I can’t tell you how many times I run across designers who have only a few pieces in their portfolio and don’t have a proper portfolio. If you’re 25 or older and don’t have your act together check out the portfolio of 17 year old designer Nicola Kubail. This young portland based designer is keeping it professional with a cohesive body of work and a clean portfolio site. Keep it going Nicolas!
Already a huge presence in Australia, Flume has been gaining a lot more attention in the US, especially with the recent release of his self-titled debut on Mom + Pop Music. I was lucky enough to catch his recent sold out performance at the Echoplex in Los Angeles.
Truth be told, I don’t go to a lot of EDM shows, but after hearing his album I was hoping to see some of the guest vocalists that are heavily featured on his debut. WIth the likes of George Maple, Chet Faker, Moon Holiday, and Jezzabell Doran all appearing on his record, it would have been extra special to see some of them perform live. Unfortunately that didn’t happen, BUT I did manage to dance my ass off with a crazy sold out crowd to his ear-shattering beats.
Songs like “Insane” featuring the before mentioned Moon Holiday had the crowd singing along and jumping wildly to every beat. He’s currently in the midst of a US tour with shows coming up at Portland’s Mississippi Studios on March 31st and a sold out show at Brooklyn’s Music Hall of Williamsburg on April 2nd among others. In May he’ll be back in Australia for his first headlining tour titled, The Infinity Prism Tour with Chet Faker supporting. Check out the video for Left Alone and definitely try to catch him live before he heads back down under.
AIDS-3D is a collaboration between two American artists, Daniel Keller and Nik Kosmas, both of whom were born in 1986. Their work, and the documentation of it, is about as cryptic and brash as their mysterious name. Their influences are clear – low brow 1990s cyber-culture, space mysticism, aliens, etc, etc – but the work revolving around said themes can be quite clever and subversive.
New York-based artist Kim Keever creates these abstract compositions by experimenting with colorful tinted paints and water. As a former thermal engineer for NASA projects, Keever tends to veer his work towards the scientific and experimental.
The beautiful, luscious and colorful forms are produced by the mixing and mingling of various amounts of color drops into water; as part of the process, the scientist-turned-artist documents the swirling liquids in hopes that something visually stunning happens in the midst of the experiment. Keever uses an enormous 200-gallon fish tank as the setting for much of his work; it, offers plenty of space and possibility for these stunning and unpredictable reactions to emerge.
These abstract formations are similar to Kevin Cooley’s Controlled Burns, a series of images that also explores the formations and movements of organic materials; although in his case the artist experiments with smoke and fire- which primarily leaves us with more natural color palette. While filled with bright, artificial hues, Keever’s creations still evoke images of breathtaking natural phenomena and earthy material (i.e quartz gemstones, stones, precious mineral stones, ocean tides,etc). (via My Modern Met)
I’m absolutely loving the work Buenos Aires based illustrator and character designer Rey Misterio. His Imaginary Japanese Ad characters are some of my favorite in his portfolio. See the entire series and more after the jump!
Jesse Kanda has earned his stripes as a digital artist, creating album artwork for the edgy pop artist FKA Twigs and working closely with producer Arca (who has produced for Kanye). His figures move in an oddly distorted way, sexual but also mildly disturbing. They’re coloured either in deep bruise-like hues, or glowing and shining whites and blacks. Although they are perturbing in their deformity and colouring, the figures are ethereal and set in tantalizing positions.
One image, made for Arca’s cover for Thievery, shows a woman with large hands running up her thighs chased by a deep black shadow. The lighting illuminates the rest of her body in blinding white so she appears like some kind of porcelain. For the same song, Kanda also created a music video of a woman with green, purple, and white skin slowly and sensually twerking. It’s kind of mesmerizing to watch.
Kanda interviewed for Fader magazine, and spoke about his process:
When you work with a computer, every frame has to be created and calculated, so it’s prone to mechanical results. I try my best to set up my working environment so that accidents can happen. A good [method] is working really quickly. Like making large brush strokes to start with and then adding/subtracting details later.
This is another advantage I have working with computer graphics: the control I have over lights. I have complete freedom over how many lights I have in a scene, where to put them, even whether to automate them. Sometimes they can have a life of their own, like the light itself is a character. (Via Fader)
Jesse Wiedel, who studied in San Francisco at the Art Institute, has an interesting outlook on life. His paintings focus on what he calls “fictionalized tableaus that are sad, coarse and degenerate.” These “streetscapes” depict street culture for what it is: weird, sad, fascinating and for some of us, alien.
Shamus Clisset (aka, Fake Shamus) is a digital artist who uses 3D modeling software to construct bizarre and often humorous scenes that multiply reality and critique consumer culture. His work is featured in Beautiful/Decay’sBook 8: Strange Daze, a curated collection of talented artists who explore the realms of the uncanny: parallel universes, psychedelic dream states, supernatural activity, and more. Also included in the book is the work of Neil Krug, a photographer who drenches his shots in hallucinatory colors, bending time and reality to invoke the nostalgia and liberatory zeal of the 1960s. Andrea Wan, a Berlin-based artist, also brings her own flavor of absurdity to the book in the form of surreal illustrations of masked and multiple-headed beings. Strange Daze is ideal for those art lovers and dreamers who wish to challenge everyday banality by exploring alternative visions of the world.
We featured Clisset’s work in 2011, when he was making insane (and often violent) mashed-up universes of trash and cultural signifiers. Since then, Clisset has rebirthed his artistic identity as “Fake Shamus,” a “digital golem” formed out of 3D-rendered objects (Source). The shapes this humanoid beast can take are limitless; in one image he is a mystical being upholstered in grass who summons a collection of empty beer cans; in another he is an industrious builder, his muscular body made out of what appears to be lumps of brightly-colored Plasticine. And while Clisset’s works may appear to have photographic elements, do not be deceived; everything in his images is created in a digital, 3D space. By mimicking reality, Clisset brings up fascinating questions of “authenticity” versus “fakery,” unveiling in the process that the entire world is a strange construction subject to our perception.
To see our feature on Clisset and similar artists, check out Book 8: Strange Daze. Copies are available at a limited quantity in our shop, so grab yours today.