a 80,000 volts current with his car battery, illuminating their unique energy field and exposing the film to their ultraviolet corona. The artist painstakingly applies the fiber-optic probe, which is the size of a human hair. By tracing over the shapes, some light is reflected, some absorbed, but the light that penetrates the subject exposes the film with the color and form of its’ source. This method requires, for a one successful picture at least 150 tries.
This camera-free, non-digital process only uses the natural and genuine energy of the plants. A statement dear to Robert Buelteman, a former classic photographer, who decided to counteract the growth of digitalized photography by going back to simplicity and craftsmanship. His is attempting to demonstrate that creativity is in the hands of everyone, for the ones that are willing to put the work. And that a piece or art doesn’t need to have a particular meaning. He prefers to let the electrocuted flowers speak for themselves.
Robert Bueltman’s pieces will be displayed at Adler & Co Gallery in San Fransisco until December 28th 2015
New York based photographer Mike Mellia creates Another Day in Paradise, a series of images that capture the essence of New York City under the influence of Mellia’s father.
After the unexpected death of his dad, the photographer began creating cinematic scenes around New York that were reminiscent of his father’s life. Mellia is compelled to showcase his father’s contemplative presence and love for jazz . The many clues that reveal what his father was, and is to him even after death, are subtle but powerfully present.
Mellia’s sentimental piece works along the lines of alienation and tension, however. It not only provides a glimpse into his father’s life but it also showcases Mellia’s hardships to accept his passing.
Full of expressive, wild colorful brushstrokes and heavy layering and textures, Philip Hinge puts on a show of his playful sense of humor and confidence. Intentionally flirting with the line between ‘good art’ and ‘bad art’ in his exhibition Don’t Look Now, he approaches his subjects with a unique sensibility. Hinge paints anything from blow up dog balloons, to rock stars dressed in bridal gowns, to mermen sunbathing and boys greedily stuffing their faces with spaghetti. Choosing banal subjects and turning them into something special and surprising is his talent.
Contextual ambiguity abounds in Hinge’s work, allowing his paintings to express a subtle anxiety that is felt rather than seen. At the same time, by ironically appropriating sources as diverse as everyday kitsch, science fiction, and the canons of art history, Hinge lampoons widely-accepted tropes of high art. (Source)
Hinge manages to break down some of the traditional and existing boundaries within the painting (and greater art) world. And while his technique and style may seem primitive, his subject matter adds a subtle layer of complexity to his work. His past series include I Am The Black Wizards – an amusing look at the death metal community and the stereotypes that go with it. He has rockers stabbed with knives, swords and clubs, gripping their legs in pain, and tough guys wearing witches hats and capes, pinned to a wire fence. His light-hearted approach to certain social taboos is a refreshing thing to see.