Kim Dorland is a Toronto based painter who examines the psychic, nostalgic spaces of his upbringing in Canada through sumptuous impasto layers. At once playfully calling attention to their own physicality, as well as the nostalgia of Dorland’s personal narratives, the paintings are at once visceral and expansive. Beautiful/Decay recently interviewed Kim about his artistic inspirations, painting technique and more. Full interview and images after the jump!
Artist Josefina Concha, with the aid of a sewing machine in lieu of a brush, weaves her work into being. Full of texture and threaded messy shapes of color, her stitching fascinatingly harkens back to Mark Tobey’s thoughts on abstract expressionism: “A painting should be a textile, a texture. That’s enough! Perhaps I was influenced by my mother. She used to sew and sew. I can still see that needle going. Maybe that’s what I’d rather do than anything with the brush-like stitching over and over and over, laying it in, going over, bringing it up. Bringing it up. That’s what is difficult.”
However, of her own approach, Concha strives not just to simulate, but replace painting with crafting techniques, a medium formerly equated primarily with domestic labor. She explains, “The building of my work is articulated through the investment of a material (the thread) on a piece of cloth, and the time dedicated to sew it. This is made visible in the superimposition of weaves that in short will generate a thickness (body) and a sensation of volume, dominated by the treatment of color and optical mixtures, to which I turn to with the eagerness of creating suggestive images that appeal to the ephemeral.”
I’ve been a huge fan of Jonathan Bates’ music for a long time. He was in the LA based band Mellowdrone, who I first saw back at the Troubadour in 2003 and loved. I first saw Big Black Delta at the Satellite in Los Angeles in mid 2011 during one of the free Monday night residences. I can’t remember who else played that night, but Big Black Delta made a lasting impression. I didn’t even realize it was the singer from Mellowdrone, since it was just Bates on stage by himself in darkness with a laptop and an array of lights behind him with a harder electronic sound. I did know that I was instantly taken by the music and his intensity. Earlier this year I saw him open for M83 at Club Nokia, this time he was backed by two hard hitting female drummers which definitely made it a more powerful dynamic and I was blown away again.
I was fortunate enough to speak with him the other day and he was nothing more than gracious. When I asked about his intensity on stage, he mentioned the old adage, “I like to play every show like it’s my last, since you never know”. I also asked what was the one record that changed things for him in regards to making music. “Sparklehorse. When I first heard Good Morning Spider… he played all the instruments on that record and I thought, I could do something like that and make my own thing. I even named Mellowdrone after his band, using a three syllable name just like he did”. The “he” Jonathan is referring to is the late Mark Linkous, mastermind behind Sparklehorse. I mentioned that I had known him back in the late 80’s when we worked together at a telemarketing office in LA, he was in a band called Dancing Hoods at the time. Probably dated myself there, but hopefully he got a kick out of my story.
Pierre Andre Senizergues is a professional skateboarder and owner of Sole Technologies. He has developed his dream home that will be built in Malibu, California. The house is entirely skateable both inside and out and was designed to be a compact living space that will overlook the Pacific Ocean. The prototype was designed by Gil Lebon Delapointe and Francois Perrin. Nicknamed the PAS House this abode is a true skateboarders paradise.
Together, artists Anton Abo and Ooli Mos make up Orka Collective. The like-minded, Eastern block natives draw inspiration from nature, animals, people, and magic in the creation of their predominantly black-and-white illustrations.
True True True owner and designer Sam de Groot hails from The Netherlands. I purchased And yet, and yet…(four short bittersweet reflections by Dutch writer Nescio–all written between 1914 and 1943) and Andy de Fiets: Letter to Robin Kinross (22-year-old Andy de Fiets, on the verge of graduating from his graphic design studies, writes to his hero: Hyphen Press publisher Robin Kinross). After the jump are spreads from Letter to Robin Kinross and picture of the knick knacks I asked Sam to send. Ahh…I love snail mail!
Sandro Giodarno‘s photographs are like Saturday morning crime scenes. The victim? Dignity, mostly. His carefully choreographed pictures show a snapshot of cartoonish tragedy.
According to Designboom, Giodarno says of his photos, “The instinctive reaction is bewilderment and awkwardness towards the unlucky fate of the character, but then that same awkwardness breaks into a liberating laugh. This is the effect I want to recreate through my photographs: tell tragedy through irony.”
While the photos are at times baffling, they’re also increasingly absurd and comedic. One woman’s grocery trip ended in a gruesome mishap with a tomato sauce blood splatter. Another is wearing a halo of pottery shards instead of flowers. The body count reads five in one photo of a dinner party that went down like the TItanic. Truly, Giodarno’s characters are a series of unfortunate people.
“My photographs are short stories about a falling-down world,” Giodarno says, describing each scene as a “black-out” moment where each character simply gives into an existential malaise and flops down, unable or maybe unwilling to go on. They just lie there, clutching whatever material possessions they happen to have with them, that happens to define them whether deliberately or through happenstance.
On first glance, it might seem a little sad. But the name of the collection, “In Extremis (Bodies with No Regret),” is reassuring, like maybe they’ll get up again — or maybe they are fine just where they are. (h/t Designboom)