Maggots, Baphomet, long-taloned claws breaking through evil faces, crazy scythe wielding demons, candelabras welded from the remains of human skulls, rot, decay and Mayhem (the general sense of disorder, and the band) all seem to pump their fists and raise their axes in artist Mark Riddick’s world. I would not be surprised if this dude drank the blood of a goat and burned a church or two. Okay, maybe not….but his drawings make me want to shred and paint my face…on his website he says he’s been illustrating for the black/death metal world since ’91. Stay death metal forever.
Bae Sehwa’s steamed bentwood furniture ripples in airy and sinewy ways to curve around the human body. The precision in each piece is not accidental. It’s acutely planned. Sehwa digitally renders and manipulates geometric forms then returns to the actual physical form, steaming and bending the wood into a mold under a tight watch. The result is functional, organically smooth, and flawless.
According to R Gallery, “Bae Sehwa’s work is derived from the Korean concept of baesanimsu, meaning the back of the mountain and front of the water and he draws heavily from the profound connection to nature in traditional Korean theories of divination. The steam bent wooden frame of this lounge offers a narrative that includes both the tranquil, meditative qualities of flowing water and the strong, comforting silhouette of a mountain.”
A fairy tale, the garden of Eden and Hell. Hieronymus Bosch was a painter (ca. 1450 to 1516) from the Medieval era representing fantasy landscapes with imaginary and bizarre characters. In one of his most famous painting, ‘The Garden of Earthly Delights’ he depicts in a triptych, a multitude of religious symbols blended with amusing dark isolated little scenes.
Hieronymus Bosch’s style is childlike and at the same time stern and serious. On the left side of the triptych, a religious scene. G.od is presenting Eve to Adam in the quiet and peaceful garden of Eden. What is looking like a traditional scene seems in fact to represent the beginning of life and its debauchery. The following part of the painting shows the consequences of a story we know too well nowadays. That is, the story of Adam eating the forbidden fruit and sent with Eve to another land. A land where nothing is in order. Birds and fruits are bigger than humans and seem to have dominated. The animals are feeding the humans. Which, from the look on their faces, are acting like zombies. We are looking at submissive and obedient individuals satisfying their primal needs, mating and eating. The last part of the triptych depicts macabre and violent scenes. The decline of corruption through the representation of hell. People are being tortured and murdered by the animals and other hybrid creatures. Knives, swords and arrows are completing the disastrous landscape.
The set of paintings is ultra-detailed and furthermore for an artist living in the Medieval era. This looks from afar like a tale for children. The naive colors and the rounded shapes makes the art piece easy to watch. That was probably the first intent. The second was to maybe address a message indirectly to the viewers. The story of Adam and Eve disobeying from their original paths and its inevitable deadly consequences is shown to the public. The context of the paintings are unsure but what is unquestionable is the talent, vision and beautiful imagination of Hieronymus Bosch.
The triptych, 20 paintings and 19 drawings, will be displayed at Noordbrabants Museum in the Netherlands as part of the ‘Hieronymus Bosch: Visions of a Genius’ exhibition from February 13th to May 8th 2016. (via Juxtapoz)
I’m loving these psychedelic geometric abstractions by D’metrius Rice.
Perhaps one of the more curious photo projects to surface recently is the glow worm pictures from Joe Michael. He photographed the insect in its natural environment on million year old limestone caves in New Zealand. The bioluminescent effect on the viewer is mystical and shows the perfect combination of scientific documentation and aesthetic beauty. Very Lord Of the Rings or Elfish, the glow worms allow you to see the caves in a different way. Because of their unique structure the insects project a nature consciously created by a higher design and you begin wondering for what purpose? In the meantime we can enjoy the spectacle they have become. Their green light projects an unusual glow reminiscent of constellations and lighthouses seen off into the distance on a foggy night. It also hints at infrared paranormal activity.
The worms vary in size attesting to the irregular light structure captured in the caves which provides further awe to their curiosity. In some Larvae species the adult female will glow to attract males during mating season. In others the light is used as a warning signal to predators or to lure prey.
For over 4 years, Indian artist Valay Shende put together his politically-loaded sculpture, now on show as a part of the group exhibition Migrating Histories of Molecular Identities at the Bhau Daji Lad Museum in Mumbai. Transit is a life size truck with 22 people standing on the back of it and has intensity to it, with a very moving back story. The structure is an intricate piece, made up out of thousands of metal disks all soldered together, and printed with the faces of the farmers who committed suicide from the Vidharba region and their families on them. The wing mirrors on either side of the cab have video footage of London, Mumbai and Dubai playing, to give the impression the truck is literally in transit. Shende says:
It gives a feeling that the truck is moving, but the people are actually not going anywhere, just like in real life. (Source)
Aimed at raising awareness of the increase in farmer suicide and starting a conversation about the larger political issues in India, Shende has created a powerful visual statement. This social awareness is the backbone of his practice.
Valay’s works are in subtle ways, his attempts to question the maladies afflicting urban societies and humans today. He is a keen and sensitive observer of his surroundings and is concerned about the common’s mans trials and tribulations of day-to-day life. He feels an artists owes a responsibility to the society and firmly believes an ideal world can be re-created. He wishes the audience to reflect upon the social issues plaguing man today. (Source)
(Via This Is Colossal)
Design & illustration by Hungarian Born, Barcelona based István Szugyiczky.
David Maisel’s aerial photographs of open mines questions how human activity transforms land through industrial effort. Although beautifully photographed these images are reminders of how we destroy and pollute our planet for money and power.