Longtime B/D friend Justin Blyth just released the Them-Thangs magazine, a massive folded poster featuring a gang of insane images, photography, and design. If you’re a fan of the popular blog then make sure to pick this up. Congrats Justin!
For their exhibition, Telephone Blue, taking place at Synchronicity Space on April 20 – May 19, Aaron Anderson, Eric Carlson and Crystal Quinn (founding members of the artist collective Hardland/Heartland) continue their formal practice of intuitive collaboration to produce narratives of playful allegories and coded symbols that materialize as drawing, video, and sculpture. This exhibition will exist as an extension, literally and figuratively speaking. Physical work existing in a digital world that happens to be an extension of our physical world.
In addition to the physical gallery show the three artists have collaborated with LA artist Spencer Longo on a web based project that lives on the Synchronicity website called LA Internet. See LA Internet at www.syncspacela.com at anytime and visit the shows opening tonight from 7-10pm at 713 Heliotrope, LA, CA 90029.
Jean-Pierre Roy is a New York-based artist who paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Their behaviors are likewise strange; wearing modern clothing, they loom against empty horizons, their faces splintered into expressionless shapes. Many of them appear contemplative, or even violent, pulling the clothes off prone bodies and engaged in silent feuds.
Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality. He strives to explore what he identifies as “the pull of the fantastical”—that moment when “your existential understanding of the nature of things will be questioned.” (Source) By making the earth unearthly, by depicting the self in unexplained contexts, and by crossing the beautiful with the unknown, Roy’s work provides fascinating visions of immaterial and cosmic worlds. (Via Trendland)
Michelle Devereux is a contributing artist for Austin multi-media label, Monofonus Press, a member of a female-centric video collective called Austin Video Bee, is a co-founder of an art-circuit tap troupe known as What’s Tappening?!, and plays drums in an apocalypse inspired chick band called Storm Shelter. When Michelle isn’t busy working on the many projects listed above she makes mind blowing, 80’s video arcade inspired drawings focusing on themes of innocent fantasy and finding beauty in the obvious and the embarrassing. Her drawings have to me one of my favorite new discoveries so I really hope that she makes more very very very soon!
The New York-based art collective Dawn of Man has created site-specific video installations that bring peace and tranquility to the “city that never sleeps.” Entitled Projection Napping — which is a clever play on the technique, project mapping — the group transforms peeling walls, dark alcoves, and sky-high edifices into refuges for larger-than-life human beings. In each work, the characters appear to “settle down” into their respective spaces, curling up against the walls or dangling their legs off the edges. In a statement provided to The Creators Project, Dawn of Man explains their creative intent and the effect of their project:
“Projection Napping […] juxtapos[es] the calm, meditative state of napping against the kinetic, high energy noise of the sleepless city. An unsuspecting audience usually emerges at each location, often sparked with intrigue, sometimes enlightenment, and always a whole lot of questions” (Source).
What is also fascinating about the juxtaposition of the city’s chaos with the sleepers’ serenity is the public demonstration of a private experience. When we sleep (or nap), we allow ourselves to become open and vulnerable. Thus, when Dawn of Man’s sleeping giants turn over, rub their eyes, or lean exhaustedly against a wall, we are voyeurs to a moment of intimacy and perceived solitude. It is easy in the city to feel alienated from the life all around us, but thanks to this fascinating project, barren walls and cold architecture have been reinvested as landscapes of warmth and humanity.
Onania is an infected universe that has been accumulating character and detail since Jan Manski’s MA at Central Saint Martins in 2010. Onania’s development has been unrelentingly pervasive of Manski’s practice, appropriate to its nature as a diseased scourge.
Manski’s meticulous and total attention to minute detail has borne a product encased in the methodologies of this eminently inviting and hostile environment. Onania hosts an alternate reality and fertile breeding ground for mankind’s most despicable modern habits. Narcissism bred from frantic consumer culture is shown at its most destructive, with Onania’s inhabitants seeking its prime offering – unadulterated and uninterrupted pleasure.
Football and the defence sector have a lot in common. For example, they both need a strong defence, potent attacks and a capable captain organising everything. NATO Review tries to show how recent changes in the defence industry would look if they were played out on the football pitch.
The defence industry has a new area it needs to defend – itself. With budgets low or falling in many places, with several new entrants into the market, and with a whole new array of non-traditional threats to guard against, ‘business as usual’ in the defence industry is under attack on several fronts. Can the industry adapt to survive? Watch the video below to find out more.
Denis Darzacq‘s latest series of work, Hyper, seems like scenes captured from the movies….some crazy Matrix looking moves. When I first looked at Darzacq’s work, I thought it was digital photo manipulation or maybe even green screen. Something magical was definitely going on, it didn’t seem real. But much to my surprise there’s no sorcery here, nothing was manipulated in post. If you don’t believe me, check out this documentary that shows the French photographer at work, collaborating with young street dancers in Paris in order capture their dance moves in mid air, and gives them the illusion of falling or flying.