Network Osaka is a graphic designer. That’s pretty much all I know about him or her. I don’t think they’re from Japan. They’re either from California or Mexico. Past that, Network Osaka has done some really nice print work, often employing a straightforward modernist aesthetic without seeming too derivative of the old masters.
I guess you don’t want to talk to me anymore is the name of an ongoing project by photographer Kelly Shimoda. The project, published as a blog, consists of photographs of text messages captured on the phones they were received on. In these photos, we get a voyeuristic look into the lives of the sender and recipient, and are led to question the ramifications of this (fairly) new method of communication, in which the message is inevitably boiled down to its essence due to the 160 character length of an SMS. These photographs are a bit hard to read when shrunken down, so you can click them to view full size or check out the blog, linked at the beginning of this post.
When I first saw Jennifer Sullivan’s work I didn’t like it. But after looking at it for a few days it’s slowly growing on me. At first glance the paintings may seem naive and referencing the late 90′s craze of “bad painting” but I think there are some interesting things going on in the work that deserve a closer look.
And is an innovative design studio operating across a diverse range of creative mediums. Their philosophy is rooted in the foundations of creative ideas, capable of satisfying both our client’s needs and extending the boundaries of visual communication. Developing quality outcomes for jobs of all sizes and complexity is our passion. Visit their portfolio to view a wide array of projects with a solid focus on print design.
Paris-based Lebanese Illustrator and artist Lamia Ziadé has a “Pop Art” style identified by bright patterns and childishly feminine materials. She is a fan of playing with the historically and socially inappropriate- depicting women flaunting their sexuality, engaging the viewer’s curiosity in the subject’s (often deadpan) gaze. Her work seems to also be concerned with war: she participated in an exhibition titled “Hotel’s War”, addressing the 1970s when different militias involved in the war took over several luxurious hotels in Beirut and forcefully transformed them into their own territory.
Yusuke Ishikawa captures “life” in the shining and dazzling facets of his paintings. I’ve always been fascinated with diamonds and crystals and find myself spending hours on the internet just looking at them for no particular reason (it’s not because I’m a girl). There’s something about the hard edges in these paintings that look perfect to the eye but you know that they could never be as precise as the real thing- the element of possible human error and uncertainty makes these paintings soft and interesting as well as beautiful.
Anton Gerasimenko‘s single paged web-works uses functionalities and traits of the internet browser in surprising ways. He turns the aesthetically mundane objects which are essential to any sort of online activity, tool bars and radio buttons, into subjects of these small sites. Each page has few to no links- when there are links, they transform the screen into a maze of pop ups, and when there are none the window seems to become a movie screen.