Italian based artist team, Carnovsky, unveiled their RGB Fabulous Landscapes during Milan Design Week 2013. Their digital fresco’s were printed using an innovative technique by Italian company graphicreport. In plain light the landscapes, figures, architecture and atmospheres vibrate and the images are tangled with one another.
But when red, blue or green light is applied to the digital fresco’s a whole different series of pictures emerge. In the piece Atmospheric N. 1 the sky seems to be in a flux of sunrise, sunset and storm as the lighting changes.
In Landscape N.1 a room that seems to go back into infinity is taken over by a lush green landscape which then gives way to a centuries old battle scene.
Both the technique and the imagery are compelling and together the juxtaposition creates an ethereal and haunting effect. (via)
German photographer Thomas Kellner‘s contact sheet photo montages deconstruct iconic architectural landmarks and cityscapes. Each of Kellner’s frames are shot sequentially, then printed in the film’s exact order – no cut/paste or digital manipulation – before strips are cut and then placed together. Each final contact sheet montage’s size depends on how much film Kellner uses for his subject – with one roll of film, the montages are only 20 x 24 cm. Kellner first began descontructing architecture using the contact sheet method in 1997, and since 2003, has been photographing and decontructing buildings around the world.
Of his work, Kellner says, “I think I am more of an artist than a photographer. At the moment I am working on architecture, but it is not classic architectural photography. There are definitions in art about ‘construction/deconstruction’ or ‘collage/decollage,’ but I don’t think any of it really fits what I am doing right now, maybe my work is closer to conceptual art or conceptual photography. Many have said it is ‘very Germany,’ and that might be closer.” (via art chipel)
I remember when my mom first told me that the dryer ate socks. I immediately ran and took all of my socks out of the hamper because I wanted to save them. Playing with this idea that inanimate objects have a life of their own graphic designer Yoonjin Lee started the “Little Lost Project.” Lamenting when we lose our iphone, or our wallet, Yoonjin, who calls herself Zoonzin, wondered about the smaller things that go missing. What happens to that lighter that seemingly just walked out of our pocket? Does it miss us? Do we miss it? Does it belong to someone else now?
Giving these small objects a voice and a personality Zoonzin picks up lost objects she discovers on the streets of New York City. She takes them home and makes them little signs. Some forsaken objects are sad, others angry that their owners could be so careless with them, but each has a distinct personality. Zoonzin then takes them back out onto the streets and arranges them; a unique kind of street art. Holding their signs as if they were protesters, or homeless, Zoonzin’s little lost and found objects draw attention and a smile from passersby. Giving a story and another life to those small things we might not even notice we lost, Zoonzin’s Little Lost Project is funny, but also engaging in its commentary about our culture, what we value and how we treat our possessions. You can follow the ongoing project on her facebook or tumblr.
Rune Olsen has created an installation for Johansson Projects in Oakland, CA. The piece addresses the issue of children on leashes, with a nod to Duchamp’s Mile of String. Apparently, Olsen and myself have both become skeptical of this rather primitive method for controlling one’s child. I mean, this is 2010, Lindsay has a scram bracelet, Coco the Pomeranian is accosted with high-pitched buzzing from her collar every time she barks–where are the similar techie solutions to child rearing? Oh right, normally we reserve that sort of methodology for criminals and dogs.
Olsen approaches the issue with a similar sense of humor, while creating a highly confrontational space for the viewer to interact with. A playful installation, addressing a serious concern.
Incorporating a vintage vibrant palette of collectibles, wood, paint, and hardware, Mac Premo, who is also an Emmy Award-winning animator, imaginatively concocts assemblage pieces that feel like personal homages or inventions.
Premo suggests, mash-ups evoke a certain surreal and instinctive attraction where– “Only through engaging in the almost absurd cycle of macro systems do you find things worth living for, like your wife, baseball, or a handsome piece of wood.”
I’m guessing that most readers of this blog are familiar with New York-based artist Cory Arcangel. He is, as far as I can tell, one of the more famous artists currently creating work in that bizarre intersection of technology, low-brow Internet culture, and art. And while I’m a fan of his work in general, I also realize his stuff can be rather hit or miss. So I was happy when I recently revisited his site and discovered his most recent work: Drei Klavierstücke op. 11, which I rather like. The piece is a recreation of Arnold Schoenberg’s composition of the same name, entirely constructed from amateur YouTube clips of cats playing piano.
On Arcangel’s page documenting the project, you can read more about his technical process (it involved audio analyzing software and custom perl scripts), as well as listen to a comparison of an original recording of the piece by Glenn Gould alongside Arcangel’s result. The second two parts of the video are after the jump.
Graphic design and illustration studio Violaine & Jeremy create stunning graphite pencil drawings of animals and people merging with wildlife and nature. Surreal illustrations feature wild and domestic critters propped with various attributes of human world: spectacles, patterned scarves and even Victorian waistcoats.
Another humorous venture by the creative duo, Violaine Orsoni and Jeremy Schneider, is to attach lush flowery beards onto humans and wild animals. The unexpected combination of a fiercely looking gorilla sporting a Garden of Eden-like facial hair is beyond humorous. The idea seems to resonate with the latest trend of men adorning their beards with colorful blossoming flora.
Each piece of the collection demonstrates incredible attention to detail. Perfect technique of pencil hatching and shading brings Orsoni and Schneider’s intricate drawings very close to photorealism. Their studio collaborates on a variety of projects: from visual identity, to album covers, to design of the France’s leading innovation magazine, Influencia. (via KoiKoiKoi)