Swedish artist Leif Holmstrand’s oeuvre is filled with crocheted and knitted sculptures, terrifying performances, washing line installations and dangling babies. He also writes excellent poetry- an artist and writer who puts Malmo on the Sweden Maps and in the very near future on the world map!
Torafu Architects has installed an interactive haunted playhouse in the Museum of Contemporary Art in Tokyo. Paintings move, portrait eyes dart back and forth, and children climb through picture frames installed at the museum. A secret passageway exists within the installation, allowing children to interact with nearly all of the featured art, most of them re-creations of classic works. Museums and galleries are usually places reserved for more serious contemplative reflection, discouraging touching and interaction of any kind. Torafu Architects has transformed this perception, creating a space that encourages engagement and creativity. Be sure to check out our previous post about Torafu’s kid-friendly designer information kiosk here.
We’ve all seen the “Before and After Photoshop” versions of photographs, displaying the ways in which various media distort our perception of ideal beauty. But what would these images look like in other countries? With her series Before & After,Esther Honig, a radio journalist based out of Kansas City, asked just that. With the help of Fiverr, a website for freelancers, she got in touch with artists from forty different countries; emailing each a self-portrait, she wrote, “Hi, my name is Esther Honig. Make me look beautiful.” When they did not understand the assignment, she simply told them to make her look like the most popular fashion models.
When artists from twenty-seven countries replied, she was astonished with the results. Some edits were so dramatic that she yelped aloud; others, like the image from Morocco, in which she was given a hijab, stole her breath. Some cultures favor a bare face where others apply makeup. Perhaps the most shocking aspect of the work is the overwhelming presence of Western feminine ideals: pale white skin, pink cheeks, a dainty nose, and wide eyes contoured with trimmed brows.
In the end, the series expresses the extend to which often oppressive beauty ideals are meaningless; where a woman is declared beautiful in one culture, she might be plain in another. Yet for all women, regardless of ethnicity and background, the pressure to be beautiful remains, propagated by the whims of the contemporary media. Writes Honig, “Photoshop allows us to achieve our unobtainable standards of beauty, but when we compare those standards on a global scale, achieving the ideal remains all the more illusive.” (via Buzzfeed)
Boston born and Brooklyn based, Leah Oates, examines how wires cross between elapsed worlds, over time, abstracting the most mundane views into beautifully muddled masses of illuminated energy.
Comparable to dust settling, each seemingly frenetic thread of line and light eventually condenses and glides into an artful circadian rhythm, conceptually, awaking a reaction or need to absorb the shock of our own projected velocities.
Of her work, Oates states, “Transitory spaces have a messy human energy that is always in the present yet constantly changing. I find them endlessly interesting, alive places where there is a great deal of beauty and fragility. They are temporary monuments to the ephemeral nature of existence.”
Lotta Mattila is a Helsinki-based Finnish sculptor who is currently the artist-in-residence at Skylab Gallery in Columbus, Ohio. Mattila finds meaning in the contradictions between her sculptures’ form and their content (a literal battering ram made of glass), and uses those material contradictions to comment on human nature, often by punning off of Finnish sayings.
Mattila’s Skylab exhibition Gravitation opens Friday (11/30) and runs until December 10th. Gravitation takes the “weight of the world” – its physicality and heaviness when one is depressed – as its central metaphor. More of Mattila’s work can be found after the jump.
A fairy tale, the garden of Eden and Hell. Hieronymus Bosch was a painter (ca. 1450 to 1516) from the Medieval era representing fantasy landscapes with imaginary and bizarre characters. In one of his most famous painting, ‘The Garden of Earthly Delights’ he depicts in a triptych, a multitude of religious symbols blended with amusing dark isolated little scenes.
Hieronymus Bosch’s style is childlike and at the same time stern and serious. On the left side of the triptych, a religious scene. G.od is presenting Eve to Adam in the quiet and peaceful garden of Eden. What is looking like a traditional scene seems in fact to represent the beginning of life and its debauchery. The following part of the painting shows the consequences of a story we know too well nowadays. That is, the story of Adam eating the forbidden fruit and sent with Eve to another land. A land where nothing is in order. Birds and fruits are bigger than humans and seem to have dominated. The animals are feeding the humans. Which, from the look on their faces, are acting like zombies. We are looking at submissive and obedient individuals satisfying their primal needs, mating and eating. The last part of the triptych depicts macabre and violent scenes. The decline of corruption through the representation of hell. People are being tortured and murdered by the animals and other hybrid creatures. Knives, swords and arrows are completing the disastrous landscape.
The set of paintings is ultra-detailed and furthermore for an artist living in the Medieval era. This looks from afar like a tale for children. The naive colors and the rounded shapes makes the art piece easy to watch. That was probably the first intent. The second was to maybe address a message indirectly to the viewers. The story of Adam and Eve disobeying from their original paths and its inevitable deadly consequences is shown to the public. The context of the paintings are unsure but what is unquestionable is the talent, vision and beautiful imagination of Hieronymus Bosch.
The triptych, 20 paintings and 19 drawings, will be displayed at Noordbrabants Museum in the Netherlands as part of the ‘Hieronymus Bosch: Visions of a Genius’ exhibition from February 13th to May 8th 2016. (via Juxtapoz)