Artist Ivan Puig likes for his work to surprise and amaze, and two of his series, Fed Up and Artificial Growth do just that. Using a car and chair, respectively, he gives the illusion that these very solid, massive objects have sunken into the ground, as if they are in quicksand. The preciseness of Puig’s work and the fact that he’s cut the chair backs and Volkswagen Beetle at a perfect angle add to the believability of it all. While the artist strives for his work to have humour, he wants the viewer to read it in multiple ways, and glean various metaphors from his playful execution.
His installations are not only meant to delight us, and the sinking chairs in Artificial Growth have a more serious message. This piece comments on educational doctrines and their power structures that are present in Mexico. With this series, he brings to light the idea of the artificial education – like the lies and half truths taught and passed down to students which we only realize are wrong many years later.
Would you eat a blue chicken? What about an unidentifiable purple sauce? In Lawrie Brown’sColored Food Series, dishes are outlandishly unnatural colors that appear unappetizing to some and edible to others. This is the point of Brown’s work, and they explain in an artist statement:
These photographs comment on the social, visual and psychological aspects of food. I am involved in a photographic investigation of what food people eat, what those foods materially consist of, what they look like, and what statements foods make about our society. Of concern to me is what food actually looks like photographically and how it psychologically affects the viewer when isolated within its natural context.
My photographs of typical table settings of food outwardly evoke in the viewer either delight and acceptance or repulsion and rejection. The response that occurs depends on:
The awareness of the viewer to the actual or imagined taste of the subject or to the actual or imagined content of the food.
The individual psychological response to the colors presented.
Although you may look at this and be disgusted, Brown’s foods don’t seem worse than the artificially colored and flavored fruit gummies (for example) on the shelves now. So, if you’re not grossed out by these images, perhaps it’s from years of Gusher’s Fruit Snacks that’s desensitized you. (Via Flavorwire)
At RMIT University in Melbourne, Australia, lecturer Claudia Diaz has implemented an unconventional project in order to inspire her anatomy students. After teaching human anatomy for over 20 years, Diaz decided to try something new as she found the regular routine of anatomical memorization boring and uninspired. Over the past 3 years, Diaz has explored human anatomy with her students by having them paint the bodies of 10 students, revealing tendons and bones that would be visible if the person’s skin were stripped. Featured in these photographs is chiropractic student Zac O’Brien who patiently sat for around 18 hours while fellow students painted him. The finished result is what Diaz likes to call “anatomical man,” first brought to one of her classes in 2010.
”We walked him in and I still remember the looks on the kids’ faces. They were just in awe,” she said. ”I realised it shocked them, it inspired them and it motivated them.” Previously shy about taking off their clothes so classmates could study their bodies, the students began to shed their inhibitions through this painting exercise. ”I couldn’t get the kids to keep their clothes on. They were all throwing them off,” Dr Diaz said. (via)
We’ve been getting a lot of emails asking what we’re doing for Book 2 of after having Kyle Thomas hand draw all 1,500 hundred copies of Book 1. If you haven’t seen Book 1 yet rush over to our shop and check them out!
After months of planning and scheming I’m excited to announce that each issue of Book 2 will come with a limited edition, silk screened, hand signed & numbered 4″x6″ print by Cody Hoyt. For those of you not familiar with Cody, he is one of the main guys behind the Apenest books as well as an amazing artist. The print was silkscreened locally by our friends over at Two Rabbits Studios.
This print is nothing short of bonkers featuring a skeleton, zombie, four armed creature practicing yoga, eating a taco, eating cereal, vomiting, pouring glue in its eye, and taking bong hits all at once! I wish I could multi-task like that!
The only way to get this limited edition print is through purchasing Beautiful/Decay. They will not be sold separately anywhere. Head over to our shop and reserve your copy of Book 2 by subscribing.
Viola’s plaid suitcase was empty except for this tiny scrap of paper.
When Willard Psychiatric Center in New York’s Finger Lakes area closed its doors in 1995, staff member Bev Courtwright made a miraculous discovery. Tucked away in the attic were a collection of over 400 abandoned suitcases containing the possessions of their original owners before they were committed to the institution. Photographer Jon Crispin began documenting the collections of belongings in 2011, offering a poignant look into the lives of the people who entered this place (and often never left).
The patients and their suitcases arrived at the Center between 1910 and 1960. Since many of them were treated for chronic mental illness, it wasn’t uncommon that patients died while in the hospital and were buried in the graveyard across the street. If no family member came to claim their belongings, they were taken and stored in the room where Courtwright eventually found them.
The suitcases and trunks vary in their contents, of course, and some were more robustly-packed than others. This fascinating series that examines the objects we hold sacred and what we’re personally attached to, as strange as they may seem. Crispin’s website sheds light on the individual stories of each patient, and in a way memorializes those who owned them. (Via Let’s Get Lost. H/T Meighan O’Toole)
Italian charity La Collina dei Conigli ONLUS rescues rabbits, mice, rats, and guinea pigs from labs or mistreatment. The now-adoptable pets were the recent subjects of a photo series by Rachele Totaro that’s inspired by Lewis Carroll’s famous novel Alice in Wonderland. Volunteer Attilia Conti had the idea, and it commemorates the first 10 years of the charity’s operation. So, why Alice in Wonderland? Because the book and organization both started with a white rabbit.
The fantastical photographs feature the animals holding objects, poking out of a teapot, and of course, gazing into the looking glass. “Mice were the most cooperative models, while guinea pigs were the laziest (they stayed still only with food present),” Totaro writes. “Rats were the most attractive, and rabbits… were the most disapproving.” You can see that with some of the critters, there was no coercing them into any sort of cutesy pose.
The charity’s rescue center is located in Monza, near Milan, and many of the animals are still looking for new homes. If you’re local to the city, you can adopt one. (Via Bored Panda)