The Billbored series of artist Dan Bergeron (also known as fauxreel) undermines the all to common visual language of advertising. His hijacked billboards, particularly his series featuring Carl the Plastic Baby, challenges passers-by to consider what they see more deeply. Like much of his work, Billbored investigates identity, consumerism, and the places they intersect. Carl the Plastic Baby, for example, playfully offers an an easy alternative to actual children. A website accompanying the billboard offers visitors the opportunity to buy a “child” of their own – their very own Carl delivered to their home.
Bristol artist Camila Carlow creates these lovely renderings of human organs by foraging for wild plants, weeds, and the occasional animal part and then sculpting and arranging these various bits of flora. Her series, entitled “Eye ‘Heart’ Spleen,” recontextualizes images of organs such as a heart, lungs, stomach, uterus, liver, and testicles, demonstrating the reflection of internal biological structures with external natural structures. From Carlow’s site, “This work invites the viewer to regard our vital structures as beautiful living organisms, and to contemplate the miraculous work taking place inside our bodies, even in this very moment.” You can order prints and keep up with this particular project’s developments via its Facebook page. (via unknown editors)
Beccy Ridsdel, a UK based ceramicists makes an interesting and truthful (to some) statement:
I know we all have our own opinions, but I think craft is technical and art is meaningful (or a reason for being made, beyond the thing itself). Overly simplistic? Probably, but for ceramicists this can be a big issue as ceramics is almost universally seen as craft regardless.
Ridsdel poses an interesting question here, one that not many contemporary artists are asking themselves simply because we are living in a world were art, for the most part, is conceptual. But what happens when someone like Ridsdel, who has the ability to make pottery, or plates, in this case, wants to make her craft both functional and a conceptual art piece?
I chose to make a series of definitely craft objects – bone china plates, mugs, jugs – and ‘dissect’ them.
Here, Ridsdel presents to us an interesting series of ceramic pieces that shows both her craftsmanship but also her creative thinking process. These endearing and fun plate and tea cup sets allude to something more than just eating and drinking. While still remaining functional, the cups and plates work as a signifier that brings to mind ideas of surgery and cosmetic alterations. This concept is ingeniously embedded within the multi-layers plates, and the surgical tools placed near them. (via Colossal)
Designer Noa Raviv‘s “Hard Copy” collection has been bending space-time as well as turning heads all over the fashion world. Raviv revs fashion up into high tech: She uses 3D printing technology to create the vectors, grids, and curved polygons that act as the centerpieces of her futuristic dresses.
At first glance, her collection looks like something Escher would come up with if he had gone into outer space — and learned to put the pedal to the metal on a sewing machine. Raviv’s 3D-printed dresses utilize negative space and evocative bold lines that abruptly end, a trajectory to nowhere. Some mark outlines around the stoic models, almost reminiscent of cut-out paper dolls.
If you were to describe Raviv’s designs as purely brainy, though, that wouldn’t be entirely correct either. Her pieces are mash-ups of the classical and the plugged-in modern, organic yet precisely calculated. The recurring hollow grid pattern seems to inevitably draw a comparison to wire frame mannequins, perhaps implying that the work is incomplete with the wearer, who — in this case — gazes archly from amidst blossoming toruses and geometric anemones.
According to Raviv, she wanted to explore “the tension between the real and the virtual, between 2D and 3D.” After having won the 2014 Finy Leitersdorf Prize for her creative efforts, it would seem that her experiment was certainly a triumph.
Berlin Based artist Deenesh Ghyczy creates Soul Out, a series of oil paintings that deal with the concept of out-of-body-experiences. These hazily surreal and unusual but stunning portraits feature a clear image of a concept that is often questioned by many. Through his paintings, he intends to blur the boundaries between reality and the figments of one’s imagination in order to give the viewer a chance to really visualize what such a thing would look like.
The painterly, yet realistic work displays each subject as a person with multiple existences. The overlapping lines and repetitive facial features allude to different levels of spiritual and/or physical realms. We can say that one of these levels is the physical space in which their current physical form exists, while the others are extension of the physical, perhaps a place in which the soul (an immaterial entity) meanders freely, with no restrictions from the materiel world.
Ghyczy’s previous works appear to be concerned with the multiplicity of the self, as well as inner reflection. His work often evoke feelings of serenity and contemplation as well as feelings of uncertainty and apprehension towards these abstract but very ‘real’ concepts.(via My Modern Met)
Craigslist’s missed connections is addicting for multiple reasons. It’s easy to spend all day reading about the possible love stories that surround us all day, and its also nice to read about people that may or may not be more desperate than yourself. Either way, Sophia Blackall’s illustrations of missed connections is the perfect accompaniment to otherwise image-less stories.