Tabloid is everything you want in a documentary, a wacky, eccentric protaganist, engaging visuals and a few twists and turns. Errol Morris (GATES OF HEAVEN, THE FOG OF WAR) brings us a story that’s “the kind of thing where he finds an article in the newspaper about something weird or quirky, then gets interestedin it and investigates.” And if you’ve ever wondered about a snippet you read in passing, you’ll thoroughly enjoy Tabloid- about Joyce McKenna, the world’s first Tabloid Femme Fatale, a beauty queen with a high IQ and a bone to pick with the Mormon Church.
Swedish illustrator Niklas Lundberg AKA Diftype creates dense digital collages that transport you to another world where everyone and everything is constantly changing, morphing, and manipulating. His alternate digital worlds are so convincing that I wonder if even his business cards shape shift once they exchange hands. Guess I’ll have to go to Sweden to find out.
Carnegie Mellon grad Cassandra C. Jones makes work that embraces the digital photography + social web revolution to the fullest extent. She combs the web for pictures that fit whatever project she may be working on (above, wallpaper made entirely from images of flamingos), many of which end up being amateur digital snapshots uploaded to Flickr or other photo hosts. Taking this found photography, she creates art – sometimes smart, sometimes clever, sometimes thought-provoking compositions.
Cassandra C. Jones was recently featured on BoingBoing Video. The interview, which I highly recommend watching, is after the jump, along with some more images of her work.
The idea of finding and re-sharing images on the internet is nothing new, but sometimes someone does it well enough it’s worth talking about. Canadian artist Wyatt W.’sDeath In Rainbows tumblr is not the usual loosely connected (or completely random) mess, it is broken down into meticulously curated sets of fascinating images. This care and direction create an experience that is both focused and full of surprises.
If there is an artist known for documenting other artists’ work habits and studio spaces, it’s Joe Fig. Definitely do yourself a favor and check out the sculptures on his website, they’re amazing. In Joe Fig: New Paintings, up until April 9th at Cristin Tierney, Fig takes us on a detour to another time and has painted dudes you might recognize from Art History 101, and also some that are more obscure. By placing them in scenarios where they are either in front of a mirror and painting their self-portrait, or surrounded by art; Fig has made paintings of people who are looking. Putting us into a position where we are looking at them looking.
As you may know, the people of Haiti experienced a devastating tragedy this week. On Tuesday, a magnitude 7.0 earthquake struck near Port-Au-Prince. Many have lost their lives, homes and loved ones. Text “Haiti” to 90999 to donate money for the Haiti relief fund. 100% of your $10 donation passes to RedCross for Haiti relief. Your cell carrier keeps nothing. This is not scam! Your $10 will go a long way to help those in need. Please donate and spread the word about this simple and fast way to lend a helping hand.
A) Facts are useful.
B) Anything drawn with Sharpie makes us happy.
Young is a design studio based in the UK, and they have dedicated an entire site to making wonderful renditions of daily tidbits, submitted by readers, etc: Learn Something Every Day. Not only are they quite entertaining to look at, but who would have thought that Dali designed something cohesive!?
For her series “Animal Alchemy,” the sculptor Jessica Joslin uses delicate found animal bones and antique metal works to build an array of animal acrobats, who play at balancing on balls and interacting with one another. As suggested by the work’s alliterated title, her pieces present a touching marriage of the biological and chemical. The incorporation of once-living materials succeeds seamlessly for Joslin’s choice to use nostalgic and decorative out-of-date metals; against the rusted filigree of fragmented keepsakes, the time-bleached animal bones appear right at home.
Joslin’s creatures navigate a fine line between fragility and aggression; in a piece titled Troy, the reimagines the deceptively merciful figure of the Trojan Horse, fortifying a spindly neck with bullet casings. Frail skulls wear protective armor as if preparing for some ancient battle. Against the sheen of durable metals, animal bones appear unexpectedly delicate despite their sharp teeth and clawing talons.
With breathtaking precision, the artist allows her bony creatures a single mark of vitality, filling their cavernous sockets with marbly eyes. The careful emotionality of the pieces ultimately makes them more gentle than frightful; the sculptor subtly realizes their personalities and relations with one another through the downcast slant or expectant focus of a pupil. A particularly poignant two-headed tortoise is only given two inner eyes, causing each head to fixate the other without access to a peripheral world. Similarly, a horselike beast gazes upwards balefully, pulling the heavy carriage behind him.
Each piece, beautifully fashioned with discarded bones and obsolete metalworks, performs for the viewer, imploring us not to forget their purpose. Take a look. “Animal Alchemy” is now on display in Scottsdale, AZ at Lisa Sette Gallery. (via Hi-Fructose)