David Mach‘s incredible installations spill and pour into the spaces they inhabit with the fluidity of water and the compositional precision of a laser. Created out of discarded magazines and other found objects these larger than life installations take over entire buildings in every shape possible from immense columns to organic round piles of mass that pick up everything in its path. (via)
Julie Weitz’s 2011 multimedia series of masked figures are deconstructed meditations on the human body that are folding, weaving, morphing, and collapsing onto one another like a jigg saw puzzle that has no beginning nor end.
Ralph Pugay‘ is a Portland artist who makes awesome, lighthearted paintings. His colors and content is all comic, but his style reminds me of a combination of Waldo and Pieter Bruegel–a million things going on with lots of different characters all in one big flattened space. One of the thing i love about this, Waldo, and Pieter, is that you can spend a whole afternoon staring at and finding new, funny things in them. Confused hunters, dancing office workers, spiritual gymnasts; I can’t get enough. Check out the rest after the jump, then go look at the other 42 on his website!
Thierry Cohen is seen as one of the pioneers of digital photography. Since 2010 he has devoted himself to a single project – “Villes Eteintes” (Darkened Cities) – which depicts
the major cities of the world as they would appear at night without light pollution,
or in more poetic terms: how they would look if we could see the stars.
Cohen’s method is original and precise and harkens back to the methodologies employed by early 19th century photographers like Gustave Le Grey. He photographs the world’s major cities, seeking out views that resonate for him and noting the precise time, angle, and latitude and longitude of his exposure. As the world rotates around its axis the stars that would have been visible above a particular city move to deserts, plains, and other places free of light pollution. By noting the precise latitude and angle of his cityscape, Cohen is able to track the earth’s rotation to places of atmospheric clarity like the Mojave, the Sahara, and the Atacama Desert. There he sets up his camera to record what is lost to modern urban dwellers.
Lucy Hilmer is a photographer who has taken nude self portraits each year for the last 40 years of her life, on her birthday. She takes the photos wearing only underwear, socks, and shoes. The act of being naked, she says, is in defiance of the prescribed definition of beauty applied to her body. Being a woman with a slim figure and classically appealing features, she found she wanted to define herself through these photographs, rather than accept the definitions of others.
It seems counter-intuitive at first to remove your clothes in photographs in order to redefine how you are perceived. If you stand nearly naked in front of a camera in a relatively neutral pose, and you are “beautiful”, chances are you will just continue to look beautiful in that photo. Still, for Hilmer it isn’t really about how others perceive her, it is about how she perceives herself. She looks beautiful throughout, as she is pregnant, as she ages, in whatever setting she’s in, because she is comfortable in her skin.
The portraits are well composed and creative. In one, Hilmer’s arm imitates the shape of a large driftwood tree beside her. In another, the dynamic composition makes her pose beside her equally naked husband (facing backward) comic but also epic against the tall trees in the background. (Via Lost at E Minor)
Let’s check in with Danish artist Asbjørn Skou (aka Armsrock), who’s been doing, for a minute now, large scale drawings of downtrodden figures and pasting them on the street. Lately, in addition to continuing his drawing pursuits, he’s been working a lot with image projection. He first used the technique to effectively “paste” his figures onto buildings with light. These days he’s evolved into a slightly more abstract methodology, inserting doors and entryways where blank walls used to be, and conjuring stalactite-filled caves. Armsrock’s always had a knack for depicting the struggles of the working class and the neglected. Nice to see him expanding his reach with this new work without abandoning the drawings.