Canadian illustrator Michael DeForge’s portfolio recalls the festering goodness/grossness of cartoon classic staples Ahh Real Monsters and Ren & Stimpy that made your eyeballs feel like they were covered with a layer of prismacolor slime. I love his posters for bands such as Xiu Xiu and Les George Leningrad. Very fitting.
I love Emily Noelle Lambert’s palette- it’s like Wayne Thiebaud’s pastel pastilles and tiers of cupcake glazes applied with the loose, graceful grime and grit of German Expressionist paint handling. Sweet but not overly so. If you are in NYC, her show opens at Priska Juschka Fine Art tomorrow night, Nov. 5th.
While killing some time online I stumbled across the work of Dana Dart-McLean on Small A Projects website. Small A Projects works with a wide array of young up and coming artists like Dana who work in every medium from sculpture to photography to painting. I haven’t had a chance to stop by the gallery and see the space in person but it looks like a worthwhile destination on your next trip to NYC.
When I sleep at night this is what my dreams look like. OKAY….. maybe they don’t look like this but I wish they did.
Gelitin is comprised of four Austrian artists who met in 1978 at a summer camp and started exhibiting internationally as a group. Their cleverness in dealing with topics such as childhood, the functionality of objects, scale and absurdity are obvious in projects and corresponding titles such as “Klunk Garden” and “The Dig Cunt.” I like that their work seems to take on a variety of tones- ironic one moment and nostalgic the next. But all appropriate.
Based in France, skull artist Jim was born in New Caledonia, “gateway for Oceania and many other horizons. He goes to New Zealand, stops over the New Hebrids, discovers Australia, India, and lands in Hong-Kong. Human experiences, cultural, ritual, he is marked by his travels and encounters…” He is informed by “contemporary art, African, Oceanian, Amerindian, popular, religious…multiple passions and a melting-pot of influences”. Now that’s a lot of location-dropping, but it’s evident that a lot of brain-stewing and new-material-hunting goes into his sculptures.