Cardon Copy is an awesome project where lame posters and flyers from around the city are pulled down from bulletin boards and telephones poles to only be redesigned and placed back to there original locations. These wild and fun designs are meant to “overpower their message with a new visual language.” Make sure to check them out!
Polish artist most well known for his Lego Concentration Camp piece. Apparently Lego gave him the pieces without knowing too much about his true intentions and alas, refused to have anything to do with him when they realized it. There’s a whole bunch of other amazing work on his site, like this little hairy baby that you can shave. By the way, we at Beautiful/Decay in no way shape or form, support Facism or baby-shaving..
Born in New Zealand, Peter Dobill is a Brooklyn, NY based actionist who has performed across the country. He is the recent recipient of the 2008-2009 Franklin Furnace Fund for Performance Art Grant. For this four hour endurance piece titled “Receiver,” the artist is suspended in a pool of milk, while a bowl placed overhead drips a continuous stream of milk into his nose. By constructing extravagant sets in which to carry out his actions, Dobill seeks to add a visual component to the performances. Dude is wild.
Ben Foster‘s sculptures almost appear to be comptuterized digital renderings at first glance. An industrial and natural artist, Foster creates these life-sized animal sculptures out of enamel-coated aluminum, often placing them in the natural environments that surround his New Zealand home. The sculptural form juxtaposed against the natural landscape has a stunning effect, appearing to be at once disparate and cohesive.
From his website, “Foster’s geometrical rendering is suggestive of the animal’s inherent connection to, and place within, the natural environment. Characteristically, it relies on the interplay of light and shadow and while the subject matter is ostensibly pastoral, the result is dramatic with the sculpture’s silhouette as commanding as the mountainous landscape it resembles.” (via colossal)
Miya Ando is a metal-finishing artist who creates layered finishes on steel with a process she invented, utilizing fire, acid and automotive lacquer. Can you say badass? She will be showing large-scale steel works for the first time, the show is entitled Shinobu [perserverance] on October 7 at de Castellane Gallery. Her show will be comprised of large scale steel wall works and her series of hot-rolled steel skateboards, monotypes created by skateboarding on liquid graphite-coated paper. Saying this chick is hardcore would be an understatement.
Miya Ando Solos Exhibition Shinobu [perserverance] will be presented from October 7th – 29th, 2010. Opening October 7th, 2010, 6-9pm. Free to public. The de Castellane Gallery is located at 525 Atlantic Avenue, Brooklyn, New York. Sponsored by Milgo Bufkin Steel/Fabrication, Diatom Winery, Element.
Pow Martinez goops on the paint in these quirky paintings.
The human figure is at the forefront of the research and production of the young Korean artist Dongwook Lee. His remodelling of the body is an obsession that had led him over the last few years to breathe life into a new human species, an army of figures characterised by two leitmotifs: Dongwook’s man is always to be found naked and in miniature. On one hand, working on a microscopic level links him up to a long tradition of interest in the skilful rendering of minute details in a small-scale reality; on the other, it reflects a desire to cover up, camouflage or conceal these “figurines” in the backwaters of the most banal normality to which they might instinctively belong. One pokes his head out from the shell of a snail; another cries out desperately from behind a dry twig like a malignant wood spirit; yet another is to be found squashed inside a syringe, as if ready to be injected to another body along with all his dramatic charge. Their nudity seems to reflect the will to do away with the mystification of the human body, to show it without frills, without any indication of social status. It is here that Dongwook would appear to denote a break with the cultural traditions of his origins.
Wyatt Kahn’s wall sculptures are built from a series of stretcher panels and raw canvas beautifully pieced together to make one collaged structure. The crevices and peeking back wall help create compositional depth, captivating the eye, revealing clean and simple, yet geometrically intricate work, which is devoted to the complex juxtaposition of space more so than color.
Of Kahn’s art, Sam Cornish writes, “Broadly the type of illusion Kahn employs is one that comes after the reduction of minimalist painting. The flat, object quality of each part is in one sense simply accepted. There is no hint of the surface being broken, of a window open to an atmospheric or light filled space beyond (however shallow).”