With the availability of digital mapping systems, the tabletop globe seems almost like a vestige of ancient times. The globes we do encounter—in our classrooms, or in antique stores—are either cheap and mass-produced or delicate and expensive. In a fascinating project to reinvigorate the art of globe-making, Peter Bellerby of Bellerby & Co. Globemakers is creating globes entirely by hand, from stretching the gores (the strips of paper) and applying them carefully onto the sphere, to painting and illustrating the maps. The process takes at least 6 months to complete, and it’s not easy—without careful measurements, the globe will remain incomplete. Blending science with art, a perfection-derived sense of beauty inspires Bellerby’s work.
Bellerby’s project began when he was trying to find a good-quality globe for his father’s 80th birthday. His options were limited or unsatisfying, so he decided to create his own globe from scratch—an endeavor into which he poured months of research, money, and work. Realizing that there was a lack of globes being made by hand, Bellerby created his studio in 2008. Now, he works with a team of passionate (and patient) artists to bring back this ancient craft, creating everything from mini artisan desk globes to the “Churchill,” a behemoth globe spanning 127cm. His work has been widely recognized, and deservedly so; in an age when Google Maps magnifies and digitally fragments our perceptions of the earth, Bellerby’s globes demonstrate an intimate understanding of and respect for our planet as a whole.
We’ve recently explored the world of creative dog grooming, and now it’s time to turn an eye towards portraits of ornate fowls. Singapore-based photographer Ernest Goh documented the world of Malaysian Chicken Beauty Pageants. Yes, believe it or not, these events exist (because why not?), and are captured in Goh’s tongue-and-cheek titled publication, Cocks: The Chicken Book.
Goh selected the Ayam Seramas breed of chicken for his series, who are known for their beauty. He sets places each creature against a black background and allows their exquisite coloring and patterned feathers shine. These photographs highlight their outward appearance as well as their quirky personality, as the cock their heads and strut their stuff.
On his website, Goh features a quote that’s some food for thought. It’s taken from the famous novel Animal Farm, and it seems very appropriate for this energetic series: “The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.” The results of the colorful portraits are akin to what we’d see if a human had the lens turned on them. With this similarity, perhaps chicken beauty pageants aren’t that silly after all. (Via PetaPixel)
Paul McCarthy’s installation in Hong Kong. Photo courtesy of LAURENT FIEVET/AFP/Getty Images
Tam Wai Ping
This last decade in art has turned out a ton of larger than life sculptural work, specifically in the realm of inflatable sculpture. As adults, we never seem to get over the pure bliss of bouncy houses from our childhood, and as art lovers we are drawn to these works, made from thin plastic that are able to tower over us once filled with air. Artists have used this medium to make shocking and conceptually multilayered statements, such as Paul McCarthy’s “Complex System,” a building-sized pile of poo that made international headlines when it deflated in Hong Kong this past spring, leaving behind quite the brown mess. Other artists have merged inflatable sculpture with architecture and infused it with an interactive element that takes the classic “bouncy house” into a sophisticated architectural wonderland, such as Alan Parkinson (also known as “Architects of Air”) has done with his Luminaria. Other artists included below are: David Byrne, Eder Castillo, FriendsWithYou, Florentijn Hoffman, Chad Person, Tam Wai Ping and Geraldo Zamproni.
This Labor Day Weekend, enjoy the following parade of images that reviews some of the most exciting and celebrated inflatable sculptures that have emerged within the past ten years.
With over 12 years of experience, designer and art director Diddo Velema has worked with a diverse range of clients, such as LABORATORIVM and Modernista!. Having taught at the School of Arts in Utrecht, Netherlands, and having contributed to various international projects like Frank Gehry’s Sentosa and UNESCO’s ICAT project in Costa Rica, Diddo just recently started up his own studio in Amsterdam. He aspires to blur the boundaries among art, design, architecture, fashion, photography, product design, etc. as often as possible. And he does it so phenomenally!
Anton Gerasimenko‘s single paged web-works uses functionalities and traits of the internet browser in surprising ways. He turns the aesthetically mundane objects which are essential to any sort of online activity, tool bars and radio buttons, into subjects of these small sites. Each page has few to no links- when there are links, they transform the screen into a maze of pop ups, and when there are none the window seems to become a movie screen.
Currently working in NYC teaching Fashion Illustration at the School of Visual Arts, Marcos Chin is a renowned illustrator and has been published in many illustration annuals including Communication Arts and Applied Arts. His work is polished yet playful and he can effortlessly create either more realistic or more stylized works, while still maintaining his own unique vision.
A lot of B/D readers are audiophiles and aesthetes, so what do you do when you want big sound that looks great? Introducing Bang & Olufsen’s Beolab 14. This is a space age sound system straight out of Kubrick’s 2001: A Space Odyssey. Compactness is one of the keys to meet the consumer needs of tomorrow – we need more sound in smaller sizes – and that is exactly what B&O have done. The delicate speakers can be fitted into any room and with the subwoofer – or the ‘Tower of Power’ as it is referred to be its designers – which hold six independent amplifiers, the system is complete.
These videos give you a behind the scenes look at all the manpower that goes into creating something that not only looks beautiful but is powerful and built to last.
Artist Ria Brodell aspired to don Freddy Mercury’s tight white jeans and signature ‘stache, and the Miami Vice Dude’s cool calypso-linen pantsuit rather than play princess or tea party. What I love most about her achingly sincere self-portraits posing as dubious icons of masculinity is the tangled web of complications it weaves. What does it mean for a queer woman to paint herself in goache as Carey Grant, a gay man playing a straight man in sexuality-restricted 1950’s Hollywood? Hmm….what do you guys think? Any of you boys rather play with Barbie than GI Joe’s?