I’m a few days late but I should have posted this video by Spy Films for Valentines day. It explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy. Kind of romantical if you ask me. You can also watch the making of the video after the jump!
My friend over at Champagne Valentine recently designed this out-there website for Lost Planet studio. Not your typical web 2.0 approach, the result is instead a more abstract, intuitive and interactive experience. Is this the future of the net? Will the days of Twitter icons and blogs be gone, replaced by ethereally floating moon-orbs surrounded by hands? In their own words, the site “is an experimental online video channel and porfolio showcase for the Lost Planet editing studio. The site is an otherworldly portal into the psyche of Lost Planet where visitors can explore a porfolio of work via a bizarre planetary interface. “
Some people can ooze out style every time they pick up a pencil or pen. Tim Head is one of those people. His beautiful illustrations of odd fellows, demented chicks, and fast cars have pounds of style yet look effortless. If art making was an easy breezy vacation in Hawaii then Tim would be the big kahuna.
Shan Hur‘s sculptures interact with the gallery space in a unique way. He embeds his sculptural work inside walls and pillars throughout the space. Each piece almost seems if it is in the middle of being excavated right out of the gallery wall. In this way the sculpture brings the entire gallery into the work of art, and by extenstion its visitors. Interestingly, Hur says of his work:
“One of the issues I have focused on is how to reduce the burden of the volume of sculpture. I then connect this mass to its surroundings, but not just as part of the whole. I think sculpture should communicate with its circumstances.”
Photographer Will Adler‘s charm lies in his easy, laid back shooting style. Not all of his photos are entirely in focus; some are over exposed, others under exposed, but these imperfections relate his stories all the better. Adler also takes advantage of Santa Barbara, where he lives, by documenting surfers, the coastline, and hilly landscapes.
Brett Reichman has been pursuing an increasingly sexually charged direction with his painting. It’s clear that his subject matter is an important aspect of his work. But just as important is how visceral this stuff is. I get the feeling that Reichman’s skill with a brush allows him to communicate any message that pleases him, no matter what the content might be. This looks like one of those cases where you especially have to see a work in person to fully experience it. Brett Reichman is based in San Francisco.
Swedish artist Michael Johansson is probably the undisputed master of 3D Tetris. Look at how all the parts of that machine fit into each other! I love his play on the idea of materials and their assembly in the creation of average household and office-hold (?) goods- returning them to nature, bringing them out of nature…popping them out of and retuning them to their molds.
Remember the urban legends that Disney movies had ‘sex’ written in the stars or that Aladdin whispers “good teenagers take off their clothes”? Artist Jose Rodolfo Loaiza Ontiveros took that imagery to heart, and much further, in his series Dishollywood. The artist depicts Disney characters in rebellion, experimenting with substances, sexuality, or pairs them with pop-culture icons. Ontiveros is trying to show that these characters are ours to experiment with, and that we may appropriate them as we like, and combine them with what we like, to create new and contemporary characters.
“It is a collection of visual curiosities that pushes the audience to reimagine the world of pop as a personalized mash-up with the freedom to merge situations, rewrite the script, and provide new dialogue in alternative scenarios to tell new stories.
DisHollywood is also a barometer for measuring our tolerance and acceptance levels; a new way of observing the “happy ending” that trumpets the time of equality is now. In contrast to the baroque fantasy implied by the original, idealized presentation of these characters, a new context of social vulnerability shows the darker side of our contemporary society.”
Some of it does demonstrate the degenerate side of our culture. Tiana – whose name is suspiciously close to Rihanna’s to begin with – is shown as a mashup with the pop-star, with bruises on her face, presumably post-Chris Brown. In a way the images do a good job of highlighting our sometimes-questionable behavior without lecturing. The characters who are originally totally pure, are defiled, making them more real, and also making our reality seem darker in that contrast. It’s also just hilarious to see Minnie Mouse and Daisy Duck taking hits from the bong, though. (Via Huffington Post)