In a Holland that seems to be at political boiling point and from within an art world that doubts its own identity, upcoming artist Daan Samson and renowned photographer Jeronimus van Pelt felt the need to surround themselves with only their most vigorous fellow art world inhabitants. In collaboration with the illustrious art gallery TORCH they present a photo series of the most delectable babes in the contemporary field of art. Eight female curators, theorists, artists, critics, museum directors and other art related women have agreed to be portrayed as sexual beings.
The woman as an inspiring muse is a recurrent theme in Western art history. Daan Samson invited photographer Jeronimus van Pelt to explore and interpret this timeless fascination together with him. What followed was a probing search for the female beauties within the contemporary field of art. At exhibition openings and art do’s they approached only the most ravishing art professionals. Likewise, on social network sites like Facebook only the cutest art hotties were invited to pose as objects of desire.
Seattle based illustrator Stacey Rozich’s work is littered with vibrant tribal patterns and drawings based on folklore. She brings an animated, lively, modern perspective to stories of myth. Her pattern work and line work are nothing short of exhilarating, playing reference to southwestern art, and tribal marks.
Maseman is Mason McFee: an artist, illustrator and designer from Austin, Texas. He is the art director for The Screamer Company and an artist for Cyclopean Records. His work blends illsutration and design with vintage photos. While his work seems to include a lot of geometric shapes and abstract elements, it also has a very organic feel. Much of his work seems to include natural elements, such as a wood background or a landscape image. Check out more of his work after the jump, or go to his website.
I’m really digging the often surreal, always vibrantly colorful and playfully geometric paintings of Paul Wackers.
From his artist’s statement: “My work is first a response to the world and then a reaction to what it has to offer. Images surround me as abstract concepts, presented by the curious interaction of forms, feelings, and situations. They offer a glimpse into the way the world is constantly being reloaded with opportunities and options for reinterpretations and impressions. It might start with a beam of light passing through a window in the afternoon and that within that beam there is the potential of a full spectrum to appear. In my paintings I try to create the feeling of getting lost in the thoughts that are easily ignored or put aside.”
Christo Dagorov’s drawings are beautifully crafted with detail and precision. With a bird’s-eye view landscape that mimics cracked lips, a forest that’s tree trunks create the illusion of small teeth, and perfectly shaped bodies as pursed lip crevasses, his illustrations truly come alive. The work is hauntingly graceful, yet captivating and complex. Each piece is paired with a precise, one word title, allowing every drawing to become of moment of inquiry.
For example, his drawing titled Aspiration depicts a city. Here we may see a desire for or missed connection to the urban world. Or, perhaps, he is he glorifying the amount of ambition it takes for a city to be built — a sort of homage to the achievements of man.
Next there is Authenticity, illustrating trees with exposed roots. Is this simply a statement that nature is utterly and unarguably the most authentic entity?
Indiscretion shows a figure behind bars, hinting, perchance, at the recklessness of lawlessness. Or, even further, the general rashness of humanity.
The drawing Negligence portrays snakes and jellyfish — animals that can poison. Maybe this drawing acts as a warning for those who neglect either themselves, the purity of nature, or their own relationships with others.
However, Dagorov’s use of lips provoke greater meaning than just that of his titles. Lips have various powers. They have both the power to speak and to seduce. We can use our lips for acts of good, acts of lust, as well as acts of harm. Paired with these sinful versus virtuous words — are the lips creating a platform for which both darkness and light can be portrayed on equal playing ground?
Or, perhaps these lips suggest a discussion of language. Are they used as a means to hint at the the subjective nature of semantics? If language is something that simply comes from ones lips, what does it truly mean? If history proves anything, it is that language is single handedly one of the most dangerous devices of them all.
Christo Dagorov’s work is aesthetically complicated with perplexing purpose. Every drawing demands attention and reflection. For more of his work you can find him here. (via Faith is Torment)
Artists/design team Thyra Hilden and Pio Diaz collaborated to create, Forms in Nature, a chandelier which, when alight, creates shadows in any (reasonably sized) room that appear to be intertwined tree branches or entire root system. Describing their collaborative process as combining “existing cultural icons and basic elements, which they transform and modify to tamper with the common perception”, the duo essentially reconnects modern technology to more primitive, natural elements.
The creators say of the piece, “The shadows engulf the room and transforms the walls into unruly shadows of branches, bushes, and gnarled trees. Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness.” (via mymodernmet)