Michael Caine’s current work situates American political figures, both past and present, in altered 18th century paintings and Christian religious kitsch, referencing scenes from Alice in Wonderland, Bambi, and the Wizard of Oz. Drawing on the lineage of political cartooning in these pictures, Caines treats Richard Nixon, JFK, and Carl Rove, among others, with surprising tenderness and humor.
Eric Larson, Lunar Year 2008 Collage 32 x 46 in. Collage using Moon Cycles collected for one year between 2007-2008.
Collecting moon cycles for the course of one year – Eric Larson makes collages and mandalas with dedication and patience. His process and the materials used offer an entry point into a conversation of time, aging and the repetitive patterns we inconspicuously pass by.
Alejandro Cardenas, based in NYC, creates watercolor and guache works in which stark, flat figurative elements blend seamlessly with abstract flourishes and branches of washed out color. Set amidst a deep black background, this work stands out well. Too often, water based media is used as a generator of quaint atmosphere; whimsical drawings that take up very little space on paper or canvas. Cardenas’ work, conversely, is bold and fully composed where others may have defaulted into paltry understatement.
Sandro Giodarno‘s photographs are like Saturday morning crime scenes. The victim? Dignity, mostly. His carefully choreographed pictures show a snapshot of cartoonish tragedy.
According to Designboom, Giodarno says of his photos, “The instinctive reaction is bewilderment and awkwardness towards the unlucky fate of the character, but then that same awkwardness breaks into a liberating laugh. This is the effect I want to recreate through my photographs: tell tragedy through irony.”
While the photos are at times baffling, they’re also increasingly absurd and comedic. One woman’s grocery trip ended in a gruesome mishap with a tomato sauce blood splatter. Another is wearing a halo of pottery shards instead of flowers. The body count reads five in one photo of a dinner party that went down like the TItanic. Truly, Giodarno’s characters are a series of unfortunate people.
“My photographs are short stories about a falling-down world,” Giodarno says, describing each scene as a “black-out” moment where each character simply gives into an existential malaise and flops down, unable or maybe unwilling to go on. They just lie there, clutching whatever material possessions they happen to have with them, that happens to define them whether deliberately or through happenstance.
On first glance, it might seem a little sad. But the name of the collection, “In Extremis (Bodies with No Regret),” is reassuring, like maybe they’ll get up again — or maybe they are fine just where they are. (h/t Designboom)
Tatiana Blass built a human body that leans over the spine of a chair. She built this body out of wax and gave it a spotlight to shine; however, its glow not only illuminated, but also curdled the figure’s shape with heat. Arms broke off and bone emerged. Soon the body itself was only spine.
Spine against spine.
On another day, at another location or time, Blass built another body, a lying down one. The heat was not on the back, but instead rising from below. The body melted and there was no bone. Only a puddle of wax, something similar to where the body began.
The dissolution is the performance, the performer is the object: it moves to mirror our horror, to show its aliveness: our aliveness.
This concept of sculpture as a temporary structure feels relative to Urs Fischer’s own monolithic candlelit figures which also weaken over time. Both generate a sense of narrative that we relate to instantly– feelings of loss or devastation amidst chaos. Ashes to ashes. Dust to dust. Wax to wax. What slips through our fingers: a certain temperature from day to day. We cannot gauge. An inevitable ritual.
The music must come to an end, and it does, especially for Blass’s other installation (video above), as Thiago Curry pounds five easy pieces on the keys, while two men pour melted paraffin into the grand piano.
Lukasz Wierzbowski is a freelance photographer from Wroclaw, Poland. His photographs exude youthful energy and a sense of humor. With a keen eye for composition and a love for nature his work often features a figure playfully interacting with an environment. The result is a body of work that serves as pictorial allegories involving our relationship with the world around us.