Scott Everingham is an artist who is based in Toronto. As a painter, Scott particularly enjoys the various forms of experiences created through the vast language of paint. He creates abstract, gorgeously fictional environments where you could almost make out tangible imagery. An experience I would relate to observing an illusion out of the corner of your eye. Though Scott’s paintings appear almost completely spontaneous, you would be surprised to know that along with the process of impulsive mark making, there are extensive preparations through drawing.
Currently, Scott Everingham is exhibiting his paintings in Amsterdam and Rotterdam at the Le Secet Museum. If this blog post has sparked your interest in Scott Everingham, you can view his work up close at his solo exhibition at Galarie Trois Points in Montreal in January 2011.
Sif Itona Westerberg, working out of Copenhagen, crafts organic, twisted sculptures and nostalgic textile work infused with elements of delicious 80’s hardcore. And for good measure, she also renders tributary graphite drawings in a cemented, clear-cut vision; you know, just so we stay on the same page. She’s recently exhibited such work within immersive gallery installations that economically work toward the creation of an overall effective, dripping ode to the last two decades of the twentieth century (she pulls off the backlight).
But what business does Westerberg, born in 1985, have in the composition of a body of work based on iconography and experience that had all but died by the time she reached her teens? Perhaps, a good amount. This work is a wonderfully executed exercise in the common experience of conjured nostalgia- pining for experiences you never had. For through the process of remembering that which you don’t actually remember , you are able to present an account much more infused with spirit and holism. When did facts ever help anyone, anyway?
Sif Itona Westerberg is currently showing a series of collaborative work with Asbjørn Skou (Armsrock) at MOHS exhibit in Copenhagen, Denmark.
Spanish photographer Eugenio Recuenco has taken the timeless and iconic work of the notorious artist Pablo Picasso and translated it into contemporary photography. He models each photograph in this series after a single Picasso painting, recreating it as a seductive, contemporary photograph. Each painterly photograph is taken in such a way that even these real life women seem to be painted onto a canvas. Having had his hand in commercial and fashion photography, the influence from modern high fashion can be seen. Because Picasso’s work contains such vivid colors and a strongly recognized cubist style, the model’s make-up and clothing are a vital part of what allows the photograph to imitate Picasso’s paintings.
Cubism, the artist’s most famous stylistic period, is achieved by dissecting parts of the subject in the painting, and breaking them down into geometric forms. In this case, the subjects in the photos are women covered in geometric patterns imitating Picasso’s paintings. Recuenco brilliantly achieves this reference to Cubism not only by the women’s clothing, but also by the perfectly placed photo fragments. Several of the photos in this series are altered so that there is an abrupt crop in the image, with extra limbs on the other side. This cleverly recreates Picasso’s ever-popular figures with extra legs, arms, or eyes. Some may say that there are just some things you can do in a painting that you cannot do in a photo. Recuenco proves this wrong with his incredible and imaginative use of make-up to mirror Picasso’s fractured portraits and misplaced facial features. In one photo, an entirely new eye is created, while in another, a sharp, black line dissects a woman’s face. Intelligent and original creativity is of no shortage in this photographer’s unbelievably beautiful series paying homage to a fellow Spanish artist.
Make sure to check out Eugenio Recuenco’s new project, a short film titled “A Second Defeat.”
It’s the middle of summer and the mercury is rising. As your calendar is filling up with pool parties, barbeques, summer festivals, beach days, and picnics at the park you’ll be needing a refreshing adult beverage to take along for the ride. That’s where Sauza Sparkling Tequila steps in. For starters there is no need for mixers. Simply chill your bottle to perfection, pop open the top, and pour everyone the perfect hassle-free summer drink. You’ll be the toast of the fete and every guy and gal poolside will love you for bringing their favorite tequila to the party.
Sauza Sparkling Tequila is the ultimate summer get together beverage. Next time you’re firing up the grill remember to pick up a bottle or two to start your party right.
For the surrealist painter Vincent Castiglia, his “work is literally a blood sacrifice on the altar of art;” using up to 30 vials of his own blood for his darkly sprawling paintings, he hopes to imbue his richly philosophical work with his own living tissue. The artist’s blood shares the same iron oxide pigment as many commercial paints, lending each image its dark rusty tone and heightening the drama of Castiglia’s macabre scenes.
For this blood artist, the unusual medium works in service of larger themes. In extracting blood from his own body, sometimes 15 vials at a time (less than a blood donation), he allows the literal life-giving substance to more deeply examine fertile powers of mankind. With the careful painting of milk-filled breasts and deliberate vaginal imagery, Castiglia celebrates the allegorical implications of motherhood and childbirth. A female figure rises from the earth, howling like the ancient Greek goddess Gaia, who birthed the entire world.
The idea of human creative potential becomes complicated with the dark suggestion of our mortality. A mother nurses from a wheelchair, her skeletal legs and decaying infant painted in dried blood, reminding viewers that with life comes inevitable ruin. Laid upon a cross, a woman bears the suffering of Jesus, her abdomen radiating light while her vulva appears to be ominously stitched shut.
The introduction of religious imagery helps resolve the tension between death and birth. Borrowing shapes and floral imagery from early Christian painting, Castiglia implies a connection between death and eternal life. In sacrificing his own blood, the artist fills not a Holy Grail but a canvas, elegantly preserving his own flesh for our consideration. (via HuffPost, ABC, Oddity Central, and Tumblr)
Anne Lindberg is interested in creating work that resonates with non-verbal primal human conditions. Seeking to make work that is subtle, rhythmic, abstract and immersive Lindberg finds beauty in creating disturbances by layering materials to create varying tones, densities and pathways.
The architecture and design practice, Serie, created an amazing installation for the Maximum India Festival on the ceiling of the Monsoon Club at the Kennedy Center in DC in 2011. Incorporating over one million threads the piece is a 3D carpet that was inspired by the traditional flat woven rugs in India (Dhurries).
Gabriel Dawe’s breath-taking, mind-bending large-scale installations are made out of nothing but thread. The works are created using sets of string that can be up to 50 miles long. They play with space, dimension and perception.
Brian Wills is also interested in perception and rhythm and the way the brain processes pattern. His hand-made works are created by individually winding threads around board, or other material. Creating dynamic surfaces his works are engaging and beautiful.
French artist Sebastien Preschoux makes thread installations in sections of the forest. Capturing the installations for posterity via photography the results are stunning. We imagine the works sitting quietly in the forest, as if created by a spider from another world, delicately vibrant against the natural backdrop waiting to be discovered.