Interview Project is a new web-based video series presented by David Lynch and created by his son, Austin Lynch, as well as Austin’s friend, Jesse S. Austin, Jesse, and their team took a massive road trip around the US, traveling on back roads and interviewing the people they encountered. Some of the interviews are striking for the crazy stories they have to tell – one man, Tommie Holiday (pictured above), talks about his true love who is in jail for killing an ex-boyfriend. Other people have more ordinary stories, like Clara, who is a mother and grandmother to a perfectly lovely flock of offspring in Colorado. They all, however, have some rather profound things to say about life.
Unfortunately the videos were rather difficult to embed, so you can either see some video stills after the jump or click here to go to the Interview Project site.
These awesome’s just opened at Whitecross Galleries new salon exhibition in London. Phototoxins: Straniero’s ongoing series of manipulated photograpic images (fried in oil, dipped in hot lava). Stay tuned. The next series is film AND digital manipulation. Please fry your computer in hot oil. ;D
Photographer Rebecca Rütten is interested in the paintings from the Renaissance period and contemporary fast food culture like Taco Bell and McDonalds. You wouldn’t think that the two would intersect, but in Rütten’s series Contemporary Pieces, they do. The German artist combines elements of the traditional with greasy burgers and fries. ”I became enamored with the eroticism, presentation and charisma of paintings from the Renaissance Period. In the Late Renaissance, Italian and Dutch painters dealt with the middle and lower classes,” she writes in a statement about the work. To Rütten, fast food represents the two social groups. “To eat healthy is expensive,” she continues. “However, one can buy large amounts of food at a fast food restaurant for a comparatively low price.”
Rütten asked tattooed and pierced friends to model for her and recreate the poses of laborers, gypsies, and prostitutes in Caravaggio paintings. The exquisite and dramatic images are simultaneously beautiful and repulsive. For every flower or fancy goblet there are mounds of saturated fat. It’s not only a culture clash, but a fusion of foodstuffs associated with lower class and fine items for the upper crust of society. (Via iGNANT)
Yellena James uses pen and ink to create truly exquisite forms. What starts out as a single shape or line blossoms into magnificent mushroom-jellyfish hybrids, feeding my affinity for all things under the sea! Her artwork has been so perfectly described as “colorful arrangements of organic shapes and tangled lines (which) are at once floral and alien, organic and sci-fi, crafty and fantastic.” With each piece she tries to “create an intimate world that posesses its own ethos and its own emotional range.”
She’s done illustration work for clients such as Anthropologie and Nike, and her work has appeared in numerous art and design resources and publications like Vogue Australia and Giant Robot.
Covert Operations: Investigating the Known Unknowns, curated by Claire C. Carter, recently opened at Scottsdale Museum of Contemporary Art(SMoCA), occupying the museum’s four exhibition spaces with intense focus. Encompassing digital media works, large scale photography and interactive installations, the exhibition questions what we know and what we think we know.
SMoCA writes: “Covert Operations: Investigating the Known Unknowns is the first major survey of a generation of artists working in the violent and uncertain decade following the 9/11 terrorist attacks to collect and reveal previously unreported or under-reported information. This group of international artists includes Ahmed Basiony, Thomas Demand, Hasan Elahi, Harun Farocki, Jenny Holzer, Trevor Paglen and Taryn Simon. They use legal procedures as well as traditional research methods and resources such as the Freedom of Information Act, government archives, field research and insider connections. The thirty-seven artworks included in Covert Operations employ the tools of democracy to bear witness to attacks on liberty and to embrace democratic ideals, open government and civil rights.
Dogs of all shapes and sizes have hearts of gold, and yet it’s said that black dogs are routinely ignored and denied adoption based on the color of their silky fur. The photographer Fred Levy hopes to shatter negative stereotypes about the dark hued animals, perpetuated throughout our culture perhaps by the ominous depictions of the creatures in media, with the Black Dog Project. Capturing furry friends ranging in age and experience, the artist pins his regal subjects against a black backdrop, narrating a poignant story of canine love and courage.
Set against the soft darkness behind them, the animals appear lonesome and curious. Presumably told to sit for the shot, they cock their heads, let drop their downy ears, and look to the viewer for approval. The moving, miraculous tension in the animals’ bodies recalls the ever-willing canine anticipation the blessed “come,” a nod of recognition, an offer of affection, a release from being alone.
Levy’s stunning lighting records the nuances of the black fur, celebrating the shade that is so often overlooked; the silky stands catch the light in such a way that haloes their faces, gives heavenly, royal meaning to their curved backs and furrowed brows. Levy maintains each subject’s rich personality; the wizened senior Faith perks up her ears, and the therapy dog Max patiently holds our gaze with intent amber eyes.
Says Levy of the project, “I’ve found that it’s really important to share the idea that there are always so many dogs in need of a good safe home, regardless of what the dog looks like […] Maybe someone will see this and consider the gravity of owning a pet, no matter what color it is.” To learn more about the Black Dogs Project, check here, and take a look at some of the enchanting photos below. (via Huffington Post and Design Taxi)
I’ve never been a big coffee drinker (chocolate soy milk is my beverage of choice for me) but Black Gold had me wanting to kick down the doors to my local coffee shop and spray paint “Fair Trade Now” all over the walls. Black Gold documents one mans efforts at bringing fair pricing to the coffee farmers of Ethiopia who make less than a dollar a day growing al that delicious coffee that we pay $5 a cup for. It’s depressing to know that the farmers of one of the worlds most popular drinks are literally starving to death and can’t afford the basic necessities that we take for granted like shelter, water, and education.
Watch this documentary, only buy fair trade, and demand that your local coffee shop only support coffee brands that pay a fair wage.