What looks like a beautiful abstract watercolor painting is something else entirely. Cheeky artist Ross Sonnenberg lets out his inner wild child and lights fireworks in his darkroom to create these intensely colorful one-off photograms. Using photographic paper, gel, sand and light, he sets up the experiment and lets chance take it’s effect on the paper. Interestingly enough, the images he creates resemble galaxies, or close up views of our solar system. Full of different layers and textures, his work definitely looks celestial, and featuring a big bang of some kind. Sonnenberg writes:
I have always been fascinated by the planets and stars, looking through telescopes and wondering what these far off places might look like. With this series I have tried to create imaginary solar systems and super novas using different materials, and fireworks for my light source to make one-of-a-kind camera less images directly onto color and black and white photographic paper. Like the darkness in outer space, I work in the dark to create images that mimic the interstellar places that I always dreamed about going to as a kid. (Source)
His past two series featured the experiment on different scales – Color Bang features the technique on a smaller scale, using pieces that are quite small, and Long Bang involves using larger pieces of paper and stronger fireworks. Have a look at his technique in the video above, and if you are feeling bold, you could try it for yourself.
Mike Carr, aka China Mike, has previously been known for his photorealistic paintings, but has since ventured into the realm of abstraction. Using a variety of media such as spray paint, acrylics, oil pastels, and charcoal, Carr’s work captures a particular lack of constraint and fluidity that seems to spill out of the canvas, evoking a whimsical energy. Carr started out as a graphic designer, but embraced the medium of paint to escape the limitations of digital based media. “Process is as important as the end result. I don’t really feel a pressure to create realistically defined images these days. I want there to be a playfulness in my work, to not get bogged down in mechanical routines”. Carr is based in Bristol, England.
London based artist Rachel Dein creates fossils from everyday objects. She allows herself to preserve tangible pieces of the present as keepsakes for the future. The simplicity of the work adds to its honesty and preciousness. Dien studied as a propmaking apprentice at the English National Opera, giving her quite a extensive knowledge of object creation. Her “fossil” project began with the desire to preserve a sentimental bouquets of flowers. Her process has now blossomed into a practice of creating beautifully adorned tiles. She takes cherished, perhaps fleeting, objects and allows them to exist eternally. Her work is created with a fairly basic form of casting, yet allows her to capture delicate and intricate details. She learned the process from a glass blowing class in art college, during which she was told to press shapes into wet sand and pour molten glass over the impression. After that, she began experimenting with clay, plaster and paint, and found her way to the tile making process she uses today. Each of the molds she creates can only be used once, and therefore each piece is a unique, personalized object. Her work is undoubtedly graceful, and in a slight sense, almost whimsical. The process of casting has a long history, and despite her creating in the preset, her objects tend to feel as if they have come from a deep rooted past, truly capturing the feel of being a “fossil.” (via deMilked)
Hello to all you Futurists out there! We want to let everyone know that our Future Perfect project is heating up with only 21 days left until the submission deadline. We, here at B/D, want your future to work out perfectly so make sure to submit your work before the March 29th deadline to have your art featured in Beautiful/Decay Book 6!
Create your vision for a better tomorrow and get featured in Beautiful/Decay book 6.
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 29th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
All of Alex Kisilevich’s photos are mysterious, quirky, surreal, and dark which meets all of my requirements for a great image. Alex has so much good work on his site that it’s hard to choose what to post. I went ahead and went with his most recent body of work titled Kalima but i couldn’t resist tossing in a few of my faves from other series towards the end of the post.
Nancy Fouts seeks out varied objects that she marries poetically, to transform each one into a surprise version of itself. Make sure to see Nancy’s upcoming show at Pertwee Anderson & Gold in New York City in August.
Sean Fader’s background in performance had a heavy hand on the focus of his photography. His consistently conceptually strong pieces of work usually deal with the identity of his self, and the self perceived by those around him. What originally drew me into his work was his series, I Want To Put You On, where he explores the idea of becoming the people he personally admires.
Jesse Harris may be the hardest working man in business of being punker than you. As both a vinyl signmaker and fine artist, Jesse is a great example of the DIY aesthetic perfected. Creating work that is both questioning yet precise, there is no doubt to Jesse’s intention- the message is the medium.