Back in January I walked into Sloane Fine Art and found wallpaper-esque paintings that were floral, decorative, rich in color, and do I dare say, pretty. I roamed the gallery admiring the intricacy of the patterns and its hand crafted details. I then discovered each painting had layers with one design overlapping another in drip-like shapes as if one flower pattern was splattered atop and its remains slithered across the picture plane. It doesn’t end there.
Dylan Shields, an artist based in London, creates sculptures that investigate the relationship between classical sculpture and contemporary materials.
The sculptures further explore and build upon the existent relationship between canonical works of art (in this case and its contexts within modern society by creating them out of cardboard, a relatively new (ish) material in the realm of art-making. He uses re-cycled cardboard and parcel tape to produce work that is at both familiar yet fresh by its original use of form and perspective.
“It has been a process of trial and error to perfect my style. One of the challenges of working with cardboard is the limitation of its flexibility. Also, sourcing the right colors has been difficult as I don’t paint the sculptures, so the colors have to come from the cardboard.”
“Godfather of Neon” Chris Bracey is the artist and collector behind London’s God’s Own Junkyard, the world’s largest collection of neon signs, art work, light sculptures, and other reworked, salvaged props. Bracey’s signs and props have appeared in many Hollywood films such as “Blade Runner,” “Charlie and the Chocolate Factory,” “Mona Lisa,” and “Eyes Wide Shut,” to name a very few. After filming’s done on a movie, the signs and props get tossed out, but 25 years ago, Bracey decided to start collecting and storing many of his more iconic creations. In this short film, Bracey explains that his experience of neon is like visual cocaine, an experience of visual addiction. He also claims that he was the first person to create the iconic and oft-used “Girls Girls Girls” sign seen at adult establishments, both in real life and in films.
After he began collecting his discarded film commissions, Bracey says he decided that he should name the collection. “I had this yard with all the stuff in it, and I’ve got loads of sheds with neon signs in, piled up. And I thought, what am I going to call it? And then I read about this book that was about an architect in the 60s who didn’t like urban America because of all the movie signs, petrol stations, gambling casinos, diners on Route 66, and big signs all over the landscape. He said ‘they’re turning God’s own country into God’s own junkyard!’ And I thought, yeah, that’s what I’ve got here. I’ve got all this stuff from God’s own junkyard which is very much like America, with all these signs. I love this stuff so much, I thought if God had a junkyard it would be full up with all this stuff, these neon signs, because I think God would really like all this stuff. It’s really magical to me.” (via unknown editors)
There’s a new fashion craze that’s happening along Eastern China’s seaside city, Qingdao. Publicly-dubbed “Facekinis,” are protective head masks that are being worn by many beachgoers (mostly women). Photographer Peng Yangjun has documented them in a series of portraits that are set against the backdrop of the beach.
The colorful style is no doubt a strange one, and it’s reminiscent of luchadore and ski masks. This bizarre fashion trend has a more practical purpose, however, and that’s to protect swimmers from the sun, in addition to repelling insects and jellyfish. It’s often paired with long-sleeve bodysuits that help people maintain their natural complexion because bronze skin is often associated with those who perform physical labor in many Asian countries.
We’re often used to seeing swimmers wearing next to nothing or going completely nude. This style takes modesty to the next level, completely covering people up rather than stripping them down. It’s a surreal sight to see someone posed with bare arms and legs but a completely covered face; the photographs showcase an individual style but are devoid of the feeling and emotion we read from the face. (Via Flavorwire)
Francois Leroy is a freelance illustrator from Paris, France whose digital works incorporate everything necessary to push art forward into generation upgraded. With ease he navigates the difficult territories of 3D typography, design, context, motion graphics, and execution – all while retaining his own identifiable aesthetic. His website not only offers a glimpse into his portfolio, but also several cool free downloads, which deviate from the norm. One is of a 100-layer Photoshop file that you can make a visual remix of and another is a asset-pack of transparent .PNG files you can use to add texture to your work. The crazy thing is that he actually shot the textures himself, which is really cool since you usually don’t get a chance to see the people behind things like that. (via)
In recent years, the rising popularity of pole dance fitness has probably conjured up images of darkened strip clubs rather than a serious workout. Netherlands-based Bart Erkamp thought the former, but during the summer of last year, his attitude changed. He dated a woman involved in the sport and learned about its inner workings. It’s a physically demanding activity that’s much more than just an erotic dance. His series titled Pole Fitness highlights the strength and talent needed to complete the moves, which are often suspended in air.
After learning about the sport, Erkamp attended a championship pole fitness competition in Amsterdam. The power and agility of the athletes impressed him, and this struck him as comparable to “artistic gymnastics,” that highlights physical prowess and self expression.
In addition to their athletics, Erkamp was enthralled by the dedication of the participants. They’ve installed poles in their bedrooms, living rooms, and even next to their kitchen. Location doesn’t matter. He highlights this in his subjects’ clear, neatly-kept homes. Contorted legs, torsos, and arms are wrapped around bright silver poles.
It’s not all women, either. Erkamp explains that in 2014, several men completed at the World Championships in Rio de Janeiro. And, there’s even a possibility that it’ll be an official Olympic sport in 2016. (Via Feature Shoot)
Artist Alex Podesta creates life-sized sculptures that feature grown men in bunny costumes. The realistic-looking figures wear head-to-toe fluffy suits with two giant ears on top of their head. Podesta poses his characters and puts them into different settings that are both in and outside of a gallery. We see several identical statues looking over the roof of a building, as well sitting inside and playing with marionettes and trying to tame a snake. Their actions and attire don’t read as one of grown men, but of young boys. And, that’s partially the point of Podesta’s work. From his artist statement:
…I have culled the rich fantasies, daydreams, misconceptions and experiences of childhood and re-contextualized them through the filters of adulthood, experience and education. This effort has been made in an attempt to plumb the depths of the creative and comprehensive naiveté of youth; to illustrate, in engaging and serio-comic ways, the role of fantasy, “othering” and conflict in nascent self-awareness; and, through the time honored tradition of solipsistic navel gazing, to pick gently at the loose thread of wistful escapism inherent in a quiet, downhill slide into maturity.
These men exist in a liminal space that’s in between boyhood and manhood, and Podesta goes on to explain that his subjects “…will be forever locked in the Sisyphean toil of misapplication, miscomprehension and misunderstanding.” (Via ARTNAU)
The artwork of Jillian Salik offers up understated surprises. Her new exhibit DUEL TINT features frames, window dressing, and other wall fixtures adorned with baroque ornamentation. However, the typically gilded and gaudy colors that typically accompany such adornments, the reflections and windows that should fit in such frames were no where to be seen. Salik only offers the bare structure of the frames and ornamentation. Also, Salik makes an interesting choice of material: cardboard. She contrasts high-society trimmings and embellishments with a decidedly “low” material and digital production processes.