A Reason to Live Lowbrow Art Exhibition opens this Friday, June 4th, at Coalition in little old San Luis Obispo, CA. The DIY-style event, intended to inspire future collaboration & support for this small but thriving local art scene, will exhibit the most “interesting and provocative” artists from the area. The Lowbrow show is part of the city’s Art After Dark gallery walk – held the first friday of every month – and will certainly be a stroll off the beaten coastal-landscape painting path. Featured artists include Lisa Harrison, Steve Taggard, Gary Ellsworth (a.k.a. Sawdust), Joshua Jesse, Brittany App & more. Local art, live music, great company and some good old fashioned lowbrow fun!
Photographer Ramona Zordini creates images that tastefully and powerfully channel sexuality and eroticism between lovers and oneself. Zordini is interested in both showcasing pairs of naked bodies floating on murky water as they interact with one another and portraits of single bodies as they emerge from whitish liquids. Although Zordini’s sensual photography carries an undeniable sexual energy, they embody an aesthetic that resembles organic textures and lines, as well as a concepts (of love, sex and self-discovery) that are poignant and relatable.
In her recent series, Changing Time III, Zordini creates images of posing nude couples in a variety of positions that imply imitate moments. A man wraps his arms around a woman who curls up, head down, under water. In another photograph, a man with an undercut wraps his arms around his nude partner who faces upwards and appears to be pushing against a confining force. Their legs intertwine and one feels their desperation, their need to cling and hold on to one another. The aesthetic and composition of Changing Time IIIrepresent a clear development from the Italian artist’s previous engagement with the human form as beauty and sculpture, into a more nuanced interest in the body as communication.
Zordini’s earlier works, on the other hand, feature single bodies and complex colors and compositions; these are more intriguing and less straightforward that the couple shots. In many of these photographs, a single female twists and contorts her body to reveal a breast, hand, or leg above the obscuring smoky surface. (via Hi-Fructose)
According to religious nut jobs the world is ending apparently this Saturday. Here’s a video of what the chaos, looting, and explosions that will engulf our lil planet will look like.
Erika Sanada is a Tokyo-born, San Franscico-based sculptor whose supernatural animal creations traverse the boundary between dream and nightmare. In many ways, her creatures seem soft and gentle — the colors are pale, the textures soft. However, many are riddled with terrifying bodily anomalies: dogs with several rows of fangs, others writhing in agony and tearing at their own skin, and mutant birds bursting out of torsos and faces. The blank, dead eyes of the animals further add to their moral ambivalence; without the pupil — that center of consciousness — their eyes could be those of a gentle, all-seeing spirit, or of the soulless undead.
Whether it is their eyes, human-like skin, or abnormalities (some of the animals appear to be painfully conjoined to others), Sanada’s creations rattle with uneasiness; they are both endearing and unsettling in their suffering and strangeness. In her Artist Statement, Sanada identifies her own experiences with anxiety as the source of her inspiration. “I worry about everything, even tiny things,” she writes. “Anxiety drags my mind to the dark side, which is more powerful and intense than my bright side.” Instead of being paralyzed by such fears, Sanada decided to confront them by molding them into beautiful, hideous life; it is her way of gaining control over her anxiety — and indeed, in embracing her own darkness and transforming it into art.
Sanada recently exhibited at Antler Gallery in Portland, Oregon, and will be showing again at the Flower Pepper Gallery in Pasadena, California, this Februrary. Check out Sanada’s website for a stunning gallery of her beautiful and tortured dream-creatures. (Via Design Faves)
Syrian artist Khaled Takreti is the spotlight of a new exhibition at the prestigious Ayyam Gallery in Dubai, debuting today and running through November 29. Although known for vibrant, saturated canvases, which seem to conjure the ghosts of Modigliani, Matisse and Warhol, his new exhibition presents a softer, more subdued approach; Takreti toning back his pigment-happy habits with a muted palette of earth tones and the occasional dramatic splashes of color in order to present a more realistic view of life. It is, in fact, Takreti’s own view of life in his homeland of Syria–the interpretation of which, with Takreti’s dramatic vacant spaces and quiet colors, is left entirely up to us.
One of the most talked about trends in the creative community is 3D printing and its potential. A collaboration between the Institute for Advanced Architecture of Catalonia and Joris Laarman Studio created a machine that is perhaps more appropriately considered a 3D drawing tool called Mataerial. The machine extrudes a thermosetting polymer: a material that, due to a chemical reaction, comes out of the nozzle virtually dry and set. This means that Mataerial is able to construct designs without the need of a level base. The tools creations can even be extruded of a vertical surface, directly off the wall. [via]