Like a lot of us, artist Yue Wu uses Instagram. He “likes” things on Instagram, as we’re supposed to, but takes it one step further. Everyday, he turns those “likes” into drawings. Coming full circle, he then Instagrams the drawing and tags it the source photos. This way, you can click through to the originals. He tags this work as #whatilikedtoday.
These quick, black and white ink drawings are a mash up of a day. They vary in subject matter. Some include what you’d expect, like architecture and animals. Others are more bizarre, including one that has a greco-romanesque statue wearing protective eyewear, and a dancing skeleton wearing a top hat and holding a cane.
The concept behind Wu’s drawings is relatively simple, but amusing. It also has me thinking about my own Instagram feed. We spend so much time looking (and sometimes mindlessly liking) photos. Wu’s drawings illustrate what stands out in the deluge of images. What would your #whatilikedtoday look like? (Via Booooooom)
Norman Rockwell (1894–1978) was a celebrated 20th-century American painter and illustrator, whose works became the imagery depicting everyday life in the States. It appears, Rockwell’s photo-realistic artworks were often accompanied by staged photographs which artist then used as a reference to paint his nostalgic scenes.
Storytelling is a natural part of all of Rockwell’s paintings. Often disguised, the true story would reveal itself through the smallest details which the artist always considered beforehand. Take his illustration called “Marriage Counseling” (below): the intention is clear but there are many unfolding details like the man’s black eye or even the books stacked in the shelves reading Van Eyck and Giovanni Bellini. Due to these impeccable narratives, even the reference photographs become works of art.
“There were details, accidents of light, which I’d missed when I’d been able to make only quick sketches of a setting. A photograph catches all that.”
At first, Norman Rockwell was hiring professional models but after awhile he switched to having his friends and neighbors posing for the photographs. For example, the tattooed sailor (below) was also Rockwell’s neighbor, Clarence Decker. During his career, artist produced over 4,000 original works and snapped more than 20,000 reference shots. The collection was revealed by the Norman Rockwell Museum and its curator, Ron Schick. It was also turned into a traveling exhibition and book titled “Norman Rockwell: Behind the Camera”. (via NPR)
Marina Abramović is one of the most compelling artists of our time. Seductive, fearless and outrageous, she has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits, and at times risking her life in the process, Marina creates performances that challenge, shock and move us. Through her and with her, boundaries are crossed, consciousness expanded — and art as we know it is reborn.
The feature-length documentary film Marina Abramovic The Artist Is Present follows the artist as she prepares for what may be the most challenging performance of her life — a new piece that will be the highlight of a major retrospective of her work, taking place this spring at The Museum of Modern Art in New York.
To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more — it is the chance to finally silence the question she has been hearing over and over again for four decades: “But why is this art?” At 63, she has lost patience with being branded “alternative.” That designation, she says, just gives people license to rip her off. What she wants now is for performance art to be legitimated. She is thinking of her legacy — and the MOMA show, as she well knows, can secure it once and for all. “It is,” she says simply, “the most important [show] of my life.””
View some of our favorite videos and interviews with Marina Abramovic after the jump.
Photographer Maja Daniels is studying aging. Her photo series “Into Oblivion,” shows the raw and fragile lives of those living in an Alzheimer’s ward. Working in a geriatric unit in France, the Swedish photographer Daniels spent three years documenting life for the residents. Those suffering from Alzheimer’s were kept in a locked ward as a protective precaution due to their innate tendencies to wander and get lost.
“This series documents not only the day-to-day challenges in an often ignored sector, but also the wider implications of the growing populations of elderly in modern society as an increasing life span has coincided with the breakdown of the family unit. These aspects have caused a growing disregard for the elderly, swept aside by a commercially driven, youth-obsessed culture. As growing old and being dependent is more taboo than ever, the geriatric institution hides our elders away, safely out of sight.”
Children do not care for their parents as they once did, and national healthcare often fails to meet the needs of those who need it. Bringing the viewer into the heart of this lifestyle, Daniels is hoping to motivate us to view our own personal role within healthcare policy:
“While giving a vision about what living with Alzheimer’s in an institution might mean, I want to motivate people to think about current care policies and the effects it can have on somebody’s life. This project gives a rare insight to a part of the modern geriatric institution. It attempts to create a discussion about our institutionalized, modern way of living as well as the use of confinement as an aspect of care.”
Conceptual artist Can Pedekmir creates digital portraits of imaginary creatures. According to the bio on his website, he works on the “deformation of human and animal body using various methodologies,” one of which he lists as applying “mathematical equations.” Other methodologies seem to include using hair. Lots of hair.
Pekdemir’s portraits are in stark black and white and appear like artifacts from an alternate dimension. His subjects are creatures with no distinguishable features; instead, their faces and entire heads are coiffed, tangled masses of hair and other biomatter. The result looks something like Where the Wild Things Are by way of Edward Gorey. Alternatively, it’s as though an entire forest undergrowth developed sentience and decided to pose for some erstwhile photographer.
Pekdemir’s work was featured most recently at the Unseen Photo Fair in Amsterdam, which ended late last month. He’s listed as a photographer, which only serves to highlight the eerie surreal quality of his art. Part photography and part elaborate fiction, his work blurs the lines between what is and what could be. (via Hi-Fructose)
Tanner Teale’s work uses every day materials to investigate the difference between performance and documentation. With each of his studies, Teale obsessively creates a kind-of “living” still-life that is full of tension and mystery. His most recent piece titled “Hair Dryer Knife Balloon” (pictured above) makes it clear that each of Teale’s portraits are comprised of a series of components that are completely reliant upon each other (like a formula or a recipe) in order to make the portrait as a whole work. Think of it this way: if that fan gets unplugged, the balloon will definitely pop.