Boston born and Brooklyn based, Leah Oates, examines how wires cross between elapsed worlds, over time, abstracting the most mundane views into beautifully muddled masses of illuminated energy.
Comparable to dust settling, each seemingly frenetic thread of line and light eventually condenses and glides into an artful circadian rhythm, conceptually, awaking a reaction or need to absorb the shock of our own projected velocities.
Of her work, Oates states, “Transitory spaces have a messy human energy that is always in the present yet constantly changing. I find them endlessly interesting, alive places where there is a great deal of beauty and fragility. They are temporary monuments to the ephemeral nature of existence.”
I have a soft side for artists and designers who emerge from the punk rock/DIY scene. It’s probably because I grew up going to punk shows, making zines, and not fitting in with my own boring suburban surroundings . So when I opened my inbox and saw the work of Wasted Rita I immediately was drawn into her world of teen angst and brutal honesty. It reminded me of the same energy my friends and I had when we first started Beautiful/Decay. Thanks for keeping the dream alive Rita!
Matthew Nicholson makes a wide variety of thing from photographs of bananas in his pants to paper security cameras. No matter what he’s doing he makes sure to have fun. That fun comes out in his work and is passed on to the viewer. Lucky you…
Segawa 37 pays tribute to Japanese art by creating Gifs from the original work of traditional Japanese woodblock prints, “pictures of the floating world’. Most of the time, he only animates a few parts, adding a realistic and modern add-on to the art piece. In other images, he blends in futuristic elements, denaturalizing the first intention of the historical painting. Originally, Japanese woodblock paintings, also called Ukiyo-e, were depictions of everyday scenes in Japan. Affordable, they represented the possibility for the mass to access art. Segawa 37 gives a new life to these prints by altering their core. From hyper realistic to surreal, the artist offers to the modern world a new way of looking at a classic form of art.
The most emblematic representation of Japan, a contemplation of movements; calm and serene, but always intense remains within those wooden prints. The artist’s reinterpretation of Katsushika Hokusai’s images is disturbing the stillness and tranquility of the scenes. The Shinkansen, a Japanese high-speed train is passing by travelers resting at a station, a person is driving a segway in the middle of a road field, a couple of people, watching mount Fuji are also seeing a extraterrestrial flying saucers passing by. What is meant to be admired in almost a meditative state is now entertaining.
The incredibly detailed pen and ink illustrators of Toronto based artist Paul Jackson take on the form of animals and humans, with their insides ascending from their bodies. His rendering of skeletal structures of wolves, dinosaurs, and humans is anatomically something to be admired. His illustrations have a dark aura, as he portrays different animals with layers of organs erupting from their skin. We can see Jackson’s well-refined skill in the very believable texture of the fur, skin, and bone in his work. Each illustration remains very realistic, despite their mystical nature. His creatures are like spirit-animals that are attempting to rise out of their earthly shell, erupting out of their exteriors.
There is a strong element of life and death his Jackson’s work, as many of his drawings contain half living creature and half skeleton. Pushing this boundary of the living world even further, many of Jackson’s works contain a visible “glitch.” There is a disruption in the composition. A face slowly turns into waves of “white noise,” like a sound wave encountering interference. This interference literally blurs the line between a creature, like Jackson’s bear, that is alive, with one that is dead. The artist has created his work on a large and small scale, and even has many of them available as prints, t-shirts, and patches. Make sure to check out his website for more astonishing illustrations and a great time-lapse video of the artist in action.
When Gregory Ito is not attending to Ever Gold Gallery (which he co-founded and co-owns) or The San Francisco Arts Quarterly (of which he is the co-founder and editor) he produces fantastic mixed media installations. I especially like how he often presents the viewer with a painting and the physical realization of the object depicted in the painting simultaneously. In his own words celestial imagery “…references the humanly spiritual connection to time and the eternal…” Ito’s work evokes a physical representation of time and attempts to initiate dialogue about our search for meaning on earth.
Hedi Xandt is a multidisciplinary creative who has a formal graphic design education, but doesn’t see himself limited to this field – his work takes the form of fine art paintings and sculptures. Xandt’s three-dimensional pieces are visually powerful and conceptually compelling. They feature busts and skulls composed of gold-plated brass, polymer, distressed black finish, and marble. The gold acts as an accent that adds an element of terror to the work, such as giant spikes or dripping blood.
The skull and bust are symbols of both art and humanity, and the aggressive nature of Xandt’s sculptures makes it appear as if he is rejecting these classical notions. The sleek and stylish “killings” coincide with his philosophy about creative spirit. Instead of mastering one thing and sticking to it forever, Xandt favors a more fluid approach, writing:
I think that the main and most important aspects of my work are creativity and concept. Being permanently on the experimental side of thinking and creating, I seek to add to my skills with every piece I begin. Learning-By-Doing, this awfully overused term, applies to me just as well as Doing-By-Learning. The unison of knowledge and skill provides me with inspiration and a broad foundation to be used as a starting point for any kind of project. (Via Inkult)